Connect with us

Movie Reviews

A Different Take On Exorcism But No Scare Fest

Published

on

The writing by Peter Sattler and David Gordon Green on the story by Scott Teems, Danny McBride and David Gordon Green was weak. Being a horror film it wasn’t able to bring on the scare fest feel that an exorcist film is associated with. Had the performances of the young girls been not up to the mark, the story would have been a total bore. The only thing that’s decent about the writing is that it took a different approach to exorcism and didn’t take the usual routes which have been used for ages in the franchise.

As the director David Gordon Green tries to salvage a weak story but isn’t able to work his magic around that well. He does bring in some jump scares and some scenes where you’re trying to shut your eyes in horror, but besides those few scenes there’s hardly any other scene where you will be actually palpitating. He definitely got the climax correctly where he is able to keep you hooked till the last shot wanting to know what’s going to happen next.

The cinematography by Michael Simmonds is good. He has managed to not only showcase the locales in a way that you will feel have an eerie feeling, but he has also gotten the lighting very perfectly. As it’s a horror flick and most of the scenes are happening in the dark, there is hardly any scene where you’re unable to comprehend as to what’s happening when. The usage of lights was very nicely done.

Tim Alverson’s editing was good. He managed to keep the film crisp and not exceed more than 2 hours. With a weak storyline, had the film been even longer, it would have made you lose total interest in what’s going to happen in the climax.

David Wingo and Amman Abbasi’s music isn’t something to be wowed about. It’s just about okay. Even if you’re watching with noise cancelling earphones, the background score doesn’t give you that scary haunted feeling. The film missed out a lot here as with some great background score, scenes which weren’t even that scary could have been made to feel very fearful.

Advertisement

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Movie Reviews

‘Abigail’ is a Delightfully Gory Addition to Vampire Movies – Review

Published

on

‘Abigail’ is a Delightfully Gory Addition to Vampire Movies – Review

Becky checked out Abigail to see how it stacks up to other vampire movies.

I need to start off with a bit of blunt honesty: I initially thought it was a mistake for the trailers to give away that Abigail is a vampire. It would’ve been an immensely satisfying twist had the audience gone in completely blind to the truth of what Abigail really is.

That being said, having seen the film, I can now admit that it wasn’t a mistake at all. In fact everything given away in the trailer only serves to whet the appetite, so to speak, for what’s to come in the rest of the film.

Abigail, an extremely loose re-interpretation of Dracula’s Daughter (1936), follows a group of kidnappers as they snatch a wealthy mogul’s daughter, the titular Abigail, to hold her for ransom. It seems like a simple job: hold the girl until her father coughs up the ransom, everyone gets paid, everyone is happy. There’s just one little detail the kidnappers don’t know: Abigail is actually a vampire, and she’s very hungry.

The story does take a bit of time to properly get going, with a major chunk of time passing before anything remotely supernatural happens. However, once the creepy vampire activities start happening, the story kicks into a whole new gear. The basic set up is frightening, as these criminals find themselves locked in a house with a vampire and no exits. The thing is, the story also comes across as funny at times, in a weird and twisted sort of way.

Advertisement

For instance, there’s a scene revealed in one of the trailers where the group debates how they’re going to take the vampire down and they list off the different kinds of vampires known in fiction (citing Anne Rice, True Blood, and Twilight among other things). It makes sense that this is how most people would have any information about vampires, yet the way it’s presented you can’t help but laugh a little when it comes up.

The cast is one detail that makes Abigail a very good film. Alisha Weir almost completely steals the show with her performance as Abigail and proves she has a bright future in movies. Kathryn Newton also rocks as Sammy the hacker. This is the second horror film I’ve seen her in this year and she is rapidly becoming one of my favorite actresses. However, all praise needs to be given to Melissa Barrera’s performance as Joey. She absolutely killed it throughout the film and it’s mesmerizing to watch her interactions with Abigail shift throughout the story.

One thing that needs to be noted is that Abigail is a very gory film. It’s not constant, but when it does happen, it’s a lot. The filmmakers definitely played these moments up for maximum effect and it works.

Something that worked unexpectedly well is the theme of ballet that is woven throughout the film. That is one detail I wasn’t sure would work, but if anything it serves to make Abigail even more terrifying. To be followed throughout the mansion by a vampiric ballerina is quite unsettling and definitely makes Abigail one of the more memorable additions to the lore of vampiric cinema.

