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Here's everything new coming to Disneyland in 2025 (so far) — including $67-per-day tickets

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Here's everything new coming to Disneyland in 2025 (so far) — including -per-day tickets

Disneyland is turning 70 next year, and the theme park has never missed an excuse to throw a nostalgia-fueled party. The coming months will be no different, and arguably the star of the festivities will be Walt Disney himself, albeit in robotic form.

The Disneyland Resort’s 70th anniversary happenings launch May 16 and are expected to extend through summer 2026. To celebrate, Disneyland and Disney California Adventure will be resurrecting some fan favorites — the buoyant and gleaming nighttime parade Paint the Night will return to Disneyland — and the park will also get a new, technically advanced show that looks to explore Disneyland’s creation and the life of its patriarch.

Coming in May to the Main Street Opera House, currently home to a patriotic attraction centered on Abraham Lincoln, is “Walt Disney — A Magical Life.” Walt Disney Imagineering, the company’s arm devoted to theme-park experiences, will unveil what is promised to be one of its most advanced audio-animatronics to date. As previously reported, the robotic show focusing on the Disney founder, who died in 1966, will be set in his studio office and is expected to feature on of his favorite songs, “Feed the Birds” by the Sherman Brothers.

An audio-animatronics figure of Walt Disney will appear in the show “Walt Disney — A Magical Life,” which will debut in the Main Street Opera House at Disneyland in 2025.

(Disneyland)

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But not all of Disneyland’s 70th anniversary proceedings will so overtly look back. Also on the docket: a brand new World of Color show coming to Disney California Adventure. Dubbed “World of Color Happiness!,” the lagoon-based show, featuring fountain projections, is said to be inspired by Disney’s dedication to Disneyland. But it will be hosted by a more modern creation, the blue-haired character of Joy from the “Inside Out” films.

The 70th anniversary event will be the anchor of the Disneyland Resort’s 2025. Yet it’s far from the only noteworthy occurrence coming to the theme park and its connected Downtown Disney retail and shopping district. A look at what major events to expect, based on the season in which you may choose to visit, is below, including more details on Disneyland’s 70th extravaganza and a quick look at some current deals.

Fireworks erupt around Disneyland's Sleeping Beauty Castle.

The fireworks show “Wondrous Journeys” will return on select nights for Disneyland’s 70th anniversary.

(Richard Harbaugh / Disneyland Resort)

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SoCal residents can take advantage of a $67 per day deal in ’25

Disneyland takes a lot of heat for its pricing and purchase add-ons once one is at the park. But Southern California residents interested in an early 2025 visit can get a slight wallet reprieve, as the park is once again offering locals a bargain if they’re willing to commit to a three-day ticket. From Jan. 1 through May 15, a three-day, one park ticket can be had for $199. That works out to just about $67 per day. One day, one park tickets normally range from $104 to $204.

The offer is available now and good for those who live in ZIP Codes 90000 to 93599. One can go on consecutive days or spread the visits around to partake in various winter and spring events. Park reservations are required, and one can add, for an additional fee, a park-hopper upgrade or a line-skipping Lightning Lane Multi Pass. The park-hopper option will add $90 to the cost of the promotion.

Additionally, families can get creative in combining offers. Through March 20, the resort is still offering a one-day, one-park ticket for children ages 3 to 9 for $50. While neither deal extends to the beginning of Disneyland’s 70th anniversary celebration, the resort has announced a hotel promotion that begins May 16 and runs through Sept. 26, with discounts as high as 30% off, depending on the time of stay. However, there is fine print: The hotel visits must be of at least four days.

Meilin Lee, in half-panda form, and her mother, Ming Lee,  from Disney/Pixar’s “Turning Red.”

Meilin Lee and her mother, Ming Lee, from Disney/Pixar’s “Turning Red” meet guests during Disney’s Lunar New Year festivities.

(Christian Thompson / Disneyland Resort)

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Winter is for Lunar New Year and sweethearts

Disney’s holiday calendar in recent years has expanded, and though the resort’s Lunar New Year festival at California Adventure doesn’t take over the park in the same was as Christmas or Halloween, it’s become a reliably festive source for inventive food and character interactions that aim to explore Chinese, Vietnamese and Korean traditions. A staple: Mulan’s Lunar New Year Procession, with segments that touch on folkloric dances, martial arts and umbrella choreography. Mulan is also featured in the water short “Hurry Home — A Lunar New Year Celebration.” It will be the Year of the Snake, and while the creature is often treated as a villain in Disney’s animated films (see, for instance, Kaa from “The Jungle Book”), we’d love to see Mickey Mouse get a serpent pal. Lunar New Year runs Jan. 17 to Feb. 16.

Starting shortly after Lunar New Year ends and extending into the spring is the Disney California Adventure Food & Wine Festival. Expect 10 pop-up food marketplaces offering small bites, cocktails and an emphasis on California beer and wine. The event boasts a number of tasting seminars and cocktail-making sessions and typically features some upscale dinners at resort restaurants and bars. Goofy in his chef costume is given a starring role, but our favorite detail of the Food & Wine festival is no snack or sugary beverage. It’s the return of Soarin’ Over California, the original rendition of the flight simulator attraction. The festival runs Feb. 28 through April 21.

