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‘Cool Ladies Club’ is directed by 10 working-class women. They live up to the title

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‘Cool Ladies Club’ is directed by 10 working-class women. They live up to the title

These ten women from a working-class neighborhood in Mumbai were completely new to film-making. They got smart phones and started filming their lives. Here they pose with filmmaker Shilpi Gulati, who taught them filmmaking basics. Gulati, wearing red, stands at the far right in the second row.

Mangesh Gudekar/School of Media and Cultural Studies, TISS.

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Mangesh Gudekar/School of Media and Cultural Studies, TISS.

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It’s the first scene in a new documentary. A group of women are being taught how to use phone cameras so they can make a documentary about their lives as domestic workers, community health workers, toilet operators and home caregivers. The voice of their instructor is heard talking about the things they need to think about: composing a frame, lighting, holding the camera still.

One woman raises her hand and asks: “Where is the record button?”

The room erupts in laughter.

Inexperience didn’t keep them from fulfilling their dream. These 10 working class women from Mumbai are the co-directors of the new movie Mast Mahila Mandali –- that’s Hindi for Cool Ladies Club –- which had its premiere this spring in Mumbai’s iconic, 1930s art-deco style Regal theater for an audience of 1,200 that included families and neighbors of the novice directors as well as cinephiles and media professionals.

The title came from Shilpi Gulati, the filmmaker they worked with and who taught them filmmaking basics. She suggested it at a meeting of the ten women. They deliberated over it and thought it fit the spirit of the film, pushing back against the idea that they are helpless women from the slums.

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“For me, a ‘cool lady’ is someone who is bindaas — relaxed, fearless and does whatever comes to her heart,” says Rehana Shaikh, 32, a home caregiver and one of the ten selected to take part in this project.

The idea was to show what their lives are like — and also to show how cool they are by giving them a chance to express their creativity and just goof around on camera and have fun.

The idea for the film took root in 2024 and came from Supriya Jan of CORO India, a nonprofit group that teaches leadership skills to marginalized women. Her initial idea was to focus on the group’s Right to Pee campaign, which advocates for safe, clean and free public toilets. And she wanted women from the impoverished M-east ward to make the film rather than hiring an outsider.

Jan, the executive producer of the film, reached out to Shilpi Gulati, a filmmaker who teaches at the School of Media and Cultural Studies at the Tata Institute of Social Sciences in Mumbai, to work on the project.

At first, Gulati was puzzled by the idea. The women did not know anything about filmmaking, so how could they co-direct a film? She sprang into action: “It was a wild experiment. I put together a lesson plan so the women could learn the basics of filmmaking, from lighting to composition. We met every Saturday from about 1:30 to 6:30 p.m.,” says Gulati. With only five smartphones available, the ten women worked in pairs.

“I would give them a production exercise for the week — like shooting the Mumbai monsoon or interviewing each other about who you were in the past and who you are today?”

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As the women talked and filmed, the scope of the documentary expanded. Instead of making a five-minute film about sanitation, they wanted to document the unseen lives of ordinary women like themselves, sharing intimate moments, telling their stories. It became a 70-minute documentary that took six months to film and a year-and-a-half to edit.

The driving theme, says Gulati, is that even in their busy lives, these women could take time for themselves, build friendships and show that “having fun is not frivolous. That being mast [carefree] and claiming joy is cool. It is a radical act of resistance against oppressive structures.”

Darshana Mayekar, a toilet operator and a slum sanitation program leader, says the experience made her feel young again. “For 20 years, I have been busy raising a family and working. While making the film, I was able to live a little for myself. I am 50, but I feel 20,” she says.

Vaishali Mane, 35, a community worker who helps women access property rights, says being in front of the camera gave her the confidence to speak up — for herself and other women.

Then there’s the exhilarating story of Rehana Shaikh.During the months of filming, Shaikh was between jobs so instead earned money by doing tailoring – gluing tiny round mirrors to a dazzling yellow, silver and white colored sharara set of wide-legged pants, a tunic and stole.

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When it was time to take a break, Sheetal Navle, a community health worker, filmed Shaikh going up a narrow set of stairs in her two-story home to her kitchenette, where she would prepare dinner for her husband and three children.

