Lifestyle
'Reclaiming red, white and blue': What fans wore to Beyoncé’s ‘Cowboy Carter’ show in L.A.
Beyoncé kicked off her highly anticipated “Cowboy Carter” tour this week in Los Angeles at the SoFi Stadium, where she’ll be gracing the stage five times through May 9.
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As expected, the Beyhive (a.k.a. her most dedicated fans) showed out with their western-inspired outfits, which were heavily influenced by the Grammy Award-winning country album. Attendees wore bedazzled cowboy boots and hats; chaps; fringe and leather; red, white and blue; outfits inspired by Beyoncé’s past tours and video looks; and, of course, denim on denim on denim.
Before the second show on Thursday night, we caught up with some of Beyoncé’s fans to ask them about their outfit inspiration, why “Cowboy Carter” resonates with them and what cowboy culture means today. Here’s what they had to say.
Responses have been lightly edited for length and clarity.
Kylia and Kyana Harrison, 24, of Santa Barbara
Tell us about your outfits.
Kylia: She actually bought our tickets Monday night and surprised me while I was at work and was like, “Are you down?” I was like, “OK, I’m so down.” And then we kind of just put this together.
Kyana: She had everything already. We do Stagecoach and Coachella, so we already had those pieces. So then we kind of just put everything together.
What is your favorite part of your look?
Kylia: Mine is definitely my cowboy hat. I’ve had it for two-ish years. I go to NFR [National Finals Rodeo] every year, so I wore it. I feel like it’s just kind of my thing.
Kyana: My body chain.
What song are you most excited to hear tonight?
Kylia: I want to hear “I’m That Girl.” It’s very sensual and just like that moment.
Kyana: I want to hear “Tyrant.” I feel like it puts me in a “bad girl” energy, like real boss. I love that song.
Cowboy and western culture have evolved significantly over the years, and it feels like Beyoncé is showcasing what it means to her and it’s history. What does cowboy culture mean to you?
Kyana: Personally, I love it because … I know that cowboys first were African American, so I think that she’s taking control of that and putting her twang on it.
Hope Smith, 31, of Vancouver, Wash.
Tell us about your outfits.
I love DIYing and I never learned my lesson on taking too big of a project, so I redid her Dolce & Gabbana outfit [from] “Renaissance.” I went for the hardest option. This is my favorite outfit that Beyoncé wore during “Renaissance.” She had a blue and a red [version]. It was hours and hours of rhinestoning, multiple seasons of “Love Is Blind” and a lot of podcasts. I was rhinestoning last night, actually, and there is glue in my purse and rhinestones just in case. I’m hoping it holds it together. So, yes, I loved “Renaissance” and I am overjoyed to be here. I turned 30 with Beyoncé at “Renaissance,” and it was like my my coming of age. Hopefully, [my outfit] makes it to D.C. in a few weeks.
What is your favorite part of your look?
This fan came to two “Renaissance” shows with me. It’s really cheesy. She’s inspired me as an artist. I’m a teacher and I’ve been pursuing art outside of teaching, and it’s, like, brought me into the person that I am. So this is designed after her opening screen for “Renaissance,” and she later sold a version of it online, so Beyoncé has copied me. Thank you, Beyoncé. You can credit me later with tickets, and so, yes, it is being held together with tape because I was clacking it too much in Vegas and Seattle.
What song are you most excited to hear tonight?
I feel like “II Hands II Heaven” is going to just kill it live, but I’m going to cry the whole time. I had to buy tissues on the way over because I will sob.
What does cowboy culture mean to you?
I feel like she’s tapping into the original cowboy culture. Like, as a white woman, I’ve learned a lot from this album, like Beyoncé has really tapped into the history. The origin of the word “cowboy” was used to be derogatory towards Black men and these are things that, like, we didn’t learn in school, especially growing up in Oklahoma, and I just have loved the history and the commentary through it. I have loved watching people’s responses and I’m really excited to see them respond more to this show certain parts of it on Monday were just amazing and I love her pushing against the norms and the white narrative that we tend to fall into. She’s forcing us to think — if you stop and think — but then a lot of people are coming to judgments without doing their research.
Johnathan Rojas, 34, and Oscar Saucedo, 32, of Orange County
Tell us about your outfits.
Rojas: My inspiration is like Amazon, but make it look like not Amazon. I love to sparkle. Cheap but not cheap. Expensive.
Saucedo: For me, I just went with the red, white and blue with the boots.
What is your favorite part of your look today?
