Entertainment
The 33 best comedy specials of 2025
Wow, 2025 — in the race to dismantle civilization, you certainly outdid yourself. And it took some brilliant stand-ups this year to take our problems big and small and turn them into jokes that reminded us that what we’re going through isn’t so bad or at least offer solace that things could always be worse. The best comedy specials even found a way to bring humanity together. From arena-level acts to L.A.’s favorite local comics, these were our favorite comedy specials from 2025.
Los Angeles, CA. October 2, 2025 – Comedian Frankie Quinones at Super Chief Art Gallery in Los Angeles, CA Thursday, October 2, 2025. ( Ethan Benavidez/For The Times)
(Ethan Benavidez/For The Times)
Frankie Quiñones, “Damn, That’s Crazy” (Hulu)
In his Hulu debut “Damn That’s Crazy,” comedy sketchmaster Frankie Quiñones, who earned viral fame for his Cholofit character, does all the heavy lifting as himself. And at certain points, he definitely gets heavy. Directed by Ali Wong, the special takes viewers on a journey of relationship baggage, pandemic-related sex addictions and unresolved family trauma over sexual abuse he endured when he was a child. Yet still — there are plenty of laughs along the way. It’s the type of thing that people will certainly label as brave, but only because it succeeds without trying to be. (Nate Jackson)
Andrew Schulz: LIFE. Andrew Schulz at the Beacon Theatre in New York, NY. Cr. Clifton Prescod/Netflix © 2025
(Clifton Prescod/Netflix)
Andrew Schulz, “Life” (Netflix)
It’s easy to be fooled into thinking Andrew Schulz is living his best life when he’s in the spotlight. But the stand-up comic and successful podcaster has been through his own share of problems too, like his and his wife’s efforts to have a baby. It was an ordeal that inspired a refreshingly honest core of his latest hour titled, simply, “Life,” which focused on struggles with conception, IVF and new fatherhood. Though 2025 was a year when his name was often linked to the manosphere led by Joe Rogan, Schulz’s special puts less effort into shock humor and any alt-right political agendas (though there is a touch of that here and there) as he leads with his personal story that shows a side to him as a parent that makes it not just funny, but also a compelling watch. (N.J.)
Our picks for this year’s best in arts and entertainment.
Sebastian Maniscalco, “It Ain’t Right” (Hulu)
In his seventh special, “It Ain’t Right,” Sebastian Maniscalco continues his streak as the Michael Jordan of disgruntled dad humor. As an arena-level act, the 51-year-old Chicago-bred comic still has the rubber-limbed athleticism and animated bravado that allows every one of his punchlines to be seen from space (or at least the cheap seats). But the over-the-top exaggeration he’s known for is always rooted in humility and shame — as with any good Italian. The infirmities of getting older are also a key source of laughter in this new hour, from the struggle of putting on socks, going to bed with sleep apnea or taking his family to the zoo. Like the title of the special, a lot of the stress Maniscalco continues to put up with as a superstar comic doesn’t seem right, but thankfully it’s still funny. (N.J.)
Bill Burr, “Drop Dead Years” (Hulu)
No one detonates a room with honesty and irritation quite like Bill Burr, and his latest, “Drop Dead Years,” shows the comedian in his fully evolved form. His rants remain forever epic as he talks about outlawing war, freedom of kids’ speech, social acceptance, (not) thinking positive and fake political empathy. He even turns inward, questioning his own need to be likable and empathetic. Burr may joke that he’s a broken man, but as fans would expect, he pieces it together beautifully in this special. (Ali Lerman)
Jordan Jensen, “Take Me With You” (Netflix)
Jordan Jensen’s comedy is hard to categorize, just like the rest of her. And while that’s generally how we like our funny people — layered, nuanced, tortured — it tends to wreak havoc on the actual lives of the comics themselves. Not quite fitting in a box (even though she definitely knows how to build one) has been Jensen’s shtick since birth. She grew up in upstate New York, raised in a heavy-construction family that included three lesbian moms and a dad who died when she was young. Because of that unconventional background, she says her level of hormone-fueled boy craziness mixed with her rugged ability to swing a hammer basically turned her into “a gay man.” Somewhere in her teens she entered a “fat mall goth” phase that she’s never left, even after becoming a popular comedian worthy of a Netflix special. Combining her inner Hot Topic teen with freak-flag feminism and alpha-male energy, her style makes not fitting in feel like one of the coolest things you can do — because it is. (N.J.)
