Connect with us

Movie Reviews

‘Bad Boys: Ride or Die’ movie review: This Will Smith, Martin Lawrence ride is a thankless slog

Published

on

‘Bad Boys: Ride or Die’ movie review: This Will Smith, Martin Lawrence ride is a thankless slog

A still from ‘Bad Boys: Ride or Die’ 

The adrenalin runs high and there are insane shootouts in a chopper and abandoned alligator park (abandoned by all except the toothy reptiles). Despite all this, the fourth installment of the buddy action comedy does not have the secret sauce to keep one engaged.

Bad Boys: Ride or Die

Directors: Adil & Bilall

Cast: Will Smith, Martin Lawrence, Vanessa Hudgens, Alexander Ludwig, Paola Núñez, Eric Dane, Ioan Gruffudd, Rhea Seehorn, Jacob Scipio, Melanie Liburd, Tasha Smith, Tiffany Haddish, Joe Pantoliano

Storyline: The bad boys ride once more tangling with drug cartels and more to clear their captain’s name

Run time: 117 minutes

Advertisement

Mike (Will Smith) from the Miami Police Department, has finally grown up and is marrying his therapist (physical, not mental therapist, the film makes a point of noting), Christine (Melanie Liburd). At the wedding, his partner in the force, Marcus (Martin Lawrence) has a heart attack. After a near-death experience, where he gets advice from the great beyond, Marcus is a new man and not very happy when his wife, Theresa (Tasha Smith), has trashed all the salty snacks and turned vegetarian to support him in his recovery.

Then it is time for the bad boys to ride again (forget Marcus’ dickey heart), when their dead captain Conrad Howard (Joe Pantoliano) is accused of being crooked and accepting money from the cartels. In a message from beyond the grave, Conrad tells Mike and Marcus that there is someone dirty within the police. The two decide to investigate further and clear the Captain’s name.

Kelly (Vanessa Hudgens), Dorn (Alexander Ludwig) and Rita (Paola Núñez) from the Miami Police Department and US Marshall Judy (Rhea Seehorn), who is Conrad’s daughter, are also in the hunt for truth. Lockwood (Ioan Gruffudd) is running for mayor and Rita’s latest boyfriend. Mike’s son, Armando (Jacob Scipio), who is in jail for killing Conrad, holds a crucial bit of evidence. And there is an Army ranger, McGrath (Eric Dane) whose teeth-gnashing sneers mark him out to be a truly horrid chap.

Smith and Lawrence’s riffing is fun up to a point, especially the bit about Smith being a donkey in his last birth. It however, quickly becomes stale and there are those slaps, which will bring back horrid memories of the Oscar slap-gate. The video game shoot ‘em up style of the action sequences captures the eye as do the jolly crocs, but then soon enough, your mind wanders to the action sequences in Lokesh Kanagaraj’s Leo, which were much more edge-of-the-pants and a whole sight more thrilling.

It is time for the franchise, which started almost 30 years ago (1995 to be precise) directed by Michael Bay, who has a cameo in Bad Boys: Ride or Die, to be laid to rest in peace or pieces — the choice is in the Hollywood bean counters’ hands.  

Bad Boys: Ride or Die is currently running in theatres

Advertisement

Movie Reviews

1986 Movie Reviews – Dangerously Close, Fire with Fire, Last Resort, and Short Circuit | The Nerdy

Published

on

1986 Movie Reviews – Dangerously Close, Fire with Fire, Last Resort, and Short Circuit | The Nerdy
by Sean P. Aune | May 9, 2026May 9, 2026 10:30 am EDT

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

Advertisement

This time around, it’s May 9, 1986, and we’re off to see Dangerously Close, Fire with Fire, Last Resort, and Short Circuit.

 

Dangerously Close

I would love to tell you what the point of this film was, but I’m not sure it knew.

Advertisement

An elite school has turned into a magnet school, attracting some “undesirables,” so a group of students known as The Sentinels take up policing their school, but will they go too far?

