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Dave Chappelle hosts ‘SNL’ tonight. Here’s a timeline of controversies surrounding his jokes about transgender people | CNN

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Dave Chappelle hosts ‘SNL’ tonight. Here’s a timeline of controversies surrounding his jokes about transgender people | CNN



CNN
 — 

Tonight Dave Chappelle will host “Saturday Evening Stay” for the third time – an look that’s courting controversy earlier than he even takes the stage.

The comic has drawn growing ire lately for making jokes aimed toward transgender folks, and the outcry grew louder final fall when Netflix launched a Chappelle particular, “The Nearer,” by which he doubled down on his feedback.

Netflix stood by Chappelle, who went on a nationwide tour after the particular and largely ignored the controversy after addressing it in his act.

However his feedback had been criticized by fellow comics, followers, trans advocates and a few Netflix workers, and a Minnesota venue canceled a Chappelle present this 12 months over the controversy.

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Provided that context, it was surprising to some “SNL” viewers to see him invited again to Studio 8H. Right here’s a take a look at Chappelle’s latest historical past of jokes about trans folks – and the ensuing backlash.

August: In a collection of stand-up reveals at New York Metropolis’s Radio Metropolis Music Corridor, Chappelle made jokes aimed toward trans folks for a minimum of 20 minutes, Vulture reported. He made express jokes about trans folks’s our bodies and referred to trans folks as “transgenders,” amongst different feedback, Vulture stated.

These weren’t the primary jokes Chappelle had made at trans folks’s expense. However he delivered them in New York after drawing some backlash for earlier feedback.

“That joke and others on this part undergo from the identical issues as these from his specials – they’re rooted in disgust and generalization,” Vulture wrote of a Chappelle joke about ISIS fighters being horrified by transgender troopers. “They’re simply not good.”

August 26: Netflix launched a stand-up particular, “Sticks and Stones,” by which Chappelle carried out extra materials about trans folks, together with some content material from his Radio Metropolis reveals. In an epilogue to the particular, he introduced up his good friend Daphne Dorman, a trans comic, whom he stated laughed hardest at his jokes about trans folks.

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October 5: Netflix launched Chappelle’s particular “The Nearer.” In it, he goes on an prolonged tangent about transgender folks and makes a number of jokes at their expense. He misgenders a trans comic, as soon as once more makes express jokes about trans girls’s our bodies and defends TERFs, or trans-exclusionary radical feminists.

He additionally referred to trans folks as “transgenders,” states that “gender is a truth” and later says that Dorman died by suicide shortly after she was criticized by different trans folks for defending Chappelle after “Sticks and Stones.”

On the time Chappelle’s particular was launched, a minimum of 33 states had launched anti-transgender laws, a lot of it aimed toward younger trans folks.

October 13: Amid calls from LGBTQ advocates, fellow comedians, Netflix workers and social justice organizations to tug the particular, Netflix stood by Chappelle.

In a letter obtained by the Verge and Selection, Netflix CEO Ted Sarandos informed workers that the particular will stay obtainable to stream.

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“We don’t permit titles on Netflix which can be designed to incite hate or violence, and we don’t consider ‘The Nearer’ crosses that line … Some folks discover the artwork of stand-up to be imply spirited however our members get pleasure from it, and it’s an vital a part of our content material providing,” Sarandos wrote.

Netflix suspended three workers for attending a digital assembly of administrators to debate the particular with out notifying the assembly organizer upfront. Amongst them was Terra Subject, a trans senior software program engineer who had publicly criticized the particular and Netflix. Her suspension was later reversed.

October 19: Sarandos informed Selection he “screwed up” his communications with Netflix workers however reaffirmed he didn’t consider the particular qualifies as “hate speech.”

October 20: Round 65 demonstrators, together with Netflix workers and trans advocates, participated in a walkout in protest of Netflix’s help of “The Nearer.” The demonstrators referred to as on Netflix to rent extra trans and non-binary executives and fund extra trans and non-binary expertise.

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October 24: Three trans stand-up comics informed CNN they had been upset by Chappelle’s jokes, though all three stated they as soon as thought of the celebrated performer as a comedy inspiration. Whereas all of them agreed that jokes about trans folks aren’t inherently offensive, they stated Chappelle’s set was infused with the identical hateful rhetoric and language utilized by anti-transgender critics.

