Entertainment
Better call Harvey Specter? Gabriel Macht answers the call for ‘Suits LA’
Not all heroes wear capes. This one is an impeccably dressed lawyer who is often armed with a tumbler of whiskey. And the new “Suits” spin-off has called him back for duty.
When NBC announced that it was capitalizing on the success of the glossy legal drama — which concluded its USA Network run nearly six years ago but became the most streamed show of 2023 with its arrival on Netflix — with “Suits LA,” a Los Angeles-set spin-off revolving around a new group of ambitious lawyers and their dealings within the entertainment industry, creator and showrunnner Aaron Korsh kept any plans for appearances by characters from the original series more tightly under wraps than the logistics of the mysterious can opener ritual.
Rather than play the odds, he played the man and got Gabriel Macht to play Harvey Specter again.
Across nine seasons and 134 episodes, Macht took viewers on the smug but charming corporate attorney’s journey of emotional and personal maturation as he teamed up with — for more most of the show’s run — wayward genius Mike (Patrick J. Adams), whom he hired to be his associate even though the young man had never attended law school. Between cases, Harvey confronted his demons and by the series’ 2019 finale was a married man headed to Seattle to reunite with his sidekick to do some legal good for the little guys. (Macht, meanwhile, intentionally stepped away from acting to focus on his family once the series wrapped.)
Now, it’s early March and Macht’s on the set of “Suits LA” on the NBCUniversal lot putting the finishing touches on his three-episode arc, which was crammed into roughly a week of filming: “I really thought I was shutting the door on this character at the end of the original,” says Macht, with a set of dark-framed glasses the only thing distinguishing him from his character during a break.
Harvey’s arc primarily occurs in flashbacks circa 2010, establishing his friendship with “Suits LA” frontman Ted Black (Stephen Amell) around the time the latter was wrapped up in a case involving notorious mobster John Pellegrini (Anthony Azizi) that ultimately triggered his move to the West Coast. Ted was prosecuting federal cases for the U.S. attorney’s office in New York City and on a mission to put the mafioso — who used various intimidation tactics on Ted, including extorting Ted’s corrupt father (Matt Letscher) and inadvertently having Ted’s brother (Carson A. Egan) killed — behind bars; Harvey worked in the district attorney’s office. Later, when the murder case fell apart, Harvey, who by this time was working in the corporate sector, clandestinely helped Ted convict Pellegrini on racketeering charges. But with the criminal set to be released from prison in the present day, Harvey makes a trip to L.A. to rally Ted so they can get Pellegrini back behind bars. The arc concluded with Sunday’s episode, titled “Bat Signal,” which finds the dynamic duo in New York City to (successfully) execute their plan.
But is this the last viewers will see of Harvey Specter? Macht has learned not to say no to anything.
“Look, if everything fails in my life, I think I can go to Times Square, put on the suit and just pose for pictures, maybe?” he says with a wide smile as he ambles his way back to shoot a scene in the present-day timeline.
Like the Naked Cowboy?
“Yeah, I’ll be right next to him.”
The Times checked in with Macht a few weeks later over a video call to discuss the reprising of his character. Here are excerpts from the conversation.
Gabriel Macht reprises his “Suits” character Harvey Specter for NBC’s spin-off “Suits LA.”
(Nicole Weingart/NBC)
Since the resurgence of “Suits,” you’ve been asked about reprising your role for a revival or even a movie of the OG series. You’ve largely had some playful responses quashing the likelihood of that happening. What was the initial reluctance and how did this way become appealing for you?
When I was finished with “Suits,” I was ready to be done. I feel like we told those stories and we really stuck the landing. We left with integrity. At that time in my personal life, I was ready to be done and move on and focus on different things. I wanted to travel the world, and I wanted to fill up the daddy well, and, you know, really spend time with my kids and make up for lost time. That was really the focus. That’s where maybe those responses [came from]. Jump a few years, when Netflix picked it up, it dominated the viewership in so many ways that it just felt like it was sort of bigger than anyone could really understand and imagine. I’m seeing that there’s a new generation. Who knows, there might be a “Suits: The Musical” on Broadway in 20 years. It created a bunch of opportunities for a lot of the players from the original show. And when Aaron [Korsh, the creator and showrunner of both series] came to me and said [mimics Korsh’s pitchy voice], “Hey, I know you haven’t wanted to get back in this … ,” I said, “What is it? What’s the story?” All I was interested in was how he was doing and how’s the show going and support the show. He said, “Look, there’s a character that might have been friends with Ted, and I can make his name in the script Harvey, if you’d be willing to consider …”
And over the next days, I started to think about the fans and how much the fans are really so committed to this show. That was my first instinct … if they can make it happen, I want to do it for the fans.
