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How ‘Heated Rivalry’ became a joyful community: ‘It gave us a reason to dance’

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How ‘Heated Rivalry’ became a joyful community: ‘It gave us a reason to dance’

Picture this: You’re scrolling TikTok when a video grabs your attention — it’s a packed dance floor at an L.A. venue, lights low and moody with people vibing together as clips from “Heated Rivalry,” the hit queer hockey romance, flicker across the walls. The crowd sings along to pulse-thumping anthems from Britney Spears, Charli XCX and Bad Bunny, with a Paramore sing-along thrown in for everyone’s inner emo babe. Cheers erupt whenever favorite moments with the show’s central couple, Ilya Rozanov and Shane Hollander — played by Connor Storrie and Hudson Williams, respectively — come to life around them.

A TikTok offering a glimpse of this gathering, posted by Raven Yamamoto at a Heated Rivalry Night at the Vermont Hollywood, reads: “Never kill yourself. Just go to Heated Rivalry Night.”

The sentiment is tongue-in-cheek, but the feeling behind it is not. The dance party held at the Vermont and organized by Club 90s, channels the sensuous vacation-from-reality energy adored by fans of the TV show, and the book series it’s based on, that premiered in November and became a breakout hit for HBO Max. The show, acquired from the Canadian streamer Crave, has already been renewed for a second season and made stars out of its two leads, whose steamy onscreen romance has given rise to a new fandom and sprung a series of events that reflect its culture.

Heated Rivalry Night, curated by Club 90s founder and DJ Jeffrey Lyman, began as a single event that quickly sold out, leading to extra dates — another is being held at the Vermont on Sunday — and more than 100 multi-city pop-ups are planned over the next few months in places like Brooklyn, Washington, D.C., Chicago and London. Social media, particularly TikTok, has amplified the events, turning clips from the dance floor into viral, word-of-mouth-fueled promotion. The events almost didn’t happen: After a supporter emailed requesting a themed night, Lyman hadn’t considered it before because the show’s soundtrack has limited danceable music. But between his love for the series and an “I’ll figure it out” mindset, he dove in.

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2 A a pair of women wearing colorfully tinted sunglasses scream as they stand on a crowded dance floor.

1. Heated Rivalry Night features different genres of music and clips from the TV series play on the walls of the venue. (Ronaldo Bolanos/Los Angeles Times) 2. Kaliah Dabee, center, sings during the event at the Vermont Hollywood. (Ronaldo Bolanos/Los Angeles Times)

“Me and my co-video creator were just working nonstop all week long figuring out how to make the night work. We found all these edits on TikTok and trimmed them into full-on music videos for the night, and then put together the show in four days. I had no idea what to expect. The response was just insane,” Lyman recalls. “Every single post I saw on TikTok was from the night, with hundreds of thousands of views and comments. I was like, all right, we gotta get this thing going because everyone was requesting us in every single city.”

The event has become a space for fans to gather and feel understood, surrounded by others who are drawn to the show’s tenderness, longing, steamy sex and emotional intensity that define it. For many, the universe also sparks a quiet, personal question: Is that sort of romance real — and could it exist in my own life too?

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“Nights like these make life worth living. I had so much fun, more fun than I’ve had at a club in a long time,” says Yamamoto, whose entire friend group was “obsessed” with “Heated Rivalry” from the start. “I think it’s really easy to feel alone in a room with hundreds of people, even at events where you have something in common with everyone there.”

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But Heated Rivalry Night, he says, is different, noting the warmth and mutual comfort among the crowd members in attendance. “I mean, you could have shown up alone and left with 10 new friends,” Yamamoto adds.

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That sense of community is exactly what Lyman hoped to create, where people of all ages, genders and sexual preferences can come together to celebrate the themes of the show.

“I think it resonates so much because the show is just beautiful, everything about it,” he says. “That’s been my ultimate goal with every party — one big accepting space where everyone can let their freak flag fly and be whoever they want, with no judgment.”

Music is another key element of that celebration.

“I want everyone to have their culture represented. I’m Latino myself, I love Bad Bunny — of course I had to throw him in. This is kind of a no-holds barred thing, I’m throwing in every genre,” Lyman says, highlighting how the eclectic music selection mirrors the crowd’s range of tastes. A typical night can seamlessly bounce from CupcakKe to Robyn, Chappell Roan to Beyoncé and Lady Gaga’s aughts banger “Telephone,” and also “Rivalry,” the show’s theme song by Peter Peter.

A crowd of people on the dance floor, many holding cups and water bottles.

“I think it resonates so much because the show is just beautiful, everything about it,” says Heated Rivalry Night organizer Jeffrey Lyman. “That’s been my ultimate goal with every party — one big accepting space where everyone can let their freak flag fly and be whoever they want, with no judgment.”

