Petromax Movie Review: A film about family values and relationships, masked by double entendres

Evaluation: Filmmaker Vijaya Prasad has created a distinct segment for himself within the movie business, with movies that blend content material that’s normally categorised as grownup humour with philosophy. His newest outing, Petromax, isn’t any totally different. It tries to query what the true which means of an orphan is – is it what the dictionary defines it or are most individuals residing as orphans with folks of their lives. This time round, the filmmaker additionally experiments along with his filmmaking model, and breaks the fourth wall. He has his characters instantly interacting with the audiences. This provides to the allure of the story.

This movie is an easy story of 4 orphans – three males and a lady – seeking a home, and the way a lady actual property agent finds them one. However this has been apparently woven with totally different personalities of every character, gags, heartwarming conditions and dialogues that really make one take into consideration typical issues. After all, there’s greater than a beneficiant dose of the trademark Vijaya Prasad humour for his followers.

The movie wins with its dialogues, characterisations and performances – all of them go hand in glove. Sathish Ninasam, Hariprriya, Karunya Ram, Arun and Nagabhushana are all equally good of their roles. Lending ample help to them is the remainder of the ensemble – Sudha Belawadi, Padmaja Rao, Vijayalakshmi Singh, Achyuth Kumar and Suman Ranganath, who makes a particular look. Moreover, the enhancing deserves a particular point out for mixing direct narration and scenes seamlessly. The background rating is quirky and provides to the humour.

Petromax additionally apparently is units up in such a means that the makers instantly promise a sequel, if the movie is accepted effectively. The one place the place it would falter is that the final half hour of the movie finally ends up being a tad too emotional, which could go away these anticipating extra double entendre-laced scenes opting to even stroll out of the theatre, if they aren’t open for the philosophical and morals-laced episode that precedes the climax. However the filmmaker undoubtedly must be lauded for pushing the envelope in his area by selecting to talk about some related subjects in his trademark model.