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L.A. Affairs: I gave my boyfriend an ultimatum. What he did next was shocking

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L.A. Affairs: I gave my boyfriend an ultimatum. What he did next was shocking

When I opened the door of my apartment, something felt off. The way the click of the lock echoed in the room was wrong. It was too resonant. The furniture usually absorbed the sound.

But the couch, the rug, the dining room table — what used to buffer the noise of the tiled living room — were gone.

That’s when I realized my boyfriend had moved out without telling me.

I’d only heard of such a thing happening on television. But unlike a character on television, I didn’t cry thick tears or reflect on how my choices landed me here. I raged. I called him repeatedly, knowing each time he declined the call. I texted him and told him to do some very specific things to himself. I walked into each room to assess what he’d done, each discovery a spear through my gut: the hangers dangling on the closet rod like a smile of broken teeth. The disemboweled dresser drawers. The bathroom stripped of everything — even the shower curtain — as though freshly rejuvenated for a new renter to walk in and decorate.

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We had broken up two weeks before, at the end of a conversation he spent staring into his phone while responding to me with one-word answers. It was the conclusion of a fiery, unhealthy pairing dominated by a passionate relationship’s hallmarks: mind-blowing sex, furious arguments, heavy drinking, conversations that turned sour on a dime, and constant fluctuating between the euphoria of the extreme highs and the devastation of the melancholy lows. After a year and a half, I needed to get off the carousel. It was spinning out of control.

I was codependent. And my boyfriend, though he wouldn’t admit it, couldn’t control his drinking. Worse, he made sure our entire social life revolved around it.

During our relationship, our weekends all looked the same — karaoke at the only gay bar in Pasadena, the Boulevard, with me at the mic and him tossing back whiskeys and chain smoking at the front door. I loved that place, and the people who were regulars there like me. Over time, the only thing I didn’t like about it was his drunkenness. The way he’d casually swipe at me with a barb about something he knew was an insecurity for me.

I started anticipating what might trigger his emotional abuse, taking steps to avoid those situations. He’d entered graduate school and struggled to complete his work due to ADHD. Soon I was grocery shopping, cooking, cleaning, doing the laundry — meeting every need for the two of us all on my own. It was exhausting, but looking back, I thought my suffering gave me depth and meaning. Love meant sacrifice, I reasoned. And if I sacrificed enough, surely he’d finally love me without conditions.

Toward the end of his program, my boyfriend broke down and started taking ADHD medication. The change in him was immediate and drastic. Instead of being a stressed-out powder keg, he was calm and focused. What struck me was how loving he’d become. This had been our normal configuration: He sat at our kitchen table crafting pieces of a huge project while I sat on the couch watching TV, trying not to irritate or distract him and falling asleep while he worked through the night. But now he was gentle. He looked up at me and smiled. “I love you,” he said unprompted. He almost never said it to me first and never this warmly. I snatched up this emotional crumb and cherished it. See? I convinced myself. When I do everything right, I’m rewarded. But by the end of the month, he was off the meds and back to his old self again.

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When I told my therapist about my boyfriend’s double changes, he advised me to give him an ultimatum. “Tell him he has to stay on his meds or you’re leaving.”

A few days later, I approached my boyfriend. I described how different he’d been on his meds, how loved I felt, and how much I hoped that could continue. “I don’t feel like myself when I take those drugs,” he barked at me. “I don’t like it.”

I gave the ultimatum. He — as expected — blew up at me, raging across the apartment about how selfish I was, how I didn’t love him for who he was. How he was the victim in the relationship — not me.

And deep down, I thought he was right. Making my needs a priority. Asking him to do something that made me feel loved? I felt bad. I felt selfish. But I also didn’t think I’d make it even another month in the relationship the way it was. If he couldn’t give me what I needed, I’d be better off on my own.

A few days after that, he was gone.

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At the end of the month, I moved to a little one-bedroom on the hillside of Mount Washington. It was quiet there and far enough away from city life that it felt like a retreat. I rebuilt my life there, one day at a time, starting with the wounds and traumas that led me into a codependent relationship. I knew I was better off. That happier things were ahead. But I also knew I’d have none of them if I didn’t learn how to love myself first.