(Ronaldo Bolanos/Los Angeles Times)

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Some moments hit even deeper emotionally. One of the standout sequences of a Heated Rivalry Night is when Lyman played a video montage of Shane coming out to his parents, set to Lorde’s “Supercut.”

“The first time I played it, I had, like, this emotional breakdown almost and I was in tears because everyone was cheering him on,” recalls Lyman, explaining that he didn’t personally get to come out to his family and the initial response was not positive or affirming. “And so flash forward so many years later, to have people literally screaming and cheering for this scene for him coming out — it blew my mind. And it just made me so happy for how far we’ve progressed in terms of acceptance.”

How the show has created a community

Ask a viewer on their umpteenth rewatch of “Heated Rivalry,” or a fan in the comments of a meticulous scene breakdown on TikTok, or a Hollanov enthusiast decked in cheeky merch, and the answer is consistently clear: The “Heated Rivalry” universe is a world that feels good to inhabit and revisit. In Los Angeles, the interest in the show has inspired other events as well, like “Heated Rivalry”-themed hot yoga and comedy shows, and fan-made merch, ranging from cozy blankets to graphic tees to custom hockey jerseys, has become ubiquitous.

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Jose Bizuet, an educator in training, is still relatively new to the series — he’s four episodes into “Heated Rivalry — but loves it so far. Waiting in line to enter the Vermont, Bizuet explained his motivation for attending the event.

A woman in a white tank top holds up a small poster with circular cutouts of scenes from the TV series "Heated Rivalry."

Fans have created “Heated Rivalry” merch, and several events themed to the TV show have emerged in L.A. and beyond.

(Ronaldo Bolanos / Los Angeles Times)

“I feel like a lot of spaces aren’t accepting of queer bodies, but I know that this space will be accepting of it,” he says. “I’m just excited to have fun, be with my friends, explore different bodies, and just have fun with everybody.”

Inside, pop hits and 2000s classics played alongside clips of Ilya and Shane, as well as fan edits — like a montage of the character Scott Hunter (played by François Arnaud) set to Usher’s “Daddy’s Home” and the infamous IYKYK Google Drive edit set to Megan Thee Stallion’s “Big Ole Freak.” The latter, a fan-made video of Ilya and Shane, was originally shared widely on Google Drive before becoming difficult to find in full, making it a treasured “if you know, you know” gem among the fandom — and the kind of moment that had the crowd cheering in recognition.

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Rachel Jackson and Nicole Chamberlain have loved hockey — and a good romance story — for years; they’re fans of the Nashville Predators and Chicago Blackhawks, respectively. “This series was right up our alley. We fell in love with it and read a bunch of the books,” says Jackson as she waited in line to enter the Vermont.

Chamberlain adds: “It’s cool to be part of something, and it’s just lovely to see the community rally around this story.”

Two people wearing hockey jersey with Rozanov and Hollander on the back, look down at a big crowd from a balcony.

Partygoers wearing Rozanov and Hollander hockey jerseys at Heated Rivalry Night. Organizer Jeffrey Lyman says he’s been surprised by the response to the themed dance party.

(Ronaldo Bolanos / Los Angeles Times)

In a post-quarantine landscape marked by isolation and digital overload, fans described a hunger for physical spaces where online connection could translate into real-world presence. Queer nightlife has long functioned as both refuge and community, and Heated Rivalry Night slots neatly into that lineage.

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“I think it’s really special that ‘Heated Rivalry’ has become so popular in the U.S. under an administration that relentlessly attacks the rights and livelihoods of queer people,” says Yamamoto. “Celebrating a show about queer love with so many other queer people and allies who understand that felt like a protest in some ways.”

Assessing ‘Heated Rivalry’s’ effect and influence

Rachel Reid, the author of the Game Changers book series that the show is based on, has been struck by the scale and intensity of the fandom that’s grown around “Heated Rivalry.” From watch parties at a resort in the Philippines to drag shows, themed skate nights, and lively gatherings at West Hollywood’s gay sports bar Hi Tops, she’s seen fans across the globe bring the story to life in ways both big and intimate.

“I wish I could get to them all. I’m so proud to be a part of something that’s making people so happy and is also creating community and creating safe places for people to go,” Reid says. “It’s a really good feeling. It’s been my favorite part of all of this.”

She says people have told her the show has helped them try to find romance again. “Quite a few people have reached out to tell me they’d given up on relationships, and watching ‘Heated Rivalry’ made them want to try again, to believe in falling in love. That’s been incredible to hear.”

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The tender queer romance depicted in "Heated Rivalry" has been refreshing for viewers. From left, François Arnaud, Robbie G.K., Connor Storrie and Hudson Williams in scenes from the show.
Two men in a shower leaning toward one another.

