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She missed out on 'Mean Girls' 20 years ago — but Busy Philipps got a second chance

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She missed out on 'Mean Girls' 20 years ago — but Busy Philipps got a second chance

Busy Philipps attends the Mean Girls premiere in New York City on Jan. 8, 2024.

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Arturo Holmes/Getty Images


Busy Philipps attends the Mean Girls premiere in New York City on Jan. 8, 2024.

Arturo Holmes/Getty Images

When the 2004 blockbuster Mean Girls came out, Busy Philipps was irked. “I was jealous that I wasn’t in it, to be honest,” she says. “I couldn’t even audition for it because I was filming White Chicks.”

Twenty years later, Philipps is making up for that missed opportunity, playing Mrs. George, mother of queen bee Regina George, in the new musical film version of Mean Girls. A mother of two, Philipps says she found Mrs. George’s quest for her daughter’s approval particularly relatable.

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“I am famous. People think I’m cool. But you [are] just never cool to your kids. Ever,” she jokes.

Philipps says she feels especially lucky for the chance to work with Mean Girls writer and actor Tina Fey. In the comedy series Girls5eva, which Fey also co-produced, Philipps plays a member of a girl group trying to make it decades after their one hit.

Philipps got her start in Hollywood when she was 19, playing tough girl Kim Kelly on the critically acclaimed — but short-lived — series Freaks and Geeks. She says Fey and Freaks and Geeks creator Paul Feig are among the few producers who never asked her to change her body for a role.

“God, so many things were asked of me,” she says of her previous Hollywood roles. “I’ve been asked to lose weight like a billion times. I was told at one point to consider having all my moles removed from my neck and face and my body.”

Philipps reflected on her career and the sexism she faced in Hollywood in the 2018 memoir, This Will Only Hurt a Little.

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Interview Highlight

On playing Mrs. George in the 2024 musical movie Mean Girls

I’m in the Mean Girls movie for, I don’t know, 10 minutes? I have no idea, not that long, but I love figuring out what makes that character kind of heartbreaking too. … How can I show the full range of personhood [for] these characters that [are] kind of two dimensional on the page? …

I tried the best I could to sort of imbue the character with that thing of, like, she’s been waiting her whole life to have girlfriends who love her, and she has these girls around her, and she’s still on the outside looking in, and she’s like, even as a mom, what’s wrong with me? I just think it’s so deeply relatable and sad and just kind of breaks your heart. So that was how I approached this comedic role.

On working with Tina Fey on the new Mean Girls and Girls5eva

I don’t know how I got so lucky, except that I’ll take it and I’m so glad. I’m so grateful for it, because I did spend so much of my early career wanting to be in the boys’ club of comedy, and always feeling like I don’t understand why I’m not. I just don’t get it. Why am I not in this club? …

I was such a huge, huge fan of hers. Of course her career meant everything to me. Like there was nothing better than 30 Rock. It made me laugh so hard. And I didn’t understand how there were so many jokes. It’s so dense. I mean, that’s what sometimes on Girls5eva, I’m like, I don’t even know what this is, but I’m going to say it because I assume it’s a joke. …

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I’ve gotten to work with her in so many different capacities, both as a producer who’s pitching me jokes for my show, helping us break it and figure out what it is, and then handing me these amazing roles: Summer on Girls5Eva and now Mrs. George.

On how her lisp as a child led her to performing

I had a lisp when I was little. I was like Cindy Brady. … I couldn’t say my R’s or my Th’s or my S’s, in first grade and second grade. And then I got a speech therapist. … But my mom kind of convinced me to do this poem in the talent show, which had a lot of the aforementioned letters that were hard for me. But I worked so hard on it because I wanted to do really well, and I wanted to make people laugh. It was like a silly poem. And I did it and it felt so good. And then I was like, “Oh, this is the thing. Everybody has to look at me. And if I do it right, they’re gonna laugh and they’re gonna clap and everybody’s gonna be looking at me.”

