Lifestyle
‘American Classic’ is a hidden gem that gets even better as it goes
Kevin Kline plays actor Richard Bean, and Laura Linney is his sister-in-law Kristen, in American Classic.
David Giesbrecht/MGM+
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David Giesbrecht/MGM+
American Classic is a hidden gem, in more ways than one. It’s hidden because it’s on MGM+, a stand-alone streaming service that, let’s face it, most people don’t have. But MGM+ is available without subscription for a seven-day free trial, on its website or through Prime Video and Roku. And you should find and watch American Classic, because it’s an absolutely charming and wonderful TV jewel.
Charming, in the way it brings small towns and ordinary people to life, as in Northern Exposure. Wonderful, in the way it reflects the joys of local theater productions, as in Slings & Arrows, and the American Playhouse production of Kurt Vonnegut’s Who Am I This Time?
The creators of American Classic are Michael Hoffman and Bob Martin. Martin co-wrote and co-created Slings & Arrows, so that comparison comes easily. And back in the early 1980s, Who Am I This Time? was about people who transformed onstage from ordinary citizens into extraordinary performers. It’s a conceit that works only if you have brilliant actors to bring it to life convincingly. That American Playhouse production had two young actors — Christopher Walken and Susan Sarandon — so yes, it worked. And American Classic, with its mix of veteran and young actors, does, too.

American Classic begins with Kevin Kline, as Shakespearean actor Richard Bean, confronting a New York Times drama critic about his negative opening-night review of Richard’s King Lear. The next day, Richard’s agent, played by Tony Shalhoub, calls Richard in to tell him his tantrum was captured by cellphone and went viral, and that he has to lay low for a while.
Richard returns home to the small town of Millersburg, Pa., where his parents ran a local theater. Almost everyone we meet is a treasure. His father, who has bouts of dementia, is played by Len Cariou, who starred on Broadway in Sweeney Todd. Richard’s brother, Jon, is played by Jon Tenney of The Closer, and his wife, Kristen, is played by the great Laura Linney, from Ozark and John Adams.
Things get even more complicated because the old theater is now a dinner theater, filling its schedule with performances by touring regional companies. Its survival is at risk, so Richard decides to save the theater by mounting a new production of Thornton Wilder’s Our Town, casting the local small-town residents to play … local small-town residents.
Miranda, Richard’s college-bound niece, continues the family theatrical tradition — and Nell Verlaque, the young actress who plays her, has a breakout role here. She’s terrific — funny, touching, totally natural. And when she takes the stage as Emily in Our Town, she’s heart-wrenching. Playwright Wilder is served magnificently here — and so is William Shakespeare, whose works and words Kline tackles in more than one inspirational scene in this series.
I don’t want to reveal too much about the conflicts, and surprises, in American Classic, but please trust me: The more episodes you watch, the better it gets. The characters evolve, and go in unexpected directions and pairings. Kline’s Richard starts out thinking about only himself, but ends up just the opposite. And if, as Shakespeare wrote, the play’s the thing, the thing here is, the plays we see, and the soliloquies we hear, are spellbinding.
And there’s plenty of fun to be had outside the classics in American Classic. The table reads are the most delightful since the ones in Only Murders in the Building. The dinner-table arguments are the most explosive since the ones in The Bear. Some scenes are take-your-breath-away dramatic. Others are infectiously silly, as when Richard works with a cast member forced upon him by the angel of this new Our Town production.
Take the effort to find, and watch, American Classic. It’ll remind you why, when it’s this good, it’s easy to love the theater. And television.


Lifestyle
They started playing L.A. Municipal softball 50 years ago. They’re still at it
As Al Michel and Mike Sugerman tell it, the first rendition of their L.A. softball team was overflowing with “geeks,” “nerds” and “goofs.”
So they took a name straight out of National Lampoon, a humor magazine that featured “Doc Feeney’s Scrapbook of Sports Oddities,” showing outfielders making catches 40 feet in the air and providing tips to swimmers on proper drowning maneuvers.
“I’m thinking, we’re not a bunch of athletes — we’re a bunch of geeks,” said Michel, the team’s co-founder, current coach and catcher, reflecting on the loose band of UCLA law students, aspiring actors, accountants and other semi-athletic misfits. “Sports oddities? I thought, well, that’s not going to work… Let’s go with ‘All Stars.’”
