Connect with us

Entertainment

Ron Howard explores the creative world of Jim Henson, his Muppets and life's connections

Published

on

Ron Howard explores the creative world of Jim Henson, his Muppets and life's connections

When Oscar-winning director Ron Howard got word that Disney+ and the late Jim Henson’s children were interested in collaborating on a definitive portrait of the beloved Muppet creator, he immediately welcomed the opportunity. “I had nothing but respect for him,” he says during a recent Zoom interview from his office. “I met him ever so briefly once backstage at a talk show, and my friend George Lucas was a close friend and huge admirer and characterized him as a bona fide genius. Of course, my own relation with Jim Henson’s creations also evolved through my kids and ‘Sesame Street.’

“After spending time with the family and looking through the archival footage, the narrative question emerged,” Howard says. “How in the world did he create such a lasting legacy of work with such a burst of creativity in only a few decades? The dimensions of his output were a complete surprise to me. He was completely in touch with the cultural zeitgeist, and he kept shifting with it — not cynically but very organically with the kind of creative curiosity that I both admired and related to.”

The result of several years of work by Howard and his team at Imagine Documentaries is “Jim Henson Idea Man,” a lively and revealing look at the life and career of Henson, which recently premiered on Disney+. The 90-minute film charts his career from his early days as a young puppeteer at a local D.C. TV station to the creation of the “Sesame Street” puppets and “The Muppet Show,” through the growth of the Jim Henson Co. and the Creature Shop and later works such as “The Dark Crystal” and “Labyrinth.”

How did you end up directing this film?

We were brainstorming a little bit about our next project with [producers] Sara Bernstein and Justin Wilkes at Imagine Documentaries. We were told that Disney+ was very interested in doing something about Jim Henson, and the family has had reservations over the years, but they’ve liked the documentaries I had done on Pavarotti and the Beatles. So we met with the Hensons, and then about two years ago, we began diving into the material.

Advertisement

There was so much archival footage to go through. Not just great stuff about the Muppets or “Sesame Street” and old interviews with Jim, but also his personal family footage was creative. He just didn’t cover a birthday party the way the rest of us dads do. He knew he would make a great story out of it, and he would use stop-motion or different creative techniques. He was excited by avant-garde and experimental filmmaking. He was creatively ambitious and that is reflected in his work in “Sesame Street.”

Your documentary features terrific footage of his early work, as well as revealing interviews with his children, in addition to such stars as Frank Oz, Rita Moreno and Jennifer Connelly. You even dug up a fascinating, unaired interview Henson did with Orson Welles.

Because the family was on board and sanctioned me getting involved as a director, they were incredibly supportive. They are all very creative people, and they grew up in this environment. They were very forthcoming in their interviews about the price of Jim’s creative energy. They’re so proud of and feel privileged to have had him as a dad, but they’re also grown-up people who could now say that some aspects of life were challenging and [talk about] the stress that the work put on their parents’ marriage. So we were allowed to really get behind the scenes and understand that there are no free lunches, and you pay a price for everything. I thought it was important to understand his emotions, his insecurities about himself, the childhood events that shaped him and the urgency with which he worked, and to find him in a lot of ways beyond just the brilliant genius level of creativity.

Jim Henson, center, holds Kermit the Frog while surrounded by many other of his creations and Muppeteers in “Jim Henson Idea Man.”

(Disney+)

Advertisement

What came as the biggest surprise for you as you learned more about his life and work?

I didn’t know that he didn’t really plan to be a puppeteer. He was such a child of television and was fascinated by innovations. That led to his use of remote-control puppets, early robotics and then digital effects. He wasn’t a guy who got one good idea and rode it to great success: He kept adapting, exploring and was pushing the boundaries of the medium. It was also quite amazing that he kept failing to sell “The Muppet Show,” because you just assume all he had to do was walk through the door with a couple of puppets and people would just fall over themselves to buy the show. It’s just a reminder that those big, commercial breakthroughs often come from very unexpected places. They happen by adapting formulas in really innovative ways and not just by following the old patterns.

In the film, Brian Henson talks about his father’s philosophy and how he believed in the value of doing good and the interconnectedness of all living things on Earth. Can you elaborate on that?

Jim was really on a quest to understand that connection, and it always seems to come back to something that I really related to, which was this: You can’t know for sure about much of anything except that goodness has value. Even though you can’t know exactly what our cosmic journey is, you can assume that creating positivity and goodness must be a valuable part of that experience.

Advertisement

What do you hope audiences will take away about the life and career of Jim Henson?

