Movie Reviews
The Substance – NZIFF Closing Night 13th Floor Film Review
The 13th Floor’s Shamin Yazdani has been busy sitting in the dark, catching as many NZIFF as she can including The Substance on Closing Night. Here is her review and a summary of what was good and not so good at the Film Festival.
And just like that, my NZIFF experience (and selection of auteur films) comes to an end with the closing night film, The Substance.
During the film’s introduction, the audience is forewarned that we are in for a wild ride and to expect to be on the edge of our seats. In my version of events however, it’s a ride worth skipping and a seat worth ejecting.
Better on paper than on screen, the concept of The Substance, while strong, is met with weak execution by filmmaker Coralie Fargeat. Some very salient and relevant issues are acknowledged in the movie (namely aging, conflicting ideologies between the new and older generation/s, the way in which we (women?) contort ourselves in the pursuit of unattainable perfection, “the grass is greener” etc) but ultimately Fargeat falls short in examining these concepts in any meaningful way. She instead leans into lazy tropes, endorses and perpetuates the male gaze through the uninspired fetishisation of the female body, and in the final act, takes an unexpected turn into absurdist territory, which doesn’t land. It drones on in a self-indulgent attempt to provoke and shock for little reason other than to be memorable, and that’s not a good enough reason to waste two hours and 20 minutes of anyone’s time. TL;DR what it delivers in aesthetic it lacks in substance. How meta!
The Silver Lining – the closing night film was by no means a reflection of the calibre of this year’s selections (and hopefully not an indication of 2025’s lineup)! My ratings:
We Were DangerousXXXx
Head South XXXX
The Crossing XXXX
Sasquatch Sunset XXXXx
Eno XXX
The Substance XXx
Shamin Yazdani
Shamin is an Iranian New Zealander and multi-hyphenate creative engaged in storytelling across diverse mediums and platforms. She began her professional journey in the UAE and London, steadily advancing to creative producing in broadcast television. Shamin’s contributions in film and creative direction have featured on various platforms and publications including BBC World News, Vogue Arabia, Elle Arabia, Harper’s Bazaar Arabia, The Gulf Film Festival, MENA Film Festival, and London Shubbak Festival.