Disneyland is for lovers, and winter brings with it the return of the separately ticketed Sweetheart’s Night, running in Disneyland on 14 evenings between Jan. 21 and Feb. 13. Look for character couples and the opportunity to dance at the fairy tale-themed Royal Ball. Needing something a little less sentimental but still want a dose of nostalgia? On March 4 and 6, Disneyland is hosting a ’90s Nite, featuring throwbacks to Disney films and music from the decade, as well as processional that will highlight “The Lion King” and “Mulan.” Both go on sale Dec. 12.

No dates yet, but expected to open sometime in early 2025 will be new culinary additions to Downtown Disney. A food hall, the Parkside Market, will host multiple eateries offering fried chicken, Korean rice bowls and more, as well as a second-story bar that looks out toward the district’s monorail tracks. At the time of publication, Parkside Market looked to be nearing completion. Also arriving soon is a re-imagined candy and treats shop via the Disney Wonderful World of Sweets.

A host of Disney characters, led by those from "Inside Out."

The new “World of Color Happiness!” will debut in Disney California Adventure in May to celebrate the resort’s 70th anniversary.

(Artist concept / Disneyland Resort)

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Spring heralds the start of Disneyland’s 70th anniversary

A host of entertainment and attraction offerings will arrive May 16 when the resort launches its 70th anniversary celebration. In addition to the aforementioned Walt Disney show on Main Street, USA, Disney has provided additional details on “World of Color Happiness!” Some of the animated works will include “Turning Red,” “A Goofy Movie,” “Tangled” and “The Lion King,” and, like past “World of Color” shows, expect a mix of projections on fountains, lasers and pyrotechnics. Disneyland will revive the nighttime “Paint the Night parade, and California Adventure will a host a return of the Pixar-focused daytime parade “Better Together: A Pixar Pals Celebration.”

There’s more. The fireworks show “Wondrous Journeys” will return for Disneyland’s 70th. Introduced for the 100th anniversary of the Walt Disney Co., “Wondrous Journeys” focuses on the history of the company’s animated works. Also teased are some new evening enhancements, such as projection shows on California Adventure’s centerpiece of Carthay Circle, and Disneyland’s facade of It’s a Small World. In the daytime, Disneyland will provide a character cavalcade rather than one of its full parade productions.

Spring also heralds the return of the “Star Wars”-focused branding celebration that is Season of the Force. Those who opt to watch Disneyland’s nightly fireworks from Star Wars: Galaxy’s Edge will be treated to additional projections and effects. Coaster Space Mountain will also once again be re-themed to Hyperspace Mountain, featuring original trilogy effects. Accompanying Season of the Force is another evening ticketed event, the return of Star Wars Nite, which runs on eight evenings between April 8 and May 6. Tickets go on sale Dec. 12, and Season of the Force runs March 28 to May 11.

A nighttime shot of a giant Mickey Mouse pumpkin.

Halloween festivities launch at the Disneyland Resort on Aug. 22 and the popular Oogie Boogie Bash at California Adventure begins even earlier.

(Joshua Sudock / Disneyland Resort)

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Summer brings Pride Nite, and fall and winter holidays begin earlier than ever

Disneyland’s official 70th anniversary date is July 17, so expect summer to focus heavily on continued festivities surrounding the commemoration. Also returning is Pride Nite, which will celebrate the LGBTQIA+ community and run as a separately ticketed after-hours event on June 16 and 18. Expect colorful, rainbow projections and a bounty of playful character interactions, including, no doubt, some cheeky looks and moves from Clarabelle Cow, who has become something of an unofficial mascot for the event.

Summer, increasingly, means Halloween. While the parks’ Halloween Time won’t officially launch until Aug. 22, the ticketed after-hours California Adventure event the Oogie Boogie Bash will host its first gathering on Aug. 17. The evening, which typically features unique meet-and-greets with Disney villains as well as a parade and an illuminated, ever-so-slightly spooky walk through the Redwood Creek Challenge Trail, usually sells out. It will run on 31 nights from mid-August to Oct. 31. On sale information has not yet been announced. Finally, coinciding with the arrival of Halloween Time on Aug. 22 is California Adventure’s Plaza de la Familia, a Día de Los Muertos celebration that heavily relies on imagery from the Disney/Pixar film “Coco.”

Holidays at the Disneyland Resort will follow shortly after, beginning Nov. 14 and lasting through Jan. 7. While Disney has not yet detailed next year’s offerings, expect staples such as the makeover of It’s a Small World and Haunted Mansion attractions, as well as the return of California Adventure’s Festival of Holidays. The latter this year has significantly increased its entertainment content, including two new shows that honor the Latin community.

A battle scene rages between heroes and villains.

Concept art shown at D23 for Avengers Infinity Defense, which will feature multiple heroes in a multiverse battle against King Thanos.

(Marvel / Disneyland )

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And we will eagerly anticipate some construction — yes, construction

Disneyland last month reopened the popular log flume ride Splash Mountain as Tiana’s Bayou Adventure, and while the resort doesn’t have a a large attraction opening (or re-opening) in 2025, changes are afoot.

