Lifestyle
Despite appearances, the Wallis Annenberg Wildlife Crossing is on track for fall completion
To the 300,000 drivers who stream through Agoura Hills on the 101 Freeway every day, the Wallis Annenberg Wildlife Crossing looks relatively unchanged from last summer, except for some leggy native shrubs growing along the outer walls.
While activity seems to have halted on what is touted to be the world’s largest wildlife crossing, there’s been lots of slow, expensive work at the site that’s hard to spot from the freeway, said Robert Rock, chief executive of Chicago-based Rock Design Associates and the landscape architect overseeing the project. This includes:
- Moving power lines, water lines and other utilities underground — at a cost of nearly $20 million — along the south side of the crossing.
- Drilling at least 140 deep holes along 175 feet of Agoura Road and filling them with concrete to create the foundation for the tunnel over the frontage road. The tunnel will support roughly 3 million cubic feet of soil connecting the south side of the crossing to the Santa Monica Mountains, roughly enough soil to fill half of SoFi Stadium, Rock said.
- Reworking some of the project’s nonwildlife-centered designs to reduce ballooning construction costs. For instance, an underground tunnel that would have permitted utility companies to drive in and check on their equipment has been reduced to a large conduit just big enough for wires and cables to be easily pulled through.
Rock and Beth Pratt, California regional executive director of the National Wildlife Federation and leader of the Save LA Cougars campaign, led a tour on top of the crossing during a sunny day last week to discuss the status of the long-awaited project, whose completion date was originally scheduled for the end of 2025.
Crews work on 70-foot-long wire rebar cages that were dropped into holes along Agoura Road and filled with concrete to create the foundation for a 175-foot-long tunnel over the frontage road that will support the south shoulder of the Wallis Annenberg Wildlife Crossing.
Record rains in 2022 and 2023 created significant delays, pushing the expected completion of the wildlife crossing to the end of this year.
“We want rainfall. We want water because that’s part of making these landscapes healthy and vibrant,” Rock said, “but when you have 14½ inches of rain in 24 hours and an open excavation for the foundation of a massive structure that fills up like a giant bathtub and you’ve got to vacuum all that sludge out of there three separate times and re-compact the soil … you’re going to have delays even if the contractors are moving at lightning speed.”
Rock said the new completion date in November or early December is “aggressive but doable” since the utility moving is now completed, and he expects work to move more rapidly once the the tunnel foundations are completed. The concrete tunnel will be built on-site and then covered with soil this summer. Most of the earth is coming from a small hill on the north side of the crossing that was created when the freeway was built in the 1950s.
The second and final phase of the project — attaching the shoulders that will permit animals to use the crossing — started last summer and is progressing on schedule, Rock said, but it’s also painstaking, expensive and largely invisible work moving overhead power lines underground and drilling thick holes about 70 feet deep. Once a hole is dug, a tall crane slowly slides in a rebar cage that resembles a wire mesh dinosaur spine so the hole can be filled with concrete.
The work is hidden from most freeway passersby and those driving below since Agoura Road is closed during weekday working hours.
Birds, lizards and insects have already been spotted at the top of the uncompleted Wallis Annenberg Wildlife Crossing, which rises 30 feet above the 101 Freeway in Agoura Hills. “Build it, and they really do come,” said Beth Pratt, California regional executive director of the National Wildlife Federation and leader of the Save LA Cougars campaign, as she looked east at the 101 Freeway traffic from the east edge of the crossing.
This project has more complexities than others around the country, Rock and Pratt said. Other crossings are typically located in more rural areas and chosen based on ease of construction. The location of this crossing was locked in — a slim passage of wilderness in a largely urban area between the Santa Monica Mountains and Simi Hills — so it faced challenges other crossings usually don’t such as moving utilities, skirting heritage oaks no one wants to remove or working around huge numbers of cars. “If we could have closed Agoura Road and the 101, I could have built it in a year,” Pratt said, laughing.
Rising construction costs have been another complication. The expected cost of the entire project, $92.6 million, held until last spring when the bids for the second phase “came back through-the-roof high,” Pratt said.
The contractor C.A. Rasmussen’s bids for Stage 1 of the project came in 8% below Caltran’s estimate, but the bids for Stage 2 pushed the costs about $21 million higher than expected, increasing the total projected cost to about $114 million.
