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'The White Lotus' Season 3, Episode 7 recap: Rick has his showdown

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'The White Lotus' Season 3, Episode 7 recap: Rick has his showdown

“The White Lotus,” Mike White’s black comedy anthology series, is back on HBO for a third season. Times staffers love an escape, but since we can’t take a trip to Thailand to stay at a luxury resort, the next best thing is to immerse ourselves in the new season. Follow along with us for each episode as we discuss theories, observations and our favorite moments leading up to the finale. (Read our recaps: Episode 1, Episode 2, Episode 3, Episode 4, Episode 5, and Episode 6.)

The knockout blows and roundhouse kicks of Muay Thai fighting hit “The White Lotus” this week — with flashes of a fight spliced throughout the episode — but the more intense combat was happening outside of the ring for our gaggle of rattled characters.

The episode picks up with Rick (Walton Goggins) and Frank’s (Sam Rockwell) arrival at the Bangkok home Sritala (Lek Patravadi) shares with her husband Jim (Scott Glenn) — Rick’s target in the plan to avenge his father’s death. And it’s as hilariously unplanned as you’d expect from two dudes who can make a catch-up session between friends feel like a fever dream. Wearing a baseball cap with the Lowe’s logo, Steven (Frank’s alias as the fictional director in this Hollywood movie scheme) is totally winging this meeting. What has he directed? Uh … “What haven’t I directed? Mostly action films. ‘The Enforcer.’ ‘The Executor.’ ‘The Notary’ — that was a trilogy.” What’s the role in this so-called movie that he wants Sritala to portray? “She is a former prostitute, now a madam, and she owns a popular bordello.” Wait, isn’t the role supposed to be based on her? And has he seen any of her past work? Name ‘em!

It’s no wonder Frank quickly ditches the herbal tea and requests whiskey for the improv work he has to do. But was giving up his sobriety worth it? Then, when Chelsea’s 50-year-old child Rick does get Jim alone, he doesn’t make use of the gun he swore he wouldn’t bring. But closure can take many forms. An affected Rick carries out his revenge by simply knocking back a seated Jim to the floor. With that out of the way, Rick and Frank, who is ditching his performative Buddhist mindset for the evening, party. Chelsea’s calls, meanwhile, go unanswered.

Back in the hills of Thailand, Greg/Gary’s (Jon Gries) bash is unfolding. With some encouragement from her curious son, Belinda (Natasha Rothwell) makes the most insane decision ever and willingly places herself inside the home of the man she believes may be responsible for Tanya McQuoid’s death. Greg/Gary asks to speak to her in private, where he insists he isn’t involved in Tanya’s death. Really! To prove how much of a non-murderer he is, he offers Belinda $100,000 — because Tanya would have wanted that — to help fulfill her dream of opening a spa and in exchange, she’d honor “his peace.” Belinda tells him she’ll think about it. (To quote the great Oda Mae Brown: “You in danger, girl.”)

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Belinda (Natasha Rothwell) gets an offer from Greg/Gary for $100,000 to honor “his peace.”

(Fabio Lovino / HBO)

Other party-goers were experiencing their own internal conflicts. Saxon (Patrick Schwarzenegger), flying solo while his siblings are spending the night at the Buddhist center, is there with his parents. After receiving a reality check from Chelsea (Aimee Lou Wood) about his future as a loser back home, Saxon pulls his dad aside to figure out why he’s been acting strange. Saxon asks whether things are OK at work, emphasizing that he has nothing else going for him because he doesn’t have any interests or hobbies — sorry you had to hear it from us, blender — a medicated Tim, knowing his wife would rather be dead than poor, says everything is fine. Meanwhile, Victoria (Parker Posey) tries to rescue a woman dating an LBH (loser back home) at the party, inviting her to North Carolina.

Things aren’t any more relaxing at the resort — no matter how much Fabian’s vocal cords worked to soothe guests. Our favorite trio couldn’t smile through another dinner, and a passive-aggressive showdown, reminiscent of the recent season finale of “The Real Housewives of Salt Lake City,” begins. The conversation is particularly tense between Jaclyn (Michelle Monaghan) and Laurie (Carrie Coon). Laurie storms off, determined to go to the Muay Thai fight Valentin invited them to. While there, she cozies up to one of Valentin’s friends and goes home with him, only to be propositioned for $10,000 post-coitus — to pay off the debts of his sick mom, you see.

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At the same fight, Gaitok (Tayme Thapthimthong) — finally on his date with Mook (Lalisa Manobal), who expresses her disappointment at his indifference to ambition and power over dinner — has a light-bulb moment when he spots Valentin and his friends. He recognizes their features and tattoos as those of the masked men who raided the resort. Is this his shot to muster some courage and impress Mook?