And thus, in the spring of 1976, Doc Feeney’s All Stars was born. Fifty years and thousands of runs later, six of the original players still take to the diamond nearly every Sunday, swinging for the fences. And if out-of-towners are visiting, the ranks of the older timers swells a few more.
On a recent humid Sunday afternoon, the score was 16-16 going into the final inning. A booming home run at the bottom of the sixth by Aaron Krug — at 36, a youngster by Doc Feeney standards — had tied the game against the Six Pack at the Sepulveda Basin Sports Complex in Encino, one of the many fields across L.A. the Feeneys have graced in the last half-century. The cohort of mostly 70-something players in the dugout rejoiced, waving their caps and hollering.
This wasn’t any old Sunday matchup in the L.A. Municipal Softball League: The Feeneys’ jerseys featured black patches embroidered with “JBK” for Jamie Bailey Krug, the first of the original founders to make it back to home base in the sky.
This game was a memorial dedicated to Krug, the patch a reminder that being a Feeney has never really been about sport anyway.
“Jamie taught me what a best friend was,” said second baseman Richie Greenberg, another Feeney progenitor. “I never knew a best friend was someone you’d never get tired of, or never stopped missing.”
Jeff Koppelman, 72, 48 years on the team, delivers a pitch during a slowpitch softball game against Six Pack at the Sepulveda Basin Sports Complex in Encino.
(Gary Coronado / For The Times)
Jamie’s son, Aaron, belongs to a new generation of All Stars — some of whom grew up watching their fathers’ games from kiddie strollers or their mothers’ arms.
“Every city in this country has a group of morons who get together every Sunday and who have done it for a lifetime, who love each other and love each other’s kids, and who, for some miraculous reason, believe that this will continue with the next generation,” Greenberg said. “We are bound to this thing… It sustains us.”
Feeney history, as told by the founders
The first season of Feeney ball was a resounding success, despite all the strikeouts and bobbled catches in between. The championship game was a struggle of lawfare: Michel, then an attorney in training, noticed that one of the opposing team’s hitters was using a baseball bat instead of the regulation softball bat with a smaller barrel. He kept this fact close to his chest, until the other team went up in the seventh, the last inning.
“The other team is celebrating, thinking they won the championship, high-fives all around,” Michel said. “We call a time out, point out the bat, and the ump comes over and says, ‘Oh yeah, that’s illegal’… It counts as an out and we win the game.”
“The only way to win like a Feeney,” Sugerman added.
Doc Feeney’s All Stars pose for a team photo, circa late 1970s.
(From Doc Feeney’s All-Stars )
Another season, outfielder Craig Simon, knowing he was weak at the plate, intentionally struck out so he could avoid an impending double play, much to the dismay of the opposing team.
“Another Feeney classic,” Greenberg said.
Nobody expected that the Feeneys would go on for half a century, but every winter and spring that passed, the team would be back on the diamond, albeit with a rotating cast.
Krug, Michel and Greenberg were near Sunday constants; Sugerman moved to San Francisco to become an award-winning correspondent on Bay Area radio, but always got a spot when he visited; Howard Lesner and Matt Kaplan became regulars in the 1980s; and other Feeneys faded to time, stuck as a memory of whichever decade they called it quits.
In L.A. Municipal Softball, there is a grading system to facilitate fair competition. The Feeneys oscillated between C and B over the years, a plus or minus coming depending on how much time had passed since the founding. A decade or so back, the team was blown out by a B-minus team in their first game after being upgraded, realizing that the elder’s eyes could no longer keep up with the heat coming off the B-minus bats.
“Couldn’t even see it coming,” Michel said.
Doc Feeney’s All Stars players, from left, Jonny Ehrich, 36, Richie Greenberg, 72, Joel Gerson, 37, and Aaron Krug, 36, warm up before a slowpitch softball game. Greenberg has been a mainstay on the team for 49 years.
(Gary Coronado / For The Times)
Because the team has survived so long, every Feeney has had their day: double plays, home runs and batting averages — think .450 — that would make Shohei Ohtani look like a Triple-A backup. But that’s not what kept players coming back.