On the collaborative environment on the Freaks and Geeks set

I was 19 when I did the pilot of Freaks and Geeks. The set was incredible. Everyone was really young. Judd Apatow and Paul Feig and Jake Kasdan were at the helm, and they were so respectful of all of us kids as being valid and having a voice in what we were doing. I didn’t understand that that’s not how television worked, or movies or entertainment for that matter, because it felt so collaborative. … The way that they made that show was with such heart and such love for the characters, and they really extended that to us in a way that was so I know now rare and and so generous.

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Heidi Saman and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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Nearly half of Americans surveyed don’t know what America 250 commemorates

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Nearly half of Americans surveyed don’t know what America 250 commemorates

People visit the Liberty Bell on the eve of Independence Day in Philadelphia on July 3, 2025. The crack in this symbol of U.S. freedom echoes the paradox between national pride and civic ignorance revealed in a new national poll.

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A new national poll reveals a striking paradox in public sentiment ahead of America’s 250th anniversary: a disconnect between Americans’ strong patriotic pride and their lack of civic knowledge.

According to a survey from the libertarian Cato Institute think tank of more than 2,000 U.S. adults conducted in late June, 86% of respondents said they are grateful to be American and 70% believe the nation’s founding principles remain relevant.

However, nearly half of Americans (46%) don’t know that America’s 250th anniversary commemorates the adoption of the Declaration of Independence.

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This civic ignorance extends to basic governance: Nearly 60% do not know the main purpose of the U.S. Constitution is to limit government power, and do not know why the colonies declared independence from Great Britain.

Furthermore, the report highlights deep anxieties about the future of American liberty.

The majority of those surveyed believe the country has strayed from its founding principles, and more than half fear the U.S. could cease to be a free country within the next 50 years, citing corruption and the abuse of power as primary threats. The majority of both Republicans and Democrats share these fears.

The concerns are especially pronounced among Gen Z respondents, who exhibited both the lowest levels of civic knowledge and the least favorable views of the nation’s founders. The majority of Gen Z failed to cite the adoption of the Declaration of Independence as the source of the 250th anniversary.

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“The lack of civic knowledge is a great disaster,” said Coe Professor of History and American Studies and Professor of Political Science Emeritus at Stanford University Jack Rakove. “Any democratic system of government to succeed requires having an informed electorate.”

The Pulitzer Prize-winning authority on the drafting of the Constitution and the Declaration of Independence blamed the problem on the fragmented media landscape and schools prioritizing STEM subjects over civics and history.

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L.A. Affairs: He wanted L.A. I wanted New York. A panic attack changed everything

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L.A. Affairs: He wanted L.A. I wanted New York. A panic attack changed everything

Unpacking my third suitcase in our new West Hollywood home, a sharp pain shot through my chest. I felt dizzy and short of breath before sprawling out on our mattress, which was still covered in plastic.

“What’s wrong?” David asked.

An hour later, on a gurney in the emergency room at Cedars-Sinai, I waited to be admitted overnight. What a great start to our new life — back in L.A. after seven years in New York City — David sleeping alone at our apartment while I was to keep close to the paddles and operating room in case what had just happened was a heart attack.

I was 33, practicing yoga and exercising almost daily. A few months earlier, my New York doctor noticed I had high blood pressure, and I was feeling terrible, so something clearly was going on. Was an artery blocked? Nope, the tests revealed; physically, I was fine. What had happened was a panic attack.

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“Your health will be better in L.A.,” David had promised before returning to L.A.

Now I took no pleasure in his being wrong.

After growing up in Temple City (hardly L.A.), I went on a high school trip to the Big Apple and knew it was where I needed to be.

Exactly five years later, the time to escape California arrived after a miserable breakup from a three-year relationship with a guy that I hid entirely from my family. I was desperate and depressed, down 15 pounds from not eating much, my diet consisting largely of cigarettes and red wine. At the Archstone, my Studio City apartment, I did ecstasy alone on a Wednesday. One has to take a good look at himself when he’s in his bedroom, by himself, rolling, and so I decided it was time to start over in New York.

On the other side of the country, I thought it was normal to hook up with a new guy every third night. Which I suppose, for a gay man who’d spent the first 27 years of his life denying his sexuality to a family he feared wouldn’t understand, it was. My self-esteem was in the gutter, though you wouldn’t have known it from the outside.

