Lifestyle
Move over, Elsa. The hottest entertainers at L.A. kid parties are ‘KPop Demon Hunters’
For her 6th birthday party in January, Amy Tzagournis’ daughter Hazel wanted special guests: the characters from “KPop Demon Hunters.” Six months prior, while Tzagournis was out of town, her daughter and 4-year-old son had become obsessed.
“I came back and all of a sudden they knew every word to the songs,” she says with disbelief. “I was like, ‘Where did this come from?’ It was literally out of nowhere.”
Parker Apel, 7, pretends to close the VIP entrance for entertainer Simon Mendoza, who is dressed in the style of a Saja Boy from “KPop Demon Hunters.”
So Tzagournis, of Redondo Beach, hired Funky Divas & Dudes, one of the many characters-for-hire companies in the Los Angeles area that had started to offer “KPop Demon Hunters”-inspired performers. At her birthday party, Hazel and her friends danced to songs from the movie, including “Golden” and “Soda Pop,” alongside the entertainers.
“We’ve pretty much been doing nothing but ‘KPop Demon Hunters’ parties,” Dana Marie Lazzareschi, one of the co-owners of Funky Divas & Dudes, says. “Every party we’re doing has been ‘KPop.’ It’s insane. We’ve had one party that was Broadway-themed and another that was tropical-themed, but other than that, it’s all been ‘KPop’ every single weekend. Sometimes we have five ‘KPop’ parties in one day.”
Released last June, “KPop Demon Hunters” is a bona fide global sensation, a status that not even Netflix, its distributor, anticipated. By August, when Tzagournis’ daughter first saw it at a friend’s house, the movie about three glamorous K-pop stars doubling as brave warriors to defeat nefarious demons had become Netflix’s most-watched movie ever. And in March, the musical picked up two Academy Awards, one for best animated feature and another for best original song for “Golden,” an empowering anthem turned chart-topping hit.
Nearly half of all of the birthday parties Tzagournis has taken her kids to in the last six months featured some “KPop Demon Hunters” element, whether just the theme or performers (for her daughter’s party, she hired all three demon hunters and a Saja Boy). The parties are so frequent that parents are even sharing decorations to reduce costs, she says.
The party included Saja Boys-themed party favor bags and “VIP” passes for guests.
“One of my daughter’s good friends had a party two weeks before hers and we basically recycled all the ‘KPop’ decorations for her,” Tzagournis says, laughing. “We used theirs and then I passed them off to another mom. These ‘KPop’ decorations for the birthday party got recycled at least two or three times.”
Operating since 2002, Funky Divas & Dudes, like most of these party businesses, offers princesses, superheroes and other pop culture-inspired characters. For a long time, Elsa, the Snow Queen from Disney’s “Frozen” franchise, ruled over little girls’ parties. “We joke that it’s a generational thing, every 10 years a girl with a braid shows up and takes over every kid’s birthday party playlist. There was Elsa back in the day, and now there’s Rumi,” Lazzareschi says, referring to the main heroine in “KPop Demon Hunters.”
The displacement of “Frozen” was also evident to Tzagournis. “The year before, when my daughter was almost 5, everyone was dressed up like Elsa. There were like five Elsas in her class at Halloween,” she recalls. “And this past year, more than 50% of the girls around her age were one of the ‘KPop’ characters.”
Aside from party entertainment, Funky Divas & Dudes also hosts extracurricular dance classes at L.A.-area schools, including the one Tzagournis’ daughter attends. Lazzareschi realized the popularity of the movie when children started requesting “Golden” and other songs from the soundtrack during dance classes. While “Frozen,” she thinks, was geared toward younger audiences, “KPop Demon Hunters” has a broader appeal. “It’s very attractive to all ages, not just the little kindergartners and first graders, but all the way up to third, fourth, fifth graders,” Lazzareschi says. “There are just so many different aspects, like the martial arts, and kids just love that stuff, boys and girls.”
Companies like Funky Dudes & Divas had to quickly meet the demand for the “KPop” characters at L.A. kids’ parties, sourcing costumes from Halloween stores or online retailers. On top of the three demon hunters (Rumi, Mira and Zoey), Lazzareschi also offers male performers resembling the Saja Boys (the rival group in the film) that teach kids breakdancing.