About $77 million of the construction costs will be paid by state money, including a recent infusion of $18 million to help cover the shortfall, “primarily from conservation funds such as voter-approved bond measures or mitigation dollars,” Pratt wrote in an email. Private donors have provided the remaining $37 million, about 32% of the project’s overall construction costs. About $29.4 million of those private donations came from Wallis Annenberg, the crossing’s namesake, who helped kick-start the campaign with $1 million in 2016, after a “60 Minutes” report about the existential peril facing Los Angeles County’s freeway-locked cougars, Pratt said in an interview Friday.
Annenberg, who died last year, contributed $35.5 million for the project, including the $29.4 million specifically for the crossing construction as well as funds to cover design costs, ongoing wildlife research in the region and the project’s native plant nursery.
Construction costs have gone up everywhere over the past year, in large part because of uncertainty about what even the most basic materials such as concrete will cost, said Rock.
“If you’re putting together a bid for a project and you don’t know what the cost of something is going to be a month from now, let alone six months to a year from now, you’re going to roll that speculation into the cost of your pricing, even when you’re talking about something that should be a fairly stable [cost],” Rock said.
1. Landscapers place hundreds of native buckwheat, sages and other plants on top of the wildlife crossing. 2. Robert Rock stands along flags marking places for plants to be placed on top of the bridge. 3. A landscaper loosens the roots on a purple sage just removed from its gallon pot to prepare it for planting. (Myung J. Chun / Los Angeles Times)
Some of that uncertainty is based on the wildfires that decimated large swaths of Altadena, Pacific Palisades and Malibu last January, he said, because the heavy equipment needed for the project was suddenly in huge demand to clear burned properties. And tariffs on Canada and Mexico, two of the country’s largest suppliers of cement, an essential ingredient of concrete, further increased prices on one of the project’s key materials, even among domestic providers, he said.
The project has enough money now to complete construction, Pratt said, but Save LA Cougars is still fundraising, trying to raise another $6 million to cover other non-construction costs including $2 million for the Santa Monica Mountains Conservancy, which owns the land, to maintain the crossing habitat (such as removing invasive nonnative black mustard plants that have taken over the north side of the crossing in the Simi Hills).
In an email outlining the costs, Pratt said the money will also provide $1.5 million to the National Park Service to continue the wildlife research that led to the creation of the crossing, when scientists discovered that the freeways crisscrossing the region were making it impossible for cougars and other wildlife to find suitable mates. It will also be used to fund education programs, maintain the crossing’s nursery and train volunteer docents leading popular tours around (but not on) the crossing.
“As this is being regarded as a global model for urban wildlife conservation and connectivity, we have to ensure the research and educational efforts continue for the long-term,” she wrote.
The project’s rising costs have created anxiety for her. “When I saw the Stage 2 bid, I almost had a heart attack,” Pratt said last week. But during the tour, she was too distracted by the progress on the crossing to dwell on the stress. In midsentence, she’d suddenly break off to excitedly note a young kestrel flying near the crossing or a honeybee foraging among some early flowers.
These days the top of the crossing is busy with workers planting hundreds of native plants grown from seed at the project’s nursery nearby. There are plugs of grasses and gallon pots of white sage, purple sage, California buckwheat, long-stem buckwheat, deerweed, narrow leaf milkweed and coyote bush. The top is divided into 10-by-10 grids bristling with small colorful flags designating where the plants should be placed.
Habitat restoration is a huge part of this project, especially since a wide swath of the area was destroyed by the Woolsey fire in 2018, allowing invasive mustard plants to get a firm hold especially on the north side of the crossing. The native plants selected for the crossing all grow nearby, but Rock said the builders also want to make sure they plant the sages, buckwheats and grasses in the same groupings you would find in nature.
Pratt’s stuffed cougar, representing the late P-22 whose bachelor life trapped in Griffith Park helped inspire the project, sat placidly amid workers moving native plants onto the site. She brings him to tours she said, to help remind everyone what the project is ultimately about — saving wildlife.
Native vegetation is being planted at the Wallis Annenberg Wildlife Crossing in Agoura Hills.
Wild animals seem curious about the status of the project. A small herd of mule deer have been spotted nosing around the site of the tunnel construction on Agoura Road and in October, a young female cougar named P-129 was briefly captured and collared in a glen of oaks near the south side of the crossing, said Pratt.
Animals can’t easily get on the crossing now unless they can fly. The top is about 30 feet above the freeway, and the north edge is roughly 50 feet from the hills where it will eventually be connected.
Those sides will have to be carefully filled in, a little on one side, then a little on the other to keep the structure from rocking and falling over, Rock said. Once the soil is packed into place, workers will have to add more native plants to cover those shoulders, about 13 acres in all.
