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Movie review: A Quiet Place, quivering since Day One

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Movie review: A Quiet Place, quivering since Day One

It’s a silent nightmare in New York when monsters appear and ravage the world – but it’s an exciting ride when it’s back on the big screen. 

White knuckle thrills abound in A Quiet Place: Day One, the new horror adventure from Paramount that’s infinitely stronger than a franchise spin-off movie has any business being.

That’s thanks to two luminous, dedicated talents: the first is writer and director Sarnoski, taking over from A Quiet Place franchise creator John Krasinski (who, in a funny contrast, made the family film IF this year instead), and the other is Oscar winner Lupita Nyong’o as Sam, the woman on a quest for pizza and a happy memory.

Instead of following the main cast from the popular 2018 and 2021 films, Nyong’o leads a smaller scale quest looking at Sam, a dying cancer patient, who unluckily gets trapped in Manhattan on the titular “Day One” when the auditory alien monsters arrive and begin an apocalyptic takeover of Earth.

(For those unfamiliar: the monsters from the films are an unknown species of predators who eat humans, but they’re blind and can only detect prey if they make sound.)

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Audiences saw a small taste of that day in the prologue for 2021’s Part II, but that was in a small, midwest town. But this time it’s the millions of people in New York all being threatened at once, and some of the chases and crowd-crashing scenes are scarily tight.

Sarnoski’s eye for terrorizing vignettes and setting up smart, scary obstacles for Sam throughout the city is endlessly creative and exciting. Crashed subways, abandoned buildings, power outages and some wild weather all pose scary, sound-like obstacles that’s more gripping than the last.

The real standout is Nyong’o, who almost never leaves the screen throughout the 90-minute film. Her conviction and fear are so palpable and engaging that audiences can’t help but get invested in Sam’s survival. 

A premise of Sam wanting one last moment of peace before either the aliens or her cancer gets her may sound like too simple a premise. Under the careful nuance of Sarnoski’s direction, the team has made both a bright and bleak thriller that’s great summer entertainment.

What’s most compelling in the script are the moments when, despite the disaster, Sam (and her scene-stealing cat Frodo) is appreciating the small signs of life in the desolate city. Even though things literally couldn’t be worse, somehow Sam still has some small hope left.

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Audiences will gasp and jump at this latest silent screamer, and if the quality control is this good, there will likely be more quiet places to find even after three movies. I’m certainly excited for what this world brings next.

A Quiet Place: Day One

8 out of 10

Rated PG, 1 hour, 36 minutes. Horror Adventure Thriller.

Written and directed by Michael Sarnoski.

Starring Lupita Nyong’o, Jospeh Quinn, Alex Wolff, Djimon Hounsou and Frodo the cat.

Now Playing at Cineplex theatres.

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Movie Reviews

1986 Movie Reviews – Dangerously Close, Fire with Fire, Last Resort, and Short Circuit | The Nerdy

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1986 Movie Reviews – Dangerously Close, Fire with Fire, Last Resort, and Short Circuit | The Nerdy
by Sean P. Aune | May 9, 2026May 9, 2026 10:30 am EDT

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s May 9, 1986, and we’re off to see Dangerously Close, Fire with Fire, Last Resort, and Short Circuit.

 

Dangerously Close

I would love to tell you what the point of this film was, but I’m not sure it knew.

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An elite school has turned into a magnet school, attracting some “undesirables,” so a group of students known as The Sentinels take up policing their school, but will they go too far?

The basic plot of the film is simple enough, but there is an oddball “twist” toward the end tht served no real purpose and somehow turns the whole thing into a murder-mystery. Mysteries only work when you know you’re supposed to be solving them, and not when you’re alerted to one existing with 15 minutes left.

Decent 80s music, some stylistic shots, absolutely no substance.

 

Fire with Fire

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Oh wait… I may want to go back and watch Dangerously Close again over this one.

Joe Fisk (Craig Sheffer) is being held at a juvenile delinquent facility close a high-end all-girls Catholic school. One day while running through the forest as part of an exercise he spots Catholic schoolgirl Lisa Taylor (Virginia Madsen) and the two fall immediately in love because… reasons.

This film is just so incredibly lazy. The ‘love story’ really can just be chalked up to ‘hormones.’

 

Last Resort

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Once again I am baffled how Charles Grodin kept getting work so much through out the 1980s.

George Lollar (Grodin) is a salesman in Chicago in need of a vacation. He loads up the family and takes them to Club Sand, which turns out to be a swingers resort as well as surrounded by barbed wire to keep rebels out.

There are a lot of talented people in this movie such as Phil Hartman and Megan Mullally, but the film lets them down at every turn with half-baked ideas of jokes. Supposedly, Grodin rewrote nearly the entire script and I think that explains a lot about how this film feels like unfinished ideas. It’s a Frankenstein monster of a script with half-complete ideas that feel like they are from completely different movies.