Rojas: Definitely the shirt. Can’t get enough, and the pink Cubans on the wrist like get into it.
Saucedo: For me, definitely my hat with the rhinestones, and my boots have the American flag.
What song are you most excited to hear tonight?
Rojas: I love a good ol’ classic like “Diva.” You know, “female version of a hustler.” I love to hear the classics and then anything from “Renaissance.”
Saucedo: “Cozy.” That’s my song.
What does cowboy culture mean to you?
Rojas: It’s cool that Beyoncé, like, took it over, because it’s become more of like a mainstream and less conservative. We can all kind of can put our twist and our spin on it and really be creative with it.
Saucedo: Being Mexican, it comes from my culture. I’m glad that she’s making it part of it, that she’s making it more mainstream so everyone can see just other cultures and not just whatever is popular at the moment.
Ronny G., 28, of Salt Lake City
Tell us about your outfit.
I want to do a real country one, so I got the boots from Mexico, got the Levi bootcuts, fringe on the top and the back. I had to show off for Beyoncé. I love [her].
Which part of your outfit are you most proud of?
It took me 20 minutes to get these [bootcuts] on and I did it.
What song are you most excited to hear tonight?
All of them. I just don’t want her to point to me and say, “She ain’t no diva.” That’s all I am concerned about, honestly.
What does cowboy culture mean to you?
Just getting down and dirty.
Chris Golson, 32, of West Adams; Marquis Phifer, 36, of Houston; Jason Richardson, 39, of Los Angeles
Tell us about your outfits.
Richardson: As much of my personality is upbeat, I’m actually pretty severe with my look, so I love all black. [I have] an Ottolinger vest. I like a high, low [moment]. Cargos. The boots — I don’t know the actual brand, but I do know they hurt, so pray for me.
Golson: My look is giving “Renaissance” meets “Cowboy Carter.” I’m a little bit of cowboy on top, little bit of disco on the bottom, a little bit ghetto country on the bottom, on my feet.
Phifer: I’m giving rich plantation owner. I’m sorry, but in the terms of, like, “I’m from Texas,” so owning a farm, that’s kind of what you do. So it’s giving ownership.
Which part of your outfit are you most proud of?
Phifer: The jacket. It was flown in from Pakistan. I’m from Texas, so there’s like synergy, but I just wanted, like, a little bit of shimmy. [I planned my outfit] for only two weeks. I don’t think too much. Not too much thought. Just execution.
Richardson: My favorite part will probably be the cowboy hat. I mean, I know everybody’s going to have a cowboy hat, but, you know, sometimes you gotta lean into the theme. But I will say I’m a Texan as well. Born in Houston, then moved to Dallas, so we just need to let everybody know that Destiny’s Child has been wearing cowboy hats. They’ve been wearing the denim, been having the nod to country. So I will enjoy this tour because I am Black, I am country, I am from Texas, born and raised. So I’m super excited to enjoy the show.
Golson: My favorite part of my look is honestly the glow. It’s time for Beyoncé to shine. I’m here for it.
What song are you most excited to hear?
Richardson: It’s not even a full song but something about “Flamenco.” Ugh, [it] does something in my spirit. I love the the vocal acrobatics, you know, just reminding people that even though it’s a country genre, she could still skate on the track and get the vocals that she needs. If it’s a full song — let me stick to the theme — I’ma say “Texas Hold ’Em.”
Phifer: We would say “Desert Eagle.”
Golson: That’s our favorite song. It’s f— hot. It’s a moment.
What does cowboy culture mean to you?
Richardson: What I’ll say about cowboy culture is that she is democratizing the access to cowboys and that cowboy culture. More of a [reminder] that it has its roots across all the demographics, primarily in the South. And so for all those that have grown up in the South, that are fully acquainted with that cowboy culture, but don’t necessarily look the part of mainstream cowboy country music, we’re excited to lean into it. I’ve been called country for a large part of my life. I wish I didn’t lose some of the twang, but I’m super excited that she reminded people about the history of the genre, reminded of the roots and some of the complexions and different colors of country. So I’m excited to see the greatest artist of our living time do what she does best.
Phifer: I’m from Houston, Texas, and we still ride horses in the middle of the street, and that’s just the culture of Houston. I love that she’s able to take the culture and put it on a massive stage to be received. But we’ve been country. We’re gonna live country, die country, and that’s the country culture.