The author wrote the forthcoming book, “Splice of Life: A Memoir in 13 Film Genres.” He lives in Long Beach. He’s on Instagram: @charlesjensen

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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But first, coffee: The drink that energized the American Revolution

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But first, coffee: The drink that energized the American Revolution

An illustration of the Boston Tea Party, when colonists dumped British East India Company tea into the harbor on Dec. 16, 1773. Some accounts say this marked a pivotal moment when Americans started loving coffee. But one historian says Americans were drinking lots of coffee before then.

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A consequential act of defiance secured tea’s place as perhaps the most iconic beverage of America’s colonial era.

The Boston Tea Party became an essential ingredient in the recipe for revolution in the following years.

But tea wasn’t the only hot beverage with a prominent role in America’s fight for independence.

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Coffee was an important part of American culture from the start. And coffeehouses were essential, too — serving as hubs for brewing ideas of independence.

As the United States celebrates 250 years, here’s what to know about America’s early history of coffee.

Colonists were drinking coffee long before the United States existed

Europeans brought coffee with them when they came to America.

“The first documented example of a mortar and pestle used to grind coffee beans was on the Mayflower” in 1620, says historian Michelle Craig McDonald, the author of Coffee Nation: How One Commodity Transformed the Early United States.

“The fact that coffee was present so early is not surprising if you think about it,” McDonald says. “A number of those who were on the Mayflower came to North America from Amsterdam, which was a major coffee trading center in Western Europe by the 17th century.”

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The first coffeehouse in the colonies opened in 1676 in Boston, a century before the U.S. declared independence, she says. Some taverns sold coffee even earlier.

The Boston Tea Party probably wasn’t the dramatic turning point toward coffee that some claim

On the night of Dec. 16, 1773, disgruntled colonists boarded three ships moored in Boston Harbor and threw overboard more than 92,000 pounds of tea owned by the British East India Company.

Tensions had been building between the Crown and the colonies over the previous decade, as Britain tried to levy taxes on its colonies to recoup war debts.

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

Just in time for a contentious 250th anniversary of the United States of America, historian David S. Reynolds’ latest book, Two Ships, helps us realize that any country that couldn’t agree on its own origin story is destined for divisive times.

Two Ships is about the complicated, conjoined legacy of the landings of the Mayflower, which carried the Pilgrims to Plymouth, Mass., in 1620, and the White Lion, which arrived in Jamestown a year earlier, bringing the first enslaved Africans to Virginia.

As Reynolds demonstrates, it’s not so much the facts of these two voyages, as it is the meanings ascribed to them, that made them such a powerful metaphor for two conflicting visions of American identity.

To simplify, the Mayflower’s passengers were separatist Puritans, dissenters to the reign of the English king, James I. As the United States developed, the Mayflower was credited with carrying the seeds of a radical democracy to the New World, one in which all men (in theory, at least) were equal before God.

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In contrast, the European settlers of Jamestown were Royalists, also known as Cavaliers. Loyal to the monarchy, they believed in a strict hierarchy.

But the meaning of the images of the two ships shifted depended on who was invoking them and when. Not surprisingly, the metaphor was deployed most vigorously during the Civil War. In abolitionist speeches and writings, the White Lion or the “Slave-Ship,” as it was commonly called, was condemned for infecting America with the “plague-spot” of slavery.

Reynolds says that Frederick Douglass resorted to the “two ships” metaphor frequently, while Lincoln avoided it, hoping to preserve a unified ship of state. Meanwhile, Southern descendants of Cavaliers invoked the Mayflower to emphasize the intolerance and “cruel, persecuting” character of the Puritans. In a comment that resonates for our own times, Reynolds says:

It didn’t matter to the South that … by the mid-nineteenth century, the North had become a kaleidoscope of religious denominations, …, few of which resembled the faith of the Plymouth colonists. Distortion is intrinsic to cultural memory, especially when amplified by sectional or political bias. For Southerners, the Mayflower had brought Puritanism, which had yielded fanatical movements like abolitionism, now a dire threat to the Union.