Atsuko Okatsuka
(Mary Ellen Matthews / Disney)
Atsuko Okatsuka, “Father” (Hulu)
There were a lot of specials that came out this year, but only one featured a perfectly coiffed bowl haircut, because only Atsuko Okatsuka could pull it off. In her latest for Hulu, “Father,” Okatsuka makes a great case for codependency as she talks about living a tandem life with her husband Ryan, their choice not to have kids, the downside to having “a story,” and she also pulls back the pompoms on the dark side of cheerleading. Okatsuka’s movements are just as witty as her words, her energy is infectious, and “Father” is as refreshingly unpredictable as she is. (A.L.)
Gabriel Iglesias: Legend of Fluffy. Gabriel Iglesias at the Hard Rock Seminole in Fort Lauderdale, Florida. Cr. Clifton Prescod/Netflix © 2024
(Clifton Prescod/Netflix)
Gabriel Iglesias, “Legend of Fluffy” (Netflix)
In the pantheon of stand-up comedy’s living legends, few names carry more weight than Fluffy‘s. In “Legend of Fluffy,” which premiered on Netflix in January, the comedian born Gabriel Iglesias takes fans through a giant retrospective of his career in comedy while zooming in on certain aspects of life: dating as a newly single man, trying to age gracefully, and a robbery that happened at his former home in Long Beach. It’s the type of special that is loud (just like his Hawaiian shirts) but also contains a positive message about refusing to give up on your dreams even in the face of obstacles, doubt or a near-death experience on a private jet. (N.J.)
Marc Maron, “Panicked” (HBO)
The L.A. comedy scene’s favorite curmudgeon is still finding the will to propel himself forward, hurtling over one existential crisis after another. Many of them come out in his latest HBO special, “Panicked,” where he zooms in on the indignities of not only growing old but finding ways to care for an aging dad whom he describes as “newly demented.” Between bits about being unlucky in love, we see flashes of pain held over from the death of his partner Lynn Shelton. But that vulnerability one might ordinarily save for therapy comes out in the form of genius, nonsensical segues to bits about rat poop under his house, Hitler’s fashion choices, the saving power of Taylor Swift and more from Maron’s endearing, hopelessly twisted psyche. (N.J.)
Nate Jackson
(Christina House/Los Angeles Times)
Nate Jackson, “Super Funny” (Netflix)
There’s a reason Nate Jackson’s debut Netflix special arrives during barbecue season. Perched on a stool under the spotlight at his shows, the comedian spends most of the evening delivering hospital-worthy third-degree burns to crowd members who want the smoke. Throughout his quick-witted hour of crowd work on “Super Funny,” Jackson finds a way to weave the stories of his random audience members together in a way that makes the whole show feel pre-planned. Meanwhile, even as Jackson is busy making fans the butt of his comedic freestyle, the person laughing the hardest in the crowd is usually the roastee. It’s the mark of good crowd work that’s not simply well done but, more important, done well. (N.J.)
Leanne Morgan, “Unspeakable Things” (Netflix)
Most comics are used to getting better with age but not necessarily bigger. Though she’s just turned 60 years old, one of comedian Leanne Morgan’s funniest jokes about herself is about just how big she’s gotten —not in terms of her career but her figure. It’s one of the first lines that escapes her mouth in her latest Netflix special, “Unspeakable Things.” But despite her jokes about not fitting into the typical Hollywood mold, it’s clear that Morgan’s life and career have certainly changed for the better since her hit 2023 Netflix debut, “I Am Every Woman.” As she grabbed the mic again for the streamer in 2025 — this time on a glitzy stage wearing a golden gown — her unvarnished style of storytelling shows us why she’s resonating with much of America. There’s just no substitute for a whip-smart Southern woman telling it like it is. (N.J.)