Golson: Honestly, as someone from Philly, I think, this tour, this album, and the magnitude that she’s been able to hit with this has spoken volumes to the amount that we have contributed to music in general, and there is no genre that could define us. It’s just music and it’s just love.
Camilo Aldrete, 21, of Pomona
Tell us about your outfit.
The inspiration was obviously “Cowboy Carter,” but I also pulled from “Renaissance.” I just wanted to be sparkly. I was like, “Silver, why not?” I still wanted to have that cowboy-ness and like a little belt buckle.
What is your favorite part of your look?
I think my shirt. I had to bedazzle it myself. It was fun. It was rewarding to see the outcome. It took me a few days, but I had help too, so it was easier.
What song are you most excited to hear today?
Probably “Bodyguard” and “ll Hands ll Heaven.”
What does cowboy culture mean to you?
I’m Mexican, so I view it from the Mexican point of view, and I think it’s about just being confident, being yourself, standing your ground, knowing what you want to do [and] living in your own vibe.
Maddison Walker, 9, of Carson
Tell us about your outfit.
My mom helped me pick it out, and I was able pick out my pants. I really like my heart pants, and they’re pretty.
What is your favorite part of your look?
I really like my purse. It’s the Marc Jacobs Tote Bag.
What song are you most excited to hear today?
“Texas Hold ’Em.”
Madalyn Young, 55, of Hawthorne
(Juliana Yamada / Los Angeles Times)
Madalyn Young, 55, of Hawthorne
Tell us about your outfit.
My outfit is all about animal prints. I love zebras, so you can tell I have the coat, the boots with the fringe, all with the black skirt and the blouse. This is a western-style blouse as you can see with the fringe, the lace and the buttons. What I love about this blouse is the lace. It’s showing a little skin. It’s sexy but at the same time very classy.
What is your favorite part of your look?
I love my boots. These are authentic western boots. There’s zebra print with the fringe, and if you look around, you really won’t see anybody else with the boots on, so I like to be an original person.
What song are you most excited to hear?
“16 Carriages” and, most importantly, “Blackbiird.” It really resonates with me because it was written by the Beatles regarding the Little Rock Nine, and my parents are from Little Rock, Arkansas, and so they lived through that moment and they actually know some of the Little Rock Nine. So it’s very personal for me, and I’m very inspired by that song.
What does cowboy culture mean to you?
When I think about cowboys, I even go back to the Lone Ranger. Bass Reeves was actually a Black man from Arkansas. As you can tell, that’s my roots. However, coming to Hollywood, it was kind of … he looked different. The Lone Ranger is actually a true story about Bass Reeves. When you think about the culture of cowboys, they were actually Black men, but they would not refer to them as men, so they called them “boys” — “cowboys.” However, it has just evolved into a culture that has always been a part of my family. I have relatives who were cowboys and actually worked with cattle in Texas, so it’s a culture that never left. It’s just coming back on the scene.
Josh Krantz, 40, of Long Beach
Tell us about your outfit.
What’s funny about the inspiration is that I had a whole ’nother outfit planned, and with the help of a friend, she’s stoning some things for me, but that didn’t come through today. So this is all random s— from my closet that I just pulled together for “Cowboy Carter.” I did not plan this months in advance. However, I did plan the other outfit months in advance, but it may happen on Sunday. I’m coming back for another show.
What is your favorite part of your look?
I did stone this sash myself. This is Beyoncé merch. I’m proud of that because that was a lot of hard work. It took a couple hours, maybe three. I love this fringy rhinestone madness. I love any kind of fringe, so I’m feeling it.
What song are you most excited to hear today?
I’m excited to hear “Why Don’t You Love Me.”
What does cowboy culture mean to you?
I love that. Beyoncé is bringing back that cowboy culture and really making all the white people in America realize it actually started with Black people, especially the house music too, with the “Renaissance” tour. She’s killing it. It’s so rad. I love that we’re all learning a whole new thing through her.
Anthony Pittman, 32, and Jose Mascorro, 32, of Compton
Tell us about your outfits.
Pittman: I painted this jacket when the album came out last year at the end of March. I painted another jacket for this tour as well, but I wore that to opening day, so I wore this one today. My look is basically vintage, mustard kind of vibes. I’ve been an artist for 15 years now. I started painting jackets for Beyoncé during the “On the Run” [tour] and then the Hive started commissioning me to paint jackets for them, so I’ve been doing that as well. I was featured in Vogue, Essence [and] USA Today last year for the “Renaissance” tour, so that’s why I’m back here at the “Cowboy Carter” tour to give you more looks.