“When he talks concerning the trans group, he’s not speaking about them, he’s talking out in opposition to them,” comic Nat Puff informed CNN. “And that’s the distinction between saying one thing humorous concerning the trans group and saying one thing offensive concerning the trans group.”

A fourth comedian, Flame Monroe, one of many solely trans comics whose materials is streaming on Netflix, informed CNN she believes Chappelle ought to be allowed to joke about trans folks, though she initially was bowled over by a few of his feedback.

October 25: Chappelle addressed critics at a present in Nashville, showing alongside Joe Rogan, the podcast host who’s been criticized for dismissing the effectiveness of vaccines and utilizing racial slurs, amongst different controversies.

Chappelle launched movies on his official Instagram account from the set, by which he seemingly addressed the trans workers at Netflix who participated within the walkout over “The Nearer.”

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“It looks like I’m the one one who can’t go to the workplace anymore,” he stated.

“I would like everybody on this viewers to know that though the media frames it as if it’s me versus that group, that’s not what it’s,” Chappelle went on. “Don’t blame the LBGTQ (sic) group for any of this s—. This has nothing to do with them. It’s about company curiosity and what I can say and what I can’t say.”

“For the document – and I want you to know this – everybody I do know from that group has been nothing however loving and supportive. So I don’t know what all this nonsense is about.”

July 12: “The Nearer” was nominated for 2 Emmys, together with “excellent selection particular (pre-recorded).” Adele later received the class.

July 21: A Minneapolis venue canceled Chappelle’s sold-out present hours earlier than its doorways had been set to open, apologizing to “employees, artists and our group” after receiving criticism for internet hosting Chappelle.

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“We consider in various voices and the liberty of inventive expression, however in honoring that, we overpassed the impression this might have,” wrote First Avenue, the venue well-known for being featured in Prince’s “Purple Rain” movie.

November 5: “Saturday Evening Stay” announced Chappelle could be its post-midterms host. The backlash was swift.

Subject joked on Twitter: “Wait I assumed I cancelled (sic) him. Is it doable cancel tradition isn’t an actual factor??”

November 10: After the New York Submit reported that a number of “SNL” writers are boycotting Saturday’s episode, Chappelle’s representatives informed CNN there aren’t any points with writers or solid members. “SNL’s” present employees consists of nonbinary solid member Molly Kearney and nonbinary author Celeste Yim.

Chappelle will take the stage stay Saturday at 11:30 p.m. ET.

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Movie Reviews

Movie Review: 'The Lord of the Rings: The War of the Rohirrim' – Catholic Review

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Movie Review: 'The Lord of the Rings: The War of the Rohirrim' – Catholic Review

NEW YORK (OSV News) – Catholic moviegoers will naturally take an interest in any project related to the works of their renowned co-religionist, novelist J.R.R. Tolkien (1892-1973). But the question always remains whether any new adventure set in his fictional land of Middle-earth will share in the elusive magic of the stories he himself spun.

In the case of the animated drama “The Lord of the Rings: The War of the Rohirrim” (Warner Bros.), unfortunately, the comparison is less than favorable to the newcomer. While director Kenji Kamiyama’s fantasy is often lovely to behold and its moral values are mostly in order, his tale of derring-do stagnates because the characters who inhabit it are mostly one-dimensional.

Take our heroine, Princess Hera (voice of Gaia Wise), for example. A dauntless warrior whose courage and skills are initially underrated by her otherwise sage father, King Helm Hammerhand (voice of Brian Cox), she’s a symbol of female empowerment. Beyond that, however, we learn little about her.

The conflict of the title is initiated after Hera’s childhood friend, Wulf (voice of Luke Pasqualino), seeks her hand in marriage and is rebuffed. Amid the recriminations that follow, King Helm unintentionally takes the life of Wulf’s dad, Freca (voice of Shaun Dooley), instantly transforming the bereft son into his, and Hera’s, implacable enemy.

As Wulf relentlessly pursues his revenge, the script — penned by a quartet of screenwriters — highlights his principal adversaries’ chivalrous dedication to truth-telling, faith-keeping and the granting of mercy. Yet there’s also a vaguely discernible anti-marriage message attached to Hera’s insistence on remaining independent and untethered.

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While the narrative of her struggle is clearly meant to seem epic and poetic, there’s a static feel to the proceedings with Hera and her allies never faltering in virtue and Wulf proving villainous at every turn. As a result, a sense of investment in the fate of those on screen is largely lacking.