Did it take some time for you to feel like you were locked in? We don’t see Harvey in a suit right away and I would imagine that’s what helps you get there.
It kind of was like riding a bike, especially when you put the suit on. Aaron has this way of writing where he’s got a lot of double negatives. They gave me one or two speeches where I had to get into that dynamic and I was like, “Oh, my God, I’m gonna have a panic attack. This is not why I came back.”
On set you mentioned that the baseball scenes were shot at Rancho Park, which is where you used to practice for your high school baseball team. That must have felt like a surreal, full-circle moment to be coming back to this seminal character in your career while returning to a place that had meaning in real life.
It was nostalgic in so many ways. I played up until my freshman year of high school. They put me on the bench. I didn’t really play that much. I loved baseball and I still love baseball, but I was like, “Oh, God, I should really be thinking about my future. Maybe I should go into the drama class or something.” They happened at the same time, so I can either do baseball every day or do drama and acting.
Going back to Rancho Park and being in a uniform, playing shortstop, and actually seeing my dad [actor Stephen Macht, who had a recurring role in “Suits”] come out was nice. I said, “Dad, I’m shooting at Rancho, if you want to come and visit.” He comes out and he’s sitting in the stands; apparently he asked them, “Where’s Gabriel?” And someone was like, “Who are you?” And he’s like, “I’m his father!” It brought him right back to when I was in high school or little league. And they’re like, “Oh, he’s playing shortstop.” He’s been in the business 50 years. And he was like, “Well, when’s the game starting?” It was a real moment for me to see him in the stands. During one of the takes, I was like, “Dad, you’re sitting with background, you’re like an extra right now. Go behind video village! You can watch the scene there.” It was a full-circle moment for us.
Gabriel Macht, left, as Harvey Specter and Sarah Rafferty as Donna Paulsen in the 2019 series finale of “Suits.” (Shane Mahood / USA Network / NBCUniversal)
Patrick J. Adams, left, as Mike Ross and Gabriel Macht as Harvey Specter in a Season 2 scene from “Suits” (Steve Wilkie / USA Network)
When it was announced that you were returning, it quickly became clear that one of the key cameos fans were anticipating with your return is Harvey’s wedding band. The Darvey shippers, myself included, wanted some assurance that Aaron did not mess with their favorite TV couple. Did you see some of that? And were you curious where Harvey would be at in life?
Yes, I was curious to see what it was and what was going to happen and what the storyline is; it could have gone in so many different directions. There’s no reference that they’re married and still together, but there is a reference that there’s a child. I was moved by that moment. I was moved when I read it, I was like, “Oh, that’s cool.” I said “Guys, in the flashbacks, obviously I don’t have a ring, but I think I should have a ring for the present time.” And they were like, “Yeah, yeah, yeah.” So, that’s how we basically said that this [Harvey-Donna] relationship is still continuing. It was a nice moment. It was a really nice moment. Now why we never mentioned anyone with the name Ted in 134 episodes [of “Suits”], but these guys are really great friends and he names his son after him …
Wait. Do you think he really named their son after him? I thought he was just teasing.
I think he [Harvey] was just playing with him [Ted]. But you never know with Harvey; he keeps so many things close to the chest. He could have really connected with him years ago. With television, with characters, you don’t know.
I have to say, I always thought Harvey would be a girl dad. Maybe they have a daughter who just can’t text yet. My niece loves doing the voice to text on other people’s devices.
That’s very possible. Maybe he has a girl who’s of the age of texting but doesn’t have a phone? We don’t give our daughter a phone.
Fans on the show know that Harvey lost both his parents. With his appearance on “Suits LA,” we learn his only sibling, Marcus, has passed in the time since. [Actor Billy Miller, who portrayed Marcus, died in 2023.]Have you asked Aaron why he has made Harvey endure so much pain and loss? Can we have some assurance that Harvey is at least going to the doctor and getting himself checked out?
