Movie Reviews
Freddy Movie Review: Kartik Aaryan’s sordid journey into heart of darkness is a shockingly good watch
Kartik Aaryan’s Freddy is as a lot a descent into the thoughts of a loner, as it’s on how Nature nurtures nature
KEY HIGHLIGHTS
- Solid: Kartik Aaryan, Alaya F
- Director: Shashanka Ghosh
- Score: 4/5
FREDDY REVIEW
Dr. Freddy Ginwala, a shy and socially awkward dentist, looking for intimacy, on this romance thriller, is unscrupulously duped in love, when a affected person Kainaaz (Alaya F), seemingly in an abusive relationship, meticulously develops a relationship with our hero/ antihero (?), cajoles him into killing her husband, solely to flagrantly present him the door, whereas within the arms of her actual lover.
What follows is a torrid story of Machiavellian retribution, akin to a Lindsay (Jeff) novel, with every get together partaking in a cat and mouse recreation, cajoling the opposite to take a incorrect flip, make a mistake and finally partaking in a twisted story of surprising justice.
FREDDY- A TALE IN ONE ACT
Alaya F’s Kainaaz is a revelation. Solely into her second movie, having debuted in 2020, it’s a tall job to play a femme fatale of kinds. She exhibits spunk, stepping as much as play the antagonist to our antihero, successfully essaying the catalyst to his breaking and re-moulding right into a twisted and sinister being. Nonetheless, the actress must work on her diction, and at instances seemingly fades out from the scene. However whether or not it’s a poetic machine to create an all pervasive aura across the character of Freddy, is up for debate.
FREDDY – A TALL TALE?
Calling Freddy a romance thriller shouldn’t be a misnomer. Sure, the movie performs on failed relationships (greater than as soon as), however moreover, director Ghosh has successfully employed it as a style of thriller and journey that sings extra like Poe-esque poetry with a shock ending than celebrating love.
Freddy can also be a research in characterisation. With every scene, Freddy steps additional into the mud, a lot in order that very similar to Macbeth, “Returning have been as tedious as go o’er,” for him as nicely.
My solely critique, the movie takes time to construct up, and some minutes on the edit bay for the primary half, can do wonders for the narrative.
The film shouldn’t be meant for the large display screen. It’s a area of interest watch, that those that love the style will relish it over a cup of espresso, whereas journeying with our hero into the guts of darkness, as he blurs the road between what’s gallant and maybe, outright psychotic.