I hope they will understand this sort of lasting legacy. I would love it if this makes them go back and review all those “Muppet Show” episodes. That’s time well spent because they’re hilarious. As with any sort of documentary or scripted piece that deals with a life’s journey, I hope it offers some inspiration and some insight. In Jim’s case, it’s really much more a celebration of how to lead a creative life and how to solve problems with openness and an excitement for what’s possible. I hope people take that inspiration from Jim’s life along with just really being blown away by the range and level of his achievements.

Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

Published

on

1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

Advertisement

This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

Advertisement

The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


Continue Reading

Entertainment

Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

Published

on

Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

California helped make them the rich. Now a small proposed tax is spooking them out of the state.

California helped make them among the richest people in the world. Now they’re fleeing because California wants a little something back.

The proposed California Billionaire Tax Act has plutocrats saying they are considering deserting the Golden State for fear they’ll have to pay a one-time, 5% tax, on top of the other taxes they barely pay in comparison to the rest of us. Think of it as the Dust Bowl migration in reverse, with The Monied headed East to grow their fortunes.

The measure would apply to billionaires residing in California as of Jan. 1, 2026, meaning that 2025 was a big moving year month among the 200 wealthiest California households subject to the tax.

The recently departed reportedly include In-n-Out Burger owner and heiress Lynsi Snyder, PayPal co-founder and conservative donor Peter Thiel, Venture Capitalist David Sacks, co-founder of Craft Ventures, and Google co-founder Larry Page, who recently purchased $173 million worth of waterfront property in Miami’s Coconut Grove. Thank goodness he landed on his feet in these tough times.

Advertisement

The principal sponsor behind the Billionaire Tax Act is the Service Employees International Union-United Healthcare Workers West (SEIU-UHW), which contends that the tax could raise a $100 billion to offset severe federal cutbacks to California’s public education, food assistance and Medicaid programs.

The initiative is designed to offset some of the tax breaks that billionaires received from the One Big Beautiful Bill Act recently passed by the Republican-dominated Congress and signed by President Trump.

According to my colleague Michael Hiltzik, the bill “will funnel as much as $1 trillion in tax benefits to the wealthy over the next decade, while blowing a hole in state and local budgets for healthcare and other needs.”

The drafters of the Billionaire Tax Act still have to gather around 875,000 signatures from registered voters by June 24 for the measure to qualify on November’s ballot. But given the public ire toward the growing wealth of the 1%, and the affordability crisis engulfing much of the rest of the nation, it has a fair chance of making it onto the ballot.

If the tax should be voted into law, what would it mean for those poor tycoons who failed to pack up the Lamborghinis in time? For Thiel, whose net worth is around $27.5 billion, it would be around $1.2 billion, should he choose to stay, and he’d have up to five years to pay it.

Advertisement

Yes, it’s a lot … if you’re not a billionaire. It’s doubtful any of the potentially affected affluents would feel the pinch, but it could make a world of difference for kids depending on free school lunches, or folks who need medical care but can’t afford it because they’ve been squeezed by a system that places much of the tax burden on them.

According to the California Budget & Policy Center, the bottom fifth of California’s non-elderly families, with an average annual income of $13,900, spend an estimated 10.5% of their incomes on state and local taxes. In comparison, the wealthiest 1% of families, with an average annual income of $2.0 million, spend an estimated 8.7% of their incomes on state and local taxes.

“It’s a matter of values,” Rep. Ro Khanna (D-Fremont) posted on X. “We believe billionaires can pay a modest wealth tax so working-class Californians have Medicaid.”

Many have argued losing all that wealth to other states will hurt California in the long run.

Even Gov. Gavin Newsom has argued against the measure, citing that the wealthy can relocate anywhere else to evade the tax. During the New York Times DealBook Summit last month, Newsom said, “You can’t isolate yourself from the 49 others. We’re in a competitive environment.”

Advertisement

He has a point, as do others who contend that the proposed tax may hurt California rather then help.

Sacks signaled he was leaving California by posting an image of the Texas flag on Dec. 31 on X and writing: “God bless Texas.” He followed with a post that read, “As a response to socialism, Miami will replace NYC as the finance capital and Austin will replace SF as the tech capital.”

Arguments aside, it’s disturbing to think that some of the richest people in the nation would rather pick up and move than put a small fraction of their vast California-made — or in the case of the burger chain, inherited — fortunes toward helping others who need a financial boost.

Advertisement
Continue Reading

Movie Reviews

‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

Published

on

‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

Advertisement

Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

Advertisement

ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

Advertisement
Continue Reading

Trending