“The whole dance element made it even better than just hanging out with characters,” says Tzagournis.
Madelynn Wheater, 7, left, and Parker Apel, 7, center, show off their best moves in the dance circle.
The “KPop Demon Hunters” theme continued onto the plates and cake at Parker Apel’s party.
For Katherine Diaz of Torrance, the “KPop Demon Hunters” craze has been a welcome lifeboat. Diaz manages her 18-year-old daughter Kiara Asiel and several other teenage girls who perform at birthday parties. Diaz’s operation caters to Latino customers as Asiel (an aspiring dancer who plays Rumi) offers bilingual shows. In the wake of the immigration raids last summer, many of their potential patrons refrained from hosting celebrations, dampening their business. Over the last few months, though, demand for the “KPop” characters has generated new opportunities.
“It has been a boom. We have people in our area calling us saying they wanted our ‘KPop’ show because my daughter speaks Spanish,” Diaz says in Spanish.
In addition to birthday parties, Diaz’s team was recently hired to appear at several McDonald’s restaurants around Los Angeles, where hundreds of children and their parents lined up to take photos. In December, the city of Gardena invited them to perform for the community at a Christmas event.
“They specifically requested the ‘KPop’ girls. We said, ‘But it’s Christmas?!’ and they replied, ‘Yes, but kids are dying to see Huntrix [the phonetic name of the musical group in the movie].’ My girls went dressed in their ‘KPop’ outfits, but I made sure to put little Christmas hats on them.”
To avoid legal repercussions, some of these businesses might offer generic versions of popular characters. In 2017, Disney sued a New York company offering “Star Wars” and “Frozen” character knockoffs at birthday parties, but voluntarily dismissed the case a year later after a judge axed most of its trademark claims. The amount of these companies, not only in L.A. but around the world, might also present “practical difficulties” for copyright holders to take action, says Mark Lee, a partner at corporate law firm Rimon PC who has taught entertainment law at USC.
“To give you an example, I had a client who co-wrote a very famous song,” Lee says. “1.2 million people posted that song on YouTube without authorization. You can send what’s called a DMCA Takedown notice, which is like a cease-and-desist letter to YouTube, but you have to do it 1.2 million times.”
At the same time, these small businesses are helping keep the characters popular.
Eliana Fraser, dressed in a Rumi costume, paints 6-year-old Ariya Taylor’s face at a party for Parker Apel, right.
Both Lazzareschi and Diaz have more “KPop Demon Hunters”-inspired events coming up, but Tzagournis believes the peak of the fad has already passed — at least for now. “I feel like this might be very short-lived, which would differ from ‘Frozen’ and the Disney movies,” Tzagournis says. “The kids are kind of over the ‘KPop’ thing now, but the sequels are probably going to reel them back in.”
A new “KPop Demon Hunters” movie is already in the works.
Lifestyle
‘Alice and Steve’ might be a mess — but it’s also too fun to stop watching
In Alice and Steve, Jemaine Clement and Nicola Walker play long-time friends who turn on each other after he gets involved with her 26-year-old daughter.
Lara Cornell/Disney+
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I grew up watching episodic shows on network TV, nearly all of them formulaic but some indelibly great. Then, like everyone else, I moved into the days of what my colleague David Bianculli dubbed Platinum TV, where series like The Sopranos and The Wire and Fleabag aspired to something higher. What both these eras had in common was that their shows were carefully crafted — they had an internal logic, and a tone, that held them together.
In recent years, though, there’s been a proliferation of shows that, possibly obeying some algorithm, care less for coherence than sensation. They lurch among tones, from cuteness to sentimentality to meanness, stirring in random plot twists along the way. Bouncing all over the emotional map, these shows depend on compelling actors and a few memorable scenes to make us overlook their loose construction.
A great example is Alice and Steve, an entertaining but sometimes exasperating six-part British comedy on Hulu about two 50-something best friends who turn on each other after he gets involved with her 26-year-old daughter.