That’s a good question. How do I answer this? The human in me says, look, there’s tons of loss in in our lives and humans go through loss every day. There’s always been a real sense of abandonment issues that Harvey has had throughout his life, and I think that that has been a dramatic tool that has been helped by writing for that. I don’t think Harvey really plays a victim, but I think it’s a way to feel for him. If you look at any Disney movie, the parents die within five seconds and that’s to get you on the hook of feeling like you gotta feel for this character.
Gabriel Macht, left, as Harvey Specter and Stephen Amell as Ted Black in “Suits LA.”
(Nicole Weingart / NBC)
I know it was brief and we don’t get too much of present-day Harvey, but what was it like playing Harvey at this stage of his life and this stage in your life?
It was fun. He’s a little bit more settled. He’s a little bit more in touch with himself. He likes to still take the piss out of his friends and the people that are close to him. But what we love about Harvey is his sense of what’s right and making things right and his loyalty and his heart. There’s plenty of times he’s playing with the system. I think he’s doing what’s best. That was nice to play and just to be in in touch with that.
It’s interesting because there’s many versions of Harvey that I’m not a fan of and that I’m not crazy about and that I don’t like to engage in or support. I don’t like supporting the narcissistic elements of him. I don’t like supporting the aggressive, toxic masculinity that Harvey has in his toolbox. In these last six years, I have done a lot of work on myself and just seeing, what are the behaviors of Harvey that do align with me? There’s elements of behavior where, as the actor and as the character, you’re having to beat people down and manipulate and use so many negative behaviors that don’t align with me, or more so, align with the child in me, that I have been keenly aware that I need tend to.
What worked well for Harvey was my [inner] child. So, to be able to dismantle that or observe all the behaviors of the child — digging his heels in and saying, “This is what I need! This is how to do it!” — that selfish, sort of narcissistic coping mechanisms that you make as a kid, that’s the work to be done [on myself] to move away from him. I’d love to see a documentary where somebody takes characters where the actors have really lived in their shoes for so long that they become them in different ways, and how do they shake them at the end of the day and come back to themselves? I think it’d be really interesting
Could you see a day when you consider doing another TV series or returning to the screen?
I’m way more interested right now in this partnership that I’m doing with Bear Fight Whiskey. The small narrative stories where I can be creative are where my heart is right now. A television show is a big commitment. You’re basically owned by the show and the network and the stories and you really have to give up so much of your life. Maybe when my kids go to college or whatever, and there’s more time in my life that I can devote to that.
Your friends and “Suits” co-stars, Sarah Rafferty and Patrick J. Adams, recently wrapped re-watching the first season on their podcast. They’re on hiatus now, but do you think you’ll ever stop by as a guest? I need you on this podcast.
At some point, yeah. I don’t know when. The stars have to align. I think they’re doing great and I think they’re really enjoying it. I don’t know how I would go on there and talk — I have a bad memory as it is. I do not know if I would come in with much substance. I’ve seen clips [of “Suits”] here and there and I’m like, “I said that? I have no idea! I have no recollection of that!”
I do feel like Harvey has some explaining to do with Mike for using the whole Batman thing with Ted.
I think you’re right. You have to go after Aaron. He thought it was a little too meta and too much of a wink to the audience, but I’ll tell you, we said “Green Arrow” and “The Spirit.” [Amell played Oliver Queen in the CW’s “Arrow” and Macht portrayed the title character in Frank Miller’s 2008 film adaptation of Will Eisner’s “The Spirit.”] There’s a version of that that would have been gold, but [Aaron’s] a Batman guy, so you got to just say what’s on the page sometimes.
You grew up here. What’s the L.A. spot Gabriel would tell Harvey to visit?
Marty’s. I’m telling you, Marty’s burgers — it’s right near Rancho Park. It’s a greasy spoon. It’s the home of the combo. It’s where I used to eat all the time. I’m a vegetarian now, so I can’t go back there and eat there, but Harvey could.
Movie Reviews
Movie Review – Desert Warrior (2026)
Desert Warrior, 2026.
Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.
SYNOPSIS:
An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.
With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.
The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.
Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.
As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.
That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.
Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★
Robert Kojder
https://www.youtube.com/watch?v=embed/playlist
Entertainment
Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’
Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.
Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.
On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.
“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”
The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.
The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.
“My legacy to me is my children,” he said.
Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.
“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”
In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”
Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.
“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”
Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”
Movie Reviews
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