Lifestyle
One of L.A.’s most personal theater experiences is disguised as a tarot reading
There’s a sense of quiet mystery in tarot. That’s why during my reading last week, it was more peculiar than disruptive when a dancer hopped on a table to lay at a 90-degree angle and jet her feet in the air.
Despite said activity, the tone was contemplative, and moments later, as I was being asked to describe the colors and mood of a Ten of Swords card, I was tapped on the shoulder. After a gesture to follow, I was handed a lantern.
The way I swayed the light would now dictate the performer’s movements. We may not have been dancing, but it was close. Melancholic and intimate, the performer (Haylee Nichele) silently guided me to become comfortable in my discomfort, to sit with the evening’s themes of longing, loss, confusion and impending grief.
Sam Alper’s Bill, foreground, and Haylee Nichele’s Constance in Koryn Wicks’ “You Must Be Here for the Reading,” an immersive tarot show.
(Daniel Kleen)
“You Must Be Here for the Reading,” running through June 20 at North Hollywood’s After Hours Theatre, is part theatrical and dance performance, part tarot reading and part cocktail hour. It’s also personal, led by two actors who encourage the attendees to open up, to complete poems and to generally tune into their vulnerability.
The 60-minute show, partly scripted and partly improvised, comes from the mind of Koryn Wicks. Trained in dance and choreography, Wicks’ day job is in themed entertainment while her personal projects explore the immersive space. They’re theatrical works that experiment with audience interaction. “You Must Be Here for the Reading” is no different.
The setup: Collectively, our group of eight has arrived at a tarot reading, only the famed reader we are there to work with, Constance, performed by Nichele on the night I saw, never arrives for her assigned role. We know her fate, but her partner, Sam Alper’s Bill, who nervously attempts to carry on with the performance in her absence, does not.
From there, “You Must be Here for the Reading” becomes a show heavy on audience participation. There are scripted, story-specific beats, but the cards pulled — and the tales they tell — is, of course, randomized.
Sam Alper as Bill, an unsuspecting tarot card reader in Koryn Wicks’ “You Must Be Here for the Reading.”
(Daniel Kleen)
“I knew that I wanted the audience to be the primary drivers of the tarot reading,” Wicks says. “I knew that I wanted the host to not be a tarot reader and there to be some sort of event that made it so the audience would have to take the reins and read the tarot.”
In turn, “You Must Be Here for the Reading” works for both those who are novices to the space as well as those who are more experienced. During the pre-show, guests can explore tarot books and uncover slips of paper hidden in them that prompt us to answer questions or complete poems — the latter will figure into the performance. A worksheet given to us asks us to interpret some core tenets, as well as to enter the reading with a question we would like to explore.
The show then focuses on how each attendee’s desires, concerns or lived experiences shape the perception of the reading.
“What’s drawn me to tarot is the way it’s built on symbolism and the way that symbolism is embedded in the collective unconscious,” Wicks says. “I think it’s really fascinating that we have this artifact that has this ability to give us insight into a lot of shared experiences. When I’ve read different books about tarot, or had my cards read by different people, there is an openness to interpenetration.
“The assignment I gave myself for this piece,” Wicks continues, “was to create an experience in which you had a group of people coming together and going through the process of defining the symbolism and meaning of the cards in real time.”
And yet the show also pulls from Wicks’ background in dance. While Constance never shows for the reading, her presence is still felt, often hovering or circling around the table with movements designed to interpret the tone of the reading. She’s a ghostly presence, the gracefulness heightening the somber emotions of the night. Though she and Bill never interact directly, much of the dance seeks to explore their unseen bond. At times, Constance may call on various audience members to act as a dance partner.
Koryn Wicks, creator of “You Must Be Here for the Reading,” an immersive tarot performance in which audiences are tasked with deciphering their own cards while a melancholic story unfolds around them.
(Kayla Bartkowski / Los Angeles Times)
“I really believe that one of the most beautiful things art does for us is remind us that we are not alone,” Wicks says.
Immersive art allows for a sense of participation, which Wicks hopes will increase one’s appreciation of dance.
“Dance is an embodied art form,” Wicks says. “There is science that shows that some of the enjoyment from watching dance comes from imagining yourself moving. In North America, a lot of people haven’t had an experience or education with dance, especially not concert dance. Then we ask them to sit in a dark auditorium in a small chair and not move to enjoy it. I found through my research, both practical and academic, there is something to inviting audiences to participate in dance that allows them to derive meaning from it.”
‘You Must Be Here for the Reading’
While there isn’t enough time in the show for everyone to have a one-on-one experience with the dancer, watching an audience and cast member attempt to get in sync with each other underlines the night’s themes of connecting. Ultimately, that’s the space where the show resides. “You Must Be Here for the Reading” uses tarot as a means to bring some structure to our often disconnected lives.
“It stands in contradiction to our current historical moment,” Wicks says of the show. “It’s very anti-AI. It’s asking people to sit with books and to find little seeds and not necessarily pursue solutions or puzzles. It’s asking us to connect, sometimes with strangers.”
I kept my question that I brought to the reading secret, but I found the show provided a hopeful answer. Not because the cards offered a solution. Instead, they provided a community.