Pratt has immersed herself in wildlife for decades. She recently completed writing a book, “Yosemite Wildlife: The Wonder of Animal Life in California’s Sierra Nevada,” about the wildlife near her home in Northern California, and she’s excited about the prospect of insects, birds and other critters investigating the plants now covering the crossing’s top.
The recent wildlife sightings have caused her to rethink which wild animal will be the first to cross. Originally, she said, she was betting on a coyote, but now she’s putting her money on mule deer.
Rock was quieter. He’s happy about the progress, he said, “but I’m more riddled with anxiety than pride right now because there’s still so much work to be done to make sure we’re giving everything the best possible chance for success.”
Navigating the obstacles while upholding the project’s goals such as creating a self-sustaining native habitat over one of the country’s busiest freeways is critical, he said, because the outcome will influence decisions about future crossings.
The project has had some serious problems, he said, “the kind where people go back into their shells because things are difficult, and they’ve hit a roadblock. But I’m hoping that what we’re doing can become a catalyst for people to take a chance and continue to push down the path even though things are challenging.”
Lifestyle
Why Gen Z is movie-maxxing : Pop Culture Happy Hour
Inde Navarrette and Michael Johnston in Obsession.
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Focus Features
Two big horror films, Obsession and Backrooms, just smashed all box office expectations. So much of their success has been driven by Gen Z, which is now the biggest moviegoing demographic. But what makes a movie a Gen Z movie? Today we’re bringing you an episode of NPR’s It’s Been a Minute. Host Brittany Luse talks about this trend with Sam Adams and Reanna Cruz.
If you want to hear more about these movies, check out these episodes:
In ‘Obsession,’ love hurts. It really, really, really hurts.
‘Backrooms’ brings YouTube horror to the big screen
Zendaya brings ‘The Drama,’ we bring the spoilers
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Lifestyle
10 new books you won’t want to miss in July
I regret to inform you I’ll need to keep this introduction brief. Not because there’s any lack of things to say about July’s crop of notable new releases; it features award-winning journalists and several different flavors of anxiety about our bleak ecological future and data-dominated present, as well as the welcome returns of several beloved novelists.
No, these books certainly deserve some love, dear readers. It’s just that I’m finding it a bit tough to type while bearhugging a box fan. And since it seems that may be my last best chance to get through this latest U.S. heat wave here on the east coast without sweating through my shirt, I feel some urgency to get back at it.
So enough with the ado. With any luck, you’ll soon be cracking open one of these great reads on the beach — or in front of a decent air-conditioning unit, at any rate.
You Won’t Get Free of It: Stories of Mothers and Daughters, by Rachel Aviv (July 7)
Aviv, New Yorker staff writer and finalist for this year’s Pulitzer Prize, has a fairly extensive purview in her role as reporter at large. Still, when reviewing her latest work, Aviv noticed a crucial throughline: “I realized that, to some degree, I’d been writing about mother-daughter pairs for the last decade,” she explained to the Paris Review. Seeing this, she decided to collect and revise half a dozen of those stories, which cover ground from a daughter’s troubling fugue states to the immigrant nannies who must leave their own children behind, to Alice Munro’s daughter, whose claims of sexual abuse went unheeded yet regularly resurfaced in her mother’s fiction.
Country People, by Daniel Mason (July 7)
In Mason’s first novel since North Woods, 2023’s critical darling and book club stalwart, readers are plopped right back in the New England woods but the time scale has shrunk considerably. Whereas North Woods spanned centuries, his new novel confines itself to a single year, during which Miles, loving family man and lackadaisical Ph.D. candidate, plans to finally buckle down on that derelict degree of his and reassert his worth to one and all! At least, that’s the idea. But plans don’t stand much of a chance when there are eccentric neighbors to befriend and mysterious local legends to investigate.
Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast, by Pamela Colloff (July 14)
This is the first book from Colloff, a veteran investigative journalist for ProPublica and The New York Times Magazine. She has won multiple National Magazine Awards for stories focused on miscarriages of justice – such as her 2019 piece about Paul Skalnik, a grifter, fabulist, sexual predator and snitch, whose fabrications can be linked to dozens of wrongful convictions in Florida, including some sending the innocent to death row. Here Colloff expands upon that investigation, which gets a lot more room to breathe in the transition from magazine article to full-length book. What emerges in this disturbing account is a portrait of one man’s callous cruelty, and the law enforcers who had no problem tolerating a deal with the devil, provided it kept juicing the conviction rate.