Now it’s time for Greg Braxton, Mary McNamara and Yvonne Villarreal, platinum-status members of “The White Lotus” frequent guest program, to break it all down.

A man in a dark shirt seated at a table with takeout cups near him as he chats with a woman, seen from the back.

Gaitok (Tayme Thapthimthong) finally goes on a date with Mook.

(Fabio Lovino / HBO)

Who do we think is the corpse this week? Will Tim’s realization that the gun is missing be more foreboding than Gaitok possibly leveling up as a security guard?

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McNamara: The corpse is me because I am done trying to pretend that it makes any sense at all that the Ratliffs are all still without their cellphones. I mean Chelsea is on her phone constantly so it’s clearly not a resort rule and there is NO WAY that Tim and Saxon, who clearly knows something is up at work, would not have retrieved theirs. But I am now very worried that the corpse is Rick because there is no way Jim is going to take being shoved over lying down. I mean, did you see all those bodyguards? Still, I‘m sticking with Gaitok, particularly after his recognition of the wily Russians as the robbers and Mook’s goading him toward violence. (Red flag, Gaitok. Big red flag.)

Braxton: I’ve been kind of non-committal for a while on the corpse question, but I will throw out a few theories. I think it’s a pretty safe bet that Jim is going to return with Sritala to the White Lotus and track down Rick. He is not the type to take his wife being humiliated and deceived lying down, pardon the pun. When you pull a gun on a guy like him, you better freaking use it, or there will be payback. Also you don’t hire Scott Glenn for one episode. Although he will want to kill Rick, he also might kill Chelsea, bringing to fruition her “bad things come in threes” prophecy.

Villarreal: This week’s episode also has me thinking Gaitok is surely the corpse. His desire to impress Mook is going to have a tragic outcome — or as our Greg loves to say, “it will all end in tears.” But how? I’m not sure. I know there are a lot of questionable characters this season, but there’s something about Fabian I just can’t shake. And it’s not just that he’s a terrible hotel manager or that I’d rather hear the sounds of Saxon’s blender than be serenaded by him. The man seems destined to do something shady or stupid or both.

Let’s talk about the Rick and Frank show. What did you think about their meeting at the Hollingers’ home and what followed afterward?

McNamara: Again, Rockwell steals the show (I am dying for a cinematic trilogy of “The Enforcer,” “The Executioner” and “The Notary.”) Again, I am struck by the lack of believability — I get that Sritala is supposed to be starstruck by Power of Hollywood etc., but when it becomes clear that Frank didn’t even bother to do a quick Google, her lack of suspicion is very much at odds with all those bodyguards. As is Rick and Frank’s lack of concern after they left — I mean, isn’t Rick a little worried that he has to go back to Sritala’s hotel? Maybe she shoots him. I’m also very sad that Frank lost his sobriety.

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Braxton: So Rick has been obsessed with getting his revenge on the man who murdered his father. It’s the defining core of his grief and pain. The big moment is finally here, but instead of being prepared with a solid plan, he wings it, not even taking time to give Frank some advice or background on Sritala so he can play his filmmaker ruse convincingly. What did they talk about on the boat over? It makes no sense. Sritala and her husband seem smart enough to spot an impostor, but they do nothing. And what was the trigger behind Frank tossing aside his sobriety and Buddhist devotion so fast and diving back into depravity? I call it another case of Emmy bait.

Villarreal: First of all, the Lowe’s baseball cap that adorned Frank’s head had my full attention — that small detail left me wanting an entire backstory on how it came into his possession. But on to important matters: The lack of planning to carry out Rick’s grand plan was so hilariously perfect to me. I don’t know why I expected these dudes to deliver anything less than a terribly executed plan — Rick’s meeting with Sritala to set the home visit in the first place proved he was terrible at lying. Maybe his catch-up session with Frank left him too dazed to remember the need for a very basic Plan 101 conversation? Frank at least tried his best to improvise, but to see his sobriety quickly dissipate at the stress of it all was indeed bittersweet. Their ensuing escapade will surely reach doom levels. Am I as delusional as Chelsea to believe Rick will come to his senses before he gets in too deep?

A man in a blue shirt and khakis sits across a woman seated on a couch with her phone.

Saxon (Patrick Schwarzenegger) has a heart to heart with Chelsea (Aimee Lou Wood). Could he be her next sad-boy soulmate?

(Fabio Lovino / HBO)

Chelsea made another sweet (or sad?) declaration of her love for Rick. But will he be her doom? Also, she and Saxon share some interesting moments in this episode. What’s going on there?