Rehana Shaikh has her star moment as she dances in her family’s kitchenette while preparing dinner.

NPR screengrab from Cool Ladies Club via Vimeo


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NPR screengrab from Cool Ladies Club via Vimeo

In the scene filmed, as she cooks, she plays a rambunctious Bollywood number on her phone and begins to dance.

“I had always dreamed of being a dancer on screen or on stage,” she says. “Growing up, I was not allowed to step out of the house even for dance classes.

“When the opportunity to learn filmmaking came, I said yes because I wanted to learn something new. My husband said no. He didn’t want me on screen.” She says he was uncomfortable about women speaking openly on camera.

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“I convinced him by saying I will only be behind the camera,” she says, deciding to hold back on the details and negotiate with him over time.

Shaikh went back and forth on keeping the dance scene in the film, given her husband’s concerns. “The other women encouraged me, saying ‘don’t hide your passion.’ It became a way to inspire others to relieve their stress and dance.” 

At the premiere, her husband and three children cheered and hooted.

She was thrilled. “They were telling others in the audience, ‘She is my wife, that’s my mother!”

Note: In addition to Shaikh, Navle, Mane and Mayekar, the Mumbai women who served as co-directors are Kavita Ghuge, Rohini Kadam, Kavita Khomne, Gauri Rane, Anjum Shaikh and Nazneen Siddiqui. They were paid $262 each for their work on the film as co-directors; potential income from distribution deals and ticket sales will be shared as they own joint copyright of the film with Shilpi Gulati, who was also a co-director, and CORO India. Since the premiere, there have been additional community screenings of Cool Ladies Club, and the documentary will be submitted to film festivals this summer.

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Neha Bhatt is an award-winning journalist and author based in Delhi, India, reporting on public health, development and culture. Her work has appeared in The Guardian, The British Medical Journal, Stanford Social Innovation Review, The Globe and Mail, Devex and National Geographic. Connect with her on linkedin.com/in/nehabhattwrites

Lifestyle

Her water bill was ‘insane.’ So she tore out her lawn and planted a ‘wabi-sabi’ wonderland

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Her water bill was ‘insane.’ So she tore out her lawn and planted a ‘wabi-sabi’ wonderland

Water-hungry lawns are symbols of Los Angeles’ past. In this series, we spotlight yards with alternative, low-water landscaping built for the future.

Julia Lee had no need for a new garden when she and her husband purchased their Cheviot Hills home eight years ago. The traditional 1950 home came with mature tropical plants in the back and a sprawling grass hillside lawn in front, and it suited them just fine. But as drought and wildfires dragged on in California in recent years, she started to question whether keeping the thirsty lawn made sense.

“Our water bill was insane,” she says as she offers a tour of the former lawn, which is now filled with colorful native plants and drought-tolerant plants. “It was a waste of space. Our kids were getting older and didn’t play on the lawn. There was just no reason to keep a big green lawn.”

After reading a Times story about Georg Kochi, a retiree who swapped his Koreatown lawn with plants suited for California, Lee was inspired by Kochi’s wild, wabi-sabi-style garden, which embraces the art of imperfect beauty.

“I’m into chaos,” Lee says, bending down to smell the minty fragrance of a native Woolly bluecurls (Trichostema lanatum) shrub. “It’s an accurate reflection of my personality.”

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Lee’s lawn in Cheviot Hills before she sheet-mulched it with cardboard.

(Julie Lee)

A lush garden and red door of a house.

So in 2022, Lee decided to replace her lawn with a drought-tolerant landscape, using the LADWP Free Landscape Design Program, now called the Landscape Efficiency Assistance Program, for help. She also applied for the Metropolitan Water District’s turf replacement rebate, which was $3 per square foot at the time (now $5), and got $5,310 back when the garden was finished.

She wanted to learn more about native plants, so she took a garden design class at the Theodore Payne Foundation for Native Plants in Sun Valley. But the class felt overwhelming. “I love Theodore Payne,” she says, “but I hate measurements and trying to figure out hardscape. I’m not a math person. The instructor wanted us to use a compass and draw a scale drawing of the whole lawn, and I thought, ‘I can’t do this.’”