Mascorro: For my look, I really just wanted to match with him, so I’m just wearing a Levi’s jacket and jeans, but I wanted to switch it up with the cream.
Pittman: My bandana. This was Grandma’s. It’s been around from like the 1970s, maybe, and it was in her drawer. She passed five years ago, so I’m wearing it just kind of as a token for my grandma.
Mascorro: My boots. I think is the first time I’ve ever really owned boots, so Beyoncé got us all buying boots. Kind of like how my family used to wear boots back in the day, so it’s kind of important to honor that.
What song are you most excited to hear?
Pittman: “Ameriican Requiem.” I love that that’s the opener. I was hoping it would be the opener, and it really sets the tone for the rest of the show. It’s just beautiful.
Mascorro: I think I’d have to agree with that. It’s a powerful song.
What does cowboy culture mean to you?
Pittman: I was born and raised in Compton, so we have the Compton farms. Not a lot of people know about it, but I basically grew up watching the cowboys ride down the block on their horses, and I still do every single day, so it reminds me of being home, and there’s also this ancestral memory that I have to it because my family is from the South, so I kind of feel more connected to my family’s background and where they came from.
Mascorro: My family is Mexican and a lot of them are from farms, and so it was really nice to kind of wear the same outfits that they wore back home but kind of make it my own vibe with my own twist on it.
Manny Bueno of West Hollywood and Quentin Smith, 30-something, San Diego
Smith: The inspiration for my outfit were the Compton Cowboys, so I wanted to do the flannel, I’ve got the cargos, the Margiela work boots and the cowboy hat.
Bueno: I was here opening night like a true fan [laughs]. I was giving trade the first night, but this is my distressed Y2K meets my version of rustic cowboy. It’s giving roadhouse.
What is your favorite part of your look?
Smith: I love this shirt. It drapes right, keeps me warm. And I love the hat. It’s by a [Latino] designer, René Mantilla. It’s my first time wearing this hat, so if not now, when?
Bueno: I love distressed leather.
What song are you most excited to hear today?
Bueno: I love “Diva.” It’s my favorite and “My House.”
Smith: I missed the “Renaissance” tour, so I’m kind of excited to hear those [songs] live, but of course “Texas Hold ’Em,” all the ones off “Cowboy Carter,” “Ameriican Requirem.” I love that one. Anything she wants to sing to me, I’m here to receive it.
What does cowboy culture means to you?
Bueno: Not to politicize, but [to] politicize, I think we need to take ownership of America and what truly is America. And it’s not Trump’s America. It’s not what’s being played out in the news.
Smith: To add on to that a little bit, a reclamation of not just America but, like, Black America and where our influence lies, and so many difference places that we don’t always think about. So I love see this subtle, quiet reclamation of not only what it means to be an American but what it means to be a Black American. So it’s interesting to see how she kind of plays around with that.
Peter Crawford, 54 and Pieter van Meeuwen, 52, of Santa Barbara
Tell us about your outfits.
Crawford: Obiviously, [the] “Lemonade” [album] inspired it, and I made this dress out of shower curtains, actually, and fishing line, which I made as a tribute to her. I also sewed two wigs together to make this.
Van Meeuwen: We saw the show on Monday, and this is a reference to one of the video looks that is on the background. I fell in love with it that night, and I knew I had to do it. Weirdly, I actually had the supplies ready to go. [laughs] We’ve been to every tour since “B’Day.” We met her at “B’Day” and got to do a meet-and-greet. We saw “Sasha Fierece,” we were in the second row, and she reached through and took my hand when she walked through the audience, so ever since that happened, I just can’t get enough Beyoncé.
What is your favorite part of your look?
Van Meeuwen: I love the sparkle [on my shirt]. I had it made by a young lady named Glittah Gal.
Crawford: The little fringe [on my dress] is made out of fishing line, and I wove every single one of them into the hem of this, so I’d have to say that’s my most special part of this outfit.
What song are you most excited to hear?
Crawford: Always “Ya Ya” for this album.
Van Meeuwen: I love when she does “Ameriican Requiem.” It’s great so I want to see it again.
What does cowboy culture mean to you?
Crawford: Chaps! Chaps! Chaps! Chaps are going to be everywhere. Chaps already are. There’s going to be short chaps. You’re going to see them on runways. That is what’s happening.