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A historically hot Paris Fashion Week photographed with a kid’s camera

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A historically hot Paris Fashion Week photographed with a kid’s camera

I took a kid’s camera to Paris Fashion Week, because was it ever really that serious? Yes and no. This men’s season happened during one of the hottest weeks in France’s recorded history, which inspired that specific brand of collective hysteria brought on by living through yet another unprecedented moment together — taking over our brains and ruining our plans to wear boots — and a grander reflection on what we were doing there and why. The throngs of teenagers doing back flips into the Canal Saint-Martin and playing soccer in the street set the mood for the week. If the world is ending, you might as well swim in dirty water and have fun doing it, no?

As far as the shows went, there was the coastal stoner energy of Tokyo-based Auralee — brightly colored leathers and furry flip-flops — that reminded me of the low-key elegance of hanging out in Southern California. At the Rick Owens show, Rick-heads made minimal weather-restrictive tweaks to their usual uniforms — platforms, leather, ground-grazing garments — making you appreciate the beauty in that level of ascetic dedication. Louis Vuitton built a literal beach as its runway, complete with sand and a giant wave that felt like a mirage: Is this a heat-induced hallucination or yet another buzzed-about set design under men’s creative director Pharrell Williams? At the Dries Van Noten show, there was an ice-cold beer fridge and popsicles, a chic and inspired detail only rivaled by a collection that was a breath of fresh air during a week where I Googled the symptoms of heat stroke more than once. The Willy Chavarria show was air-conditioned, pumped with Xinú perfume and felt expensive. Sven Marquardt, a Berlin photographer and Berghain’s most famous bouncer, was sitting in front of me, which I took as an incredibly good omen. The painted blue feet and Oakley collab sunglasses at the Kiko Kostadinov show felt auspicious as well.

A model walks with his hands in his vest

A look from the Auralee show.

There were conversations floating around about how apocalyptic it felt sitting at a fashion show in over 100-degree Fahrenheit weather, our backs soaked, our minds dizzied, when the industry is responsible for something like 10% of global greenhouse gas emissions. The cognitive dissonance contributed to the thickness in the air that week.

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At the Comme des Garçons show, called “If the War Were to End..,” models danced and ran and skipped out onto the runway for the finale, soundtracked by the joyous sound of children singing “You’re So Good to Me” by the Langley Schools Music Project. In that moment, we were happy, we were clapping, we might have even been hopeful. Humans have the capacity to hold a lot — a fan in one hand while attempting not to completely melt in the front row, and a fantasy that there might still be a future where we get to wear those leopard-print Dries shoes we fell in love with on the runway.

People stand in front of a wall bearing the words "Paris Tourisme"

The moments before the Comme des Garçons show.

Two people dressed mostly in black

Comme des Garçons show attendees.

A model wears Comme des Garçons, head-to-toe.

Comme des Garçons, head-to-toe.

A model walks in white light

The Comme des Garçons show.

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Models wear long jackets

The Dries Van Noten show.

A bottle of beer

A chic and inspired detail at the Dries Van Noten show: ice-cold beer.

Modeling on a pink bench
A person in black shoes, left, and a person in pink shoes

Scenes from the ERL presentation.

Seated attendees watch a model
Seated attendees watch a model on a blue carpet

The Kiko Kostadinov show.

The Eiffel Tower rises in the distance
A woman in sunglasses stands in a beach setting

Tapping in from Louis Vuitton beach.

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Quavo at the Louis Vuitton show.

Quavo at the Louis Vuitton show.

A person stands in a beachlike setting

Scenes from after the Louis Vuitton show.

People use their smartphones to photograph a person in a suit and tie

Scenes from the Louis Vuitton show.

A variety of shoes and laces

Scenes from the Nahmias x Puma dinner at Gigi Paris.

Scenes from the On X Online Ceramics rave.

Scenes from the On X Online Ceramics rave.

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On at PFW.
People walk under arcs of water
People in a nightclub

At Silencio to see Venezuelan DJ and producer Safety Trance.

Five models wearing sunglasses stand together

The Willy Chavarria show.

A glowing cross with curved ends

Scenes from Willy Chavarria.

People sit along a canal

The throngs of teenagers doing back flips into the Canal Saint-Martin and playing soccer in the street set the mood for the week.

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