Iliza Shlesinger
(Marcus Ubungen / Los Angeles Times)
Iliza Shlesinger, “A Different Animal” (Prime Video)
Comedian Iliza Shlesinger takes the word “special” very seriously, and not just because she’s done a lot of them (seven). It’s because when she hits the stage, the goal is to leave a mark. In her latest, “A Different Animal,” Shlesinger dives into her evolution as a mother of two dealing with “mom brain” while proudly upholding her role as an elder millennial who can school Gen Z and Alpha newbies on what’s up with a mixture of wisdom, wit and wild animal noises. (N.J.)
Ralph Barbosa, “Planet Bosa” (Hulu)
Garnering nationwide buzz since his debut Netflix special “Cowabunga,” Ralph Barbosa has reached the top of his game in “Planet Bosa,” his latest hour on Hulu. Aside from getting more comfortable on stage, the 28-year-old exudes an energy in this new phase of his career that’s a welcome surprise from a guy whose packed schedule barely leaves time for sleep. The new special delves into his dating life, family woes as a young single dad and writing cleverly authentic jokes about the shocking ICE raids that have led to widespread detention and deportation of immigrants. (N.J.)
Jim Gaffigan, “Live From Old Forester” (YouTube)
Raise your glass to Jim Gaffigan for being THE pre-party for Thanksgiving with his latest offering, “Live From Old Forester: The Bourbon Set.” Dedicated to his love of the spirit, Gaffigan’s “passion project” is already at over 3 million views and is packed with bourbon history and facts, wacky bourbon names, and consumption stories that even someone who covets Fighting Cock over Blanton’s would connect with. And of course, between the mash bills and tasting notes, he still manages to slip in plenty of self-roasting. Gaffigan called this special “niche,” but the truth is, when he’s the symposiarch, “The Bourbon Set” is an oak barrel of straight-up laughs for the masses. (A.L.)
Steph Tolev
(Christina House/Los Angeles Times)
Steph Tolev, “Filth Queen” (Netflix)
Blunt, unapologetic, insanely funny and owning the crown of “Filth Queen,” Steph Tolev knocked it out of the smutty park with her first Netflix special. Produced by Bill Burr and filmed at the Paradise Rock Club in Boston, her show rips through bodily functions, dating gone wrong and, spoiler, the messy truths about women. Her energy is next level, her confidence is all I want for Christmas, and no matter your gender, or if you’re holding in gas or not, Tolev is giving everyone (except maybe your parents) permission to laugh at the good, the bad and the hairy. (A.L.)
Cristela Alonzo
(Allen J. Schaben / Los Angeles Times)
Cristela Alonzo, “Upper Classy”
In the third installment of the Texas comedian’s “Classy” trilogy (“Lower Classy” was in 2017, and “Middle Classy” in 2022), Alonzo definitely saved the most class for last. “Upper Classy,” her latest special, is by far her most vulnerable, which the comedian says is necessary, especially during this political moment when people like her are spoken about in the news, but not spoken to. She gives us her rags-to-riches story of growing up in an abandoned diner with her family, pairing that against her life now and enjoying the childhood she never had — and the ability to keep all her bills on autopay. After being taught to work hard in an immigrant household, Alonzo is learning how to live hard — and have fun — in her 40s (including taking swimming lessons). With her glow-up complete, Alonzo still makes it a point to rep her Mexican roots with pride. (N.J.)
Ali Siddiq, “Rugged” (YouTube)
Switching back and forth between high-energy and effortless cool, Ali Siddiq captivates as he shares (and acts out) insane family stories in “Rugged.” A master of storytelling, Siddiq talks about staying honest, teenagers and their antics, and getting mad about things that aren’t even happening, all while keeping each one of his bits hilarious to the end. Siddiq might not be the king in his own castle, but he’s certainly a king among comedians, and “Rugged” proved it this year. (Fun fact: Siddiq released two specials in 2025, the other being “My Two Sons,” which is equally as great and also on YouTube.) (A.L.)
