Lifestyle
How to have the best Sunday in L.A., according to Michaela Jaé Rodriguez
Since bursting onto the Hollywood scene with memorable performances in shows like “Nurse Jackie” and the critically acclaimed FX drama “Pose,” Michaela Jaé Rodriguez has shown her many dimensions.
The Golden Globe winner stars in the Apple TV comedy “Loot,” alongside Maya Rudolph, and “American Horror Story: Delicate,” with Emma Roberts and Kim Kardashian; both premiered in April. Her characters, respectively a determined nonprofit director and a single mom who’s likely a part of a satanic cult, couldn’t be more different.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
“It’s a blessing,” says Rodriguez, who in 2021 became the first transgender performer to land an Emmy nomination in a lead acting category. “I never thought that I would have two shows coming out at the same time. It’s also a little bit overwhelming. I’m not going to lie, but I’m always optimistic.”
Rodriguez, who has showcased her singing and dancing skills on “Pose” and “Loot,” also is preparing to release her first studio album later this year. She dropped an Afrobeat-infused Christmas single called “Snow Globe” in December.
“When the mic is there and I put the headphones on, I step right into Michaela Jaé, the artist,” she says. “Not Michaela Rodriguez … it’s simply just Michaela Jaé.
“I feel like she’s this kind of entity that comes over me that’s just like, ‘This is what you have to do. This is the message,’” adds Rodriguez, who got her start in a 2011 off-Broadway production of “Rent.” “I’ll show up when I’m on the stage, girl, but, like, this is [my] time to tell my story.”
Rodriguez, who’s known for always turning a look both on and off the red carpet, dreamed up her ideal Sunday for us. It includes shopping at the Grove, working on music at the studio, playing video games and going on adventures around L.A. with her mom.
This interview has been lightly edited and condensed for length and clarity.
5:45 a.m.: First, skincare
It’s so ingrained in my body to get up at least by 5:45 or 6 a.m. It’s probably because when I wake up in the morning, I always go to the bathroom and set the water [temperature] so it can start getting hot. I love to put a hot towel on my face to let my skin cleanse itself and then I go into my skincare treatment, which is the best thing for me — that’s like therapy for me. I take about an hour or two to do all of that first before I even get my day started.
7 a.m.: Meditation and manifestations
After I’m done, I usually turn on some lo-fi or meditation music, and I take 20 to 30 minutes to meditate and just be thankful. I usually pray and send manifestations up to the universe so the creator can hear. I really just try to manifest and pray on the things that I want and the things that I feel like need to be changed. And while that’s all happening, my boyfriend [Stephen Gimigliano] is probably up already cooking some food because he cooks every morning.
7:30 a.m. Breakfast and tea with my boyfriend
When we’re in L.A., which is most of the time, we are health gurus. In the morning, he’ll usually cook a nice, tasty boiled egg with some salt and pepper. Then he’ll take out some broccoli that he marinated overnight and he’ll garnish it with some onions and garlic. That’s usually it because we don’t want to have a heavy breakfast.
We drink all different types of herbal teas. We’ve been having some really specific ones that are good immune boosters. We like going to Wild and Tea [in Highland Park]. They have all of the natural dried-out herbs like lavender and cloves. We make all of these teas ourselves and drink it every morning.
9 a.m.: Dance it out in my living room
After that, girl, it’s me time. I have to move. I’m always dancing in my home, so I turn on some music and I take about an hour to get all of the energy out of my body because I have a lot. It’s so liberating. It’s therapeutic. Stephen will come in sometimes and he’ll root me on, but I take that time just to really, really celebrate dance. I have a lot of space to do pirouettes, battements and twerk.
I’ve been listening to Tyla’s new album on repeat. The girl is so talented. I’ve also been listening to Doechii — she is fantastic. I’ve always been a fan of Halle and Chloe, and I’m a huge fan of my girls Flo, from London. I’m always supporting my girls, especially my girls of color. They are out here storming the industry, and I hope they keep doing that.
10:30 a.m.: Studio time
For the past couple of Sundays I’ve been going into the studio, and it’s been so freeing to me. I write music but I have really good collaborators. Their names are Sophie Hintze and Micah Gordon. We’ve been trying to build this album that I’ve been working on. We have so much fun when we’re working on music, so I’ll spend about four hours there. The album is pretty much complete, so sometimes when we’re in the studio, we just play around. New music is coming out this year! I hope people love it.
2:30 p.m. Hang out with my mom
During the week I’m quite busy, and I noticed that I don’t get to see my mom as much, so I always take time on Sundays to go over to her apartment to chill with her and the pups. I try to spend as much time as I can with her, whether we’re going out to the Grove or this cute little place called Little Beast where we get dinner, or even Soho House. Those are our places and that’s where we’ve found our tribe at.
