Movie Review: ‘Leviticus’ makes a demon out of desire in an auspicious debut for Adrian Chiarella

What if the object of your desire was also the thing that’s trying to kill you? Not slowly irritating you to death for leaving the toilet seat up again. We mean actively trying to strangle you.

That’s the intriguing premise behind the horror-satire “Leviticus,” an auspicious feature film debut for writer-director Adrian Chiarella that’s both deeply scary and a queer revolt.

Named for the book of the Old Testament often used to justify homophobia, the movie explores the burgeoning relationship between two young men that is shattered when so-called “conversion therapy” — a scientifically discredited practice — unleashes a demon that stalks them. Some have called the movie “It Follows” meets “Heated Rivalry,” but that’s a disservice to Chiarella’s ambition.

The film centers on Naim (Joe Bird, the breakout star of A24’s “Talk to Me” )and Ryan (newcomer Stacy Clausen), who we watch fitfully, awkwardly fall for each other, slowly exploring their sexuality and stutter-stepping into their true selves. Wrestling turns to flirtation, which becomes longing and tenderness.

That doesn’t go over well in the small Australian town where the movie is set, a blue-collar community with belching smoke stacks, low-slung houses, barking dogs and a Christian pastor — with a “deliverance healer” — who prefers his flock much more heterosexual.

Chiarella is leaning not only into the notion that sexual desire makes you vulnerable, but also the harm that repressing who you are can do. In this case, the demon takes the form of your crush. It has weaponized lust.

“You shouldn’t be near me. I shouldn’t be near you, either,” one of the would-be lovers says to the other.

Chiarella starts his movie with a nod to Alfred Hitchcock — a shower scene worthy of “Psycho” — and nods to others in the genre, like “A Nightmare on Elm Street.” He can be a bit clunky with his images — a frog being eaten by a snake — but his pacing is flawless and his ramping up of terror is sure. “Leviticus” might be an indie film, but it’s got the blessing of Frank Ocean, who gave the filmmakers the right to use his song “Self Control.”

The monsters — in addition to the nasty one only the boys can see, of course — are the adults: the parents and caregivers and friends who turn on vulnerable, scared young men and make them scared of each other. Mom might kindly take some disliked olives off her son’s pizza, but she won’t accept him kissing another boy.

Chiarella’s pro-queer filmmaking extends to his ability to perfectly capture the fumbling ecstasy of new love, the fierce longing of stolen kisses and how scary it is to submit to a new partner. Kudos to Bird and Clausen for capturing that universal feeling.

With his film, Chiarella forms a triumvirate of young filmmakers making horror brilliant in summer 2026, alongside Curry Barker with “Obsession” and Kane Parsons’ “Backrooms.” The future of movies is in good hands.

“Leviticus,” a Neon release that’s in theaters Friday, is rated R by the Motion Picture Association for “bloody violent content, language, some sexual content and teen drug use.” Running time: 88 minutes. Three and a half stars out of four.