While the premise is juicy, it’s also a tad yucky, and I mainly tuned in because its title characters are played by performers Jemaine Clement from Flight of the Conchords and Nicola Walker, whom I’ve raved up on this show more than once.
The series starts poorly with Steve and Alice going on a cutesy bender after a friend’s funeral. Now, I always hate drunk scenes, which are an invitation to overact. As Clement and Walker bray their lines, we learn that Steve’s a divorced celebrity hair stylist who can’t find a girlfriend while Alice is a clothes designer with a doting younger husband, nicely played by Joel Fry, a sweetie-pie of a teenage son — that’s Tyrese Eaton-Dyce — and, of course, that 26-year-old daughter, Izzy, who has inherited her mother’s willfulness. Played by Yali Topol Margalith, Izzy kickstarts the plot by flirting with Steve. Predictably, he succumbs.

Almost immediately, they think they’re in love. While the weak-willed Steve wants to hide their romance — he knows it’s inappropriate — Izzy just blurts out the facts to her mom. Alice flips. And from hereon out in this series where the women are as alpha as the men are hangdog, Alice drives the action. Betrayed and violently angry, she’ll do whatever it takes to break them up — no matter who gets hurt. Her antics unleash Steve’s own malice. We’re in Beef territory.
At its core, Alice and Steve hinges on the way that platonic friendships are often richer and more powerful than romantic ones. It’s a fascinating subject, which may be why I found the script by Sophie Goodhart so frustrating. I wanted her to dig deeper. While the show’s got some very funny bits — Alice’s sharp-tongued mother is a blast — it’s often annoyingly lax.

If Steve really does the hair of Charli XCX, how come he’s a clueless older guy whose pop culture references are Willie Nelson and Woody Allen? If Izzy truly adores her mother as she claims, why does she keep rubbing her relationship with Steve in her mom’s face? Halfway through, one character nukes the other’s career, but this life-shattering event has no real weight: It’s barely even mentioned for the rest of the series.
That said, Alice and Steve is worth seeing for scenes like the one in which Steve spinelessly sells Izzy out or the lacerating discussion between Alice and her husband when he fully grasps that he adores a woman who views him as a reliable but dull concierge, not a man she likes hanging with. Most touching of all may be the lovely sequence when Alice, wise for once, smooths a romantic crisis between her son and his would-be girlfriend, a pair who are the show’s emblem of hope. For once, we understand why people love her.

While most viewers will find Steve more likable than Alice — the show takes pains not to make him appear predatory or creepy — the role doesn’t give Clement a whole lot to do except play variations on shambolic dread and discomfort. The show gets its galvanizing zing from Walker, a beloved star in England with amazing, luminous eyes. Her Alice is the kind of complicated, volcanic heroine that you don’t see in movies and rarely see on TV, one who shows her apocalyptic rage freely and in many different forms.
At least once in every episode, something would lead me to say, “Man, is this show a mess.” But that wasn’t a deal breaker. I kept watching. After all, life is messy, too.

Lifestyle
How to enter your Sporty Spice era : It’s Been a Minute
How to enter your Sporty Spice era.
Getty Images/quantic69/Olga Kurbatova/Anastasiia Zvonary/Photo Illustration by NPR
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Getty Images/quantic69/Olga Kurbatova/Anastasiia Zvonary/Photo Illustration by NPR
Reality dating and professional sports are not as different as you’d think.
Brittany is in her Sporty Spice era – she watched the NBA playoffs, she’s following World Cup games, and she’s watching the New York Liberty play their WNBA season. These games are daily – and so is the reality dating show Love Island. And she noticed that the two formats are not very different at all. Defector.com staff writer and co-owner Kelsey McKinney came to the same conclusion – so the two of them discuss why these games of athleticism and love can bring us together… and why they get valued differently in our culture.
For more episodes on sports and reality TV, check out:
Get rich or die trying: how sports betting is changing our love of the game
Is this the end of reality TV?
The ugly truth of America’s expensive homes
Support Public Media. Join NPR Plus.
Follow Brittany on Instagram: @bmluse
This episode was produced by Liam McBain. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
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