Lifestyle
How to have the best Sunday in L.A., according to Kate Berlant
On the stand-up stage, comedian Kate Berlant is a lot — a lot of exaggerated faces, a lot of abrupt free-form physicality and a lot of on-a-dime thematic pivots.
She’s brought that same frenetic theatricality to both the small and big screens, including last year’s Emmy-nominated sketch comedy special “Would It Kill You to Laugh?” co-starring her friend and frequent collaborator John Early, as well as scene-stealing roles in HBO’s “Search Party” and the Boots Riley film “Sorry to Bother You.”
Now her exuberant extra-ness is on full display in her off-Broadway one-woman production “Kate,” running through Feb. 11 at Pasadena Playhouse.
Written and performed by Berlant and directed by Bo Burnham, (who also directed her 2022 Hulu comedy special, “Cinnamon in the Wind”), the quasi-autobiographical play is, in her own words: “kind of like my ridiculous clown show. It’s an absurd, but also sincere, theatrical experience.”
While she’s a blur of hyperactivity during performances, she’s considerably more mellow outside of the spotlight.
“I’m a hedonist,” she says. “I chase pleasure openly and rapidly and it’s not difficult for me to relax.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Born and raised in Santa Monica and now residing in Silver Lake, her version of relaxation is anything from low-key lounging at Silver Lake Meadow to an hourlong cold-plunge contrast therapy session at Pause Studio in West Hollywood. And when it comes to pleasure, her mind goes straight to food: “I guess I don’t know what else drives people!”
She concocted an ideal Sunday itinerary in which her cravings would guide her on a crosstown comestible spree. She would unabashedly hit up much-ballyhooed eateries and not one but two trendy health-food stores, as well as a couple of old haunts from her adolescence.
This interview has been lightly edited and condensed for length and clarity.
9 a.m.: No rush to rise
Seeing as the weekend holds no meaning for me because my life doesn’t adhere to the rhythms of a normal life, I guess there’s just a little bit of a feeling of “The office is closed.” I would love to sleep until 8:30 or 9. I need at least eight hours of sleep and I truly, honestly want to get 10. I like being able to freely sleep and have nowhere to be. I’d wake up and stay in bed for, like, an hour.
10 a.m.: Play barista at home
I’m obsessed with my new coffee machine, which is a Breville Bambino espresso machine. I have to say, it’s changed my life. It makes better coffee than I can ever get out in the world. Also — I’m sure this is a habit that will dissolve probably in the next two weeks — I’m currently hyper-fixated on making green juice every morning, just as a natural symptom of living in Los Angeles.
11 a.m.: Make a breakfast decision
I love Sqirl — it’s still one of the most dependably delicious meals you can get. I also love Courage Bagels, which is obviously extraordinarily covered in the press, but it lives up to its reputation. The line at Courage is often overwhelming and impenetrable, certainly in the face of hunger. There’s this rare occasion where, if I can handle waiting in line, it’s Courage. I’m often starving and, typically, if I need food, I need it within 20 minutes. If I go to Sqirl, I really like the sorrel pesto rice bowl, or the frittata thing they do is beautiful.
Noon: Embark on a Westside trek
I’d probably go to Santa Monica to visit my parents, which I do pretty frequently on a Sunday. It’s a shocking sacrifice I make as an only child who loves their parents. You have to completely surrender to the traffic and get over it. I’ll just be listening to the same songs on a loop, typically, because I’m such a creature of habit. (Right now, some songs on repeat are “Let ‘Em In” by Wings, “When the Morning Comes” by Hall & Oates, “Number One Fan” by Muna, “What It Is” by Doechii and “Party 4 U” by Charli XCX.) Or I’ll use the opportunity to make phone calls. When I bemoan the traffic, I realize how very lucky I am that I can see my parents — they’re just an annoying traffic ride away. We’ll just be sitting at the dining room table, chatting. I often bring them food, so I’d bring them some from Sqirl, or I’d pick up Tacos Por Favor, a Santa Monica place from my youth that’s still there. Their chile rellenos are a staple of my childhood; my parents would order them in bulk for parties.
3 p.m.: Comparison shopping
I go to Erewhon — as the government requires me to do — at least three to five times a week. (I have a habit of buying their soups that come jarred, as emergency postshow food if I’m home late from the theater.) It would not be unlike me to go to two different Erewhons in one day and have it kind of be a ridiculous indulgence. I’ll go to the Silver Lake one and look around. Then, I’ll truly go to the Santa Monica Erewhon just to kind of compare and contrast. And if I’m in Santa Monica, I would do a nostalgic stop by the Brentwood Country Mart, to peruse how the 0.5% live and maybe some shopping could happen. [Growing up] I spent a lot of time there.
