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Matt Rife is living his comedy dream. Now for the hard part — maintaining it

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Matt Rife is living his comedy dream. Now for the hard part — maintaining it

Comedian Matt Rife sits for a portrait at the Kookaburra Lounge.

(Dania Maxwell / Los Angeles Times)

Shortly after becoming the youngest stand-up comedian in history to sell out the Hollywood Bowl during the second installment of Netflix is a Joke in May, Matt Rife’s tireless pursuit of success finally caught up to him. His performance schedule clocking 40 to 50 shows a month led to a stretch of consecutive days without sleep as he stayed up prepping for shows, editing social videos and barreling from city to city. Though his body and mind were getting shaky on tour, he fought through it. Finally, just before a recent pair of shows in Indiana, he said he almost collapsed while leaving his hotel room and was forced to cancel the gigs just hours before showtime. Suffering blurred vision and painful ringing in his ears, he could barely walk or talk and had to be taken to the emergency room.

“I felt like I was legitimately dying,” Rife said during an interview at the Kookaburra Lounge in Hollywood. “It’s embarrassing, man, because everybody around me saw this coming.” His piercing blue eyes cast down briefly at the floor as he thought about the moment he almost pushed himself past his limits. “Everybody’s only response was, ‘Can’t believe this didn’t happen sooner.’”

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Since that episode, Rife said he’s spent considerable time finding a balance that allows him to sleep and to pursue his dreams. His latest project, “Lucid: A Crowd Work Special,” premiering Tuesday on Netflix, is a new hour where he interacts directly with his fans, talking to them about their own dreams, fears and future aspirations. Though the goal of course is laughter, Rife said the special is about finding ways to relate to his fans through dialogue in a real, meaningful way and also remind himself to appreciate his own success.

“The concept of dreams in general was just something that was so special to me, because I am so lucky that I get to finally live my biggest dream, being this moment that I’m having right now,” he said. “And I know so many other people strive for that, not necessarily in comedy specifically, but everybody has something that they’re chasing.”

During the special he singles out members of the audience to talk about where they were in chasing their dream gigs or analyzing their goals— and yes, crack jokes and roast them a bit for our enjoyment. Though this isn’t his first crowd-work special (see 2023’s “Walking Red Flag”), it’s a definite budget upgrade from a single camera set-up. The new Netflix production shows Rife at the peak of his powers, sparking spontaneous humor out of the fans who packed into the Comedy Zone in Charlotte, N.C.

Rife is known for crowd work, and he thinks he does it at a higher level. “It’s something that’s just fun and exciting for me,” he said. “These are moments that are never going to be duplicated at any other show I ever do. … When you’re rehearsing your set, building the material on a show for an hourlong, material special, you can definitely get tired of telling your own jokes.”

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For a comic who once struggled to sell tickets for weeknight shows at big-city comedy clubs, the rush of fame over the last couple of years feels surreal. “When I started doing comedy this was never even a dream of mine to be at this level. I was just like, if I could ever sell out a comedy club one time ever, that’s the epitome of what I think a comedian probably could be,” he said.

Humility aside, there’s no shortage of both love and hate on the internet for Rife. Since going viral on TikTok in 2022, he’s has become a fixture in pop culture, frequently making headlines for whom he’s dating, what house he’s buying or whatever backlash he’s stirred up for jokes that strike some as sexist and misogynistic. But negative feedback hasn’t had much of an effect on his tour numbers. To date, he and Taylor Swift are the only two artists who command enough of a feeding frenzy to break Ticketmaster when announcing a tour. The argument over whether his fame is a result of his movie-star looks or his talent is well worn at this point, yet few seem to factor in the breakneck pace at which Rife and his team operate to keep his momentum going.

Fellow comedian Erik Griffin, who directed “Lucid” as well as Rife’s previous specials including 2023’s “Matthew Steven Rife” and his Netflix debut, “Natural Selection,” has worked with the young star since Rife was just a teen who was hitting Griffin up online looking for a chance to open for the veteran comic onstage. “What I admire about him is his work ethic,” Griffin said. “Nothing was handed to him. He’s been working hard for 12 years now, the fan base has just caught up with it, and they’ve made him super famous.”

Matt Rife

Comedian Matt Rife.