Ground is expected to break next year on a major expansion to California Adventure’s Avengers Campus, including the long-teased showcase attraction for the area, Avengers Infinity Defense, which will feature locations such as the Black Panther world of Wakanda, Asgard and New York City. Also planned: Stark Flight Lab, an amusement park-like thrill ride in which guests will sit in two-person pods and then attach to a mechanical arm that will lift them into the air and attempt to simulate sensations of flight.

Such additions, as well as other planned projects such as a “Coco” boat ride in California Adventure and a section devoted to the “Avatar” franchise, will help, hopefully, set up the Disneyland Resort for its next 70 years.

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Movie Reviews

Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror

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Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror

PopHorror had the chance to check out Anacoreta (2022) ahead of its streaming release! Does this meta-horror flick provide interesting story telling or is it a confusing mess.

 

Let’s have a look…

Synopsis

A group of friends heads to a secluded woodland cabin for a weekend getaway, planning to film an experimental horror movie. As the shoot progresses, the project begins to fall apart—until a real and terrifying presence emerges from the darkness.

Anacoreta is directed by Jeremy Schuetze. It was written by Jeremy Schuetze and Matt Visser. The film stars Antonia Thomas (Bagman 2024), Jesse Stanley (Raf 2019), Jeremy Schuetze (Jennifer’s Body 2009), and Matt Visser (A Lot Like Christmas 2021)

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My Thoughts

Antonia Thomas delivered an outstanding performance as the female lead in Anacoreta. It was remarkable to watch her convey such a wide range of emotions with authenticity and depth. I was continually impressed by her ability to switch seamlessly between different dialects. I absolutely loved her delivery of the dialogue of telling The Scorpion and the Frog fable.

Anacoreta employs a distinctive, meta-horror style of storytelling. The narrative follows a group of friends creating a “scripted reality” horror film, and as the plot unfolds, the boundary between their staged production and their actual lives becomes increasingly blurred. This was interesting, but at the same time frustrating as a viewer.

Check out Anacoreta on Prime Video and let us know your thoughts!

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Todd Meadows, ‘Deadliest Catch’ deckhand, dies at 25

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Todd Meadows, ‘Deadliest Catch’ deckhand, dies at 25

Todd Meadows, a crewmember on one of the fishing vessels featured on the long-running reality series “Deadliest Catch,” has died. He was 25.

Rick Shelford, the captain of the Aleutian Lady, announced in a Monday post on Facebook and Instagram that Meadows died Feb. 25. He called it “the most tragic day in the history of the Aleutian Lady on the Bering Sea.”

“We lost our brother,” Shelford wrote in his lengthy tribute. “Todd was the newest member of our crew, he quickly became family. His love for fishing and his strong work ethic earned everyone’s respect right away. His smile was contagious, and the sound of his laughter coming up the wheelhouse stairs or over the deck hailer is something we will carry with us always.

“He worked hard, loved deeply, and brought joy to those around him,” he added. “Todd will forever be part of this boat, this crew, and this brotherhood. Though we lost him far too soon, his legacy will live on through his children and in every memory we carry of him.”

A fundraiser set up in Meadows’ name described the deckhand from Montesano, Wash., as a father to “three amazing little boys” who died “while doing what he loved — crabbing out on Alaskan waters.”

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According to the Associated Press, Meadows died after he was reported to have fallen overboard around 170 miles north of Dutch Harbor, Alaska.

“He was recovered unresponsive by the crew approximately ten minutes later,” Chief Petty Officer Travis Magee, a spokesperson with the Coast Guard’s Arctic District, told the AP. The Coast Guard is investigating the incident.

Meadows was a first-year cast member of “Deadliest Catch,” the Discovery Channel reality series that follows crab fishermen navigating the perilous winds and waves of the Bering Sea during the Alaskan king crab and snow crab fishing seasons. The show debuted in 2005. No episodes from Meadows’ season has aired.

Deadline reported that the show was in production on its 22nd season when the incident occurred, with the Shelford-led Aleutian Lady being the last of the vessels still out at sea at the time. Production has subsequently concluded, per the outlet.

“We are deeply saddened by the tragic passing of Todd Meadows,” a Discovery Channel spokesperson said in a statement that has been widely circulated. “This is a devastating loss, and our hearts are with his loved ones, his crewmates, and the entire fishing community during this incredibly difficult time.”

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Meadows is the latest among “Deadliest Catch” cast members who have died. Previous deaths include Phil Harris, a captain of one of the ships featured on the show, who died after suffering a stroke while filming the show’s sixth season in 2010. Todd Kochutin, a crew member of the Patricia Lee, died in 2021 from injuries he sustained while aboard the fishing vessel, according to an obituary. Other cast members have died from substance abuse or natural causes.

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‘Hoppers’ review: Pixar’s best original movie in years

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‘Hoppers’ review: Pixar’s best original movie in years

“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway. 

It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.

Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.

We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.

Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.

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That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.

Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.

The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.

And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged. 

“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.

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HOPPERS opens in theaters Friday, March 6th.

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