Connect with us

Lifestyle

Take a sneak peek into a legendary songwriter's creative process

Published

on

Take a sneak peek into a legendary songwriter's creative process

The Library of Congress acquired the papers of Leslie Bricusse an Academy Award-winning songwriter, earlier this year.

The Library of Congress


hide caption

toggle caption

Advertisement

The Library of Congress

You may not know the name Leslie Bricusse (pronounced Brick’-us), but you very likely hum some of the songs he’s written: “Pure Imagination,” “What Kind of Fool Am I?,” “Talk to the Animals,” Superman’s theme “Can You Read My Mind,” “Goldfinger.”

And remarkably, some 60 years after his heyday, the composer-lyricist is having a moment.

In A Quiet Place: Day One, a woman who may be the last human survivor on a Manhattan infested with aliens checks her iPod and pulls up Nina Simone singing “Feeling Good.” She needs a song to express defiance and how, as her world lies in ruins, she exults in being alive. Sentiments Bricusse put to music six decades ago seem perfect.

Advertisement

That same song popped up on the premiere of the Netflix series Obliterated to help a bomb defuser steady his hand. And family audiences spent last Christmas singing along with “Pure Imagination,” crooned by Timothée Chalamet’s Willy Wonka to tie him firmly with the Gene Wilder original.

Bricusse often wrote lyrics for other composers’ music. He wrote “Pure Imagination” and “Feeling Good” with Anthony Newley. At other times, he wrote both music and lyrics. He was a master of many styles, all of them entertaining, and it turns out that’s every bit as true of the papers his widow, actress Yvonne “Evie” Romain Bricusse, best known for co-starring with Elvis Presley in Double Trouble, donated recently to the Library of Congress.

Mark Eden Horowitz, a senior music specialist at the Library of Congress, where the Bricusse papers join those of Leonard Bernstein, Richard Rodgers, the Gershwins and others, says that in addition to the scripts, musical scores, notes for ideas on shows that never came together, recordings and other items, what’s remarkable about this particular collection is Bricusse’s notebooks.

“Just sort of drugstore notebooks,” he says, holding one out, “but he lived his life in these things.

Advertisement

“They’re beautifully calligraphed, most pages are numbered and often dated and indicate where he was in the world at the time, Acapulco on November third, 1986.” And then he does these amazing calendars.”

Calendars rendered in five or six colors, and necessary because “he’s constantly working on 10 or 12 projects at a time.”

Leslie Bricusse's multicolored

Leslie Bricusse’s multicolored “Doctor Dolittle” calendar.

The Library of Congress


hide caption

Advertisement

toggle caption

The Library of Congress

Some of those, no one’s heard of. “For a long time, chuckles Horowitz, “he was working on a musical version of Henry VIII. I swear he considered 30 different titles, one of which was The King & I & I & I & I & I.”

There are lots of fun discoveries. Bricusse’s lyrics sound so natural that it’s hard to imagine they didn’t just spring from him that way, but the notebooks are where he polished them. Take page 58 in the one where he’s working on “Goldfinger.” He has heart of gold/this heart is cold….web of sin but don’t come in. But he has too many “golden”s, so in the notebook, he’s slashed through golden, in “the man with the golden touch” and replaced it with “Midas.”

Advertisement
A sneak peek into Bricusse's creative process as he worked on

A sneak peek into Bricusse’s creative process as he worked on “Goldfinger.”

Library of Congress


hide caption

toggle caption

Library of Congress

Advertisement

That turned an OK line into a classic and goes much better with the next line that he already had: “A spider’s touch.”

That’ll be a fun find for somebody’s dissertation. Mixed in with that sort of thing is marginalia about theater, movies, budgets, life … seemingly whatever was on his mind.

“He asks himself questions,” says Horowitz, “he puts down what he’s thinking, asks himself should he be thinking that? Why is he thinking this? What should he do about it?” It’s his thoughts about everything that is ideal for researchers.

Asked whether George Gershwin did something similar, Horowitz almost laughs. “No. I’ve never seen a collection with this much-organized detail.”

Advertisement
A page from Leslie Bricusse's notebooks.

A page from Leslie Bricusse’s notebooks.

The Library of Congress


hide caption

toggle caption

The Library of Congress

Advertisement

So, it is a treasure trove, but also one in which those details are sometimes puzzling — blocks of letters, say, in some of the margins. It turns out that’s how Bricusse wrote out the melodies — not with musical notes on sheet music as most composers do, but using the alphabetical letters that represented the notes. C, A, B-flat, and so on. Horowitz figured out how to read them and how to play the melodies if asked.

These pop songs were Leslie Bricusse’s life work. The notebooks, decorated, colorized, wildly ornate, feel — perhaps inadvertently — like art, themselves.

Horowitz, noting that Bricusse’s widow is an artist and that they collaborated on some things together, agrees. “Clearly, yes, he has a sense of design, and color, and he seems to want to keep things lively and interesting and attractive.

“I think he’s an entertainer in every sense. He wants people to be bubbling joyous; I think he’s always looking for the rainbow, for the magic.”

Advertisement

Judging from the notebooks that have found a new home in the Leslie Bricusse Collection at the Library of Congress, he found it.

Lifestyle

‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

Published

on

‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

Neve Campbell in Scream 7.

Paramount Pictures


hide caption

toggle caption

Advertisement

Paramount Pictures

The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture

Advertisement
Continue Reading

Lifestyle

Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

Published

on

Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

Abriana Vicioso is the host of the Flower Hour, which takes place monthly.

(Jennifer McCord / For The Times)

Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”

The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.

Advertisement

Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.

Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event's offerings.
Herbal tea is part of the event's offerings.
Floral arranging is the main activity.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.

The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.

Advertisement

The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”

Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”

  • Share via

    Advertisement

Advertisement

After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.

In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.

During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”

The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.

Conversation cards to generate discussion among participants (left). The workshop serves as a "third space" for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
LOS ANGELES, CA -- FEBRUARY 22, 2026: Participants smoke marijuana during The Flower Hour, a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.

Advertisement

After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”

Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.

“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.

Advertisement
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements.

The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.

Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.

“This is a great way to connect with other people,” says Vazquez.

Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”

Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.

Advertisement
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.

Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”

On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.

To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.

Advertisement

“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.

A finished floral arrangement.

Continue Reading

Lifestyle

‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

Published

on

‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)

François-Xavier Marit/Getty Images


hide caption

toggle caption

Advertisement

François-Xavier Marit/Getty Images

This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.

Who’s Bill This Time

State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle

Advertisement

Panel Questions

The Toot Tracker

Bluff The Listener

Our panelists tell three stories about a travel hack in the news, only one of which is true.

Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings

Advertisement

Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.

Panel Questions

Cleaning Out The Cabinet; Bedtime Stacking

Limericks

Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky

Advertisement

Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict, after American Girls, what’ll be the next toy to get an update.

Advertisement
Continue Reading

Trending