On-air challenge
Based on the clue, name two words that have the same number of letters and begin and end with the letters provided. (Ex. Rocks / five letters / S and E —> Slate, Shale)
1. European languages in 7 letters starting with S and ending with .
2. Ancient stringed instruments / 4 letters / L and E
3. Birds / 6 letters / P and N
4. Parts of the body / 5 letters / T and H
5. Things seen in a classroom / 5 letters / C and K
6. Newsstand magazines / 7 letters / E and E
7. Books of the Bible / 4 letters / A and S
8. Foods from Italy / 5 letters / P and A
Last week’s challenge
Next weekend will be the 186th convention of the National Puzzler League, in Bloomington, Ind., which I’ll be attending as always. Two other people who will be there are Henri Picciotto and Joshua Kosman, who created this week’s challenge. Name two words that are opposites. They share a single letter. Remove that shared letter from each word, put a hyphen between the two starting words, and you’ll get a term you sometimes see in food ads. What are the two words?
Challenge answer
Slow, fast –> low-fat
Winner
Debra Waller of Burlington, Kentucky
This week’s challenge
This week’s challenge comes from Steve Baggish, of Arlington, Mass. Take the 10-letter name of a popular TV series for which most of its seasons have been filmed in a foreign country. Remove the first and last letters, and the remaining letters can be rearranged to spell the name of a country. What are the two names?
If you know the answer to the challenge, submit it below by Thursday, July 16 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
“Portraits 2019 – 2026” by Tyler Matthew Oyer at Night Gallery
“Location Unknown, 2023 – TANA 2023.”
(Tyler Matthew Oyer and Night Gallery)
Experience Tyler Matthew Oyer’s photographic exhibition, “Portraits 2019-2026.” This immersive show moves through seven years of portraits through Oyer’s lens, capturing subjects’ raw individuality. Showcasing “the panoramic and the intimate,” the photographs line the entirety of the gallery in identical scales and frames, emphasizing that every face carries equal presence and beauty. The exhibition coincides with Oyer’s fifth portrait book release, which features selections from his extensive archive. Open July 18 through Aug. 15. 2050 Imperial St., Los Angeles. nightgallery.com
Paloma Wool opening
Paloma Wool’s first permanent store in L.A. houses footwear, bags, a fresh new menswear line and exclusive specialty projects. This new space contrasts a bright, vivid backdrop with dark furnishings, alluding to the brand’s edgy, crisp designs. Open now. 8410 Melrose Ave., Los Angeles. palomawool.com
Noah Los Angeles opening
Founders Brendon Babenzien and Estelle Bailey-Babenzien bring the East Coast to L.A. this summer with the opening of Noah’s first West Coast location. Blending classic menswear with skate and surf culture, the space also features an in-store skate bowl, reflecting the brand’s roots while tapping into Los Angeles’ laid-back vibe. Open now. 911 N. Orange Drive, Los Angeles. noahny.com
H. Lorenzo opening
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Bang & Olufsen opening
Bang & Olufsen’s new flagship is using music to connect people from all over the world, reimagining the classic retail experience into an immersive sound house perfect for showcasing Los Angeles’ vibrant and diverse entertainment culture. Customers can experience the brand’s latest technology in a setting inspired by Nordic design and Southern California living. Open now. 370 N. Robertson Blvd., West Hollywood. bang-olufsen.com
Maison Louis Marie opening
Upgrade your scent game this summer with a visit to Maison Louis Marie’s new flagship store in Silver Lake. Designed in collaboration with Via Clover, the fragrance house has curated a light, modern space, blending French and Californian aesthetics where customers browse everything from Fleur de la Passion hair and body mist to No. 10 Aboukir candles at their own pace. Open now. 3920 Sunset Blvd., Los Angeles. maisonlouismarie.com
Molteni&C L.A. flagship redesign and new collection
Italian craftsmanship and contemporary living come together in Molteni&C’s newly redesigned Beverly Hills flagship. After exploring thoughtfully curated living spaces featuring coffee tables designed by Vincent Van Duysen, be sure to check out the brands’ latest Outdoor Collection, ideal for the heat of L.A.’s long summers. Open now. 147 N Robertson Blvd., West Hollywood. molteni&c.com
Zegna’s new fragrance line
Zegna’s new fragrance line, Memorie, is shaped by place, ritual and intention. Inspired by the Alps of northern Italy, each of the six scents captures a moment, place or object from founder Ermenegildo Zegna’s life, preserving memory through fragrance. Available now. zegna.com
“Animals” by Alex Gardner at Perrotin
“Catapult,” 2025. Acrylic on canvas. Unframed: 48 1/16 x 96 1/16 inches. Framed: 51 7/8 x 99 3/4 x 5 inches.
(Don Lewis/Alex Gardner; Perrotin)
Join Long Beach artist Alex Gardner for the final days of his first solo exhibition in a decade as he reimagines the meaning of fatherhood at Perrotin. Through a series of acrylic paintings, Gardner explores intimate connections between parents and children, partners and siblings, inviting viewers to identify themselves within his signature faceless figures. Open through July 11. 5036 W. Pico Blvd., Los Angeles. perrotin.com
A promo image of Peter Sagal, Jason Narducy, and Alzo Slade
NPR and James Richards IV/NPR and Jason Narducy
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NPR and James Richards IV/NPR and Jason Narducy
This week, we’re live in Milwaukee with musician Jason Narducy. Plus, panelists Alonzo Bodden, Adam Burke, and Negin Farsad talk the World Cup, Love Island, and new rules for summer travel.
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