Assessed for its appropriate audience, the movie is more successful. The strife is bloodless and the dialogue almost unblemished. So, although it’s too frightening for little kids, this addition to Tolkien’s lore — set 200 years before the action of his three main volumes — is acceptable for most others.

The film contains stylized combat and other violence, characters in peril, some grim images and a single mild oath. The OSV News classification is A-II — adults and adolescents. The Motion Picture Association rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

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Chance the Rapper's divorce gets real as estranged wife Kirsten Corley files petition

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Chance the Rapper's divorce gets real as estranged wife Kirsten Corley files petition

Chance the Rapper and estranged wife Kirsten Corley’s divorce is officially underway months after the couple announced their split.

Corley filed her petition to divorce the Grammy-winning “Sunday Candy” and “Cocoa Butter Kisses” musician Friday in Cook County, Ill., The Times confirmed. Representatives for Corley and for Chance the Rapper (born Chancelor Bennett) did not respond immediately to The Times’ request for comment Wednesday.

Chance and Corley, who is an influencer and former model, share two young daughters. Though the estranged spouses knew each other as children, they reunited in 2013 and began dating. They welcomed their first child in 2015 and married in 2019, the same year they welcomed their second daughter.

The rapper’s wedding was central to his debut album, “The Big Day.” The 2019 release arrived years after Chance found fame with a series of mixtapes including the lauded “Acid Rap” and “Coloring Book.”

For “The Big Day,” Chance collaborated with a range of musicians including John Legend, Death Cab for Cutie, Megan Thee Stallion, Shawn Mendes and Randy Newman. In an interview for Apple Music ahead of the album release, Chance recalled first seeing his wife at a dance party when they were both kids and discussed their years-long relationship.

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“I think I always knew I would marry my wife and I think I was interested in how much time I had and trying not to make the wrong decision and stuff like that,” he said at the time. “I was extended grace and was able to get back with her and not ruin my life.”

The two announced their separation in April after five years of marriage. Prior to that, speculation of marriage troubles surrounded the couple after the rapper was seen dancing with another woman during a 2023 birthday celebration in Jamaica. In their announcement, the estranged partners said they would remain committed to co-parenting their children.

“God has blessed us with two beautiful girls who we will continues to raise together,” they said at the time. “We kindly ask for privacy and respect as we navigate this transition.”

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Movie Review: 'Kraven the Hunter' – Catholic Review

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Movie Review: 'Kraven the Hunter' – Catholic Review

NEW YORK (OSV News) – As strained as it is bloodsoaked and morally wayward, the would-be action adventure “Kraven the Hunter” (Columbia) is a hopeless dud. On the upside, moviegoers misguided enough to patronize the film will likely be too bored to be much corrupted by it.

After a brief slice of mayhem set in the present day, director J.C. Chandor’s brutish origin story for the titular Marvel Comics character carries us back to the unhappy youth of his alter ego, Sergei Kravinoff (Levi Miller). Both mild-mannered Sergei and his equally gentle half-brother Dimitri (Billy Barratt) live in fear of their Russian gangster dad, Nikolai (Russell Crowe).

Determined to toughen both lads up, Nikolai forces them to join him on an African safari, during which Sergei has a near-fatal encounter with a lion. Yet a magical potion given to him by a stranger named Calypso (Diaana Babnicova) — a girl his own age to whom viewers have previously been introduced — not only revives Sergei but endows him with superpowers.

Once grown, and now played by Aaron Taylor-Johnson, Sergei uses his gifts to track down criminals to whom he doles out do-it-yourself justice, gaining him his nickname. The intense isolation of his undercover lifestyle is relieved only by his ongoing relationship with Dimitri (Fred Hechinger) and his newly-minted partnership with the adult version of Calypso (Ariana DeBose).

Calypso, a crusading attorney who is meant to serve as our ethical compass, briefly questions Sergei’s extra-legal methods. But this does nothing to stop his sequential rampages. Throw in the fact that Calypso’s family features a long line of tarot card-carrying witches and it’s clear that
cinephiles of any sense will not feel a yen for “Kraven.”

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The film contains excessive graphic violence with much gore, benignly viewed vigilantism, an occult theme, a few uses of profanity and several instances each of rough language and crude talk. The OSV News classification is O — morally offensive. The Motion Picture Association rating is R — restricted. Under 17 requires accompanying parent or adult guardian.

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