In conclusion, Abigail is equal parts scary, gory, and believe it or not, fun. It likely won’t win any awards, but I truly feel that most people who go in to see it will leave feeling satisfied. Abigail is the very definition of a good ‘popcorn movie’ and one I wouldn’t mind seeing again.

Advertisement

Continue Reading

Movie Reviews

Short Film Review: Wooden Toilet (2023) by Zuni Rinpoche

Published

on

Short Film Review: Wooden Toilet (2023) by Zuni Rinpoche

“You separated from us”

Winner of Best LGBTQ Short Film’ at the International Kolkata Short Film Festival this year, “Wooden Toilet” had an extensive festival run before premiering in its country of production, Bhutan.

The 11-minutes short begins with a rather impressive sequence, of a procession of people dressed in white through the mountains, with an exception of one woman who is eventually revealed to be the one whose husband’s funeral the group of people were attending. The sudden laughter of a man breaks the ritualistic approach, and we find out that there is something unusual about this man, who is later on trying to explain it to the aforementioned woman. The back story of another man, where he is trying to reveal something to his father but is instead met with anger and scorn, highlights, to a point at least, what the issue with the two men is. One of the final scenes makes it rather clear, while the last scene connects the short with its title.

The first thing one would notice about “Wooden Toilet” is its impressive visuals. Starting with the initial procession, the close ups that emit a sense of horror, the hanging ropes and the red bedroom are all truly memorable, with Zuni Rinpoche implementing symbolism in order to make his comments. The symbolisms, however, are somewhat difficult to understand what they are about, although the comment about the racism and lack of understanding queer people have to face is made quite clear.

The non-linear approach, which also includes much surrealism, apart from the aforementioned symbolism, adds much to the narrative, particularly through the implementation of the aforementioned scenes. One could say, that on a number of levels, the film could be described as experimental, although there is also a basis in terms of story, that does not allow it to go fully towards that direction.

Advertisement

All in all, “Wooden Toilet” is an intriguing short by Zuni Rinpoche, who would definitely benefit from a longer duration, that would allow the director to unfold his story and his symbolisms in more eloquent fashion. Still, the film deserves a watch for its visuals and the overall approach to the queer concept.

Continue Reading

Movie Reviews

“Unsung Hero” Movie Review: A True Story of Faith, Music, and a Family's New Beginning –

Published

on

“Unsung Hero” Movie Review: A True Story of Faith, Music, and a Family's New Beginning –

Staff Report

“Unsung Hero” is an inspiring tale of resilience and hope that charts the journey of the Smallbone family from the shores of Australia to the heart of America. After the collapse of his music company, David Smallbone, portrayed by Joel Smallbone of for KING + COUNTRY, along with his pregnant wife Helen, played by Daisy Betts, and their seven children, embark on a daring move to the United States. Armed with nothing but their luggage, a shared love for music, and unyielding faith, the family seeks to rebuild their shattered lives.

Set for release in the United States on April 26, 2024, “Unsung Hero” is directed by Joel Smallbone and Richard Ramsey, with Lionsgate handling distribution. The film’s poignant and uplifting score is crafted by Brent McCorkle, ensuring that music plays a pivotal role in narrating the Smallbones’ story. Produced by Justin Tolley, Josh Walsh, and Luke Smallbone, and brought to the screen by Kingdom Story Company and Candy Rock Entertainment, this film promises a heartwarming cinematic experience.

“Unsung Hero” delves deep into the challenges and triumphs of the Smallbone family as they navigate their new environment. Helen’s unwavering faith becomes a beacon of hope for her family, inspiring her husband and children to cling to their own beliefs even when their dreams seem out of reach. It’s this foundation of faith that ignites the musical talent within their children, ultimately leading them to become two of the most acclaimed acts in the world of Inspirational Music. The story not only celebrates their eventual success—highlighted by GRAMMY awards for both for KING + COUNTRY and Rebecca St. James—but also pays homage to the silent sacrifices made by David and Helen.

“Unsung Hero” is more than just a biographical film; it’s a testament to the power of faith and family, and the incredible impact of nurturing talents. As the Smallbones find their footing in a new country, they also discover that their greatest strength lies within each other and their shared passions. This film is a must-watch for anyone who believes in the power of starting anew and the magic that music and faith can bring to life’s darkest moments. For more information, visit Rotten Tomatoes’ page dedicated to “Unsung Hero”

Advertisement

Reference link:

https://www.rottentomatoes.com/.

About Author

Continue Reading
Advertisement

Trending