Movie Reviews
Kanguva Movie Review – Gulte
2/5
02 Hrs 34 Mins | Action Adventure – Fantasy | 14-11-2024
Cast – Suriya, Bobby Deol, Disha Patani, Yogi Babu, Anandaraj, Kovai Sarala, Redin Kingsley, Natarajan Subramaniam & others.
Director – ‘Siruthai’ Siva
Producer – K. E. Gnanavel Raja, V. Vamsi Krishna Reddy & Pramod Uppalapati
Banner – Studio Green & UV Creations
Music – Devi Sri Prasad
It’s been about two and a half years since Suriya’s film in a lead role was released in theatres. In an attempt to deliver an out-of-the-world experience to the audience, he teamed up with director, ‘Siruthai’ Siva for Kanguva, an action-adventure fantasy film with a period backdrop. It’s been a while since Suriya delivered a hit at the Box Office and he has pinned all his hopes on the film. After raising expectations with the teaser, and trailer, especially the release trailer which was released a few days back, Kanguva, was finally released in theatres today. Did it live up to the expectations? Did the director, Siva, come up with a memorable film for the fans of Suriya and movie lovers? Let’s figure it out with a detailed analysis.
What is it about?
Francis(Suriya), is a bounty hunter based out of Goa along with his Ex-Girlfriend, Angela(Disha Patani) and friend(Yogi Babu) During a bounty hunting job, Francis and his friend meet a kid(Zeta) who is on a run. Both Francis & Zeta find a strange connection between themselves. What is the connection between Francis and Zeta? Why is Zeta on a run? Who is Kanguva & Poruva? What is their connection with Francis and Zeta? Forms the rest of the story.
Performances:
Suriya as Francis Theodore looked a bit out of the place but he did well in the role of Kanga aka Kanguva. The way he used his eyes to perform in the role of Kanguva is fantastic. Disha Patani as Angela is wasted. All the sequences involving her are irritating.
Bobby Deol as Udhiran got a poorly written role with a very weird look and there’s not much to talk about his role. The child artist who did the roles of Poruva & Zeta did well. There’s a surprise cameo during the climax of the film by a ‘Most Loved Star’ but even the cameo did not work out. The cameo is used in the film just to give a lead to the second part.
Yogi Babu, Kovai Sarala and a few more notable actors are wasted in poorly written roles. Probably for the first time in the recent past, Yogi Babu’s comedy failed to evoke laughs.
Technicalities:
Vetri Palaniswamy’s cinematography is first-rate. The way he captured the lush green forests and the way he and his team shot the film during the night is fantastic. Cinematography is the only department that gave their hundred percent to the film. Devi Sri Prasad was disappointed big time with poor songs and a soulless & loud background score. Apart from the ‘Mannippu’ song and the background score during a sequence in the second half, his work is below par and works against the film. Nishad Yusuf’s editing is poor as well. His fast cuts especially in the first half were a pain to the eyes. There’s a lot of VFX used in the film but it is strictly average at best. Production values by Studio Green and UV Creations are grand but the producers would have invested a bit more to fine-tune the VFX part.
Director, Siva selected a very good core point but his lack of experience in executing a film of Kanguva’s scale and his tendency to overdo drama worked against the film big time. He and his writers would have come up with better writing. All we get to see in the film is one action sequence after another without a soul and emotional connection. His work overall is below par.
Thumbs Up:
Two blocks each in both halves
Suriya’s performance as Kanguva
Core Plot of The Film
Thumbs Down:
DSP’s Songs & Background Score
Weird Looks of Actors
Entire Goa Episode In The First Half
Lack of Emotional Connect In The First Half
Over-the-top drama
Analysis:
Since the release of Baahubali, many filmmakers across the country from multiple film industries have come up with ambitious films that are mounted on a huge canvas & interesting storylines to cater to the PAN India audiences but only a very few of those films worked out. Staying away from an overdose of local flavour is the basic rule that a PAN India filmmaker has to follow but unfortunately most of these filmmakers, especially the Tamil filmmakers inability to stay away from overdoing the local flavour is working against these PAN India films more often than not.
Kanguva has a very interesting plot and a setup that may have been very exciting on paper but the director, Siva and his team’s execution is loud, predictable and filled with an overdose of native flavour. Every actor in the film shouts and screams all the time for no reason. Along with the over-the-top execution and acting by almost all the actors, the weird looks designed for each of the actors, especially when the plot was set up in the year 1070, worked against the film.
The film starts on an interesting note with a monologue by an old woman in the year 1070 that questions the true purpose of each of us human beings’ birth, followed by another interesting sequence involving a kid named, Zeta at a lab in 2024. But, what follows after these two sequences in the first half is a mess filled with people screaming all the time and very predictable pre-interval sequences.
The second half of the film is marginally better compared to the first half with a couple of well-executed blocks but again, apart from those couple of blocks, remaining everything is unexciting. Also, the sequences Suriya, Disha Patani, Yogi Babu and others in the first half in the backdrop of Goa are forgettable. All those sequences are executed very poorly and test the patience of the audience.
It is the director who is to be blamed for wasting the potential of a very interesting plot with below-par execution barring four blocks. Another culprit is Devi Sri Prasad. Both his songs and background score are forgettable, to say the least.
