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A new play peers into a band's life, from the inside

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A new play peers into a band's life, from the inside

Stereophonic, a new play on Broadway with music by Arcade Fire’s Will Butler, tracks the volatile creation of a rock and roll album over the course of a year in the 1970s.

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Stereophonic, a new play on Broadway with music by Arcade Fire’s Will Butler, tracks the volatile creation of a rock and roll album over the course of a year in the 1970s.

Julieta Cervantes/Stereophonic

Stereophonic, a new play on Broadway with music by Arcade Fire’s Will Butler, tracks the volatile creation of a rock and roll album over the course of a year in the 1970s.

The fictional five-member band, on the surface, looks a lot like Fleetwood Mac – it has two couples, one American, one British, and they squabble and break up as they make the record.

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But, for the show’s creative team, it is a hyper realistic look at the costs and glories of making art.

“There are iconographic elements that I stole from Fleetwood Mac,” said playwright David Adjmi, “but I also stole from other things.”

He did a lot of research on bands of the 1970s and recording studios of the time and has written the play in a documentary style.

“We’re going to ask you to peek in,” Adjmi said. “And that’s what creates this kind of weird, titillating feeling for the audience and the feeling that you’re getting something really, really intimate.”

The set for Stereophonic is a working recording studio – from the banged-up mixing console to the 24-track tape machine to the big glass windows looking into a soundproof room where the musicians play and listen on their headphones. The vintage equipment is so real that director Daniel Aukin said, “I’ve learned recently that the song ‘Midnight Train to Georgia’ was recorded on it.”

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Over the course of three hours, the audience really gets to know the band and the engineers. They see the musicians hanging out, eating junk food, rolling joints, talking about movies, and squabbling.

Adjmi said he began writing Stereophonic at a point when he was feeling discouraged with theater and thought about quitting. The fights the characters are having with each other are the internal fights he was having with himself.

“Why am I doing this?” he said he asked himself. “I shouldn’t be doing this. This is terrible. It’s not worth it. No, it is worth it. It’s beautiful. I wouldn’t trade this for anything.”

To help the group feel like a band, Will Butler had them open for him in Brooklyn.

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To help the group feel like a band, Will Butler had them open for him in Brooklyn.

Julieta Cervantes/Stereophonic

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Turning actors into musicians

Before he had written a word, Adjmi got together in a diner with Will Butler, of the band Arcade Fire, to see if he’d write music for the play. Butler said he got excited as he learned that in the show, the music would be in the process of being created.

“And you’d hear a demo and then you’d hear them mixing in the vocals and you’d hear fragments of it. And the fragments are so compelling, and you want more, but you can’t have more,” he said. “And then, just that initial idea was so rich, I was like, ‘I would love to do this!’”

But in order to pull off Adjmi’s idea, they had to turn actors with some musical ability who could pull off nuanced characters into a believable group of musicians. And that proved complicated.

“It was a long process to find the right balance of people,” said director Daniel Aukin.

“We had to have actors who you would want to cast in a Chekhov play, and we had to have actors who had enough musicality that we could project forward, given support, that they could get to where we needed them to be to pull it off.”

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While Chris Stack, cast as the drummer, was already a solid player, the rest of the cast took music lessons before rehearsal, said Will Brill, who plays the band’s bass player.

“I learned to play really badly right before we started rehearsals,” he said. “And, really, I mean, did a lot of catching up during rehearsals. Like, I didn’t play a note before this thing!”

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Butler said it was a leap of faith, hoping these five actors could become a band. For the first few weeks, much of the rehearsal process was spent in band rehearsals, rather than acting rehearsals. Then, Butler asked the quintet to open for him at a club in Brooklyn.

“And they were great and they learned so much,” he said, “and even just getting to the point where they had to stand on a stage in front of people, before they played a note. Like, that taught them so much of what a being a band is like, that taught them the energy that they’re bringing to the studio.”

Andrew R. Butler and Eli Gelb as sound engineers use realistic-seeming equipment.

Julieta Cervantes/Stereophonic


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The play tracks the band’s process of creating an album for over a year.