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Feeling paralyzed, she thought about hiring someone to help her, even though she didn’t want to spend the money on a landscape designer. But when Lee shared her frustrations with her graduate school adviser, noted author and avid gardener Jamaica Kincaid, she got the encouragement she needed. “She told me to do it myself,” Lee says, “as she designed her own gardens herself, and they are idiosyncratic just like she is.”

1 Pink native Clarkia flowers.

2  A lady bug sits on a dill plant.

3 Non-native Borage.

1. Native Clarkia. 2. A ladybug sits on a dill plant. 3. Non-native Borage.

With encouragement from Kincaid, Lee, 49, began by planting small sages that would grow quickly and help prevent erosion, since water, mulch and rain often ran down the hillside to the sidewalk. She also spread Theodore Payne’s Rainbow Mix wildflower seeds throughout the landscape, including California poppies, Arroyo lupine, Desert Bluebells and Clarkia. In the spring, the yard was full of colorful wildflowers, but for the rest of the year, it stayed dormant. “People loved it because it was like a wildflower meadow in the middle of the city,” she says.

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Walking through Lee’s garden, as birds, bees and butterflies zoom around the yard’s bright flowers, it’s obvious she loves color. With help from her friend Ben Liou, who replaced his lawn with native plants, Lee filled the space with a lively mix of sages and flowering perennials, including yellow Bladderpod, pink Palmer’s Penstemon, blue California lilac and poppies. Also, in the mix, there are California poppies, Channel Islands Tree poppies and tall Matilija poppies that look like fried eggs.

A monarch butterfly caterpillar.

An endangered Western monarch caterpillar nibbles on some California native milkweed.

A "Think Global Plant Local" sign in Julia Lee's garden.

A “Think Global, Plant Local” sign rests next to a handwritten plant identification tag.

(Kayla Bartkowski / Los Angeles Times)

She was surprised to find that working in her garden helped her connect with her neighbors in unexpected ways.

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“I was worried the neighbors would complain,” she says. “But I’ve met so many people because I’m out here every day. Other gardeners are curious and often ask me, ‘What’s that interesting yellow plant? Oh, Palmer’s Indian Mallow?’ I even know all the dogs’ names now.”

When she and her gardener sheet-mulched the front yard with cardboard Amazon boxes she had collected from her neighbors in October, one neighbor joked that it looked ready for Halloween. “She told me it looks like a graveyard,” Lee says, laughing.

An aerial of Julia Lee's garden.
An aerial of Julia Lee's garden at her home in Cheviot Hills.

An aerial view of Lee’s garden.

Not all the plants survived, partly because half the garden is shaded by a large magnolia tree on the parking strip. Lee estimates she lost about 70% of her plants in the first year because she didn’t water enough. “The very first year you’re supposed to water regularly, and I did not hand-water enough, so everything basically died. The water bill went down dramatically, though.”

Three years later, after losing so many plants, she decided to add an irrigation system. Liou and her gardener helped Lee install it and build a bioswale to catch rainwater, using stones from Valley Builders Supply and some larger rocks from Bourget Bros. “We installed it in one day,” she says. “It was my birthday present to myself.”

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Julia Lee stands in her garden at her home in Cheviot Hills.

Lee installed the bioswale in just one day with help from a friend and her gardener.

At first, she was nervous about adding something so different from the other traditional lawns on her street. “There weren’t any other houses that had anything like that,” she says. “But now I like it because it breaks up the front lawn into separate planting sections.” She can also walk down the bioswale to work in the garden. “I find garden maintenance so relaxing,” she adds. “It’s meditative.”

Lee says plants help her connect with people. One neighbor who knew the home’s previous owner gave her succulents. Another brought her some aromatic California sagebrush, also called Cowboy Cologne. “I really like the fact that I can point to certain things and remember who gave them to me,” she says. “That’s really nice.”

She hopes the golden yarrow will spread, and she’s especially proud of the large white sage she grew from seeds that a friend gave her. “It’s so happy over there,” she says, clearly excited by its growth. “Look at how big it is. I am so proud of it.”