Van Meeuwen: I think cowboy culture is complicated. Whether it’s about Indigenous people and what they had to go through under cowboys, or reclaiming the cowboy spirit of what America was built on — this kind of rough-and-tumble existence. I think Beyoncé has done a beautiful job reclaiming it, making it her own and standing strong in the face of the current administration.
Crawford: And also reclaiming the American flag or reclaiming red, white and blue. Like it doesn’t below just Trumpers; it belongs to everybody. It belongs to the United States of America, and I love that she’s making it chic again.
Neil Torrefiel, 41, and Blake Keng, 38, of San Francisco
Tell us about your outfits.
Keng: I love denim on denim, so I wanted to do something that was flowy, and we love to complement looks with each other.
Torrefiel: Absolutely. And I love black on black, and I wanted to do a fulsome look that was really reminiscent of Beyoncé.
Keng: I’ve been planning [my outfit] for months, and I have a mood board [where] I put all these different outfits together. I come up with it kind of last minute, and then he will kind of vibe with whatever I have.
Torrefiel: I’m laughing cause it literally took me an hour.
Keng: We cannot be more opposite.
What song are you most excited to hear?
Torrefiel: I would really scream like a child if she did the Charlie’s Angels song [“Independent Women, Part 1”].
Keng: I’m ready for this album, “Sweet, Honey Buckin.”
What does cowboy culture mean to you?
Keng: It’s like reclaiming what’s ours, and I think that’s what really drew me to her album was reclaiming what is [in] the communities and where it originated from. That spoke to me a lot.
Torrefiel: I think she’s doing a lot to redefine the genre and I deeply appreciate all the work that she’s doing around it. I’m just here to experience all of it.
Teauna Baker, 31, of San Diego and Jeanisha Rose, 34, of Houston
Tell us about your outfits.
Rose: It’s inspired by the song “My Rose” from the CD. It doesn’t say that on the digital version, but I like a rose and my favorite color is pink, so I adjusted it to my liking. It’s one of my favorite songs. It’s so tender. I [rhinestoned] my dress. This outfit was a b— to put together. It took forever.
Baker: I think my outfit is giving “America Has a Problem” … still has a problem. [laughs] I really liked the chaps. As soon as she dropped her picture with the plain white tee and the chaps, from there I was like I definitely need to have chaps. I just wanted to give “high fashion in a plain white tee.”
What is your favorite part of your look?
Baker: It’s the belt. I was a little bit chaotic trying to put this together, and I was on the internet last night looking up horse belts at like 11 p.m., and I was like, “I gotta find a belt to put this together,” and I found this [one] this morning at like 9 a.m. and it was the last one. There was this store in DTLA that had one, and I was like “We have to go first thing in the morning.”
Rose: My favorite part of my outfit are my boots. I got these Cavender’s [Boot City] in Texas. I’m from Texas. She got her boots from Texas too.
What song are you most excited to hear?
Baker: “Spaghettii,” “Ya Ya” or “Heated.” All of ’em to be honest. I’m ready to jam.
Rose: I’m ready to hear “Tyrant.” It’s my jam. I put that on repeat regularly — daily probably.
What does cowboy culture mean to you?
Rose: For me, it represents home. I’m used to going on trail rides and things like that since I was a kid, and it’s just a real good time. It just feels like a connection.
Baker: We’ve been here. We do this. This is where we kind of came from, and I feel like she’s taking the time to share what was ours with other people. But really it’s just freedom. I feel a sense of pride. I feel freedom. I feel happiness inside, so it’s really about enjoying African American culture and being able to share it other people, but other people respect it and enjoy it.
Zuri McPhail, 37, of Stockton
Tell us about your outfit.
I love the color pink, so I was like I want to do a pink theme, but I also don’t want to be like everybody else. I pieced this outfit together, and it’s pretty in pink. I like the rodeo. I have a pink horse.
What is your favorite part of your outfit?
My horse.
What song are you most excited to hear?
I looked at the setlist beforehand, and I’m not going to lie, I’m excited to hear the older songs that she’s going to play. I’ve been a Beyoncé fan since I was 13 or 14 so I’m looking forward to the older s— because I’m nostalgic. That’s my s—.
What does cowboy culture mean to you?
You can’t reclaim what is already yours. We were doing the s— before the s— was the s—. I have family who were Black cowboys. We are always the trendsetters. Black women. Black people. We started the s— and it kept getting built on. And I’m just grateful to be here and to see a Black woman do the s— bigger than anybody has ever done it. You can hate on it as much as you want to, but if Beyoncé is doing your genre, you made it. And Beyoncé is from Texas, so if you’re ever going to question like, “She can’t do a country album?” She’s f— country. That is who she is. She is from Texas. She can’t be mad that a Texas woman is tapping into her roots and showing you who she is and who were are.
