Lifestyle
What did the beginning of time sound like? A new string quartet offers an impression
The Takács Quartet — left to right: Edward Dusinberre, Harumi Rhodes, Richard O’Neill and András Fejér — collaborated with composer Nokuthula Ngwenyama (center) to premiere her composition “Flow.”
Cal Performances
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Cal Performances
The Takács Quartet — left to right: Edward Dusinberre, Harumi Rhodes, Richard O’Neill and András Fejér — collaborated with composer Nokuthula Ngwenyama (center) to premiere her composition “Flow.”
Cal Performances
Abrasive, intense and about to erupt at any moment. So begins Flow, a new piece by Nokuthula Ngwenyama for the Takács Quartet. Coaxing peculiar sounds out of centuries-old string instruments, the composer is trying to express nothing less than the dawn of the universe, when ionized gas filled outer space leading up to the Big Bang.
Ngwenyama asks the musicians to play on the other side of the bridge, usually a no-man’s-land near the tailpiece of the instrument where the strings are short, taut and barely resonate. “So they’re getting kind of overtones on their strings, and noise,” she explains midway through the quartet’s 13-city tour. “They’re pushing the instrument to its maximum amplitude in a way maybe they hadn’t done before.” The musicians have to play close to their faces, except for the cellist, who has to reach far down, near the ground.
“This was the very first time for me. I couldn’t see what I’m doing on the instrument,” says cellist András Fejér, a founding member of the quartet. “First, it was a shock. Then it was a scare. Then I could relax somewhat because the violins actually had some visual point of entry for me.”
Ngwenyama’s task for the piece, commissioned by Cal Performances and eight other presenters, was to make music inspired by the natural world. She spent more than a year researching topics as varied as carbon reclamation, animal communication and black hole collisions. Ultimately, she focused on patterns in nature.
In the music, Ngwenyama assigns the note B to hydrogen and the combination of B and E to helium. As the two elements stabilize, there is light, followed by stars and galaxies that begin to form. The piece also conjures subatomic particles known as quarks, which the composer sends into a giddy waltz. The finale mimics giant flocks of starlings, twisting and dancing through the air in a great murmuration as violins chase each other in an unrelenting drive before coming to a soft landing. Ngwenyama also borrows from other musical traditions, such as the gong of a Balinese gamelan ensemble, heard in plucked notes on the cello.
Pushing boundaries suits the string quartet format. “Throughout time, composers are often at their most experimental when it comes to writing for string quartets,” Takács violinist Harumi Rhodes explains. “There’s something about the string quartet that’s flexible and intimate — just being a family of four. But we can also sound like a symphony, we can be mighty and strong.”
Ngwenyama and musicians fine-tuned Flow together ahead of its November premiere in Berkeley, Calif. Rhodes says there’s nothing more exciting than creating new work together like this, with the composer in the same room. The music demands versatility and virtuosity and the Takács Quartet is an ideal partner.
The Takács Quartet performs Nokuthula Ngwenyama’s “Flow” during its world premiere at Cal Performances in Berkeley, Calif. on November 12, 2023.
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The Takács Quartet performs Nokuthula Ngwenyama’s “Flow” during its world premiere at Cal Performances in Berkeley, Calif. on November 12, 2023.
Cal Performances
A tension runs between the experimental and the highly stylized throughout Flow, which is Ngwenyama’s first string quartet. But ultimately, the central theme is connection — between humans, between various elements in nature, and between humans and nature.
“It’s hard not to be influenced by the way people are treating each other in the world, which is sadly not with the kindness that I would hope we could treat each other with,” Ngwenyama says. “We’re building walls between each other instead of celebrating our commonalities and the fact that we are of the same stuff. On top of that, we are today the 4.6% of matter in our own universe. So we are the anomaly with our chemical selves, and we should value and treasure each other.”
The radio version of this story was edited by Jacob Conrad and produced by Adam Bearne. The digital version was edited by Tom Huizenga.