Jim Norton, “Unconceivable” (YouTube)
Filmed at the Comedy Cellar in New York, Jim Norton’s newest hour, “Unconceivable,” explores everything from adjusting his life (and apartment) as a first-time husband to intimacy with his wife, Nikki, all while remaining brutally honest, dark and Norton to the core. Even listening to him explain the pressures and expectations that society places on strangers and their marriages — which should fully be serious — feels more like a comedy confessional rather than a set. He’s an industry veteran for good reason. His “Unconceivable” is as funny and as raw as it gets, proving once again that there’s no such thing as TMI when it’s delivered by the right comedian. (A.L.)
Jay Jurden, “Yes Ma’am” (Hulu)
In his first special, “Yes Ma’am, ”comedian and Mississippi native Jay Jurden burns verbal calories while showing the world why queer men from the South are often undefeated at being hilarious and relatable. Dependably lethal with his joke construction, Jurden’s every breath is laced with humor as he covers transphobia rules, emo rappers, traveling through blue dot cities, and fun stories with a dash of cuckoldry. His Southern background may have shaped his stories, but it’s Jurden’s hilarious and frank honesty that make “Yes Ma’am” a “hell yes, ma’am!” for 2025. And that million-dollar smile doesn’t hurt either. (A.L.)
Rosebud Baker
(Christina House/Los Angeles Times)
Rosebud Baker, “The Mother Lode” (Netflix)
Life-altering in the sincerest sense of the word, “The Mother Lode” comedically chronicles Rosebud Baker’s journey into motherhood, in real time. Skilled at mining laughs from life’s toughest situations and with her internal dumpster fire front and center, Baker goes from resisting parenthood to IVF, miscarriages, discussing parenting styles and questioning her own identity. Filmed and edited superbly with the same version of a joke, pre- and post-pregnancy, Baker truly did hit the mother lode giving birth to this special that now gets to live with its other mama, Netflix. (A.L.)
Ken Flores, “LOL Live With Ken Flores”
This year, the comedy world lost one of its biggest up-and-coming voices with the death of Ken Flores at age 28. Migrating from the Chicago stand-up scene to L.A., the loud comic made his presence known with raw, street-wise style, a diamond grill that made crowds smile before he even told a joke. Weight-related humor aside, Flores was undoubtedly one of the heavies in the local stand-up scene, and this half-hour comic assault is a time capsule of what could have been with this rising talent who left us too soon. (N.J.)
Bert Kreisher
(Robert Gauthier/Los Angeles Times)
Bert Kreischer, “Lucky” (Netflix)
Bert Kreischer resumes his shirtless razzle-dazzle and talent for hilarious, heartfelt storytelling in his special “Lucky,” inspired by his constant state of identifying the luck in his life. Most of that luck, let’s be honest, is actually the result of being married to his wife, LeAnn, who keeps him from going over the edge with his antics. If you’re into his brand of bare-chested misadventures, you will get plenty of that. But the heart of this latest hour doesn’t really show up until Kreischer’s moving tribute to his family’s dog, which will leave you laughing and crying right along with him. (N.J.)
Comedian CP, “Sunday After Six” (Veeps)
Chris Price, a.k.a. comedian CP, is a killer on the mic. Whether he’s hosting or headlining, comedy fans who’ve seen him perform know that his dragon-style delivery mixed with creative storytelling breathes fire onto any stage. His debut special, “Sunday After Six” puts all of his skills firmly on display in a way that will hopefully lead to our seeing more of him on the screen next year. (N.J.)
Trae Crowder, “Liberal Redneck” (YouTube)
Don’t judge a comedian by his accent, especially if it’s Trae Crowder. Though the Tennessee-born comedian describes his voice as having more Southern twang than “a racist banjo,” it takes him less than two minutes onstage to show why he’s known as “the Liberal Redneck.” Whether it’s punchlines skewering white supremacists or viral video rants about the Trump era filmed from the front seat of his sun-damaged Jeep, Crowder’s brand of comedy is a mind-melting combination that never minces words about where he stands on major topics related to America. His latest special, “Trash Daddy” — released on YouTube via comedy platform 800 Pound Gorilla — swerves among jokes about politics, family and living life as a hick from the sticks while trying to raise California-bred children. (N.J.)
