Kazhuvethi Moorkkan Movie Review: Arulnithi shine in this well-written film on caste-based politics

Kazhuvethi Moorkkan Movie Review: Only a couple of weeks ago, we had Ravana Kottam, which delved into the intricacies of friendship and caste politics in a village. Now, Arulnithi’s Kazhuvethi Moorkan treads upon a similar path, skillfully navigating intriguing conflicts with a contemporary touch. While a few instances may be predictable, the writing sufficiently enables us to empathise with the central characters.

We are introduced to two young lads, divided by caste yet bound together by a friendship that originated during their school days. As they mature into young adults, Moorkkan (played by Arulnithi), a fierce young man, stands steadfastly by Boomi (Santhosh Pratap) in every situation, shielding him from despair. However, trouble ensues when a political party attempts to assert dominance in the village through caste-based gatherings and propaganda. When Boomi takes a stand against them, they hatch a plan, turning the tables and ensnaring Moorkkan in the process.

As Moorkkan battles between a huge loss and his life being under threat, he flees, keeping the police on the run. Can he avenge his loss and surrender peacefully?

From the moment the plot thickens, we constantly get reminded of Ravana Koottam. Yet, what sets this film apart is its refusal to assign blame, instead revealing the virtues and vices present within both factions, where a few succumb to the allure of power and wealth. Also, the conflicts depicted here are organic and compelling, engaging us throughout the film. The second half, although somewhat predictable as we become aware of what Moorkkan is up to, does not disappoint. The climax also follows a familiar trajectory as he seeks vengeance. Nevertheless, the dialogues and the way the script has been conceived are mature enough for us to understand the filmmaker’s intentions. In the very beginning, we get to know about the particular mode of punishment that has existed as part of our culture over centuries yet the importance given to it doesn’t create an
impact as the film progresses.

Arulnithi’s portrayal of an angry young man is utterly convincing, lending credibility to his character. Santhosh Pratap, in his role as an altruist advocating for education in an underprivileged society, delivers an exceptional performance. Dushara Vijayan, too, adds yet another commendable role to her repertoire following Sarpatta and Natchathiram Nagargiradhu. Noteworthy contributions are also made by actors such as Chayadevi, Munishkanth, and Subramanian.

The technical aspects of the film are decent and support the narrative positively. D Imman’s background score heightens various emotions. However, the filmmakers could have omitted one song in the first half, as it slows down the narrative.

On the whole, Kazhuvethi Moorkkan manages to captivate us to a considerable extent with its solid screenplay.