Lifestyle
Is your neighborhood riddled with dog poop? : It’s Been a Minute
Is dog poop a scourge in your area?
borisz/simplehappyart/Getty Images/Photo Illustration by NPR
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borisz/simplehappyart/Getty Images/Photo Illustration by NPR
Left-behind dog poop is annoying. But it’s also a sign of anti-sociality.
Spotting unidentified poop outside is an unfortunate and unavoidable part of being alive, but in some cities, there’s a scourge being left behind by some people’s four-legged friends. Manuela López-Restrepo, writer and producer at All Things Considered, couldn’t stop noticing it – and she wondered if it might be a sign of something deeper going on. Paired with dogs popping up in places they maybe shouldn’t be – she wondered: can dogs be a vector for anti-social behavior? And what would it look like for people – and their pets – to share space more harmoniously?
Manuela shares her reporting with Brittany and they get deeper into the story of the dookie.
For more episodes about culture and how we share public space, check out:
The Coldplay kiss cam & moral surveillance
Crime is down. Why don’t people feel safe?
In search of a safe place to cry…
Support Public Media. Join NPR Plus.
Follow Brittany on Instagram: @bmluse
For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
This episode was concepted and reported by Manuela López-Restrepo. It was produced by Liam McBain. It was edited by Neena Pathak. We had engineering support from David Greenburg. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
Lifestyle
L.A. Times Concierge: ‘I’m interested in photography. What great L.A. historic sites should I capture?’
I live in Santa Barbara and I’m interested in photography. Where are some historical places to take pictures in Los Angeles? I’m interested in old movie palaces, movie and TV show locations, historic homes and buildings, World War II–related sites and airplane museums. — William Lemons
Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.
Here’s what we suggest:
It’s cool to hear that you’re interested in capturing the beauty and history of Los Angeles through your camera lens, William. Given that you’ll be traveling from out of town, I am recommending spots that you can visit in a single day, if you’d like. They’re mostly in and around Downtown L.A.
First off, if you don’t feel like driving and paying for parking all over town, I’d suggest taking Amtrak from Santa Barbara to L.A. You can take take photos of the gorgeous view along the way and once you step off the train, you’ll already be at the first historic site on the list: the true stunner that is Union Station.
Open since 1939, it’s one of the country’s last great train stations and considered to be the largest railroad passenger terminal on the West Coast. Designed by father-and-son architect team John and Donald Parkinson, it blends Art Deco, Spanish Colonial and Streamline Moderne styles. Travel writer Christopher Reynolds, a.k.a. the person in the newsroom that everyone goes to for trip advice, tells me, “With its clock tower, big arches and high ceilings, Union Station feels like a secular church.” He notes that security guards will often shoo you off if you use a tripod without advance approval, so it’s best to bring a handheld camera instead.
Next, walk across the road to Olvera Street, one of the oldest streets in L.A. It’s part of El Pueblo de Los Angeles Historic Monument that’s been fighting to stay open since the pandemic. As you stroll through the area and take pictures, check out the Mexican marketplace, capturing the pottery, clothing and art along the way, and grab some authentic cuisine. Times food editor Daniel Hernandez swears by Cielito Lindo, a taquería that’s been around since the 1934, and still makes the most “perfectly rolled taquitos.” (The family-owned restaurant is currently raising funds to stay open due to economic hardship.)
Next, hop on an e-scooter or take a quick bus ride to the Historic Broadway Theater District, which has 12 stunning movie theaters — all of which were built between 1910 and 1931. The Los Angeles Conservancy even hosts walking tours of the famous district. You can register online for the next ones on June 6, 13, 20 and 27.