Phoebe Robinson, “I Don’t Want to Work Anymore” (YouTube)
Phoebe Robinson’s new comedy special dismantles girl-boss culture, questioning whether financial independence and constant achievement actually lead to women’s happiness. “I Don’t Want to Work Anymore” tackles modern dating, aging and the exhausting pressure to constantly create content. The 41-year-old comedian now prioritizes rest, boundaries and authentic work over relentless productivity and the need for external validation. (N.J.)
Tim Dillon, “I’m Your Mother” (Netflix)
Taped at the Comedy Mothership in Austin, Texas, “I’m Your Mother” is Tim Dillon doing what he does best, showering us with the confidence of a man who’s absolutely done pretending things make sense. From America’s never-ending identity crisis and celebrity worship to his own royal worship and to what parenting seems like from his view, he breaks down the world’s nonsense with the energy of someone who’s seen some s— and isn’t impressed. “I’m Your Mother” isn’t guidance, it’s a verbal smackdown wrapped in laughter that’s unremorseful and so well written, Tim Dillon is now our mother. (A.L.)
Kathleen Madigan, “The Family Thread” (Prime Video)
Kathleen Madigan’s “The Family Thread” gifts us an hour built on the everyday chaos and wry Midwestern sensibility that define her comedy. From absurd family group texts to aging parents and small-town quirks that feel instantly recognizable, she never fails to turn the frustrations of life into sarcastically sharp punchlines. “The Family Thread” is a master class on why Madigan has kept people entertained for years with nothing more than honesty and outstanding storytelling. (A.L.)
Mike Vecchione, “Low Income White” (YouTube)
Making a second special funnier than the first is effortless for Mike Vecchione, and “Low Income White” serves as an even sharper follow-up to his debut special, “The Attractives,” both produced by Nate Bargatze. Vecchione’s deadpan style and constant misdirection are on full display as he talks about age gaps, magic doctors and the reality of marital vows, piling on joke after sarcastic joke. (A.L.)
Ian Edwards, “Untitled” (YouTube)
Ian Edwards fires off rapid-paced jokes throughout his latest special, “Untitled.” At the Comedy Store in La Jolla, Edwards’ comfort onstage (in a onesie, no less) is in plain view as he riffs on relationships, confusing albinos, problematic travel, rooting for the wrong side of current events, and the many layers of racism in green-bubble texts. “Untitled” is a straight shot into the mind of Ian Edwards, and if you’ve slept on this special, there’s still time to fix that. (A.L.)
Ryan Sickler, “Live & Alive” (YouTube)
Ryan Sickler turned thick blood into sweet wine this year with his new special “Live & Alive.” His trademark candor (and giggle) drives the hour as he plays tour guide through a traumatic hospital stay that nearly became his last — plenty of morbid humor to go around in this hour. His survival is his own setup and punchline as he pulls you into embarrassing bits at his own expense. And every twist and ridiculous turn leaves you grateful he’s still around to tell the story while being “Live & Alive.” (A.L.)
Chinedu Unaka, “LOL Live With Chinedu Unaka” (Hulu)
For over a decade, L.A.-bred comedian Chinedu Unaka’s passion-driven work as a special education teacher would become the day job that both funded his dream and gave him the tools to achieve it as he held the attention of kids with ADHD while making them learn while laughing. Coming at comedy from the lens of a charismatic instructor with a Nigerian American background, Unaka’s quick wit and dry humor about life, relationships and his immigrant parents are on full display in his latest special. (N.J.)
Cameron Esposito
(Christina House/Los Angeles Times)
Cameron Esposito, “4 Pills” (DropOut)
A lot of comedy specials are made for us to sit and laugh at a comedian’s funny thoughts. In her latest special, Cameron Esposito wants to take things a step further by giving you a look inside her brain. As a person diagnosed with bipolar disorder at age 40, her mind offers a lot to unpack. But the goal remains the same as any special: to laugh at something we feel like we’re not supposed to, only to realize we can relate to a person’s struggles more than we think. In her latest hour, “Four Pills,” Esposito has honed a fresh perspective on living with bipolar disorder that forced her to take her 20 years of stand-up to the next level by bringing fans into the deepest part of her world for the first time. (N.J.)
