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Ms. Lauryn Hill and the Fugees cancel 2024 tour

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Ms. Lauryn Hill and the Fugees cancel 2024 tour

Ms. Lauryn Hill and the Fugees have called off a U.S. tour that was set to begin Friday.

Concert dates listed on Ticketmaster were updated Tuesday to say they’d been canceled, while show listings on promoter Live Nation’s website informed ticket holders that they’d soon be refunded. Representatives for Hill and Live Nation didn’t immediately respond to a request for comment.

Billed as the “Miseducation” anniversary tour, the road show was supposed to feature Hill and her Fugees bandmates Wyclef Jean and Pras Michel performing music from the Fugees’ seven-times-platinum 1996 album, “The Source,” and from Hill’s Grammy-winning 1998 solo debut, “The Miseducation of Lauryn Hill.” It was scheduled to kick off Friday in Tampa, Fla., and run through mid-September, with a Sept. 17 stop at the Hollywood Bowl, where Hill brought a 20th-anniversary tour based on “Miseducation” in 2018. The cancellation was reported earlier by Variety.

After not performing together for 15 years, the Fugees — known for expanding the role of melody and live instrumentation in hip-hop with hits like “Ready or Not” and their smash rendition of Roberta Flack’s “Killing Me Softly With His Song” — announced a reunion tour in 2021 but played only a single date before canceling the tour as a result of what the group said were pandemic-related difficulties. Hill and the Fugees hit the road again in late 2023 only to end up pulling out of concert dates a second time, with Hill citing “serious vocal strain.”

Before she called off the 2023 tour, Hill made headlines with a performance at L.A.’s Crypto.com Arena, where she gave a viral six-minute speech about her reputation for starting shows late (“Y’all lucky I make it on this … stage every night,” she told the audience) and what she characterized as her mistreatment by the record industry.

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Movie Reviews

‘Borderlands’ Review: Game Movie is Just Alright

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‘Borderlands’ Review: Game Movie is Just Alright

Jakarta. “Borderlands”, the upcoming movie adaptation of the first-person shooter game of the same name, comes with a star-studded cast, but the final outcome is just alright. 

Directed by Eli Roth, “Borderlands” has a quite sluggish, boring start — as seen in a recent press screening. 

The story kicks off with outlaw Lilith (Cate Blanchett) embarking on a mission to find the missing daughter of the business titan (and the eventual big bad) Atlas (Edgar Ramirez). The girl supposedly holds the power to open a cave-like vault that holds lost treasure. 

The fun only starts when the six-person alliance takes shape, which includes ex-elite mercenary Roland (Kevin Hart), clumsy robot Claptrap (voiced by Jack Black), demolitionist, and the missing daughter Tiny Tina (Ariana Greenblatt) as well as her musclebound Krieg (Florian Munteanu). Scientist Tannis (Jamie Lee Curtis) also joins these unlikely heroes later in the movie as they fight evil bandits and alien monsters to protect the girl. 

“Borderlands” does not get too technical with the terms, meaning that those who have not played the game can still follow the storyline. Although the movie has great visual effects, the action sequences are just okay, but not enough to get your adrenaline pumped. And if you are an avid gamer, some scenes might feel familiar regardless of the titles you play. There will be times when you might think “if this were an actual game, this would definitely be the first boss fight. Or that part would be a cutscene.” 

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“Borderlands” mainly relies on Claptrap for the humor department. The robot’s antics, coupled with Jack Black’s impressive voice acting, make Claptrap a good comic relief character. Blanchett suits the confident bounty hunter Lilith. Greenblatt does not get overshadowed despite acting with the veterans. Lilith and Tiny Tina’s mother-and-daughter-like chemistry is top-notch and surprisingly heartwarming — something that the audience might not expect out of such a movie.

But something feels like it is missing in “Borderlands”. The acting by the big names — and some heartwarming scenes — are not enough to make “Borderlands” memorable. The one-hour-and-a-half-long movie turns out to be your average sci-fi action comedy. And does “Borderlands” pique my curiosity into wanting to try out the game? Not really. 

“Borderlands” is scheduled for Indonesian release this Friday.