(Dania Maxwell / Los Angeles Times)

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Rife started in comedy at age 15, having become obsessed when his grandma took him to a Dane Cook show. Too young to drive himself to clubs, Rife had his grandpa take him from North Lewisburg, Ohio, to open mics as well as “bringer shows,” a rite of passage in which comics have to sell a certain number of tickets to get onstage. None of Rife’s friends were old enough to get inside a comedy club, so his grandpa would buy tickets. For Rife, the excitement of performing was initially eclipsed by fear.

The first time Rife went onstage for an open mic, he said, he almost soiled his pants. “I had all my jokes memorized but I was so nervous. And the host goes onstage. ‘We have a first timer tonight, give it up for the uncomfortably young Matt Reef,’” Rife recalled, adding that he was so nervous he thought his bowels were “gonna drop out of my body.” It was then that Rife recognized the feeling of stage fright for the first time. It excited him as much as it scared him, he said.

The pursuit of a career in comedy led him to leave Ohio and hit the road by age 17, and he settled in L.A. to pursue acting while still crisscrossing the country for gigs. During a decade of grinding, he put his looks, quick wit and work ethic to use, landing stints as a co-host of MTV’s short-lived “TRL” reboot and as a cast member of the sketch show “Wild ’N Out.” He also popped up on an episode of “Brooklyn Nine-Nine.” In 2017 his name surfaced in People magazine when he was briefly romantically linked to Kate Beckinsale.

He amassed millions of views on TikTok sketch and crowd work videos along with more than 30 million views for his three YouTube specials prior to “Natural Selection” last year. The comedian’s ability to build a relationship with a largely female fan base stems from his crowd work skills.

“He draws people in because he listens,” Griffin said. “So when he’s doing this crowd work with people, he’s genuinely interested in what people are saying. Those are the type of clips that have gotten that have gone viral for him, and those are the things that resonate with people. It’s not just crowd work for the sake of crowd work.”

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Matt Rife

(Dania Maxwell / Los Angeles Times)

Usually Rife is able to turn awkward or strange interactions into comedy gold. It’s much harder when an audience member tries too hard to be funny. “Don’t do that,” he says bluntly. “Just be yourself. I’ll bring the comedy out of you. Don’t worry. We’ll find it, you know, we’re Jordan and Pippin in this. Don’t be selfish.”

Though it’s always been Rife’s dream to entertain at the highest level, building that fame in the TikTok era has come with internet criticism. Whether people don’t like his looks or his humor or just want to elicit a response in the comments of social media, Rife is used to being a target for backlash, though he said he’s gotten better at ignoring it. It’s no coincidence that his two favorite comedians are Dave Chappelle and Ricky Gervais, two of the most popular and criticized comedians to hold a microphone.

“It’s a lot to juggle,” he said. “In the beginning, you really mostly only hear the positive … and then a very select group of people go, ‘Oh, this person’s very well loved and respected, and I myself might lack that love and respect in my own personal life, so therefore I don’t want this person to have it.’ So then comes the influx of negativity. You just have to really appreciate the good, because the bad is going to come with it, guaranteed. Nobody is universally loved.”

Through friends and therapy, he’s learned not to give negativity any oxygen in his world.

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“I used to avidly respond back to people. Nobody could be meaner than me if I really wanted to be,” he said. “But you can’t do that, because whether or not you feel like you won that interaction or you had the better roast, what this troll or hater said to you doesn’t matter. You gave them exactly what they want. All they want is attention.”

While the topic of fighting for a dream is the focus of Rife’s newest special, the act of sharing his journey is at the heart of his next creative output, the book “Your Mom’s Gonna Love Me,” slated for December. Rife talks about becoming a comedy heartthrob before age 30, navigating his sex appeal in the public eye, battling depression and enduring failure before finally hitting it big.

Part of recapturing the dream is also talking about the people in his life who helped him achieve it, including close friends, early mentors and his grandpa — his first advocate in comedy — who died in November 2022, just before his career really began to take off. “He never got to see me have any of this, and he’s the reason I have any of this,” Rife said. “I’ve been so happy to be so distracted and keep busy and keep my mind off that kind of stuff. But through therapy and this book, which has been a massive form of therapy, it’s forced me to take time and reflect on all the things that got me to this point right now.”

After taking enough time to process his past, Rife’s new focus is on keeping his dream alive.

“That’s the new anxiety, by the way,” he said. “Because that’s the hardest thing. How many viral sensations are there a year? 30? Anybody can have a hot year, a hot moment of their career. So many musicians, actors, comedians have them quite often. Hard part is maintaining.”

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Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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