Samantha Hale, “Horror Nerd” (Apple TV/ Prime Video)
Only Samantha Hale, raised in Los Angeles on “Top Ramen and fear,” could make hair-raising terror this funny. Her long-running show, “Horror Nerd,” jumps from the Hollywood Improv stage to the screen as she nostalgically riffs on serial killers, the healing power of stabby movies, and turns genre obsessions, cult-classic fandom and online feedback into an unbroken chain of laugh-out-loud brilliance. No topic is too strange or scary as she turns her passions and life’s oddities into “Horror Nerd,” a must-watch for anyone who loves humor one (bloody) bite at a time. (A.L.)
Jiaoying Summers, “What Specie Are You?” (Hulu)
Jiaoying Summers is a single mom and a comedian, and somehow she killed it in her first stand-up hour, “What Specie Are You?” on Hulu. Summers swings from dating after divorce and discovering her identity as an immigrant, to choosing favorites between her kids and breaking down an “Asian hate system” that’s so deadpan it almost feels reasonable. Blaming her lack of a filter on her Chinese upbringing, she will have you dying laughing one minute and feeling personally attacked the next. And that works. (A.L.)
Movie Reviews
‘Hoppers’ review: Pixar’s best original movie in years
“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway.
It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.
Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.
We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.
Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.
That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.
Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.
The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.
And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged.
“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.
HOPPERS opens in theaters Friday, March 6th.
Entertainment
How a mural of Altadena became a symbol of resilience for one small store, through fire and flood
Every time Adriana Molina drives up Lake Avenue to her retro-style women’s clothing shop Sidecca in Altadena, she sees the new outdoor mural she commissioned for the store by muralist and illustrator Annie Bolding. It gives her hope.
“I’m here to stay, and this mural solidified my decision to reopen my business,” said Molina on a recent winter day, sitting next to Bolding inside the boutique. “I grew up in Altadena. The community has motivated me this whole time, and I want them to drive by this mural and smile.”
“ALTADENA.” The word — in big white letters, set against layers of blue — appears toward the top of the mural, on the store’s brick wall facing Lake. Above are the San Gabriel Mountains, painted a deep brown, California poppies and Mariposa Street and Lake Avenue street signs. Below are green grass, a monarch butterfly and Altadena’s Christmas Tree Lane. A bright blue house is on a multicolored striped path in the middle of the mural. Next to it, on a hiking trail, a sign says, “Welcome Home Altadena… With Love, Sidecca.”
For Molina and Bolding, the mural is a personal ode to the Eaton fire-ravaged community — art as a message of optimism and healing.
A car passes by the new Altadena mural on the side of Sidecca apparel shop, which commissioned the piece after fire and floods devastated the community.
(Genaro Molina / Los Angeles Times)
When the fire tore through Altadena in January 2025, Sidecca and a few other stores on the north side of Mariposa Street’s bustling Mariposa Junction survived, while the other half-block of businesses burned to the ground. The fire leveled Bolding’s parents’ house off Lake and the home of one of Molina’s close relatives.
Molina staged pop-ups and sold merchandise online during months of remediation, and officially reopened Sidecca’s doors in November as part of Mariposa Junction’s larger comeback. Then the store suffered another blow: flooding and damage during rainstorms in late December. While Molina prepped to temporarily close her store yet again for renovations, Bolding began work on the mural. She started painting on the one-year anniversary of the fire and finished eight days later.
“On the day I started it, it was so cold and windy, and I was scared being up on the ladder,” said Bolding. “But getting to talk to community members while I was painting was very special. People were excited and honking as they drove by. That night, I drove up to the lot where my parents’ place was, and I stood there and all the feelings flooded back.”
The mural’s origin story is that of two creative women bound by strength and a desire to give back.
