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Saving Houston’s LGBTQ history through thousands of hours of radio archives

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Saving Houston’s LGBTQ history through thousands of hours of radio archives

An image from the 1984 Houston Pride parade. Archivists at the University of Houston are working on archiving 30 years worth of local LGBTQ radio programming.

J. D. Doyle


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J. D. Doyle

For years, hundreds of fragile cassette tapes sat quietly aging in a storage locker in Houston, Texas. Each plastic case contained hours of radio shows, made for and by LGBTQ people.

The first shows aired in the mid-1970s. They continued, off and on, for more than 30 years — a period that included the AIDS crisis, the women’s liberation movement and the rise of LGBT civil rights. A pair of archivists, Emily Vinson and Bethany Scott, have been working on preserving the programs, thousands of hours of them, online.

“Houston is not maybe the first place you think when you think LGBTQ history,” Vinson says during a meeting in the main library at the University of Houston. In her black outfit and chic glasses, she looks like an archivist from central casting. “You think maybe New York or San Francisco,” she continues. “But a lot was happening here. I mean, you can imagine what it meant to be on the radio in 1977, identifying as a gay person.”

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The shows aired on KPFT (90.1), Houston’s Pacifica station. One of them, Wilde ‘n’ Stein (named for Oscar Wilde and Gertrude Stein) started in 1975 and ran through the early 1990s. A late night show, After Hours, ran from 1987 until the early 2000s.

In one June 1979 episode of Wilde ‘n’ Stein, you can hear prominent activists Larry Bagneris and Charles Law reflecting on their experiences as Black gay men in Houston. Then, an interview with Houston resident Tony Lazada, the former manager of the Stonewall Inn. Lazada was on the scene when the famous Stonewall riots broke out in New York’s Greenwich Village. Ten years later, he was running a Houston gay bar called Dirty Sally’s.

“I run a clean club,” Lazada informed his interviewer. “I don’t allow any dope. I don’t allow any sexual things happening in our place. And I don’t allow drag queens to come in. I’m friendly with everyone. It’s just I’m trying to run a legit club where I don’t have any problems like I had in New York. I don’t want another Stonewall.”

A Houston city ordinance at that time banned “a person from appearing in public dressed with the intent to disguise his or her sex as that of the opposite sex.” Police used the ordinance to harass and arrest LGBTQ people, especially drag queens, butch lesbians and transgender people.

Over the years, the producers and hosts of these radio shows brought their listeners live street coverage of Pride parades, music that celebrated LGBTQ experiences and interviews with city council members, activists, local arts luminaries, and public health officials. Because it was on the radio, often late at night, closeted people could listen quietly and discreetly, without the fear of discovery that printed material might bring.

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Carl Han, a young Vietnamese-American, listened to the station’s LGBT programming at the lowest possible volume, as he told the radio show After Hours in 1992.

“That’s how I discovered the Montrose [LGBT] community,” he said. “At the age of 15, I hit upon KPFT one night and turned it down real low so no one can hear.” He would go on to be a leading local activist, who at the time of the broadcast was the secretary of Asians and Friends, a community group serving Houston’s LGBTQ Asian Americans.

Such content came as a revelation to 20-year-old Andrea Hoang. As an undergraduate at the University of Houston, one of her campus jobs was to help digitize and transcribe the shows. Hoang, who identifies as queer, was thrilled to discover the voices of Asian-American activists, including Han and After Hours host Vivian Lee, in broadcasts from before she was born.

“They had so many people of color coming onto this show and spearheading these local movements,” she marvels, adding that she also loved learning about the vibrant LGBT music played on the programs so much, she made this Spotify playlist honoring it.

The digitization of this audio history, says Vinson, would not be possible without three Houstonians who safeguarded the cassettes for so many years. Judy Reeves cofounded the Gulf Coast Archive and Museum of Gay, Lesbian, Bisexual, and Transgender History. JD Doyle maintains an extensive website documenting local LGBT history. Jimmy Carper was a longtime host and producer of After Hours. (He died of complications from HIV in 2014, at the age of 66.)

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“They understood how important it was and they saved it,” Vinson says. “Radio is not the kind of thing that just gets saved by itself. Nothing disintegrated on us, thankfully. We’re very lucky, especially in Houston, because the environment is against us here. Humidity is like the enemy of audiotape.”

“That was part of the motivation for the project,” adds her co-archivist Bethany Scott. “If we aren’t getting it off this these old carriers now, we might not have a chance to do it in the future. And we really focus on this as a part of Houston history. Listening to the recordings, hearing the themes that they talked about, it’s not like some distant past.”

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They were world-class tennis rivals. Now friends, they’ve teamed up against cancer

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They were world-class tennis rivals. Now friends, they’ve teamed up against cancer

Once rivals on the tennis court, Martina Navratilova, left, and Chris Evert have become close friends in retirement. They are pictured above at the French Open in 1986.