My mom and I have great, deep conversations about the industry, about me and her, about family, just about everything. It really, really feeds my soul. I’m so thankful I still have her, along with both of my dads too, but she’s such a pillar.
4 p.m. Eat pasta at the Little Beast
The Little Beast is one of my favorite restaurants. Their menu is seasonal, but they have this really tasty drink called the hibiscus margarita and they line it with Tajin. I love ordering their Brussels sprouts because they [douse] the Brussels sprout in a tasty vinaigrette. They also garnish it with some garlic and peppers. They have a ragù as well as a rigatoni that’s tasty. I’m a pasta girl. If you didn’t see me, you’d think I was Italian, honey. That’s how much I love pasta [laughs]. They also have butter pasta that is so good, but it’s not in season anymore, which I’m a little sad about.
5:30 p.m. Play video games
On Saturdays and Sundays, I usually like to take at least two or three hours for myself to play video games. I am a video gamer to the core. I love saying this because so many people are like, “Oh my God. She’s fashion. She’s art.” And I’m like, “I’m all of that but also a nerd, so never forget it.”
I even tried to shoot my shot to Margot Robbie to try to get a role on this new “Sims” movie. I’ve been playing “The Sims” since I was like 11. I also love fighter games, so I’ll play “Mortal Kombat,” and a game called “Multiverses.” But I’m not a sports girl at all. I’ll leave that to the boys. I also love playing X-Men games and “Super Smash Bros.” It really is my safe place. I escape and it’s so fun to do.
I’m naturally a PC girl — hence me having “The Sims” as my top priority, like that is my dollhouse. That is my way of feeling like I am God and have some control over something, because we realize we don’t have any control. I’m a PC girl at heart, but I’m going to play a PS5 all day. That’s my favorite console.
8 p.m. Scroll on TikTok until I fall asleep
By the time all of this stuff is done, my body is like, “OK, we need to head back to that bathroom and start doing our skincare treatment for the night so we can be prepared for Monday” [laughs].
The nighttime routine doesn’t usually take as long as the morning routine. When I go out, I love beating my face. Just a little beat — it don’t hurt nobody. So after I come in, I use a makeup wipe and wash my face completely. Then I’ll go in with a night serum from Charlotte Tilbury and let that sit for like 15 minutes. Then I’ll use her Magic Night Cream. You’re supposed to let it sit on your face so it can saturate, and you’ll wake up with a beautiful glow.
I’ll usually try to start winding down in the bed by 8 or 8:30 p.m. After a [long] day, sometimes your body does not want to go to sleep, so I’ll be on TikTok figuring out ways to inspire the children. [laughs].
Lifestyle
How does the Kennedy Center board make decisions? This legal filing sheds some light
The Kennedy Center, the facade of which remains covered with a tarp, is seen in Washington, DC, on June 28, 2026. A US federal judge asked on June 24 for an explanation for why a tarpaulin continues to cover the facade of the Kennedy Center where President Donald Trump’s name was recently removed. District Judge Christopher Cooper gave the board of trustees of the performing arts venue until the end of July to explain “the purpose for and status of the tarp and scaffolding that Defendants have erected on the front portico of the Center.”
ALEX WROBLEWSKI/AFP via Getty Images
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ALEX WROBLEWSKI/AFP via Getty Images
More than two weeks ago, President Trump’s name was removed from the Kennedy Center facade though it is still covered by a tarp and the legal battle continues.
On Monday, a U.S. Department of Justice filing on behalf of the Kennedy Center included some surprises. The document was submitted in response to issues raised by lawyers for ex-officio board member Rep. Joyce Beatty of Ohio who is suing to remove President Trump’s name from the center and stop its closure for renovations.
Among the revelations, the Kennedy Center admitted that, during a board meeting on December 18, 2025, Beatty had been “muted and prevented from speaking.” It was at that meeting that the board voted to add President Trump’s name to the center. The filing later acknowledges the congresswoman was “prevented from voicing her opposition.”
The John F. Kennedy Center for the Performing Arts is a living memorial to its namesake. The guidelines for how the theatre complex spends federal dollars are very specific. Among other rules, it states that “no additional memorials or plaques shall be designated or installed.” Beatty argues adding Trump’s name runs afoul of those rules and that any change requires approval from Congress.
According to one of Beatty’s filings, “There was no advance notice in the agenda that the Board would be considering a name change,” a statement the Kennedy Center now does not deny. The center admits that, prior to voting, there was “no discussion about potential risks or downsides of the vote to adopt a secondary name for the Center.” Nor was there a board discussion “about any potential conflict of interest that might result from the vote.”
The center’s lawyers previously contended that if Trump’s name were to be removed, it would “lose money from donors who support” him and “impede the Center’s fundraising efforts.”