Brill said he’s moved by the final scene of the play, which is just the engineer onstage alone, playing with the faders of that vintage recording console.

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“There is this glass box above his head that sort of looks like a thought bubble in some way,” said the actor, “and it’s as though the artist is sitting alone at his table and you wonder, like, ‘Did he dream all this? Did it ever exist? Was this David [Adjmi] sitting alone at his table with all of his demons and gods?’ It’s very, very moving to me.”

Jennifer Vanasco edited the audio and digital versions of this story.

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A “Jane Doe” in the R. Kelly trials is ready to share her real name. And her story.

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A “Jane Doe” in the R. Kelly trials is ready to share her real name. And her story.

Reshona Landfair’s memoir tells the story of the then-teenaged “Jane Doe” seen in a video that led to her testimony in singer R. Kelly’s trials on child pornography and other charges.

Grand Central Publishing/Courtesy of Hachette Book Group.


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Grand Central Publishing/Courtesy of Hachette Book Group.

Reshona Landfair met R. Kelly when she was a pre-teen in 1996. Starstruck, along with the rest of her community, Landfair says she fell victim to his grooming tactics, followed by years of sexual, physical and emotional abuse. When an infamous videotape of Kelly abusing Landfair became public, she described feeling isolated, subject to the whims of her abuser, and known only in the courts and to the world as “Jane Doe.”

A photo of the author, Reshona Landfair.

A photo of the author, Reshona Landfair.

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When asked how she felt after the tape surfaced publicly, Landfair told All Things Considered host Juana Summers, “It was everything that I hear about prison.”

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“It was very traumatizing. It was very hurtful and lonely,” Landfair added.

The video was shown to the juries in two of Kelly’s trials on child pornography charges: first, in 2008, which ended in his acquittal, and again in 2022, which resulted in Kelly’s conviction.

Landfair’s new memoir, Who’s Watching Shorty? Reclaiming Myself from the Shame of R. Kelly’s Abuse, details her turbulent adolescence and escape from a long cycle of exploitation, as she seeks to be a voice for other survivors.

Listen to the full interview by clicking play on the blue box above.

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Have a dating story to tell about starting fresh? Share it at L.A. Affairs Live

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Have a dating story to tell about starting fresh? Share it at L.A. Affairs Live

On April 3, the Los Angeles Times will bring its popular dating and romance column L.A. Affairs to the stage with L.A. Affairs Live, a competition show featuring real dating stories from people living in the Greater Los Angeles area.

The theme for the night is “Starting Fresh.” Are you getting back into the L.A. dating scene after a breakup or divorce? Are you figuring out how to forgive your partner? Are you redefining what dating means to you? Are you reinventing yourself and finding new people to date along the way?

We want to hear about it! Stories should have an arc and be rooted in the Greater L.A. area. They can be funny, sad, heartwarming, reflective, thought-provoking or surprising. Just don’t be boring.

The evening event will feature seven to 10 local storytellers sharing their experiences before an audience at the Cinegrill Theater at the Hollywood Roosevelt hotel, 7000 Hollywood Blvd., Los Angeles. The Times will host the event with the Next Fun Thing, which runs L.A. social events from speed dating to kickball tournaments.

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Apply via the audition form below by Feb. 19 to be considered. The winner, as chosen by the audience, will get their dating story published in L.A. Affairs and receive $400 once it publishes. (Note: The event will be recorded for media coverage.)

Tickets for L.A. Affairs Live will go on sale soon.

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How the new dietary guidelines could impact school meals

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How the new dietary guidelines could impact school meals

Putting together a school meal isn’t easy.

“It is a puzzle essentially,” said Lori Nelson of the Chef Ann Foundation, a nonprofit that promotes scratch cooking in schools.

“When you think about the guidelines, there’s so many different pieces that you have to meet. You have to meet calorie minimums and maximums for the day and for the week. You have to meet vegetable subgroup categories.”

Districts that receive federal funding for school meals — through, for example, the National School Lunch Program — must follow rules set by the Department of Agriculture (USDA).