The basic plot of the film is simple enough, but there is an oddball “twist” toward the end tht served no real purpose and somehow turns the whole thing into a murder-mystery. Mysteries only work when you know you’re supposed to be solving them, and not when you’re alerted to one existing with 15 minutes left.

Decent 80s music, some stylistic shots, absolutely no substance.

 

Fire with Fire

Advertisement

Oh wait… I may want to go back and watch Dangerously Close again over this one.

Joe Fisk (Craig Sheffer) is being held at a juvenile delinquent facility close a high-end all-girls Catholic school. One day while running through the forest as part of an exercise he spots Catholic schoolgirl Lisa Taylor (Virginia Madsen) and the two fall immediately in love because… reasons.

This film is just so incredibly lazy. The ‘love story’ really can just be chalked up to ‘hormones.’

 

Last Resort

Advertisement

Once again I am baffled how Charles Grodin kept getting work so much through out the 1980s.

George Lollar (Grodin) is a salesman in Chicago in need of a vacation. He loads up the family and takes them to Club Sand, which turns out to be a swingers resort as well as surrounded by barbed wire to keep rebels out.

There are a lot of talented people in this movie such as Phil Hartman and Megan Mullally, but the film lets them down at every turn with half-baked ideas of jokes. Supposedly, Grodin rewrote nearly the entire script and I think that explains a lot about how this film feels like unfinished ideas. It’s a Frankenstein monster of a script with half-complete ideas that feel like they are from completely different movies.

 

Short Circuit

Advertisement

Lets just get this out of the way: What in the world was Fisher Stevens doing?

NOVA Laboratory has come up with a new series of military robots called S.A.I.N.T. (Strategic Artificially Intelligent Nuclear Transport). Following a successful demonstration for the military, Five is struck by an electrical surge and finds itself needing ‘input.’ After inadvertently escaping the lab, it wands into the life of Stephanie Speck (Ally Sheedy), who cares for animals and takes Five in. Dr. Newton Crosby (Steve Guttenberg) is trying to get five back, while the security team wants to destroy it.

Overall, the film is thin, but harmless. The 80s did seem to love a ‘technology being used for the wrong reasons’ theme, and this falls into that camp. What is mind-blowing, however, is Stevens as Ben Jabituya, Crosby’s assistant. Not only is he wearing brown face, but he’s doing a horrible Indian accent and later reveals he was born and raised in the U.S.

His whole character is mystifying.

Honestly, a couple of decades ago I may have recommended this movie, but it’s a definite pass now just for being offensive.

Advertisement

1986 Movie Reviews will continue on May 16, 2026, with Sweet Liberty and Top Gun.


Continue Reading

Movie Reviews

Movie Review: AFFECTION – Assignment X

Published

on

Movie Review: AFFECTION – Assignment X


By ABBIE BERNSTEIN / Staff Writer


Posted: May 8th, 2026 / 08:34 PM

AFFECTION movie poster | ©2026 Brainstorm Media

Rating: Not Rated
Stars: Jessica Rothe, Joseph Cross, Julianna Layne
Writer: BT Meza
Director: BT Meza
Distributor: Brainstorm Media
Release Date: May 8, 2026

 AFFECTION is an odd title for this tale. While it is about a number of topics and emotions, fondness isn’t one of them. Obsession, definitely. Love, possibly. The kind of general warm fellow feelings associated with “affection”? No.

Advertisement

There have been a lot of movies lately in which characters – mostly women – are grappling with false identities and/or false memories imposed upon them, mostly by men.

Let us stipulate that the protagonist (Jessica Rothe) in AFFECTION is not an android or in an artificial reality. However, we can tell something is way off from the opening sequence. A car is stalled on a tree-bordered highway. Rothe’s character is lying face down on the asphalt beside it, possibly dead.