A bluebird box hangs from a tree in Julia Lee's garden.
Venice beekeeper Ian Kimbrey from Cheep Cheep Homes put up a bluebird box made from recycled materials on Lee’s magnolia tree. There haven’t been any bluebirds yet, but Lee is excited to see hatchlings in the future.

Not all the plants in the unamended soil are California natives or even drought-tolerant. Lee kept some plants that have been growing in the yard for decades, like the jasmine climbing around the front of the house as well as the white roses. “I really don’t like lantana,” she says, “but I hate killing things.”

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Someday she hopes to set up a free seed library, and she’s excited to see bluebird hatchlings in the bluebird house that Venice beekeeper Ian Kimbrey installed in her tree. “I just need to be patient,” Lee says about the bluebird box, which is still empty. “I’ve entered that phase of my life where I just love to see so many birds and bees and other animals in my garden. It’s good for my mental health.” She also wants to add a water feature where birds and butterflies can bathe and sip, and she plans to plant more berries to attract more pollinators.

Lee, who grew up in L.A. and teaches English at Loyola Marymount University, says her unkempt garden reminds her of Los Angeles in some ways. “Everybody just wants to look young and perfect all the time, and that’s not healthy,” she says. “My garden is beautiful in the spring; then it goes dormant in the summer. And that’s OK.”

1 Blue non-native Cornflowers.

2 Pink Cosmos flowers in Julia Lee's garden.

3  Julia Lee, Loyola Marymount University Professor, reaches for a sage plant

4 A pink native Clarkia flower in a garden

5 Pink and white Clarkia flowers in Julia Lee's garden

1. Blue non-native Cornflowers. 2. Pink Cosmos, also a non-native. 3. Lee reaches to sniff some hardy Cleveland sage 4. A native Clarkia flower. 5. Pink and white native Clarkia flowers.

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She hopes her story will encourage others who who can’t afford a landscape designer or simply feel overwhelmed by the idea of replacing their lawn. “I think sometimes it’s helpful just having somebody who’s there to hold your hand,” she says of her friend Liou. “For me, that was critical. I don’t think I would have ever made any progress without him.”

The project was ultimately about more than just saving water. It gave Lee a chance to connect with her community while experimenting in what she calls a “test garden.” She calls her garden a work in progress, and although she has suffered failures along the way, she values the friendships she has made outside her front door. “My garden doesn’t look designed because it isn’t. I’ve learned it’s OK if things aren’t perfect.”

Actually, she says, an imperfect,-always-evolving garden is “a good lesson for life.”

Lee looks for bees inside the Matilija poppies in her garden.

Lee looks for bees inside the Matilija poppies in her garden.

(Kayla Bartkowski / Los Angeles Times)

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Plants used in this garden

California native shrubs/flowers

Coulter’s Matilija poppy (Romneya coulteri)
Pigeon Point Coyote Brush (Baccharis pilularis “Pigeon Point”)
Twin Peaks No. 2 Dwarf Coyote Bush (Baccharis pilularis “Twin Peaks No. 2”)
Lilac Verbena “De La Mina” (Verbena lilacina “De La Mina”)
Armstrong California Fuchsia (Epilobium canum “Armstrong”)
Marin Pink California Fuchsia (Epilobium canum “Marin Pink”)
“Bert’s Bluff’ California Fuchsia (Epilobium canum)
Catalina California Fuchsia (Epilobium “Catalina”)
Hummingbird sage (Salvia spathacea)
California Sagebrush (Artemesia Californica)
California Buckwheat (Eriogonum fasciculatum)
Red Buckwheat (Eriogonum grande var. rubescens)
“Warriner Lytle” Buckwheat (Eriogonum fasciculatum “Warriner Lytle”)
Ashyleaf Buckwheat (Eriogonum cinereum)

 Julia Lee touches a native white sagebrush.

Lee grew the white sage from seed.