Overall, Kanguva has an interesting plot but the below-par execution made it a disappointing film that may find it difficult to sustain at the Box Office. There’s a lead given during the climax of the film using a surprise cameo by a star hero for the second part but it is highly unlikely that the second part of the film will be made.
Verdict – Too Loud & Over-The-Top
Rating: 2/5
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‘Hoppers’ review: Pixar’s best original movie in years
“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway.
It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.
Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.
We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.
Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.
That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.
Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.
The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.
And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged.
“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.
HOPPERS opens in theaters Friday, March 6th.
Movie Reviews
‘Hoppers’ review: Who can argue with hilarious talking animals?
Just when you think Pixar’s petting-zoo cute new movie “Hoppers” is flagrantly ripping off James Cameron, the characters come clean.
movie review
HOPPERS
Running time: 105 minutes. Rated PG (action/peril, some scary images and mild language). In theaters March 6.
“You guys, this is like ‘Avatar’!,” squeals 19-year-old Mabel (Piper Curda), the studio’s rare college-age heroine.
Shoots back her nutty professor, Dr. Fairfax (Kathy Kajimy): “This is nothing like ‘Avatar!’”
Sorry, Doc, it definitely is. And that’s fine. Placing the smart sci-fi story atop an animated family film feels right for Pixar, which has long fused the technological, the fantastical and the natural into a warm signature blend. Also, come on, “Avatar” is “Dances With Wolves” via “E.T.”
What separates “Hoppers” from the pack of recent Pix flix, which have been wholesome as a church bake sale, is its comic irreverence.
Director Daniel Chong’s original movie is terribly funny, and often in an unfamiliar, warped way for the cerebral and mushy studio. For example, I’ve never witnessed so many speaking characters be killed off in a Pixar movie — and laughed heartily at their offings to boot.
What’s the parallel to Pandora? Mabel, a budding environmental activist, has stumbled on a secret laboratory where her kooky teachers can beam their minds into realistic robot animals in order to study them. They call the devices “hoppers.”
Bold and fiery Mabel — PETA, but palatable — sees an opportunity.
The mayor of Beaverton, Jerry (Jon Hamm), plans to destroy her beloved local pond that’s teeming with wildlife to build an expressway. And the only thing stopping the egomaniacal pol — a more upbeat version of President Business from “The Lego Movie” — is the water’s critters, who have all mysteriously disappeared.
So, Mabel avatars into beaver-bot, and sets off in search of the lost creatures to discover why they’ve left.
From there, the movie written by Jesse Andrews (“Luca”) toys with “Toy Story.” Here’s what mischief fuzzy mammals, birds, reptiles and insects get up to when humans aren’t snooping around. Dance aerobics, it turns out.
Per the usual, “Hoppers” goes deep inside their intricate society. The beasts have a formal political system of antagonistic “Game of Thrones”-like royal houses. The most menacing are the Insect Queen (Meryl Streep — I’d call her a chameleon, but she’s playing a bug), a staunch monarch butterfly and her conniving caterpillar kid (Dave Franco). They’re scheming for power.
Perfectly content with his station is Mabel’s new best furry friend King George (Bobby Moynihan), a gullible beaver who ascended to the throne unexpectedly. He happily enforces “pond rules,” such as, “When you gotta eat, eat.”
That means predators have free rein to nosh on prey, and everybody’s cool with it. Because of bone-dry deliveries, like exhausted office drones, the four-legged cast members are hilarious as they go about their Animal Planet activities.
No surprise — talking lizards, sharks, bears, geese and frogs are the real stars here. They far outshine Mabel, even when she dons beaver attire. Much like a 19-year-old in a job interview, she doesn’t leave much of an impression.
Yes, the teen has a heartfelt motivation: The embattled pond was her late grandma’s favorite place. Mabel promised her that she’d protect it.
But in personality she doesn’t rank as one of Pixar’s most engaging leads, perhaps because she’s past voting age. Mabel is nestled in a nebulous phase between teenage rebellion and adulthood that’s pretty blasé, even if a touch of tension comes from her hiding her Homo sapien identity from her new diminutive pals. When animated, kids make better adventurers, plain and simple.
“Hoppers” continues Pixar’s run of humble, charming originals (“Luca,” “Elio”) in between billion-dollar-grossing, idea-starved sequels (“Inside Out 2,” probably “Toy Story 5”). The Disney-owned studio’s days of irrepressible innovation and unmatched imagination are well behind it. No one’s awed by anything anymore. “Coco,” almost 10 years ago, was their last new property to wow on the scale of peak Pixar.
Look, the new movie is likable and has a brain, heart and ample laughs. That’s more than I can say for most family fare. “A Minecraft Movie” made me wanna hop right out of the theater.
Movie Reviews
Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar
4/5 stars
Bounding into cinemas just in time for spring, the latest Pixar animation is a pleasingly charming tale of man vs nature, with a bit of crazy robot tech thrown in.
The star of Hoppers is Mabel Tanaka (voiced by Piper Curda), a young animal-lover leading a one-girl protest over a freeway being built through the tranquil countryside near her hometown of Beaverton.
Because the freeway is the pet project of the town’s popular mayor, Jerry (Jon Hamm), who is vying for re-election, Mabel’s protests fall on deaf ears.
Everything changes when she stumbles upon top-secret research by her biology professor, Dr Sam Fairfax (Kathy Najimy), that allows for the human consciousness to be linked to robotic animals. This lets users get up close and personal with other species.
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