Lifestyle
How having zero points in tennis — or ‘love’ — came to sound so sweet
The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.
Kirsty Wigglesworth/AP
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Kirsty Wigglesworth/AP
Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.
As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.
“Love” comes from the heart — or an egg?
It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.
“By and large, the original system has held up almost entirely,” Flink said.
The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.
Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.
The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.
It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.
“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.
To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.
But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.
“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.
“Love” probably isn’t going anywhere
Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.
“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”
There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.
But “love” still prevails.
“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”
Lifestyle
With Highway 1 open, Big Sur braces for its busiest summer in years
On a 75-mile cliff-hugging stretch of highway in California, traffic is way up, despite soaring gas prices. And locals expect the busiest summer in years.
The road is Highway 1 in Big Sur, which reopened in January after three years of repair and reconstruction following a pair of landslides. Drivers can once again embark on the state’s most famous road trip, covering the 100 miles between Cambria to the south and Carmel to the north without leaving the two-lane coastal highway. And they’re heading out in big numbers.
Caltrans estimates that as of May, Big Sur restaurant and retailer guest counts are up 40% from last year, and that northbound traffic at Ragged Point, the southern gateway to Big Sur, has risen 900% year-over-year.
People pose for photos near Bixby Bridge. Monterey County’s Board of Supervisors voted to explore a 12-month ban on parking around the bridge.
Safety cones prevent parking along Coast Road near the Bixby Bridge.
“Take your time,” said Kirk Gafill, co-owner of the popular Nepenthe restaurant and president of the Big Sur Chamber of Commerce, offering advice to travelers. “You’re going to be sharing the road with a number of people.”
As travelers rediscover the road, the cost of driving has been shooting skyward. California’s average gas price ($6.11 per gallon as of May 26) is up 26% from the year before. In early April, rates hit $9.99 at the isolated gas station in the Big Sur community of Gorda.
For spring and summer travelers, these numbers would seem to pose a stark question: Stay home and save money, or head for the coast because the road is finally open and it’s still cheaper than flying?
So far, the latter answer is winning big.
Fog lingers off the coast of Highway 1.
“We are definitely seeing a huge uptick in our reservations,” said Megan Handy, assistant general manager at the upscale Treebones resort. She estimated that bookings are 30% or more ahead of last year, and rates are unchanged since then. But “it’s still not feeling super crowded, which is nice. Everything still feels kind of calm.”
But added traffic has raised some anxiety. On May 19, Monterey County’s Board of Supervisors voted to explore a 12-month ban on parking at Bixby Bridge, one of the region’s top photo spots.
Over the years, the number of cars parking near the bridge — often illegally, sometimes impeding emergency vehicles — has risen. The proposed parking moratorium won’t take effect until the supervisors discuss it further.
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Busy as things are, several business owners pointed out that many international travelers have not yet returned — perhaps because most make their plans more than six months ahead, perhaps because of global politics, perhaps a little of each.
The biggest challenge for businesses during this resurgence? “Restaffing and retaining,” said Handy at Treetops.
At Nepenthe, Gafill said his business has seen a 45% boost in guest volume since the road’s reopening. Gafill said he would have expected a 35% pickup, “simply by virtue of reopening the highway.” The additional 10%, he said, might be “all that pent-up demand,” aided by “a very beautiful and very dry winter,” followed by a mild spring.
A lunch crowd dines at popular restaurant Nepenthe.
Another possible factor: Nobody can be sure how long the road will remain open.
To cope with the influx of people, Gafill said, “everybody is trying to recruit and retain their existing staff.”
At the Ragged Point Inn, where rates dropped as low as $149 nightly last fall, rates are back over $200 and staffers are suggesting that customers book at least six months ahead. The inn has reopened its snack bar for the first time since early 2023, and management is investing in capital upgrades and staging live music on weekends throughout the summer.
Business “is up over 100%,” said Diane Ramey, whose family owns the inn. “I know not all of our neighbors are having the same lift, but everybody is doing better.”
Traffic approaching Bixby Bridge.
A visitor poses in an oversized chair at Big Sur River Inn.
Even at the New Camaldoli Hermitage, a Benedictine monastery above Lucia, the road’s reopening and coming summer season have made a difference. Bookings are up an estimated 30% at the hermitage, which rent rooms and cottages (for two nights or more) to visitors who agree to its requirement of silence.