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McNamara: Chelsea clearly likes her men damaged and brooding and Rick has become, quite frankly, a bore. So if tragedy strikes the Ratliff family, Saxon could become her next sad-boy soulmate. Or Tim, for that matter.

Braxton: Chelsea + Saxon = yawn. Chelsea’s constant whining and pining for Rick was getting old a few episodes ago. Now it just seems pathetic and doomed. She needs therapy.

Villarreal: I dunno. The parallels between Rick and Chelsea‘s reactions in last week’s episode — Rick in hearing Frank’s monologue; Chelsea in processing Saxon’s lack of memory over the activities he engaged in with his brother — has me believing they are soulmates. I know her declaration about wanting to heal Rick and her being the hope to his pain is the sort of thing that would cause a friend to tell her to run for the hills, but I hope they make it out alive and live happily ever after. And I hope Saxon reads the books and finds his soul.

Chloe’s wild story about Greg/Gary’s weird fetish — what is Mike White trying to say about sex with all these moments?

McNamara: Well, I didn’t believe Chloe’s story for one minute. I have no idea if or why Greg/Gary wanted them to have sex, but all of Saxon’s jaded alpha-maleness certainly fell away in this episode. Still, with the exception of Belinda (and by extension, her son), I don’t have much of an emotional connection with any of this season’s characters, so I have no idea what White is trying to say about anything. I am, however, very curious to see how he’s going to pull any of these threads together in the finale.

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Braxton: The way she told the fetish story was so creepy. And Chelsea seemed to be approving of it. Once again, I feel there’s a lot of effort to be provocative this season without any real texture or meaning. I hope there’s something by the finale that will make it all make sense. But I’m losing hope.

Villarreal: The storytelling from some of these characters has me flashing back to “Are you Afraid of the Dark?” I love how Chelsea took it all in like it was a moderate level of crazy but not completely bonkers. I feel like Chloe is trying to set up a scenario that would set Greg/Gary off, but I don’t know why.

Three women in dresses seated at a round dinner table.

Jaclyn (Michelle Monaghan), left, Kate (Leslie Bibb) and Laurie (Carrie Coon) have a nice, uncomfortable dinner.

(Fabio Lovino / HBO)

The volcano of tension between the three frenemies finally erupted. But will it actually end their friendship?

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McNamara: Well, I’m quite worried about Laurie at the moment — I’m not trusting that cab she jumped into. And should she survive the journey, I am wondering if Jaclyn will just stick her with the White Lotus bill.

Braxton: It’s really hard to root for a kumbaya moment with these three. And none of them seem to be having a good time.

Villarreal: If ever there was a moment to call a truce among friends, it’s to share the WTF moment of a guy asking for $10,000 after sex — and suggesting she can PayPal or Zelle it for ease, no less! If they all make it out of this trip alive, I don’t think this unpleasant excursion will end anything. It’ll just be another blip they’ll gloss over when recounting their stay and continue on like passive-aggressive besties until the next one. I, however, would like to know what happened with Dave!

And what did you think of Aleksei’s request for $10,000?

McNamara: I need to know if he asked Jaclyn for same and if she gave it to him.

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Villarreal: Yes, I also wondered if this is a scheme with this guy group! How long before Tim considers this approach to rebuilding his fortune?

What did you think of the exchange between Greg/Gary and Belinda? Should she take the deal?

McNamara: Please call the police, Belinda. Like, now.

Braxton: First of all, Belinda should have played it much smarter: “First of all, make it $300,000, throw in that yacht and have your lawyer call my lawyer so we can get all this on paper. And if anything ever happens to me, my son will send all the dirt on you to the New York Times.” Not sure why she’s so concerned about what happened to Tanya, who was a neurotic mess, heartlessly crushing her dreams of owning a business.

Villarreal: I thought it was insane he was only offering her $100,000 in the year 2025. Like, hello? Maybe he went to the same University of Grand Planning that Rick attended. I did enjoy the way Natasha played that scene, clutching the purse and processing with eye blinks as he spoke. Belinda should definitely not take the deal — unless some more zeros are added to it. But, Greg B., if Belinda did accept Greg/Gary’s bid for her silence, and uses that money to open her spa, in a dark way, Tanya did help finance her dreams.

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Lochy tells Piper he wants to join her in moving to Thailand — surprised? And, more importantly, what’s your take on Piper’s reaction to his decision?

McNamara: Piper wants to get away from her family and for Buddhism to be her thing. That was the most believable thing in the whole episode.