 

Short Circuit

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Lets just get this out of the way: What in the world was Fisher Stevens doing?

NOVA Laboratory has come up with a new series of military robots called S.A.I.N.T. (Strategic Artificially Intelligent Nuclear Transport). Following a successful demonstration for the military, Five is struck by an electrical surge and finds itself needing ‘input.’ After inadvertently escaping the lab, it wands into the life of Stephanie Speck (Ally Sheedy), who cares for animals and takes Five in. Dr. Newton Crosby (Steve Guttenberg) is trying to get five back, while the security team wants to destroy it.

Overall, the film is thin, but harmless. The 80s did seem to love a ‘technology being used for the wrong reasons’ theme, and this falls into that camp. What is mind-blowing, however, is Stevens as Ben Jabituya, Crosby’s assistant. Not only is he wearing brown face, but he’s doing a horrible Indian accent and later reveals he was born and raised in the U.S.

His whole character is mystifying.

Honestly, a couple of decades ago I may have recommended this movie, but it’s a definite pass now just for being offensive.

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1986 Movie Reviews will continue on May 16, 2026, with Sweet Liberty and Top Gun.


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Movie Reviews

Movie Review: AFFECTION – Assignment X

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Movie Review: AFFECTION – Assignment X


By ABBIE BERNSTEIN / Staff Writer


Posted: May 8th, 2026 / 08:34 PM

AFFECTION movie poster | ©2026 Brainstorm Media

Rating: Not Rated
Stars: Jessica Rothe, Joseph Cross, Julianna Layne
Writer: BT Meza
Director: BT Meza
Distributor: Brainstorm Media
Release Date: May 8, 2026

 AFFECTION is an odd title for this tale. While it is about a number of topics and emotions, fondness isn’t one of them. Obsession, definitely. Love, possibly. The kind of general warm fellow feelings associated with “affection”? No.

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There have been a lot of movies lately in which characters – mostly women – are grappling with false identities and/or false memories imposed upon them, mostly by men.

Let us stipulate that the protagonist (Jessica Rothe) in AFFECTION is not an android or in an artificial reality. However, we can tell something is way off from the opening sequence. A car is stalled on a tree-bordered highway. Rothe’s character is lying face down on the asphalt beside it, possibly dead.

But then the young woman rises, dragging a broken ankle. She experiences a full-body seizure. Fighting to recover, she sees oncoming headlights and tries to run, only to be hit by a car.

The woman wakes up in a bed she doesn’t recognize, next to a man (Joseph Cross) she likewise is sure she’s never seen before. One big confrontation later, the man says his name is Bruce – and that the woman is his wife, Ellie.

Ellie insists that her name is Sarah Thompson, and she is married to someone else, with a son. When she sees her reflection in a mirror, she doesn’t relate to the face looking back at her.

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Bruce counters that Ellie has a rare neurological condition that causes her to block out her waking life and believe her dreams are real. This is why they agreed, together, to move to this isolated house, without the kinds of interruptions that can hinder Ellie’s recovery.

The set-up is presented in a way where we share Ellie’s skepticism. But Ellie and Bruce’s little daughter Alice (Julianna Layne) immediately identifies Ellie as “Mommy!” Alice appears to be too young to be in on any kind of deception, so what is going on here?

AFFECTION eventually explains this via a helpful videotape, though it’s so convoluted that viewers watching on streaming may want to replay the sequence to make sure they understand the exposition.

Writer/director BT Meza musters a sense of menace and lurking weirdness, as well as making great use of his location.

We still have a lot of questions, many of which are still unanswered by the film’s end. It may not matter to the points AFFECTION is trying to make, but a better sense of exactly how all this started might help our investment.

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As it is, despite a heroically versatile performance by Rothe, a credible and anguished turn by Cross and appealing work from Layne, we’re so busy trying to piece together what’s important and what’s not and how we’re supposed to feel about all of it that it can be hard to keep track of the action as it unfolds.

Agree or not, Meza’s arguments are lucid and illustrated clearly by AFFECTION’s events. However, the movie is structured in a way that becomes more frustrating as it goes. We comprehend it intellectually but can’t engage viscerally.

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Movie Reviews

8News Reel Talk: ‘The Devil Wears Prada 2’ movie review

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8News Reel Talk: ‘The Devil Wears Prada 2’ movie review

RICHMOND, Va. (WRIC) — In this episode of 8News Reel Talk, digital producer Julia Broberg is joined by anchor Deanna Allbrittin and reporter Allison Williams to talk about “The Devil Wears Prada 2.”

The hosts gave their reviews and assigned the following star ratings:

Deanna: ★★★★.5

Allison: ★★★.25

Julia: ★★

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To watch more livestreams and digital video content, head to the WRIC+ Originals page. You can also watch full on-demand videos on your smart TV using the WRIC+ app.

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