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‘Confession’ Review: A Live-Action Manga Adaptation Crams Maximum Menace Into One Cabin

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‘Confession’ Review: A Live-Action Manga Adaptation Crams Maximum Menace Into One Cabin

Japanese director Nobuhiro Yamashita (“Linda Linda Linda”) was represented by no less than three features at Montreal’s Fantasia Fest this year, including anime “Ghost Cat Anzu” and high school seriocomedy “Swimming in a Sand Pool.” The shortest, most outwardly simple yet also possibly best of the lot might well be “Confession,” a manga adaptation in which two mountaineering refugees from a blizzard spend a long, discomfiting night in a cabin. The fact that one of them has just admitted to murder means that that particular type of crime could well recur before dawn arrives. 

More or less a single-setting two-hander, this thriller proves a small master class in eking maximum value from a premise one might assume too limited to sustain more than a short’s length. It’s a sharply honed, pleasurably nasty cat-and-mouse thriller that could attract remake interest overseas. 

A brief prologue informs us that Sayuri (Nao Honda, seen in flashbacks) disappeared on a college hiking-club trek, her body apparently never found. She’d formed an inseparable trio with now ex-boyfriend Asai (Toma Ikuta) and Korean exchange student Jiyong (Yang Ik-june); since then, the two men have annually climbed the same mountain in her memory. 

Sixteen years later, that tribute has taken a dire turn — Jiyong is injured in an apparent fall amidst freezing temperatures and heavy snowfall. Having no idea how far they remain from reaching shelter, he decides he’d rather give up, saying “I deserve to die.” He admits to his old friend that he himself had strangled Jiyong to death, out of frustrated desire and jealousy, leaving her body in the wilderness.

Moments later it turns out that the desired mountaineers’ cabin is, in fact, just out of sight, around the corner. Asai manages to successfully wrangle his wounded friend inside, then light a fire. Once they’ve realized no one is going to expire in the cold, however, the awkwardness of that prior confession begins to sink in. Soon Jiyong begins to regret his candor, and Asai to fear his friend can’t let him live with the incriminating knowledge they now share. First expressed as mutual mistrust, then escalating violence, their death struggle is further complicated by an occasional hallucinatory quality. Despite his bum leg, Jiyong keeps disappearing and re-appearing with such jump-scare suddenness, we begin to wonder if what we (and Asai) are seeing is real, supernatural, or a paranoid delusion. 

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While one might question why a lodge at this frigid elevation would be so spacious, and thus hard to heat, that interior is complicated and expansive enough to give Yamashita with plenty of opportunity for spooky atmospherics. Likewise, it provides characters space for unpleasant hide-and-seek games that turn into frantic attempts at inflicting or or evading grievous bodily harm. 

The two actors ably sustain separate journeys into hysteria, ones stylized enough that we aren’t much bothered by niceties of credible psychology or action. “Confession” retains a knowing self-consciousness about itself as a pulp contrivance, even as it succeeds in milking the situation for plentiful tension, jolts and black humor. There could have been a bit more shock value eked from the fadeout revelation, but until then you can’t fault the director for missing any opportunity in his taut progress. 

Making first-rate contributions to elevate this grisly little tale are D.P. Shinya Kimura’s elegantly moody widescreen compositions, and an unexpectedly big symphonic score by Masa Takumi that surges between long stretches of queasy quiet. 

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Gold-worthy memes from the Paris Olympics

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Gold-worthy memes from the Paris Olympics

What did American gymnasts Simone Biles and Suni Lee do first after leading Team USA to gold in the team all-around final? Discuss what TikTok sounds to use, naturally.

Biles, the eventual individual all-around winner, chose a crunching sound as she and her teammates mimed biting their gold medals in a TikTok video that has since amassed 120 million views. Lee, the Tokyo Olympics all-around winner, chose to lip dub Kanye “Ye” West’s “I guess we’ll never know” Grammys speech, drawing 43 million views.

The pair’s social media usage mirrors the larger trend of Olympic athletes meme-ing and becoming memes themselves. Compared to the quieter 2020 Tokyo Games, postponed due to COVID-19 and the least-watched Olympics ever for NBC, this iteration has no shortage of viral moments.

Here are some of the most popular Paris Olympics memes.

The muffin man

Olympians have turned to social media to share their experiences from the Olympic village — from the cardboard beds to the dining hall food. One athlete took the internet by storm with his love of one specific food item: the dining hall’s chocolate muffins.

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Now nicknamed the “muffin man” by social media users, Henrik Christiansen is beloved online. The Norwegian swimmer, who has more than 400,000 TikTok followers, went viral for his love of the chocolate pastry. He has posted multiple videos about the baked good to popular sounds with captions that include “when bae is looking like a snack” and “muffin reigns supreme.”

“The way I saw the muffin and knew whose account I just scrolled onto,” a TikTok user commented.