Sea Cliff Buckwheat (Eriogonum parvifolium)
Ceanothus “Julia Phelps”
Yankee Point Carmel Ceanothus (Ceanothus thyrsiflorus var. griseus “Yankee Point”)
Coyote Mint (Monardella villosa)
Woolly Blue Curls (Trichostema lanatum)
Golden Currant (Ribes aureum var. gracillimum)
Bush Monkeyflower (Diplacus longiflorus)
Jelly Bean Red (and Pink, and Orange, and Fiesta Marigold) Monkeyflower (Diplacus “Jelly Bean Red,” etc.)
Canyon Prince Giant Rye (Elymus condensatus “Canyon Prince”)
Island Alumroot (Heuchera maxima)
Santa Ana Cardinal Alumroot (Heuchera “Santa Ana Cardinal”)
California bee plant (Scrophularia californica)
California Huckleberry (Vaccinium ovatum)
Common Snowberry (Symphoricarpos albus var. laevigatus)
Fragrant Pitcher Sage (Lepechinia fragrans)
“Whirly Blue” Cleveland sage (salvia clevelandii “Whirly Blue”)
“Celestial Blue” Cleveland sage (salvia clevelandii “Celestial Blue”)
Winnifred Gilman Cleveland sage (salvia clevelandii “Winnifred Gilman”)
Allen Chickering Cleveland sage (salvia clevelandii “Allen Chickering”)
“Bee’s Bliss” sage (Salvia “Bee’s Bliss”)
“Mrs. Beard” creeping sage (Salvia sonomensis “Mrs. Beard”)
Russian sage (Salvia yangii)
Santa Barbara Mexican Bush sage (Salvia leucantha “Santa Barbara”)
Deer grass (Muhlenbergia rigens)
California bush sunflower (Encelia californica)
Margarita BOP penstemon (Penstemon heterophyllus “Margarita BOP”)
Palmer’s Indian Mallow (Abutilon palmeri)
Island Mallow (Malva assurgentiflora)
White sage (salvia apiana)
Black sage (saliva mellifera)
Butterfly bush (Buddleja)
California Yarrow (Achillea millefolium)
Oregano (Origanum vulgare)
French lavender (Lavandula dentata)
Bush Anemone (Carpenteria californica)
Channel Islands tree poppy (Dendromecon hartfordii)
Manzanita
Blue Grama (Bouteloua gracilis)
Showy Island snapdragon (Gambelia speciosa)
Bladderpod (Cleomella arborea)

Wildflowers (Native and non-native)

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California poppies (Eschscholzia californica)
Blue Globe gilia (gilia capitata)
Elegant Clarkia (Clarkia unguiculata)
“Farewell to Spring” Clarkia (Clarkia amoena)
Cornflowers (Centaurea cyanus)
Theodore Payne’s Rainbow Mix wildflower seeds
“Indian Summer” Black Eyed Susan (Rudbeckia hirta, “Indian Summer”)
Cosmos (cosmos bipinnatus)
Various breadseed poppies (papiva somniferum)

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Soccer Edition: Watch World Cup highlights from across the NPR Network

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Soccer Edition: Watch World Cup highlights from across the NPR Network

The 2026 World Cup is playing out in communities across the country. Journalists from NPR and its member stations are in your city — capturing the excitement and asking the important questions. Catch up on the World Cup in 15 minutes or less.

For more coverage of the World Cup from across the NPR Network, check out the new “World Cup” tab in the NPR App.

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Pilates on a floating mat? This beachfront pool workout in L.A. will challenge your core

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Pilates on a floating mat? This beachfront pool workout in L.A. will challenge your core

Forget walking on water. What if you could do yoga on the water’s surface, like a jellyfish riding the gentle waves in downward dog or child’s pose.

That’s basically the idea behind the Floating Fitness class at the Annenberg Community Beach House. It’s a full-body workout combining yoga and Pilates moves with gentle high-intensity interval training bodyweight exercises — all performed on floating yoga mats in a swimming pool.