The tender queer romance depicted in “Heated Rivalry” has been refreshing for viewers. From left, François Arnaud, Robbie G.K., Connor Storrie and Hudson Williams in scenes from the show. (Sabrina Lantos/HBO Max)

The prioritization of queer joy and queer pleasure are foundational to the show, which is present even during emotional highs and lows, and that’s intentional. The trauma, harrowing ordeals or deaths that are typically depicted onscreen, and that audiences have come to expect from queer TV and films, were refreshingly absent.

“That’s extremely important to me, and I knew it was important to Jacob Tierney as well, who made the show,” says Reid. When the two brainstormed the creative direction, Reid says they were on the same page. “It would just be joyful. And it would be sexy in a way that nobody got punished for it. It was really important to me and really important to him, and I think it came through in the show for sure.”

Jacob Tierney, who adapted, wrote and directed the series for television, echoed this perspective. “Rachel’s book is unapologetically queer joy, and from the very first read, I knew I wanted to bring this shamelessly funny, glorious, romantic story to life, complete with the kind of happy ending that gay people so rarely see in the media,” he says.

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He told Reid he wanted to honor the book with the seriousness it deserves.

“At a time when queer lives and love are still so often framed through pain or erasure, I felt it was important to tell a story that celebrates pleasure, tenderness, and happiness as something worth protecting,” Tierney adds. “Watching the series bring people together and spark meaningful conversations about how these stories are told has been profoundly moving.”

A woman in a white long sleeve top holds an arm up as she's surrounded by a crowd of people dancing.

“Watching the series bring people together and spark meaningful conversations about how these stories are told has been profoundly moving,” says Jacob Tierney, who adapted “Heated Rivalry” for television.

(Ronaldo Bolanos / Los Angeles Times)

As the night wound down in Hollywood, partygoers lingered, sweaty and smiling, voices raspy from singing with friends and strangers who felt like friends.

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Outside, the crowd spilled onto the sidewalk, already talking about the next Heated Rivalry Night. For a few hours, the story had leapt off the screen into something tangible — proof that the right song, room and people can make all the difference.

“Heated Rivalry” cannot fix all of the world’s ills, of course, but its influence is evident in Los Angeles and beyond. “It gave us a reason to dance. We haven’t had a lot of those in the past year,” Yamamoto says.

“Joy is resistance, too.”

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Movie Reviews

‘Fast Times at Ridgemont High’: THR’s 1982 Review

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‘Fast Times at Ridgemont High’: THR’s 1982 Review

On August 13, 1982, Universal released teen comedy Fast Times at Ridgemont High in theaters, marking the directorial debut of Amy Heckerling from a screenplay by Cameron Crowe. The film, featuring a breakout performance from Sean Penn, would go on to become a cult classic. The Hollywood Reporter’s original review is below:

Fast Times at Ridgemont High has it all Pac-Man, pizza, cruising, cursing, rockin’, rollin’ enough to keep even the most “totally awesome” teen tuned in all the way. And, given the recent success of almost every zany adolescent film, Fast Times should easily pull in its share of youngsters. What separates this Universal release from the pack, however, is its warmth. It may be a film about kids, but it’s for adults who have not forgotten what it’s like to be a kid.

Fast Times follows six teenagers through one year at Ridgemont High, clocking every escapade, from ordering a pizza for arrival during U.S. History to boyfriends and unwanted pregnancies. Screenwriter Cameron Crowe has adapted his bestselling book quite well, keeping a very personal perspective (Crowe actually went back to high school before writing the book, posing as a student for a year as research). Amy Heckerling, in her feature debut, has proven herself to be a truly gifted director, able to tickle the ribs with one hand while the other tugs at the heartstrings.

Although the high school setting might at first brand Fast Times as another Porky’s spin-off, the film stands on its own. If comparisons are to be made, they might better link Fast Times with the intimate portrayal of ’50s teens in American Graffiti. Both Graffiti and Times delve beneath the surface of their characters, showing in the process that teenagers haven’t changed all that much. They just quit cruising the main drag with Elvis. Now they “check out” the mall to the beat of the Go Go’s.

The cast approaches the picture with a delightfully devil-may-care sincerity, playing off of one another with a simple ease. It is these characterizations, as written by Crowe and under the skillful eye of Heckerling, that give the film its charm. The most flamboyant in his characterization is Sean Penn as Spicoli, the bleached-out surfer with the permanently blood-shot eyes and a half-smile pinned to his cheeks. Penn provides the wilder moments at Ridgemont High, and to his credit, never dropped the reality of his character in going for a madcap laugh.