Chef Gordon Ramsay even joined in on the fun, commenting, “I think I need to try one now…”

Christiansen has inspired his fellow Olympians, including American sprinter Gabby Thomas and swimmer Abbey Weitzeil, to review the muffin.

Pommel horse guy

At the Paris Olympics, the U.S. men’s gymnastics team broke a 16-year dry spell and earned bronze, thanks in part to pommel horse specialist Stephen Nedoroscik.

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The glasses-wearing, Rubik’s Cube-solving gymnast spent almost 2½ on the bench waiting for his turn on the pommel horse. The NBC broadcast even included a countdown clock to his routine. During the hours of waiting, Nedoroscik won over the internet.

After the routine, social media conversation exploded and the gymnast was dubbed “Clark Kent” for his superheroic athletic abilities and calm demeanor.

“Obsessed with this guy on the US men’s gymnastics team who’s only job is pommel horse, so he just sits there until he’s activated like a sleeper agent, whips off his glasses like Clark Kent and does a pommel horse routine that helps deliver the team its first medal in 16 years,” one X user wrote.

One gym owner even told the Washington Post that Nedoroscik has increased boys’ interest in gymnastics. Nedoroscik also took home the bronze in the individual pommel horse event. No other male American gymnast earned an individual medal.

Turkey’s shooter

While most Olympic sharpshooters use futuristic-looking goggles and ear coverings, one shooter didn’t need any gear to get the job done.

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The 51-year-old Turkish shooter Yusuf Dikeç rocked a regular pair of eyeglasses and a hand in his pocket. Dikeç stood out next to the decked-out athletes from competing nations. Nonchalant as can be, he ended up nabbing silver in the mixed team 10-meter air pistol event, earning the country its first-ever medal in shooting.

Since then, internet users have used juxtaposing images of Dikeç next to his competitors.

One X user captioned a split photo of Dikeç and a South Korean shooter wearing specialized lenses with, “Girls packing for a trip vs guys packing for a trip.”

Others have turned the moment into a generation meme, with the shooters with fancy gadgets representing Generation Z and the relaxed Turkish shooter embodying Generation X.

After Swedish pole vaulter Armand Duplantis won the event, he copied Dikeç’s memed pose in celebration.

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The bulge that cost a medal

While Sweden’s Armand Duplantis clinched gold in the pole vault, France’s Anthony Ammirati was left medal-less after his crotch caught on the crossbar.

Of course, social media immediately went to work discussing and meme-ing the situation.

“A french pole vaulter knocked the crossbar off with his pole…whoops,” one X user quipped.

Many described it as the best way to lose.

“Some consolation prize having your weapon cause you to lose the pole vault. Like a platinum medal, that,” an X user wrote.

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The loss of the medal opened up new opportunities for Ammirati. Adult entertainment company CamSoda offered the athlete $250,000 for a 60-minute show.

Bob the cap catcher

When a swimmer’s cap fell into the pool, Paris sent a Speedo-clad worker to collect the headpiece. Viewers immediately grew obsessed with “Bob the cap catcher.” Many tweets refer to Bob as a “legend.”

“Ok maybe i do have a dream job,” one user wrote.

“My man Bob the Cap Catcher is the GOAT and I will die on this hill,” another declared.

Bob even gained a fan in Snoop Dogg. “That’s my guy,” the rapper, a special correspondent for NBC, said during the network’s broadcast.

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‘Unfortunately, I was not chosen’

The memes don’t end with the Olympians. Athletes are revisiting their biggest fails on social media.

Along with some variation of the caption “Unfortunately, I was not chosen for the team,” users can be seen falling off diving boards or flying off the uneven bars.

Lee got in on the action, parodying the popular videos.

“Unfortunately i was selected for the olympics,” she wrote below a video of her balance beam fall on Monday.

Lady Parmesan

Olympic athletes can earn a lot of sponsorships. They often go the classic route: modeling sportswear brands. Italian gymnast Giorgia Villa had a more unconventional approach: eating cheese.

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Villa, a part of the women’s team that took home silver, had an old sponsorship deal with Parmesan cheese maker Parmigiano Reggiano.

“I need the people to know that olympic silver medalist giorgia villa is sponsored by parmesan cheese and regularly posts pics of herself with giant wheels of cheese,” one X user posted alongside pictures of the athlete with wheels of cheese.

“It hurts to see people living your dream (being sponsored by parmesan cheese) (not an olympic silver medal),” another user responded.

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