Braxton: Piper loves her brother, but she wants a break from her whole family. That is more important than the Buddhism thing.

Villarreal: This whole family needs distance from each other. I do find it a little weird how quickly Piper was set off by his proposal, considering how much she welcomes his company anytime else.

Who gets your Best Facial Expression award this week?

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McNamara: Victoria, when the young woman protests that she actually loves her LBH husband. That incredulous double flinch/blink. Priceless.

Braxton: Gaitok’s “eureka” moment when he recognizes the thugs.

Villarreal: To avoid repeats, I’ll go with Frank’s reaction to watching a young Sritala perform. When he sincerely offers his thoughts on it — “I mean, it’s like MC Hammer, Peter Pan. It’s got a little Pippin.” — is pretty great, but it’s the way he tilts his head back with his sigh of “ahhh” as she says, “It’s the folk music and the rap music,” that’s gold.

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Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

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Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

After more than two and a half years of research, planning and construction, Dataland, the world’s first museum of AI arts, will open June 20.

Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the museum anchors the $1-billion Frank Gehry-designed Grand LA complex across the street from Walt Disney Concert Hall in downtown Los Angeles. Its first exhibition, “Machine Dreams: Rainforest,” created by Refik Anadol Studio, was inspired by a trip to the Amazon and uses vast data sets to immerse visitors in a machine-generated sensory experience of the natural world.

The architecture of the space, which Anadol calls “a living museum,” is used to reflect distant rainforest ecosystems, including changing temperature, light, smell and visuals. Anadol refers to these large-scale, shimmering tableaus as “digital sculptures.”

“This is such an important technology, and represents such an important transformation of humanity,” Anadol said in an interview. “And we found it so meaningful and purposeful to be sure that there is a place to talk about it, to create with it.”

The 35,000-square-foot privately funded museum devotes 25,000 square feet to public space, with the remaining 10,000 square feet holding the in-house technology that makes the space run. Dataland contains five immersive galleries and a 30-foot ceiling. An escalator by the entrance will transport guests to the experiences below. The museum declined to say how much Dataland, designed by architecture firm Gensler, cost to build.

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An isometric architectural rendering of Dataland. The 25,000-square-foot AI arts museum also contains an additional 10,000 square feet of non-public space that holds its operational technology.

(Refik Anadol Studio for Dataland)

Dataland will collect and preserve artificial intelligence art and is powered by an open-access AI model created by Anadol’s studio called the Large Nature Model. The model, which does not source without permission, culls mountains of data about the natural world from partners including the Smithsonian, London’s Natural History Museum and the Cornell Lab of Ornithology. This data, including up to half a billion images of nature, will form the basis for the creation of a variety of AI artworks, including “Machine Dreams.”

“AI art is a part of digital art, meaning a lineage that uses software, data and computers to create a form of art,” Anadol explained. “I know that many artists don’t want to disclose their technologies, but for me, AI means possibilities. And possibilities come with responsibilities. We have to disclose exactly where our data comes from.”

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Sustainability is another responsibility that Anadol takes seriously. For more than a decade, Anadol has devoted much thought to the massive carbon footprint associated with AI models. The Large Nature Model is hosted on Google Cloud servers in Oregon that use 87% carbon-free, renewable energy. Anadol says the energy used to support an individual visit to the museum is equivalent to what it takes to charge a single smartphone.

Anadol believes AI can form a powerful bridge to nature — serving as a means to access and preserve it — and that the swiftly evolving technology can be harnessed to illuminate essential truths about humanity’s relationship to an interconnected planet. During a time of great anxiety about the power of AI to disrupt lives and livelihoods, Anadol maintains it can be a revolutionary tool in service of a never-before-seen form of art.

“The works generate an emergent, living reality, a machine’s dream shaped by continuous streams of environmental and biological data. Within this evolving system, moments of recognition and interpretation emerge across different forms of knowledge,” a news release about the museum explains. “At the same time, the exhibition registers loss as part of this expanded field of perception, most notably in the Infinity Room, where visitors encounter the 1987 recording of the last known Kauaʻi ʻŌʻō, a now-extinct bird whose unanswered call becomes part of the work.”

“It’s very exciting to say that AI art is not image only,” Anadol said. “It’s a very multisensory, multimedium experience — meaning sound, image, video, text, smell, taste and touch. They are all together in conversation.”

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Michael Jackson documentary set to release after massive re-write
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‘Michael’ — a new movie about the King of Pop – is drumming up big buzz. The film was produced in-part by the co-executors of the late singer’s estate, and has some critics questioning whether it is too focused on sanitizing the singer’s troubled image.

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

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“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

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Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

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