5 p.m.: A dinnertime vibe check
If I wanted a burger, I’d go to Lowboy in Echo Park. If I wanted pizza, I would go to Quarter Sheets. I love to eat really early; my partner and I both want dinner at, like, 5.
7 p.m.: Sidle up to an atmospheric bar
As a date, we’d go to Café Triste in Chinatown and have a nice glass of wine and hang outside. Ambiance is key and Café Triste is kind of sexy and has a nice energy. Or, I also love Capri Club. I have no qualms with just fully embracing, loving and adoring the most heavily media-hyped places in Los Angeles. I could rack my brain for a more specialized list to, you know, portray myself as someone who traverses their own path. But I am on the Commoner’s Trail!
9 p.m.: Back home to gaze at homes
Honestly, on a Sunday, it’s really nice to be home by 9 and then, realistically, watch like an hour of Architectural Digest videos. I’m aesthetically driven and obsessed with people’s homes and spaces and how the rich reproduce a certain aesthetic. To catch people in that “performance” of the Architectural Digest tour, it’s some of the most haunting material you can find. To be clear, I’m raucous, wild and I love to be out late. I love to party, I love glamour and I love Hollywood, but I also love to eat at 5 and then be completely entering REM [sleep] by 11.
Lifestyle
Zendaya and Tom Holland Are Married, Her Longtime Stylist Claims
Law Roach
Zendaya and Tom’s Wedding Already Happened …
Y’all Missed It!!!
Published
Zendaya and Tom Holland are married … so claims her longtime stylist, Law Roach.
Here’s the deal … the celebrity stylist — who started styling Zendaya way back in 2011 — spoke to Access Hollywood on the Actors Awards red carpet where he sang out “The wedding has already happened, you missed it.”
Waiting for your permission to load the Instagram Media.
The AH reporter asks in shock if that’s true … and, Law responds by saying it’s “very true” before walking off.
This isn’t the first time Tom and Zendaya’s relationship status has made headlines on a red carpet … remember at the Golden Globes in 2025, Zendaya had a ring on that finger — and, the next day, we found out the two were engaged.
TMZ.com
Zendaya and Tom met on the set of “Spider-Man: Homecoming” in 2016, started dating a couple years later and went public with their relationship in 2021.
We’ve reached out to Tom and Zendaya’s teams … so far, no word back.
Lifestyle
Bet on Anything, Everywhere, All at Once : Up First from NPR
Online prediction market platforms allow people to place bets on wide-ranging subjects such as sports, finance, politics and currents events.
Photo Illustration by Scott Olson/Getty Images
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Photo Illustration by Scott Olson/Getty Images
The rise of prediction markets means you can now bet on just about anything, right from your phone. Apps like Kalshi and Polymarket have grown exponentially in President Trump’s second term, as his administration has rolled back regulations designed to keep the industry in check. Billions of dollars have flooded in, and users are placing bets on everything from whether it will rain in Seattle today to whether the US will take over control of Greenland. Who’s winning big on these apps? And who is losing? NPR correspondent Bobby Allyn joins The Sunday Story to explain how these markets came to be and where they are going.
This episode was produced by Andrew Mambo. It was edited by Liana Simstrom and Brett Neely. Fact-checking by Barclay Walsh and Susie Cummings. It was engineered by Robert Rodriguez.
We’d love to hear from you. Send us an email at TheSundayStory@npr.org.
Listen to Up First on Apple Podcasts and Spotify.
Lifestyle
A secret-ish Japanese-style listening lounge just opened inside the Hollywood Palladium
Now you can pair your big show with dinner and a more intimate listening experience. The Hollywood Palladium, an Art Deco music venue graced by performers like Frank Sinatra, Richard Pryor, Jimi Hendrix, Lady Gaga and Jay-Z since 1940, has debuted a swanky lounge known as Vinyl Room.
Inspired by 1970s Japanese high-fidelity (hi-fi for short) listening rooms and operated by entertainment company Live Nation, it’s a space where concertgoers can have dinner, grab drinks and catch a vinyl DJ set before, during or after their ticketed event in the same venue.
With a name like Vinyl Room, you can expect to see vinyl records everywhere.
“You’re in [for] a whole night of music,” says Geni Lincoln, president of the California region for Live Nation, adding that her team put “so much thought” into the sound and design of the space, which was in development for more than two years.
“I’ve been coming to the Palladium since I was a teenager, so it’s really special to see,” she says.
Entering Vinyl Room feels like you’re stepping into a secret speakeasy for music lovers, one with iconic music memorabilia, a thoughtful food menu and premium sound quality. Want to check it out? Here are five things to know.