Big Sur business owners advise visitors to travel on weekdays for less traffic and the best hotel rates, and to get on the road as early as possible.
Since its opening in 1937, the highway has been vulnerable to landslides and shifting ground, operating on a longstanding cycle of landslide, closure, repair, reopening and then another landslide, or sometimes a fire. The U.S. Geological Survey has identified the Big Sur coastline as one of the most landslide-prone areas in the western United States. The 2023-2026 closure was the longest in the highway’s history.
Over time, road crews have used increasingly sophisticated strategies. In the most recent efforts, Caltrans said, it used drones to help survey the slopes and remotely operated bulldozers and excavators to reduce risks to workers.
During the closure, no traffic was allowed on 6.8-mile span from just north of Lucia until about a mile south of the Esalen Institute. Drivers detoured inland by way of U.S. 101.
Lifestyle
Firings at CBS’ ’60 Minutes’ reflect the fight for media control in the age of Trump
Correspondents of CBS’ 60 Minutes pose for a portrait in 2023. From left to right, they are Sharyn Alfonsi, L. Jon Wertheim, Bill Whitaker, Lesley Stahl, Scott Pelley, Cecilia Vega, and Anderson Cooper. Former Executive Producer Bill Owens sits on the far right. Only Wertheim, Whitaker and Stahl remain at the program.
CBS Photo Archive/CBS via Getty Images/CBS
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When CBS fired Scott Pelley on Tuesday night, the new 60 Minutes executive producer, Nick Bilton, told Pelley it was for insubordination at a staff meeting the day before.
The veteran correspondent argues he was defending the DNA of 60 Minutes and the integrity of its journalism.
The battle royale over the network’s most prestigious and profitable news program is part of a broader fight over the direction of CBS News.
And given CBS’s acquisition by a billionaire family whose business interests have become intertwined with the political interests of President Trump, it reflects a larger war over control of the media in the current moment.

That father and son, Larry and David Ellison, bought CBS’ parent company, Paramount, last summer. In January, they became co-owners of TikTok’s U.S. operations. Now they’re seeking approval from Trump’s regulators to buy Warner Bros. Discovery, the parent company of CNN.
A glamorous show shorn, for now, of most its stars
CBS fired Cecilia Vega, a correspondent, and Tanya Simon, the executive producer, from 60 Minutes last week. They are shown in this photo at the 2026 White House Correspondents’ Association Dinner on April 25, 2026 in Washington, D.C.
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Kristina Bumphrey/Variety via Getty Images/Variety
But the specifics of this individual episode matter — for 60 Minutes, CBS, its audience of millions, and even the news business itself.
The program has been the most glamorous post in broadcast news. The correspondents are the stars of the show. And now, there are just three of them.
Anderson Cooper left last month, concerned over the direction of the network’s coverage. Last week was a virtual bloodbath: correspondents Cecilia Vega and Sharyn Alfonsi were fired. So were a producer and two show executives — including Tanya Simon, a longtime staffer who had stepped up as executive producer when her predecessor resigned in protest before the Ellisons’ takeover.

With Pelley’s ouster, only correspondents Lesley Stahl, Bill Whitaker, and Jon Wertheim remain. Now they are considering whether to resign, according to two associates with knowledge.
Their brand-new boss, Bilton, was previously a tech reporter for The New York Times and an investigative reporter for Vanity Fair. He executive-produced a documentary for Netflix about a couple accused of laundering Bitcoin and has been a producer on several other films.
Notably, he has no experience in television news.
Neither does Bari Weiss, whom David Ellison installed as the network’s editor in chief last October. The Ellisons also bought her center-right views-and-news site, The Free Press.
She has maintained that the network of Walter Cronkite needs a makeover for the digital moment. She has also contended for years that CBS, along with the rest of mainstream media, is too reflexively anti-Trump, anti-Israel, and too woke.
A rejection of CBS News executives’ overtures
The new executive producer of 60 Minutes, Nick Bilton, has been a tech journalist and documentary filmmaker, but lacks experience in broadcast news.
Matt Winkelmeyer/Getty Images/Getty Images North America
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Matt Winkelmeyer/Getty Images/Getty Images North America
Bilton attempted to set a conciliatory tone at Monday’s meeting — his first with the show. Pelley, a formidable veteran correspondent and former CBS Evening News anchor, wasn’t having it.
Pelley called Bilton unwelcome and unqualified. And Pelley said that Weiss was attempting to “murder” the program.