“I’ve had a great life and an enjoyable life, but no sense of bond and family,” Kaplan said between innings as dust from home plate lingered about, tears welling up from who-knows-what. “This became my family… This gave me what I was missing.”
The legends surrounding the team can, at times, become muddled. On a recent day outside of the Apple Pan burger joint — a Krug favorite — Michel, Greenberg and Sugerman, all nearly halfway into their 70s, litigated Feeney history:
“Who was it that got kicked off the team for being too competitive?”
“Did he marry the girl in this picture?”
“He never hit a home run in his life.”
“That guy was kind of a jerk.”
“You think so? I thought he was nice.”
But all of these questions led to the same, inevitable conclusion.
“Who cares, he was a Feeney.”
Doc Feeney’s All Stars veterans, Richie Greenberg, from left, Todd Lesner and Jeff Koppelman, all 72, sit together as team rookie Matt Michel, 33, works on the lineup. The trio has played on the team for nearly 50 years.
(Gary Coronado / For The Times)
The new generation of All Stars
The weekend he died last May, Jamie Krug had planned to play Sunday after attending his grandson’s musical performance Friday and going out to dinner with his wife, Simone, and friends Saturday. Krug heard the music and enjoyed a lovely night out, but he never made it to Sunday’s game.
The All Stars won, but learned Monday that Krug had gone to sleep and never woken up. Heart complications.
Family and friends remember Krug as many things: a reliable laugh, a saint of a father, a hell of a second baseman, a competitive but altruistic coach. At his funeral, his wife recalled, almost every speaker called him their “best friend.”
While some of the wives wouldn’t bother coming to games every Sunday, Michel said, many of the children saw the Feeney fathers as proper heroes. When she finally turned 14, Krug’s daughter, Ali, broke Municipal League barriers when she became the first woman to make an appearance as an All Star.
“My whole childhood was centered around baseball,” Ali said, recalling playing with her dad. “He’d set up these scenarios that were like, two outs, bottom of the ninth, World Series, bases loaded; he’d hit a huge fly ball and I’d catch it.”
From left, Matt Michel, 33, Aaron Krug, 36, and Joel Gerson, 37, high-five after a Doc Feeney’s slowpitch softball game. Michel’s father, Al, and Krug’s late father, Jamie, are both original members of the team.
(Gary Coronado / For The Times)
Aaron — whose homer brought the Feeneys back into the memorial game — also joined the team at 14, playing alongside his father whenever he wasn’t too busy with his own sports schedule.
“Playing with your dad,” he said. “It’s hard to not get romantic about it.”
Michel’s son, Matt, has sought to modernize the team with a score-keeping app that has proved more reliable than Michel’s antiquated paper method.
“They used to pay me $20 to keep score,” Matt said. “I don’t have to pretend anymore, though.”
The game plan in a modern Feeney game revolves around strategically placing the elders in the batting lineup to avoid having two quick strikeouts or slow runners on base. Even though the Feeneys have gotten more competitive under the junior Michel’s management, the rascal-on-the-field ethos of the original team still prevails.
“The combined age of every Feeney in the infield could be 350 at any given time,” Lesner said before heading to the infield.
Winning like a Feeney
Due to some sloppy defensive errors from the silver-haired infield, the Feeneys allowed more runs in the top of the seventh. The Six Pack led, 18-16.
The Feeneys were in precarious waters as Greenberg stepped up to the plate with two outs. For the memorial game, the Feeneys had reverted to their old batting order, so after Greenberg, the lineup would be wholly composed of Feeney elders.
For the first time the whole game, all the players glued their eyes to the plate, conversations and catch-ups stopped mid-sentence.
Greenberg tried his best to ignore an irritating ankle injury that had plagued him the last couple of weeks and grimaced under the hazy sunlight as the pitcher, probably 20 or more years his junior, stared him down.
The high-arc pitch went up.
Jeff Koppelman, 72, drives a single during a slowpitch softball game. He has been a member of Doc Feeney’s All Stars for 48 years.
(Gary Coronado / For The Times)
Greenberg yanked his bat back, looking like a young Ken Griffey Jr. He struck the ball hard, but sent a one-hopper straight toward a third baseman no older than 40. Greenberg made it only about halfway up the basepath.
Out at first.
The Jamie Krug memorial game ended in a loss.