Cloudthief, by Nathaniel Rich (July 14)
Though it’s his fiction we’re discussing here, it’s important to note Rich’s reporting has earned plaudits, too, as well as a few film adaptations. No matter the medium, climate change is usually on his mind, as well as the blunt, rather bleak, prognosis he offered on Fresh Air in 2019: “There’s a huge range of outcomes … ranging from the not very good to the apocalyptic.” Which is to say I’m surprised to find myself describing his newest response to global catastrophe as a rollicking good time – and not just because I’ve never said those words, in that order, in my life. This spry, funny caper features a freelance environmental reporter who inadvertently breaks bad, careening under the influence of lust and a light wallet toward the novel’s big centerpiece: the planned heist of a massive data center.
Data Empire: The Power of Information to Organize, Control, and Dominate, by Roopika Risam (July 14)
And now, for another book centered on data – albeit from a rather different angle. This illuminating history from Risam, a Dartmouth professor, traces the practice of collecting information – and the power conferred by possessing it – from the bones that were humans’ first archives, to the omnipresent systems that shape (or outright determine) life today. As Risam asks, “What has it meant – and what will it mean – when records that once served only to help us remember, come to rule?” A pressing question (see: those data centers), which you’re probably better served trying to answer with the help of Risam than, say, Alexa or Claude.
It Will Come Back to You: Stories, by Sigrid Nuñez (July 14)
For someone with nine novels to her name, Nuñez got a later start than you might expect, having published her first book when she was already in her mid-40s. More than three decades later, now a spry 75 years old, the National Book Award winner has gotten around to publishing her first collection of short stories. The 13 stories here have been culled from across her career, but each one resonates clearly with the warm timbre of her voice: simple, unadorned prose and mundane setups, from which she consistently manages to tease out glimpses of truth, elusive and profound.
They Stole a City: Wilmington’s White Supremacist Coup and the Families Who Live with Its Legacy, by Lauren Collins (July 14)
The only coup d’etat to succeed on U.S. soil is, at most, a distant historical afterthought these days. To be honest, I can’t recall reading a single textbook entry that even remarked on the 1898 race massacre in Wilmington, N.C., an action led by white supremacists that left many (historian estimates say up to 300) Black Wilmingtonians dead and permanently scarred a community newly aware of its simmering animus and vulnerability to violent overthrow. So I’m grateful for Collins’ new chronicle of the infamous event, which fills in some serious gaps in the American collective memory and explains how its perpetrators cultivated the disorienting silence that persists in the historical record today.
Yellow Pine, by Claire Vaye Watkins (July 21)
I don’t think I’ve ever actually laid eyes on the Mojave Desert but after reading Watkins’ latest novel, it feels like I can picture it more vividly than some streets I’ve actually lived on. No, it’s “not a beginner’s wilderness,” as Watkins concedes in Yellow Pine, but this landscape so redolent of death is also deceptively robust with life, if only you’re patient enough to find it. Too bad, then, that it’s also on fire. And choked by drought, irradiated by military test sites and soon to be sacrificed to a massive new solar array named, inexplicably, Yellow Pine. But those aren’t the only complications confronting the book’s main character, Rose, whose aspirations of becoming a kind of climate hermit warp a bit under the pressure of a rekindled love and the pendulum swing of rage and despair at the state of the world.
Cool Machine, by Colson Whitehead (July 21)
Ray Carney is back, for what regrettably appears to be the last time. The lifelong Harlemite, hard-luck furniture dealer and ambivalent crook starred previously in Harlem Shuffle and its sequel, Crook Manifesto. His perspective is our window on the changing eras of the historically Black neighborhood, from the mid-1950s on. In this, the final installment in Whitehead’s brisk, exceedingly entertaining Harlem Trilogy, readers catch up with Carney around the start of the 1980s, following him deeply into Reagan’s decade. The novel also represents the end of an era for Whitehead, whose attention has been exclusively occupied with these characters since he won Pulitzer Prizes for consecutive novels, The Underground Railroad and Nickel Boys.
Beginning Middle End, by Valeria Luiselli (July 28)
The gifted young Mexican writer returns this month with her fourth novel, the second she has written in English and her first since Lost Children Archive launched to widespread plaudits more than seven years ago. Her new book, like her previous one, also concerns the travels of a small family – only this time, the road leads not through the American Southwest but Sicily. And the history sought by its mother-daughter main characters is not a record of bureaucratic cruelty but something much more intimately personal: the links shaped and tested by generations of shared heritage and experience.


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