Closing for renovations
Earlier this year, Trump announced on social media that the Kennedy Center would close for two years for renovations. He wrote that he made the decision after “a one year review” with “Contractors, Musical Experts, Art Institutions, and other Advisors and Consultants.”
But, according to the center’s lawyers, Trump’s announcement “was made without presenting any plans, analyses, timelines, or funding information to his cotrustees and without any Board vote.”
The Kennedy Center has long denied reporting by The Washington Post that ticket sales plummeted after President Trump became the Center’s board chair. In Monday’s legal filing, the Center admits that, by October 2025, “nearly half of the Center’s tickets were going unsold.”
Lifestyle
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Lifestyle
‘Dead but Dreaming of Electric Sheep’ is full of beautifully written grotesqueries
Paul Tremblay has made a career of pushing the horror genre – and the novel format – in strange and exciting new directions.
In his latest, Dead but Dreaming of Electric Sheep, the author offers an amalgamation of genre elements that can be best described as psychological-dystopian-science-fiction horror. It’s a mouthful, but the narrative does all of that and more in a way that defies categorization.
Julia Flang is a former semiprofessional gamer working two mediocre jobs she dislikes and living in a modest ranch house in a San Fernando Valley suburb with her retired uncle, whom she calls Uncle Fun. Julia likes movies and gaming but there’s little else going on in her life, so when her estranged mother, the CFO of a large tech company, contacts her with a possible job offer – a “once-in-a-lifetime thing” that pays handsomely just for doing the interview – she hesitantly agrees.

The job is relatively simple and perfect for someone with gaming skills: using a controller built into a phone to get a man, who is stuck in a vegetative state, from California to the East Coast. It will require her to learn how to control his body – walking, moving, sitting, standing, using his arms – so she can maneuver him out of the facility where he is located and into cars and planes and through crowded airports. A fan of movies, Julia decides to call the man Bernie – after the movie Weekend at Bernie’s. When the ethics of the job start to bother her, Julia realizes it’s too late and she must go through with it. However, she’s soon contacted by people interested in sabotaging the whole thing, people who, like her, don’t align with the shady interests of conglomerates and those set to make “gobs of money” from this new, somewhat inhuman technology.
As with every Tremblay novel, any synopsis barely scratches the surface. The novel’s chapters alternate between Julia and you (yes, you). Julia’s chapters are “normal” in the sense that they obey a chronological order and have action, basic descriptions of movement and places, and dialogue. The chapters in second person are like fever dreams from a shadow world; the desperate experiences of a man trapped inside his own body with no control of it, no clue what’s happening to him, and only a few fragmented memories of his life. Also, Tremblay uses a similarly fragmented style of storytelling (including words and sentences trapped in boxes and/or “moving” on the page) to keep things interesting but also confusing and creepy.
This novel operates on several different levels and – planes of existence? Bernie has a head full of AI that controls his body, but his consciousness is still there and struggling to regain control, struggling to remember things. There are monsters, leeches, mysterious rabbits, and eerie shadows in his world, but the true horror comes from the lack of control, from being moved around against his will and having no clue what comes next. Bernie is the embodiment of losing control to AI, and when taken together with the commentary of creativity and AI and the meta interludes in which the author takes a wrecking ball to the fourth wall and addresses readers, this is the best anti-Generative AI story horror has produced so far.
Despite the horror of it, this is a very funny novel. Julia is sarcastic and struggles to keep her comebacks in line, but the conversations she has and messages she writes are always entertaining. However, the humor is far from the crown jewel here. That title belongs to a plethora of big ideas Tremblay juggles. The nature of life, death, and consciousness, the evils of conglomerates, inhuman practices in the name of capitalism, and AI, and even what it means to be human are all explored here: “Is Bernie alive? Is he feeling pain? Is he experiencing everything as a prisoner looking through the bars of his body? Has his consciousness been winnowed to a metaphysical keyhole? Where does consciousness begin or end?” There are no definite answers here, but the way Tremblay infuses humanity, love, the importance of relationships, and humor throughout the narrative provides the kind of answers that can’t and don’t need to be spelled out.
A genre-bender full of big ideas that constantly switches between a world full of real or uncomfortably plausible nightmares and a bizarre hellscape in which loss of self, memory, and autonomy are only the tip of the proverbial iceberg, Dead but Dreaming of Electric Sheep is a horrific and terrifyingly disorienting novel that invites readers to consider a future that already started. Tremblay has always been an innovator, but this beautifully written collection of real and imagined grotesqueries cements him not only as one of the most original and exciting voices in horror but also as one of the smartest, most engaging authors in contemporary fiction.
Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on X, formerly Twitter, at @Gabino_Iglesias.

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