The inflatable hardshell BOGAFiT mat that’s used — or “floating training platform,” as the class refers to it — looks like a wide paddleboard with a slightly raised yoga mat on its surface. It’s anchored to the pool walls with bungee cords on either end, so that the mat floats in the middle of the pool but doesn’t flip over. Participants can then get a high-intensity, low-impact workout that’s easy on the joints and requires extra balance, firing up the core. The workout builds strength and flexibility while improving balance and coordination, said instructor Leah Gutentag, who’s been a lifeguard and swim instructor for the city of Santa Monica for about 12 years.

“Being on the mat, on the water, it’s a unique experience,” Gutentag said. “It’s that balance challenge. No matter your workout experience — whether you go to Pilates once a week or once a year — all of those movements change on the water. Your body physically adapts, and your brain mentally adapts. You use stabilizing muscles in your feet you don’t normally use, you feel your core engaged.”

Tracy Simmer stretches on her floating yoga mat during a Floating Fitness class.

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(Alisha Jucevic / For The Times)

It’s worth noting that the Annenberg Community Beach House pool is directly across from the beach. You can’t exactly see the ocean while in the pool, but you feel its presence. I took the class on an early Saturday morning (it has since moved to Wednesday evenings). Warming up, we stretched out on our mats in a supine position, staring up at the sky and breathing deeply. Heavy seaside fog settled above us, and the air smelled salty. As the ocean breeze kicked up, the palms rustled around us.

It was utterly serene.

Until it was not.

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“Keep that left elbow tucked into that right knee as we lift our left leg, then lower it,” Gutentag coached. “Now open from our crunch, and then crunch it back over. Lift, lower! Uncrunch, cross it back up! We’re here for four, for three, for two and one.”

Participants plank during a Floating Fitness class.

Participants perform planks during Floating Fitness.

(Alisha Jucevic / For The Times)

The position was easy enough — I’d done it countless times on dry land. But even the simplest moves were noticeably harder on an unstable surface. I felt the effort in my abs for days afterward.

Vibe: The more than century-old pool at the Annenberg Community Beach House was once part of the seaside mansion that William Randolph Hearst built for his mistress, actress Marion Davies. It’s beautifully preserved and feels luxurious to workout in, as if you’re on a “wellness vacation” at a resort. The class is held when the pool is closed to the public, and with just a handful of participants the day I attended, the experience also felt exclusive. Instructor Gutentag has been teaching Floating Fitness at ACBH for more than a year now, and she led the group with authority and warmth, offering adjustments for those who needed it. Remarkably, during the hourlong class, only one person fell into the pool, sparking festive cheers among participants. (The water is a balmy 87 degrees, so no one suffered!)

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Effort: Don’t expect an aerobic workout. But this class is tricky — the effort sneaks up on you. At first, the yoga and breathwork were easy. But as the class progressed, Gutentag introduced Pilates-style “pulsing,” which was more challenging. We performed classic moves: squats, crunches, high and low planks and bird dogs, among them. The instability of the water shined a light on areas of my body that were weaker than others. A spinal twist to the right, for instance, while doing a “thread the needle” pose, was far more difficult for me than it would be on land. Double heel raises, which are a breeze on land, were nearly impossible on the wobbly mat. I welcomed the challenge and plan to attend the class again to master the moves.

Two women make waves with their boards during a Floating Fitness class.

Zoe Krut, left, and Shayna Simmer make waves with their boards during Floating Fitness.

(Alisha Jucevic / For The Times)

X factor: There are plenty of low-impact, aqua workouts in Los Angeles. But they’re largely performed in the pool, using water as resistance. (Conversely, I also attended a paddleboard workout on dry land once.) Floating Fitness at ACBH allows you to do a mix of traditional yoga, Pilates and HIIT exercises as you would on a floor mat, but with the added instability of water — “safe instability,” as the class calls it. And in the refreshing atmosphere of a seaside pool. It’s the best of both worlds.

“This class for anyone who wants to be on the water doing something different,” Gutentag said. “It’s a fun way to keep your body moving.”

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Floating Fitness

Where: Annenberg Community Beach House pool, 415 Pacific Coast Highway, Santa Monica.

Cost: $20 per class (a free parking pass is provided during check in for the duration of the class)

Info: (310) 458-4904; www.santamonica.gov/places/cultural-venue/annenberg-community-beach-house

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