Movie Reviews
Rangamarthanda Movie Review: Extraordinary performances make this emotional family drama a classic
Overview: Star director Krishna Vamsi’s comeback movie Rangamarthanda proved to be a worthy adaptation of the Marathi movie Natsamrat starring Nana Patekar and directed by Mahesh Majrekar, which was based mostly on a play by playwright Kusumagraj. Krishna Vamsi has skillfully tailored the movie to enchantment to Telugu sensibilities and did a superb job at it. Whereas documenting the wrestle of an actor caught in his glory days, the movie unveiled a tragic household drama that lingers and makes the viewers suppose. Within the intro, a tribute to the ‘actor’, Nenoka Natudni, a visible montage of Telugu actors from the previous to current with Chiranjeevi’s voiceover, provides a particular contact and brings in fond recollections. Invoking nice playwrights from English and Telugu in its narration, the movie reiterates, “All of the world’s a stage, and all of the women and men merely gamers”.
With a long time of theatrical achievements, applauding followers and a proud household, Raghava Rao receives the title Rangamarthanda (the king of the theatre) and bangaru kankanam (a gold bracelet). However in a surprising announcement, the person of the second reveals he’s retiring from the stage to spend high quality time along with his household. The grandeur and a sure pleasure within the achievements of the grasp actor are established properly, and it stays as a reference level for what’s to come back. With a number of layers and character shades, the story serves as a commentary on the evolving cloth of household and society.
Rangamarthanda Raghava Rao’s worldview can evoke a spread of feelings which could be contested, similar to how his spouse, whom he fondly calls Raju Garu (Ramya Krishnan), agrees and disagrees. The couple has two kids, Rangarao (Aadarsh Balakrishna) and Bangaram (Shivathmika Rajashekar). Rangarao is married to Geeta (Anasuya Bharadwaj) and Bangaram will get married to Rahul (Rahul Sipligunj). There may be delicate finesse in how these characters are written with a common enchantment. Ali Reza, as Siddhu, performs an essential function and appearing coach Satyananda, as Satyananda, will get to play his actual life on display.
What really places the movie in one other realm is the solid’s excellent performances. Primarily Prakash Raj and Brahmanadam, identified for his or her wonderful appearing abilities of their lengthy careers, have outperformed themselves on this movie. Be it their verbal or non-verbal language, each of them have reached their zenith. Be careful for a scene the place each these characters recollect and enact dialogues from an outdated play that they’ve carried out of their prime. Prakash Raj executed navarasas, and Brahmanadam binds the viewers emotionally. Ramya Krishnan, too, subtly brings her brilliance to the combination. Shivathmika is a shock bundle and completely impresses everybody along with her appearing abilities. Rahul Sipligunj brings freshness to the desk and makes for a number of rib-tickling moments along with his Telangana slang and full of life dialogues. Anasuya, a shrewd daughter-in-law, and Aadarsh, a sandwiched son and husband, add to the drama.
Maestro Ilaiyaraja’s music and Sirivennela Sitaramasastri’s lyrics will amplify the impact and churn the viewers emotionally. Whereas the cinematography is first rate, it might have been edited higher. The movie had cinematography by Raj Okay Nalli and enhancing by Pavan VK and Babu Srungavarapu.
This emotionally stirring household drama might not have industrial parts, however even with its imperfections, the movie will maintain the viewers hooked and has a common recall. Actors Prakash Raj and Brahmanandam got here up with performances of a lifetime. Watch it.