But then the young woman rises, dragging a broken ankle. She experiences a full-body seizure. Fighting to recover, she sees oncoming headlights and tries to run, only to be hit by a car.

The woman wakes up in a bed she doesn’t recognize, next to a man (Joseph Cross) she likewise is sure she’s never seen before. One big confrontation later, the man says his name is Bruce – and that the woman is his wife, Ellie.

Ellie insists that her name is Sarah Thompson, and she is married to someone else, with a son. When she sees her reflection in a mirror, she doesn’t relate to the face looking back at her.

Advertisement

Bruce counters that Ellie has a rare neurological condition that causes her to block out her waking life and believe her dreams are real. This is why they agreed, together, to move to this isolated house, without the kinds of interruptions that can hinder Ellie’s recovery.

The set-up is presented in a way where we share Ellie’s skepticism. But Ellie and Bruce’s little daughter Alice (Julianna Layne) immediately identifies Ellie as “Mommy!” Alice appears to be too young to be in on any kind of deception, so what is going on here?

AFFECTION eventually explains this via a helpful videotape, though it’s so convoluted that viewers watching on streaming may want to replay the sequence to make sure they understand the exposition.

Writer/director BT Meza musters a sense of menace and lurking weirdness, as well as making great use of his location.

We still have a lot of questions, many of which are still unanswered by the film’s end. It may not matter to the points AFFECTION is trying to make, but a better sense of exactly how all this started might help our investment.

Advertisement

As it is, despite a heroically versatile performance by Rothe, a credible and anguished turn by Cross and appealing work from Layne, we’re so busy trying to piece together what’s important and what’s not and how we’re supposed to feel about all of it that it can be hard to keep track of the action as it unfolds.

Agree or not, Meza’s arguments are lucid and illustrated clearly by AFFECTION’s events. However, the movie is structured in a way that becomes more frustrating as it goes. We comprehend it intellectually but can’t engage viscerally.

Related: Movie  Review: ITCH!
Related: Movie  Review: HOKUM
Related: Movie  Review: ANIMAL FARM
Related: Movie  Review: OVER  YOUR DEAD BODY
Related: Movie  Review: THE WOLF AND THE LAMB
Related: Movie  Review: BASIC PYSCH
Related: Movie  Review: SCREAMS FROM THE TOWER
Related: Movie  Review: FUZE
Related: Movie  Review: LEE CRONIN’S THE MUMMY
Related: Movie  Review: HAPPY HALLOWEEN
Related: Movie  Review: NORMAL
Related:
Movie  Review: MOTHER MARY
Related: Movie  Review: FACES OF DEATH
Related: Movie  Review: EXIT 8
Related: Movie  Review: HAMLET
Related: Movie  Review: THE YETI
Related: Movie  Review: OUR HERO, BALTHAZAR
Related: Movie  Review: THE SERPENT”S SKIN
Related: Movie  Review: PRETTY LETHAL
Related: Movie  Review: READY OR NOT 2:  HERE I COME

Follow us on Twitter at ASSIGNMENT X
Like us on Facebook at ASSIGNMENT X

Article Source: Assignment X
Article: Movie  Review: AFFECTION

 

Advertisement

 

Related Posts:

Advertisement
Continue Reading

Movie Reviews

8News Reel Talk: ‘The Devil Wears Prada 2’ movie review

Published

on

8News Reel Talk: ‘The Devil Wears Prada 2’ movie review

RICHMOND, Va. (WRIC) — In this episode of 8News Reel Talk, digital producer Julia Broberg is joined by anchor Deanna Allbrittin and reporter Allison Williams to talk about “The Devil Wears Prada 2.”

The hosts gave their reviews and assigned the following star ratings:

Deanna: ★★★★.5

Allison: ★★★.25

Julia: ★★

Advertisement

To watch more livestreams and digital video content, head to the WRIC+ Originals page. You can also watch full on-demand videos on your smart TV using the WRIC+ app.

Continue Reading
Advertisement

Trending