Molina, who has worked in the fashion industry for more than 30 years, opened Sidecca’s Altadena spot in 2023, after closing its longtime Pasadena location. Voted Pasadena’s best women’s clothing store five times by Pasadena Weekly, Sidecca sells fun vintage-inspired merchandise and clothes, from ‘50s style dresses to snazzy magnets, tote bags and sunglasses. A big rainbow zips across the top of one of the store’s walls.
A display in Sidecca in 2023, two years before the Eaton fire devastated Altadena.
(Alejandro R. Jimenez)
“A few months after Sidecca opened in Altadena, my mom walked in and saw how colorful it was, and said, ‘This reminds me of my daughter,’ ” Bolding said. “With zero hesitation, my mom said to Adriana, ‘Here’s her Instagram. This is my daughter’s stuff.’ ”
Bolding, who goes by Disco Day Designs, calls herself “a joyful creator who loves to intentionally transform spaces.” Known for the bright murals she creates for brands and shops, Bolding gained attention on social media for a trash bin she painted with palm trees and stripes. She brought it to the 2024 Coachella Valley Music and Arts Festival as part of a contest organized by the festival’s sustainability partner, Global Inheritance.
“I fixated on the trash can,” said Molina. “I looked at Annie’s murals and was like, ‘Oh, she has to do something in here for us.’ ”
“Game recognizes game,” added Bolding, smiling.
Molina wanted to rebrand Sidecca with a new logo, bags and art, and connected with Bolding about that and a possible mural inside the store. “I wanted ‘Sidecca’ painted across a wall as an acronym that stands for style, individuality, diversity, expression, community, culture and art,” she said. “That’s who we are.”
Then came Jan. 7, 2025.
The store was closed all day for a holiday lunch. Then the winds picked up and the flames roared. Molina, who lives with her husband and two children on the Altadena-Pasadena, evacuated with her family to Long Beach and came back days later. She knew the store was OK because she’d seen it — intact — on the news.
“As soon as we could come up to the shop, we went,” Molina said. “There were ashes all over.”
Bolding and her husband were in Palm Springs fixing up an AirBnb they cohost when Bolding got a call from her mom about the fire in Altadena. She urged her mom, dad and younger brother to evacuate. After they did, their home burned down. Her parents now live in a Pasadena apartment.
When Molina started selling Altadena-themed merch on Sidecca’s website, Bolding donated three designs, including one with lively retro daisies. In July, she wrote an email to Molina reviving the idea of a mural, but outside versus inside, as an ode to Altadena.
“It felt like anything I could do to bring joy, let’s go,” said Molina. “And I really wanted a little house in there, and for it to say, ‘Welcome home.’ ”
The mural would be Bolding’s first public piece of art on a main street.
“Lake always felt like the road going home,” she said. “That rainbow road in the mural, leading to the mountains, is so symbolic. Very ‘Wizard of Oz.’ The mountains, their silhouette, have always felt majestic, safe, and why it was so heartbreaking anytime to see them burn. To me, they feel like mother.”
Muralist Annie Bolding stands in front of her new Altadena mural on the side of the Sidecca apparel shop. The work is Bolding’s first piece of public art on a main street.
(Genaro Molina / Los Angeles Times)
Bolding’s joyful daisies decorated the Sidecca tote bag given to customers at November’s reopening, just before December’s intense rainstorms. Water gushed through Sidecca’s ceiling. Molina and her employee Manisa Ianakiev were overwhelmed.
“We were like, ‘Is this really happening?’ ” said Molina. “Then people started bringing tools and towels. It was an example of community.”
Bolding planned to start painting the mural Jan. 4, during the Altadena Forever Run, but rain swept through. After Molina’s landlord installed a plywood base, Bolding started on the mural several days later.
Since then, the shop’s ceiling has been replaced, and Molina is working on trying to replace the floor — while continuing to stage pop-ups and sell merchandise online — before fully reopening the bricks-and-mortar boutique this spring.
“People say, ‘Every time I go into your store, I just get happy. I’m in a better mood,’ ” said Molina. “I get that all the time. And what Annie has done, this mural, is beautiful. It makes me happy.”
Movie Reviews
‘Hoppers’ review: Who can argue with hilarious talking animals?