You’ll probably be hungry after the tour, so you might as well visit Grand Central Market, the city’s largest and oldest public market. Open since 1917, the market has more than 40 food stalls including China Cafe (open since 1959), Villa’s Tacos, Egg Slut and more. Afterward, take a brisk walk to L.A.’s most beautiful library, the L.A. Central Library, which turns 100 this year. Grab your camera and marvel at the exterior of the Art Deco-style building, which draws inspiration from Egyptian and Mediterranean Revival architecture. Then head inside on the second floor rotunda to see the marvelous California history mural and the breathtaking globe chandelier.
Now for some rapid-fire suggestions across L.A.: There’s Frank Lloyd Wright’s 1920s-era Hollyhock House at Barnsdall Art Park in East Hollywood. (If you go here, I suggest stopping by nearby Ululani’s Hawaiian Shave Ice for a delicious sweet treat.) Or check out any one of L.A.’s most iconic TV houses including “The Brady Bunch” home in Studio City, “The Golden Girls” residence in Brentwood and the “Seinfield” Koreatown apartment building. (These are private residencies, so you won’t be able to go inside but you can snap a photo of the exterior.) If it’s architecture you’re into, peruse this guide to L.A.’s iconic homes that you can tour IRL, including the Adamson House in Malibu, the Eames House in Pacific Palisades and the Lummis Home (El Alisal) near Mount Washington. Finally, if you’re open to joining a group of fellow photographers, I suggest following Instagram pages for collectives like L.A. Photo Club and the 85 Mil Photo Walk Series, which host meetups and walking tours regularly.
L.A. is filled with so many beautiful historical sites, so I hope that these suggestions help get you started, and most importantly, that you continue taking awesome pictures. Have a great time!
Lifestyle
Trump floats MAGA rally instead of concert after musicians drop out of Freedom 250
President Trump speaks at the Memorial Amphitheater in Arlington National Cemetery on May 25 in Arlington, Va.
Alex Brandon/AP
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Alex Brandon/AP
President Trump has suggested that an event celebrating America’s 250 birthday should instead be a Make America Great Again rally after many of the artists who were announced to perform dropped out.
The Great American State Fair, which is set to begin on June 25 on the National Mall, had featured artists such as Martina McBride, Morris Day and the Time, The Commodores and Poison’s Bret Michaels — who have all since withdrawn from the lineup.
McBride explained why she decided to not to be part of the fair, writing in a social media post she was presented with an opportunity to perform at “a nonpartisan event but that turned out to be misleading.”
“In my mind I thought this was a great way to celebrate the states and also bring people together in the way that only music can. I saw it as just a bigger version of so many state fairs I have performed at over the years, celebrating community and what makes each state special,” McBride wrote in the post on Thursday night. “Yesterday things started changing and what we were told is, in fact, not what is happening.”
Some artists plan to still perform at the fair. Vanilla Ice said he would not drop out of the event, writing on social media, “This is not a political platform. This is celebrating America’s birthday.”
In a social media post on Saturday, Trump called the performers who backed away from the event “Third Rate” and said he will give a speech that will rally the U.S. “forward like I have done ever since being President!” Later on Saturday, Trump wrote in another social media post that the event should be canceled and replaced with a rally.

“We should have a giant MAKE AMERICA GREAT AGAIN RALLY, for 250, instead of having overpriced singers, who nobody wants to hear, whose music is boring, and yet who do nothing but complain,” Trump wrote.
The fair is being organized by Freedom 250, a public-private group working with the White House to organize the celebration of America’s 250 birthday. The Trump-backed celebrations have drawn criticism and concern that it is centered around himself instead of the country.
Democratic lawmakers and watchdog organizations, such as Citizens for Responsibility and Ethics in Washington, have also questioned where private donations for the 250th celebrations are coming from.
Interior Secretary Doug Burgum, who is involved with planning the celebration, on Sunday said the events are “nonpartisan.”
“It’s not about the transparency of the donors,” Burgum said on CNN’s State of the Union when asked if the donations should become public. “This is about Americans celebrating the 250th anniversary.”
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