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Judge Reinhold’s Brad also adds consistent comic edge to the picture with his sad eyes and fast food attitude. Robert Romanus, as Damone, would scalp Ozzy Osbourne tickets to his grandmother, and yet deftly treads the tightrope between cockiness and desperation. Phoebe Cates play the nymphette Linda to the hilt, showing only now and again the lost little girl inside. Jennifer Jason Leigh, as the freshman with a lot to learn, proaches her Stacy with the most even of keels. Her performance, although quite natural, tends toward the monochromatic. Brian Hecker, as the would-be beau, has little to do other than proffer an embarrassed smile. Veteran actor Ray Walston, as the history teacher, plays a sour-pussed straight man to the constant shenanigans of Spicoli.

Music plays an important role in Fast Times, offering an ambience that varies from “Oingo Boingo” to Jackson Browne. Although the likes of the Go Go’s and the Cars are present at times, the soundtrack as a whole seems too staid to provide a backdrop for ’80s kids kicking around in the heyday of punk. Other technical credits include the fine work of Dan Lomin whose art direction gives the Sherman Oaks Galleria an intimacy it has never known. — Gina Friedlande, originally published on Aug. 11, 1982.

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Sony Pictures Entertainment to cut hundreds of film and TV jobs

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Sony Pictures Entertainment to cut hundreds of film and TV jobs

Sony Pictures Entertainment plans to lay off a few hundred employees globally in a move to restructure its business.

The cuts, announced Tuesday afternoon, are set to affect employees who work across Sony’s film, TV and corporate divisions. These changes aren’t cost-driven, as Sony is instead hoping to prioritize growth under new business strategies implemented by its new chief executive, Ravi Ahuja.

“As we lean into those priorities, we need to operate with greater focus, speed, and alignment to strengthen our differentiated capabilities,” said Ahuja in a statement. “To support our growth, we are aligning our organization with where the business is going — not where it has been. That requires changes to how we are structured and where we invest.”

Ahuja, who was promoted just over a year ago, added that the company is ”reducing roles in certain areas while increasing focus and investment in others that are most critical to our future.”

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Sony plans to focus on franchise strategy and brand extension with game shows, as well as develop more anime, experiences and invest in content that will connect with a younger audience. This includes more game adaptations and growing its YouTube capabilities.

One of the studio’s biggest franchises is the “Spider-Man” universe, which includes both live-action films starring actors like Tom Holland and the Oscar-winning animated “Spider-Verse” movies. The studio is set to release the latest live-action installment, “Spider-Man: Brand New Day,” this summer. The previous movie “Spider-Man: No Way Home” was a major win for Sony as it generated $1.9B globally.

Sony Pictures operates under its Japanese parent company Sony Group Corp, alongside other subsidiaries like Sony Music Group and Sony Electronics. The film studio was established in 1987 and maintains a strong presence in Culver City.

Recently, the studio acquired the “Peanuts” comic in a $457-million deal, reupped the “Reading Rainbow” for a YouTube audience and is working on PlayStation adaptations for video games like “Helldivers” and “God of War.”

The company has also combined its game-show group with its nonfiction TV department and is slowing down areas of its business that have low growth, like the VFX and virtual production studio, Pixomondo.

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The layoffs are the latest blow to the film industry, as productions continue to seek a home overseas in pursuit of tax credits, and as fewer projects are being greenlit by major studios.

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Movie Reviews

Super Duperr Movie Review: A wild ride filled with laughter and emotion

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Super Duperr Movie Review: A wild ride filled with laughter and emotion

The Times of India

Apr 07, 2026, 3:24 PM IST

3.0

Super Duperr is a riot in all senses of the word. A wild ride filled with laughter and emotion it presents an unusual matchup of traditional and modern values.Rohit (Lalit Prabhakar) and Isha (Vidula Chougule) are a young couple trying to make their mark in the entertainment industry. They take their relationship to the next level and purchase a flat in Mumbai with their savings. It is here that they realise that they have fallen for a scam when the same house is sold to and currently occupied by a rural family. What follows is a series of clashes and learning moments that test the morality of both parties. The story is a fun take on a series of real world scams and as such has a very interesting premise. The Sameer Asha Patil film however chooses to take a detour in favour of certain stretched out gags and slow motion shots. What could have been a deep exploration of the two worlds colliding, ends up being a formulaic checklist of a wedding song, an action sequence and a few slapstick gags. These are passable of course, but the ho-hum nature of the story’s progression feels under utilized. Super Duperr does offer impactful emotional sequences, notably the equation between the parents (Shashank Shende and Nirmiti Sawant) and his eldest son (Hrishikesh Joshi). The music and cinematography are well executed and add abundantly to the viewing experience. Super Duperr set a rich tapestry only to ultimately doodle in a corner. While it could have benefitted from adding more inter-family interactions, it remains a good watch for this weekend.

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