Just when you think Pixar’s petting-zoo cute new movie “Hoppers” is flagrantly ripping off James Cameron, the characters come clean.
movie review
HOPPERS
Running time: 105 minutes. Rated PG (action/peril, some scary images and mild language). In theaters March 6.
“You guys, this is like ‘Avatar’!,” squeals 19-year-old Mabel (Piper Curda), the studio’s rare college-age heroine.
Shoots back her nutty professor, Dr. Fairfax (Kathy Kajimy): “This is nothing like ‘Avatar!’”
Sorry, Doc, it definitely is. And that’s fine. Placing the smart sci-fi story atop an animated family film feels right for Pixar, which has long fused the technological, the fantastical and the natural into a warm signature blend. Also, come on, “Avatar” is “Dances With Wolves” via “E.T.”
What separates “Hoppers” from the pack of recent Pix flix, which have been wholesome as a church bake sale, is its comic irreverence.
Director Daniel Chong’s original movie is terribly funny, and often in an unfamiliar, warped way for the cerebral and mushy studio. For example, I’ve never witnessed so many speaking characters be killed off in a Pixar movie — and laughed heartily at their offings to boot.
What’s the parallel to Pandora? Mabel, a budding environmental activist, has stumbled on a secret laboratory where her kooky teachers can beam their minds into realistic robot animals in order to study them. They call the devices “hoppers.”
Bold and fiery Mabel — PETA, but palatable — sees an opportunity.
The mayor of Beaverton, Jerry (Jon Hamm), plans to destroy her beloved local pond that’s teeming with wildlife to build an expressway. And the only thing stopping the egomaniacal pol — a more upbeat version of President Business from “The Lego Movie” — is the water’s critters, who have all mysteriously disappeared.
So, Mabel avatars into beaver-bot, and sets off in search of the lost creatures to discover why they’ve left.
From there, the movie written by Jesse Andrews (“Luca”) toys with “Toy Story.” Here’s what mischief fuzzy mammals, birds, reptiles and insects get up to when humans aren’t snooping around. Dance aerobics, it turns out.
Per the usual, “Hoppers” goes deep inside their intricate society. The beasts have a formal political system of antagonistic “Game of Thrones”-like royal houses. The most menacing are the Insect Queen (Meryl Streep — I’d call her a chameleon, but she’s playing a bug), a staunch monarch butterfly and her conniving caterpillar kid (Dave Franco). They’re scheming for power.
Perfectly content with his station is Mabel’s new best furry friend King George (Bobby Moynihan), a gullible beaver who ascended to the throne unexpectedly. He happily enforces “pond rules,” such as, “When you gotta eat, eat.”
That means predators have free rein to nosh on prey, and everybody’s cool with it. Because of bone-dry deliveries, like exhausted office drones, the four-legged cast members are hilarious as they go about their Animal Planet activities.
No surprise — talking lizards, sharks, bears, geese and frogs are the real stars here. They far outshine Mabel, even when she dons beaver attire. Much like a 19-year-old in a job interview, she doesn’t leave much of an impression.
Yes, the teen has a heartfelt motivation: The embattled pond was her late grandma’s favorite place. Mabel promised her that she’d protect it.
But in personality she doesn’t rank as one of Pixar’s most engaging leads, perhaps because she’s past voting age. Mabel is nestled in a nebulous phase between teenage rebellion and adulthood that’s pretty blasé, even if a touch of tension comes from her hiding her Homo sapien identity from her new diminutive pals. When animated, kids make better adventurers, plain and simple.
“Hoppers” continues Pixar’s run of humble, charming originals (“Luca,” “Elio”) in between billion-dollar-grossing, idea-starved sequels (“Inside Out 2,” probably “Toy Story 5”). The Disney-owned studio’s days of irrepressible innovation and unmatched imagination are well behind it. No one’s awed by anything anymore. “Coco,” almost 10 years ago, was their last new property to wow on the scale of peak Pixar.
Look, the new movie is likable and has a brain, heart and ample laughs. That’s more than I can say for most family fare. “A Minecraft Movie” made me wanna hop right out of the theater.
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