But instead of kicking up dust, breaking bats or throwing fits, the Feeneys coalesced in a green-and-yellow mass behind the dugout. They all high-fived, asked about each other’s families and went to dote on Ali’s 1-year-old daughter — Krug’s granddaughter, Eloise — who wore a shirt that traversed 50 years of family and friendship. It reads: “Littlest Feeney.”
Lifestyle
Former Vice President Mike Pence believes Washington is more ‘swampy’ under Trump
Since leaving office, former Vice President Mike Pence founded the policy and advocacy organization Advancing American Freedom.
Drew Angerer/Getty Images
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Drew Angerer/Getty Images

Since leaving office, former Vice President Mike Pence founded the policy and advocacy organization Advancing American Freedom.
Drew Angerer/Getty Images
Former Vice President Mike Pence played a key role in bringing President Trump to power in 2016. By putting his name on the Republican ticket, he helped reassure the Republican establishment and evangelical voters who were wary of Trump’s brash brand of populism.
Pence’s departure from Trump’s leadership of the Republican party began when Trump called on Pence to refuse to certify the results of the 2020 election — pressure Pence rejected.
“For four years, we had a close working relationship. It did not end well,” Pence wrote in his memoir So Help Me God, which was released in 2022.
In the years since leaving office, Pence has been advocating for an ideological restructure of the Republican party, and founded the policy and advocacy organization Advancing American Freedom. Pence builds on the theme of reimagining the Republican party in his new book What Conservatives Want, which provides a critique of the second Trump administration and what he terms the “populist right.”
In an interview with Morning Edition, Pence detailed to NPR’s Steve Inskeep his critique of the second Trump administration, shared his perspective on civil rights legislation and challenged Trump’s tariffs and other interventions in the economy.
Listen to the full interview by clicking on the blue play button above; and read highlights from the conversation below.
‘The populist right’ does not represent conservative beliefs
Pence believes that Trump has embraced “the populist right” over traditional conservatives in the Republican party.
The sale of economic American company U.S. Steel to Nippon Steel in Japan exemplifies this shift, Pence said.
In his first term, President Trump opposed the sale. But in his second term, he approved the sale and took a golden share — a class of shares in which a government can own a very small percentage of the company but has outsized voting rights.
Pence said that he was taken aback by Trump’s decision to take a golden share.
Free trade is essential to American conservatism
Pence takes umbrage with his former boss’ tariff-laden economic policy.
Pence said it violates conservatism’s bedrock belief in the power of free trade, and Trump has gone about granting exceptions to tariffs in an unfair way.
Granting waivers to large corporations from certain tariffs is “one of the lesser reported aspects of the tariff regime that’s been imposed by the administration,” Pence added.
Trump and Pence ran in 2020 on a mission to “drain the swamp,” rooting out government corruption and wasteful spending. However, Pence said Trump appears to have shifted from those goals.
“There’s maybe nothing more swampy than the battle over getting tariff waivers for big business,” Pence said.
Women’s rights on the right
There is a debate among the ultraconservative right about the role of women in civic life.
The concept of “household voting,” has become a familiar talking point for ultra-right-wing communities online. Supporters of “household voting” advocate that every American household should get one vote, the vote being that of the husband’s. This concept has been promoted by figures such as Abby Johnson, a prominent anti-abortion activist who spoke at the 2020 Republican National Convention. When asked about whether he supported household voting, Pence said he is not aligned
“It’s one person, one vote in this country. And people have bled and died for that principle throughout the years of our history,” Pence said.
He added that American families don’t need to be propped up by government programs to boost childbirth. “What American families need is an application of the kind of principles that will create higher wages, more opportunities, more jobs,” Pence said.
Should conservatives stand for civil rights?
Pence said he was an admirer of senator and one-time presidential candidate Barry Goldwater.
Notably, Goldwater voted against the Civil Rights Act of 1964.
“Should conservatives stand for civil rights?” asked Inskeep.
Pence responded that civil rights are important to conservatives, but that equality of opportunity is what legislation ought to enshrine, not equality of outcome.
Pence added that he stood by the Supreme Court’s decision to ban partisan gerrymandering on the basis of race, rendering ineffective a key provision of the Voting Rights Act of 1965.
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