Lifestyle
Gen Z’s weekend plans? Wait an hour for a $6 matcha in your most expensive hoodie
Come for the matcha latte, stay for a potential sighting of Justin and Hailey Bieber. Or is it the other way around? No matter the time or day, Community Goods, a petite coffee shop in Beverly Grove, draws the early-20s crowd for a line that stretches down the block.
Since opening last February, the cafe’s cups with square logos have made an appearance in thousands of Instagram and TikTok posts. While overly posed photos of lattes feel reminiscent of a now cringey, millennial Instagram, a flash of the Community Goods cup has become somewhat of a Gen Z status symbol. For $6, it’s more attainable than other photos taken only to be shared: a manicure in a luxury car, a peek of a designer shoe or a recognizable dish at an impossible-to-get-into restaurant. Yet it still implies (or at least attempts to imply) a leisurely, influencer-adjacent lifestyle.
Niki Zahedi, left, and Julius Woods eat breakfast sliders on the cramped back patio.
Monica Auiroz, left, and Carl Rodriguez stand for a portrait while in line at Community Goods.
The line at Community Goods on this Sunday morning features a range of Los Angeles styles. Two friends match in designer sneakers, black leggings and Chrome Hearts hoodies (if authentic, over $600 each). There is every version of Ugg boot and lip filler galore. The odd industrial goth breaks up neutral-toned athleisure. In a line this long, it’ll take 40 minutes to get to the register and another 20 to get an order. There are lines for coffee elsewhere in Los Angeles like at Los Feliz’s Maru Coffee and Echo Park’s Canyon Coffee, but Community Goods loyalists seem to be excited, not frustrated, by the waiting around. Standing in the sun off Melrose Avenue in a curated outfit is part of the day’s plans. Online pre-order is available, but no one here is in a rush.
Many in the crowd swear they’re not just there to see and be seen, but for the quality product. The cafe is known for its iced matcha, vanilla lattes and breakfast sandwich sliders on King Hawaiian rolls. The menu has a few funkier items like an ice salted maple cappuccino and Hojicha Spänner (cream top). Drinks range from $4 to $7, sliders start at $10 before adding bacon or avocado — prices comparable to the competition.
“I think about the line as a group effort. We’re all waiting and we all get a reward in the end with our coffee,” says Shima Rable, 21, who is on vacation from Toronto. She and her friend Sasha Grub, 19, have stopped by Community Goods multiple times while visiting L.A. and this is Rable’s second day there in a row. “I found out about Community Goods through my queen Hailey [Bieber]. She’s my fashion inspiration,” says Rable. Even though the line was too long, the space was too small and her expectations went unmet, Grub says she’d still be back.
Sasha Grub, left, and Shima Rable, right, have visited Community Goods multiple times while visiting L.A.
Ibraheem Agaba was at Community Goods waiting for his date.
Ibraheem Agaba, 26, is waiting for his date to arrive at Community Goods. He was skeptical at first after hearing about the cafe from a friend. The crowd leaned a bit “basic” for his liking. But after trying the food and drinks, he was hooked. “So I guess I’ll be basic all day long,” he laughs. The line inspires him to be on his fashion A-game. “People try to bring their best as far as style goes when they come here and I appreciate that. That’s not something I see a lot of in L.A. It’s kind of dead. I think Community Goods is one of the only establishments that’s holding that expectation up and that’s why I’m here this morning.”
Julius Woods, 24, and Niki Zahedi, 25, are seated on the cramped back patio at a table overflowing with sliders, cookies and drinks. “Community Goods is the new era of Soho House for young creatives. There’s always that one spot in L.A. that’s popping and this is the current one,” says Woods, who runs the music magazine Lucid Monday. When asked if he has ever networked or done any work at the cafe — the alleged purpose of Soho House — he clarifies that he prefers to people watch.
“There’s so many cafes but this one really stood out to me because I love their logo. I’m a graphic designer and I really love their branding and overall aesthetic,” says Sierra Lee, 24. She first heard about it because of the Biebers but also approves of the matcha.
With no marketing or publicity budget, co-owner Pedro Cavaliere, 30, attributes the cafe’s initial success to a decade of banked favors. “I worked my entire life for very influential people and never asked for anything in return. They saw me literally building the cafe with my own hands during lockdown and were ready to support … I never expected it to become what it is,” says the Brazilian immigrant who once was a personal assistant for musician A-Trak and tour DJ for Rihanna.
Sierra Lee first heard about Community Goods because of Justin and Hailey Bieber, but said she also approves of the matcha lattes.
Austin Quire, left, in a Chrome Hearts hoodie, and Andrew Tabak rocking a cowboy hat.
Austin Quire, 20, and Andrew Tabak, 24, recognize the cafe feels like what transplants and TikTok users associate with Los Angeles. “There’s a lot of copy and paste … if you took a picture of this place, without context you would be able to tell it’s in L.A.,” says Quire, who like other customers, is wearing a Chrome Hearts hoodie.
Los Angeles’ layout and car culture reduce spontaneous interaction and leave room for a coffee shop line to be a place for which you plan outfits. An 18-year-old fan and an A-lister enjoying the same latte creates the illusion of access to a version of Los Angeles reserved for the rich and famous. It’s enticing enough that a year in, the line is as long as ever and a second location in West Hollywood is in the works. Paparazzi haven’t caught Hailey Bieber at the cafe since November, but according to its 20-something fans, the matcha is still worth waiting for.
Lifestyle
‘Alice and Steve’ might be a mess — but it’s also too fun to stop watching
In Alice and Steve, Jemaine Clement and Nicola Walker play long-time friends who turn on each other after he gets involved with her 26-year-old daughter.
Lara Cornell/Disney+
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I grew up watching episodic shows on network TV, nearly all of them formulaic but some indelibly great. Then, like everyone else, I moved into the days of what my colleague David Bianculli dubbed Platinum TV, where series like The Sopranos and The Wire and Fleabag aspired to something higher. What both these eras had in common was that their shows were carefully crafted — they had an internal logic, and a tone, that held them together.
In recent years, though, there’s been a proliferation of shows that, possibly obeying some algorithm, care less for coherence than sensation. They lurch among tones, from cuteness to sentimentality to meanness, stirring in random plot twists along the way. Bouncing all over the emotional map, these shows depend on compelling actors and a few memorable scenes to make us overlook their loose construction.
A great example is Alice and Steve, an entertaining but sometimes exasperating six-part British comedy on Hulu about two 50-something best friends who turn on each other after he gets involved with her 26-year-old daughter.