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Trevor Jones/Getty Images Europe

Chris Evert and Martina Navratilova were the most successful women’s tennis champions of their generation. Both were 18-time Grand Slam tournament winners — and each other’s greatest rivals.

Evert, a Florida native, became a tennis star in her teens. Navratilova was born in communist Czechoslovakia, and emerged as a player after Evert was established. They first faced off during a match in Akron, Ohio, in 1973, when Evert was 18, and Navratilova was 16. Evert won, but Navratilova left an impression.

“I remember thinking to myself, holy cow, when this young girl gets into better shape, she is going to be a force to be reckoned with,” Evert says. “She had so much talent. Her hands were quick, she had a big first serve, she had a big forehand, and she just was so powerful.”

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Two years later, on the day she lost a semifinals match to Evert at the U.S. Open, Navratilova defected to the U.S. In the years that followed, her tennis game improved. Though she and Evert had initially been friendly, the friendship cooled as their rivalry heated up.

“Playing Chris was difficult because how can you not like Chris? What’s not to admire?” Navratilova says. “She was like the epitome of cool.”

The new Netflix documentary Chris & Martina: The Final Set tells the story of how Evert and Navratilova re-established their friendship and how they both faced cancer in retirement. Evert was diagnosed with ovarian cancer in 2021; Navratilova was diagnosed with throat and breast cancer in 2022.

“I can’t get away from her,” Evert jokes. “We had a 15-year career, and then we got cancer at the same time. It really is freaky, but I always say: If I want someone to be in the trenches with me, it’s Martina because she has been so supportive and so understanding.”

Navratilova agrees: “We have such a level of trust that we know whatever we say to each other, it stays there. We give each other the best advice we know how to. And there is no ulterior motive, no playing games.”

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At the time that this interview was taped, Evert and Navratilova were both in remission from cancer. But late last week, Evert disclosed she’d recently been diagnosed with a recurrence of ovarian cancer.

Chris Evert and Martina Navratilova

“We know whatever we say to each other, it stays there,” Martina Navratilova says of her friendship with Chris Evert.

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Interview highlights

On supporting each other through cancer

Evert: There are a lot of phone calls between us. … I don’t cook, but Martina would bake bread for me, and her wife Julia would cook, make some chicken soup. … I got a lot of food from Martina. She got a necklace from me.

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Inside Hearts On Fire’s Plan For a New Era of Diamond Jewellery

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Inside Hearts On Fire’s Plan For a New Era of Diamond Jewellery
As Hearts On Fire celebrates its 30th anniversary, global president Rita Maltez unpacks the brand’s multi-year transformation from a diamond wholesaler into a fine jewellery specialist with a clear strategy to tap into the Asian market.
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3 World Cup rivals find ‘Common Ground’ in a cross-border beer

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3 World Cup rivals find ‘Common Ground’ in a cross-border beer

Headlands Brewing launched its World Cup-themed beer Common Ground ahead of the first World Cup game in June.

Justin Gellerson for NPR


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Justin Gellerson for NPR

The British betting company William Hill predicts that soccer fans will throw back more than 5 million pints of beer in stadiums and fan zones during this year’s World Cup. And that number doesn’t even account for the millions of pints being poured in bars as fans tune in to the global soccer event.

But while international soccer crowds are focusing on goals and penalties, a trio of craft breweries from the tournament’s three host nations are using the tournament to brew something increasingly rare: cross-border solidarity.

A shared recipe with local spin

The collaboration began months ago over a flurry of video chats and emails. The beermakers at Rey Árbol Brewing Co. in Mexico, Headlands Brewing in the United States, and Cabin Brewing Co. in Canada set out to design a single, unified recipe representing the brewing traditions of all three nations.

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“It’s a Mexican lager,” said Alejandro Gomez, founder of Rey Árbol.

“That’s like a West Coast IPA,” said Ryan Frank, chief operating officer and brewmaster for Headlands.

“And up in Canada, most of our beers are hop driven,” said Haydon Dewes, co-founder of Cabin. “So we thought, let’s go for a dry-hopped Mexican lager.”

While all three breweries share the exact same recipe, each is giving the final product a distinct local spin, including unique, regionally designed labels. A four-pack of the U.S version costs $15.99. Frank said Headlands has produced about 130 cases of the limited-run brew.

Headlands Brewing COO and Brewmaster Ryan Frank drinks a Common Ground beer in Berkeley, Calif. on June 11.

Headlands Brewing COO and brewmaster Ryan Frank drinks a Common Ground beer in Berkeley, Calif., on June 11.

Justin Gellerson for NPR

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For the brewers, however, the project is less about marketing and more about connection: They named the multinational beer “Common Ground.”

“When I go to California or Canada, they will treat me like family,” Gomez said.

“It makes the world feel so much smaller,” said Dewes.

“It’s about building bridges and knowing what’s important in life,” said Frank. “And for us, that’s soccer and beer.”

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