Kallanum Bhagavathiyum Review | A Lousy Fantasy Stuffed With Irrelevant Jokes and Insignificant Songs

Within the second half of the film Kallanum Bhagavathiyum, directed by East Coast Vijayan, the thief character Maathappan begins asking the goddess attention-grabbing questions on her apparel and calls for. It was in that spoofy zone, just like one thing like PK. Seeing these dialogues after a reasonably lackluster first half gave me slight hope. I assumed the germ of the thought may need come from the occasions that will occur within the second half. However to my disappointment, the second half of Kallanum Bhagavathiyum is worse than the primary, with redundant humor and cliched sentiments.

Maathappan is an unsuccessful thief who has a foul title however no success in theft. On his birthday, he deliberate one final theft and determined to commit suicide if it failed. The theft failed, however he met a lady named Priya that evening who dared him to rob the idol of a Bhagavathy from a dismantled previous temple. The do-or-die situation pushes Maathappan to take up that problem, and what we see in Kallanum Bhagavathiyum is the occasions that occur in Maathappan’s life after that incident.

The film opens with an irrelevant choir track that includes Salim Kumar. Properly, the actual fact that there have been violinists in a scene with no sound of the violin itself gave me an concept concerning the degree of care given to the film on a making degree. Within the first half, the one agenda author KV Anil and director East Coast Vijayan had in entrance of them was to one way or the other create a one-hour content material with the backstories of the hero and heroine. After boring you with the standard stuff within the first half, they bombard you with ineffective facet humor and too many sentiments and goodness within the second half. These Johny Antony- Rajesh Madhavan sequences are tremendous awful, they usually expose the cluelessness of the makers in a short time.

Together with his loud mind-voice, Vishnu Unnikrishnan delivers what East Coast Vijayan anticipated from a hero. He’s making an attempt a unique slang, which was purported to be Palakkad. However I have to say that it hasn’t crossed the border of Thrissur. Anusree was pleasing in her character, and it wasn’t an intensive function. Mokksha, who performs the function of Bhagavathy within the movie, appears to be like lovely for certain, and her dancing expertise allow her to be East Coast Vijayan’s outdated visualization of a goddess. However the dubbing of the tacky traces was terrible. Maala Parvathy, Johnny Antony, Rajesh Madhavan, and many others., are the opposite main names within the movie.

Among the many few promotional interviews of this film, I’ve heard Mr. East Coast Vijayan saying that he had executed a good bit of analysis earlier than commencing this challenge. Properly, it’s fairly clear that the most recent movie in that analysis was launched at the very least 15 years again. As a substitute of creating the thought of a thief assembly a goddess, Vijayan, and KV Anil beef up the content material with simply detachable issues. If it was the songs within the first half, the second half is filled with pointless comedy sequences which may earn them some YouTube income sooner or later. Though I’m not an enormous fan of Ranjin Raj’s work, he’s a composer with an identification. However the album of Kallanum Bhagavathiyum made me wonder if the music and lyrics had been each executed by East Coast Vijayan.

By the point the film ended, I may see many individuals round me having fun with a very deep sleep. It’s summertime, and we’re all drained and want to nap in an AC corridor. The one potential optimistic of this awful fantasy is the sleep it presents the viewer by being tasteless from starting to finish.