While the premise is juicy, it’s also a tad yucky, and I mainly tuned in because its title characters are played by performers Jemaine Clement from Flight of the Conchords and Nicola Walker, whom I’ve raved up on this show more than once.
The series starts poorly with Steve and Alice going on a cutesy bender after a friend’s funeral. Now, I always hate drunk scenes, which are an invitation to overact. As Clement and Walker bray their lines, we learn that Steve’s a divorced celebrity hair stylist who can’t find a girlfriend while Alice is a clothes designer with a doting younger husband, nicely played by Joel Fry, a sweetie-pie of a teenage son — that’s Tyrese Eaton-Dyce — and, of course, that 26-year-old daughter, Izzy, who has inherited her mother’s willfulness. Played by Yali Topol Margalith, Izzy kickstarts the plot by flirting with Steve. Predictably, he succumbs.

Almost immediately, they think they’re in love. While the weak-willed Steve wants to hide their romance — he knows it’s inappropriate — Izzy just blurts out the facts to her mom. Alice flips. And from hereon out in this series where the women are as alpha as the men are hangdog, Alice drives the action. Betrayed and violently angry, she’ll do whatever it takes to break them up — no matter who gets hurt. Her antics unleash Steve’s own malice. We’re in Beef territory.
At its core, Alice and Steve hinges on the way that platonic friendships are often richer and more powerful than romantic ones. It’s a fascinating subject, which may be why I found the script by Sophie Goodhart so frustrating. I wanted her to dig deeper. While the show’s got some very funny bits — Alice’s sharp-tongued mother is a blast — it’s often annoyingly lax.

If Steve really does the hair of Charli XCX, how come he’s a clueless older guy whose pop culture references are Willie Nelson and Woody Allen? If Izzy truly adores her mother as she claims, why does she keep rubbing her relationship with Steve in her mom’s face? Halfway through, one character nukes the other’s career, but this life-shattering event has no real weight: It’s barely even mentioned for the rest of the series.
That said, Alice and Steve is worth seeing for scenes like the one in which Steve spinelessly sells Izzy out or the lacerating discussion between Alice and her husband when he fully grasps that he adores a woman who views him as a reliable but dull concierge, not a man she likes hanging with. Most touching of all may be the lovely sequence when Alice, wise for once, smooths a romantic crisis between her son and his would-be girlfriend, a pair who are the show’s emblem of hope. For once, we understand why people love her.

While most viewers will find Steve more likable than Alice — the show takes pains not to make him appear predatory or creepy — the role doesn’t give Clement a whole lot to do except play variations on shambolic dread and discomfort. The show gets its galvanizing zing from Walker, a beloved star in England with amazing, luminous eyes. Her Alice is the kind of complicated, volcanic heroine that you don’t see in movies and rarely see on TV, one who shows her apocalyptic rage freely and in many different forms.
At least once in every episode, something would lead me to say, “Man, is this show a mess.” But that wasn’t a deal breaker. I kept watching. After all, life is messy, too.

Lifestyle
How to enter your Sporty Spice era : It’s Been a Minute
How to enter your Sporty Spice era.
Getty Images/quantic69/Olga Kurbatova/Anastasiia Zvonary/Photo Illustration by NPR
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Getty Images/quantic69/Olga Kurbatova/Anastasiia Zvonary/Photo Illustration by NPR
Reality dating and professional sports are not as different as you’d think.
Brittany is in her Sporty Spice era – she watched the NBA playoffs, she’s following World Cup games, and she’s watching the New York Liberty play their WNBA season. These games are daily – and so is the reality dating show Love Island. And she noticed that the two formats are not very different at all. Defector.com staff writer and co-owner Kelsey McKinney came to the same conclusion – so the two of them discuss why these games of athleticism and love can bring us together… and why they get valued differently in our culture.
For more episodes on sports and reality TV, check out:
Get rich or die trying: how sports betting is changing our love of the game
Is this the end of reality TV?
The ugly truth of America’s expensive homes
Support Public Media. Join NPR Plus.
Follow Brittany on Instagram: @bmluse
This episode was produced by Liam McBain. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
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