Everything inside of Vinyl Room is inspired by the sounds and the musicians who’ve played at the Hollywood Palladium since 1940.
1. Vinyl Room is exclusively open to members and concertgoers with an upgraded ticket
Vinyl Room is open only on Hollywood Palladium show nights, starting 90 minutes before doors open, and remains open one hour after the concert. Admission is limited to concertgoers who purchase a ticket upgrade, which starts at $35. Early reservations are recommended.
Vinyl Room also offers annual membership packages, which start at $2,000 and come with various benefits such as complimentary guest passes to Vinyl Room, access to an exclusive menu, valet parking, table reservations inside the lounge, a dedicated private entry, complimentary coat check and concert ticket credits.
Tip Dunn, also known as DJ tenSpeed, played records during opening night at Vinyl Room at the Hollywood Palladium.
2. Hi-fi is having a moment in Los Angeles — and Vinyl Room delivers on sound quality
From Common Wave Hi-Fi in Boyle Heights to Slow Jamz Gallery in the Arts District and Gold Line bar in Highland Park, hi-fi — a 1950s term used to describe the high-quality reproduction of sound — venues and experiences have been slowly popping up around L.A. over the last few years. Vinyl Room joins a short list of places where audiophiles can go to listen to music on hi-fi equipment, which many argue is the best way to experience it.
Much like the Hollywood Palladium, which is known for its top-tier sound, Vinyl Room also makes sound a priority. The lounge utilizes hi-fi sound equipment including Master Sounds Clarity-M speakers to ensure that the records sound as crisp as possible. Live DJs spin records on a set of turntables, which helps to create a richer and more analog sound that is closer to the original track than compressed versions such as MP3s.
Ruthie Embry, vice president of architecture and design at Live Nation, says the records and other memorabilia inside the space “connects you directly to the venue’s history the second you walk in the door.”
3. All of the decor ties back to music and the Hollywood Palladium’s rich history
With a name like Vinyl Room, you can expect to see vinyls everywhere. Records line most of the walls and shelves, drinks are served on vinyl-shaped coasters and tables and light fixtures are designed to the theme. There’s even vinyl wallpaper in the photo booth. In one corner of the lounge, you can dig through records under a neon sign that reads, “But have you heard it on vinyl?”
Ruthie Embry, vice president of architecture and design at Live Nation, says the records and other memorabilia inside the space “connects you directly to the venue’s history the second you walk in the door.”
Some standout items include a Red Hot Chili Peppers show flier, a Hollywood Palladium postcard signed by late musician and host Lawrence Welk and a photo of late singers Bonnie Baker and Orrin Tucker at the venue. Even the bathroom creates a memorable photo moment: The stalls are filled with photos of musicians and an “on air” studio sign lights up when a stall is occupied.
Vinyl Room’s menu, created by Chef Ryan DeRieux, is inspired by Asian flavors and includes items like the “Vinyl Roll,” which is made with spicy tuna.
4. Don’t worry about dinner plans before or after the show. Vinyl Room has got you covered
Eliminating the need to find a pre- or post-show restaurant, Vinyl Room has a full Asian-inspired menu created by Chef Ryan DeRieux.
Think sushi tots (like crispy tuna but with tater tots instead of rice), tuna poke nachos, chili crunch chicken wings and shiitake tempura burgers. There’s also a mouth-watering 10-ounce American wagyu skirt steak served with shishito peppers, pickles and charred carrots. For dessert, try the taiyaki, a popular fish-shaped Japanese street food, which is served with a delicious passion fruit cream that I wanted to take to go because I liked it so much.
Signature cocktails at Vinyl Room, inspired by popular songs, include the Superfly, Escape (if you like piña coladas) and Smoke on the Water.
5. The craft cocktails aren’t just delicious — they each have a story
Vinyl Room’s old-fashioned is made with Nikka Yoichi whisky, which is made in Japan.
The cocktail program, developed by third-generation bartender Sean Kenyon, is inspired by the songs created by musicians who’ve graced the Hollywood Palladium stage. A nod to the 1970s, the Superfly is a fizzy, citrus-forward play on Curtis Mayfield’s 1972 track and is made with Roku Gin and yuzu and sencha syrup. Other signature drinks include the rum-based Escape (if you like piña coladas) with coconut oolong syrup, pineapple juice and miso, and the tart yet sweet Smoke on the Water, which is reminiscent of Deep Purple’s 1972 song. The bar also offers an espresso martini (called the MT Joy), a signature old-fashioned (made with Nikka Yoichi whisky) and a Japanese whiskey highball (made with Hibiki Harmony whisky). The bar offers a number of non-alcoholic options as well.
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