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And those rules may be changing soon.

In early January, the Department of Health and Human Services and the USDA unveiled new Dietary Guidelines for Americans, along with a new food pyramid.

The USDA sets school nutrition standards based on those dietary guidelines, which now place an emphasis on protein and encourage Americans to consume full-fat dairy products and limit highly processed foods.

Here’s what to know about how the new food pyramid could impact schools:

Cutting back on ready-to-eat school meals won’t be easy

Highly processed and ready-to-eat foods often contain added sugars and salt. Think mac and cheese, pizza, french fries and individually packaged peanut butter and jelly sandwiches.

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These foods are also a big part of many school meals, said Nelson. That’s because schools often lack adequate kitchen infrastructure to prepare meals from scratch.

“Many schools were built 40-plus years ago, and they were built to reheat food. So they weren’t built as commercial cooking kitchens,” said Nelson.

Even so, schools have been able to bring sodium and sugar levels down in recent years.

“They’ve been working with food companies to find a middle ground, to find recipes that meet [the current] standards and appeal to students and that schools can serve given the equipment that they have,” said Diane Pratt-Heavner, a spokesperson for the School Nutrition Association.

Bringing sugar and salt levels down further would likely require that food companies adapt their recipes and that schools prepare more meals from scratch, Pratt-Heavner said.

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But leaning into scratch cooking won’t be easy. A recent survey of school nutrition directors by the School Nutrition Association found that most programs would need better equipment and infrastructure as well as more trained staff — and nearly all respondents said they would also need more money. “You cannot go from serving heavily processed, heat-and-serve items to scratch cooking immediately,” said Nelson. “It is a transition.”

Protein-rich school meals will come at a higher cost

At the top of the new food pyramid are animal products such as meat and cheese. The new guidelines prioritize consuming protein as a part of every meal and incorporating healthy fats.

“That could cause a change in school breakfast standards,” said Pratt-Heavner. “Right now, there’s no mandate that breakfasts include a protein.”

A typical school breakfast today might include fruit, milk and a cereal cup or muffin; some schools may serve breakfast burritos or sandwiches.

She said schools would “absolutely need more funding,” should they be required to provide protein under the USDA’s School Breakfast Program.

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Current standards allow for schools to serve either grains or meats/meat alternates for breakfast, and Pratt-Heavner said, “Protein options … are more expensive than grain options.”

She said it’s unclear whether the USDA would require protein under its own category or whether the agency would consider milk to be sufficient to meet any new protein requirements.

Whole milk is getting a lot of attention

Schools that participate in federal school meal programs are required to offer milk with every meal, though students don’t have to take it. Up until recently, an Obama-era rule allowed for only low-fat and nonfat milk in schools.

But the new food pyramid emphasizes whole fat dairy, like whole milk. At the same time, recent federal legislation reversed that Obama-era rule and now allows schools to serve reduced-fat and full-fat milk.

One more thing to know about milk: Federal law also limits saturated fats in school meals — and whole milk has more of those than low-fat and nonfat varieties. But the recent federal legislation now exempts milk fat from those limits.

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What does all this mean for schools? They’re now able to start serving whole milk, and they won’t have to worry about whole milk pushing them past the limits on saturated fats.

It’ll be a while before these changes trickle down to schools

While the USDA sets regulations for schools based on the Dietary Guidelines for Americans, it takes time to draft and implement new rules after new guidelines are released.

“The current school nutrition standards that we’re operating under were proposed in February 2023, finalized in April 2024,” said Pratt-Heavner. “The first menu changes in school cafeterias were not required until July 2025.” Other changes are still rolling out.

Which is to say: The new dietary guidelines won’t bring immediate changes to school cafeterias. They’re only the first step in a regulatory process that will take time.

“We’re going to have to see what USDA proposes,” said Pratt-Heavner.

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Then, she said, “the public will comment on those regulations, and then final rules will be drafted and issued.”

The USDA then gives schools and school food companies time to update recipes and implement the new nutrition standards.

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