In firing Pelley on Tuesday, Bilton said the journalist had hijacked the meeting and rejected overtures to work constructively through their differences. (NPR obtained a copy of the firing notice.) Bilton wrote that Pelley’s “antipathy to the future of the show came through loud and clear.”
In his own statement late Tuesday evening, shared with NPR, Pelley accused CBS’s new news leadership of killing 60 Minutes‘ DNA and pushing him “to inject falsehoods and bias into a politically sensitive story” and “to include assertions that are unverified.”
The accusations, to which CBS has not yet responded, echo those made by Alfonsi and Vega, the two correspondents fired last week.
Earlier this year, Alfonsi publicly complained after Weiss held one of her stories at the last minute, and kept it frozen for weeks, demanding an on-camera interview with a Trump White House official that never played out. It ran, unchanged from the intended version, with additional statements from the administration tacked on to the end.
After being fired, Vega said in a statement obtained by NPR that her team had “experienced efforts to insert political bias into our stories.”
“Let’s call this what it is: censorship, both censorship and self-driven” Vega continued. “It is dangerous for the show and dangerous for democracy.”
Weiss previously rejected Alfonsi’s and Vega’s allegations. (CBS said Vega’s claims, for example, were “not based in reality” while expressing appreciation for her work.)
Weiss and Bilton say digital threat requires a 60 Minutes overhaul now
In a meeting this morning, Weiss said that Pelley chose his own path — that is, to be fired rather than to find a way to work through his concerns, according to attendees. The network and Weiss have not yet publicly addressed Pelley’s accusations of interference.
Bilton and Weiss say they respect the show’s traditions, its accomplishments and its legacy of enterprise reporting, extended interviews and visual storytelling. It rose in the ratings 9% over the past season under Simon.
The two news leaders say, however, 60 Minutes needs to be overhauled before it becomes increasingly irrelevant in the era of streamers and other sources of news, information and entertainment in the digital age.
Interviews with 12 current and former CBS News staffers, from producers to executives, suggest great reservations and suspicions remain about Weiss’ judgment and her ability to handle the prominent and even famous journalists on whom her division relies.
Weiss had initially sought to reinvent the CBS Evening News, dropping a two-anchor format that had sagged in the ratings. Cooper turned down Weiss’ overtures to anchor it and left the network altogether, concerned about her approach, according to associates. (They spoke on condition of anonymity because Cooper has not chosen to speak publicly on the matter.)
David Ellison became chairman and CEO of CBS’ parent company, Paramount, after buying it last year.
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Noam Galai/Getty Images for Paramount/Getty Images North America
The ratings have continued to sag under new anchor Tony Dokoupil. And some CBS journalists, including producers who have left the Evening News, have publicly accused Weiss of making editorial decisions driven by politics. She has rejected those claims.
The decision to take on overhauling two key shows — one listing, one highly profitable, both high profile — carries significant risks for Weiss and the network, even apart from other considerations.
But the Ellisons’ presence cannot be ignored.

When Shari Redstone was negotiating the sale of CBS’s parent company, Paramount, to the Ellisons’ Skydance Media last year, the network announced the end of Stephen Colbert’s late night show. He had been one of the president’s most biting and acerbic critics.
David Ellison also made a series of concessions directly to Trump’s chief broadcast regulator, Federal Communications Commission Chair Brendan Carr, gutting CBS’s diversity, equity and inclusion initiatives and appointing a conservative ombudsman to field complaints of bias against its news reporting.
Carr and other regulators approved the Paramount deal last summer.
The accommodations echo those made by other media titans.
Amazon and Blue Origin founder Jeff Bezos remade the editorial pages of the Washington Post, which he owns, into a far more hospitable zone for Trump at the outset of his second term. So did Los Angeles Times owner Dr. Patrick Soon-Shiong, a noted medical device inventor. Amazon and Blue Origin have multi-billion dollar contracts with the federal government. Soon-Shiong’s medical research firm routinely has patent applications up for review with federal regulators. One was approved Tuesday.
The Ellisons are hoping to win approval from federal regulators next month for their purchase of Warner Bros. Discovery in a deal valued at more than $110 billion. It would include Warner Bros. Studio, HBO and CNN, among other properties.
As Weiss routs CBS News’ old guard, the question of what role she might play at CNN — and what changes that portends at CBS — hangs over journalists at the two networks. The fate of 60 Minutes serves as a high-stakes case study for both.
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