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After a three-digit number of hookups on Grindr, I met David, a guy who lived on the same Manhattan corner as I did. We did what people do on Grindr and hooked up a couple of times.

But one morning, we bumped into each other on 9th Avenue. I left our short chat feeling uplifted by how smiley and polite he was in daylight and while we were sober. That night, we went on our first date, and the rest is history. But I hid what I assumed wouldn’t be well-received.

“Let’s move back to L.A.,” he said after four years of life together in New York.

“I’m really not ready,” I said. I loved living in New York and never, ever expected to leave. He understood, but he wanted to return to “the coast.” I knew that in a healthy relationship, it couldn’t be just what I wanted. So eventually, we packed up and moved to an apartment on North Flores Street in West Hollywood.

And now, I was in the hospital.

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After having to cancel the welcome home party our L.A. friends had planned for us, and being released from Cedars, my life fell apart. But being the one who kept everything together, I kept it together better than most would, at least in the presence of others.

I’m fine, I told myself, but I worried my heart was broken, and there was something medically wrong with it. To heal it, I’d need to accept truths that I didn’t want to.

Growing up was devastatingly hard for me. Being gay and misunderstood, with the unacknowledged pain of it kept inside, was quite literally eating me alive. Being back in L.A. meant being near my past. I told my mom I was gay before leaving for New York. She said she still loved and accepted me, but to this day, the struggle has never been discussed or acknowledged. I knew I was a disappointment to my family.

I went to Westwood what felt like 70 times, and after visiting a bunch of UCLA’s specialists, I found myself in the office of a neurosurgeon who took one look at me and said, “You don’t belong here. What you’re suffering from is plain old anxiety, and you’re going to have to work with your therapist on this.”

“I have been,” I said, “and it’s not helping.” But before I finished, he had walked out the door.

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Before long, the panic attacks got so bad, I could hardly drive. David chauffeured me, under the palm trees and bright sun, around as much as his schedule allowed, and when he couldn’t, I made the best of it, lugging my laptop with me for the hour-long trek to yoga-teacher training at Equinox in the South Bay, using that extra time in the back of an Uber to write.

For almost my entire adult life, I’d been in therapy, but it was couples therapy with David where I felt supported enough to admit, first to myself, that I’d been terrified of being fully myself. I was afraid he’d leave me if he saw the real me. Secretly I had been keeping a lifetime of pain bottled up inside because of fear — I didn’t want to risk losing him by being too emotional or having too many feelings.

Three months after that therapy session, the pandemic arrived, and being together 100% of the time for the next year, I let him in fully. He didn’t run — instead, he proposed.

It’s been eight years since that neurologist, and six since I’ve been able to fully drive again. And here in L.A., in a city characterized by its distance, I have, with David, built a close chosen family that supports and fully understands me.

Now, I feel “at home” at our Spanish-style Hancock Park house, the one we bought because we wanted to start a family of our own, only after L.A. allowed me to heal and live peacefully, and now, anxiety free.

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Had David not dragged me back, I wouldn’t have learned what I did about myself, my story of origin and living a life that’s so beautiful and that’s so true to me.

And certainly, we wouldn’t be bringing our baby daughter, Lucy, named after Lucille Ball (who’s more Hollywood?), home in mid-July by way of surrogacy.

The author is a writer and coach who helps established business owners build lives that feel as good as they look. He lives in Hancock Park. He’s on Instagram: @iammattgerlach.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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To be or not to be a parent : It’s Been a Minute

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To be or not to be a parent : It’s Been a Minute

Could you see your life just as easily with children as without? 

What if you’re not cut out for parenthood? What if you grow lonely in your old age? Or what if you have a loving partner, but you disagree on this choice? Deciding between parenthood and a child-free life requires clarity about your fears and deepest desires — no easy task. This episode, psychotherapist and author of the book, The Baby Decision, Merle Bombardieri, helps us get clear. She discusses minimizing regret, normalizing feeling ‘stuck’ and why waiting to have a baby at 38 may be best. 

Want more about the decision to have kids? 

Many women don’t want kids. And for good reason.
Why are people freaking out about the birth rate?

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Additional support for this episode came from Alexis Williams. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.

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