Education
Trump Asks Supreme Court to Let Him Cancel Grants to Teachers
The Trump administration on Wednesday asked the Supreme Court to let it cancel $65 million in teacher-training grants that it contends would promote diversity, equity and inclusion initiatives.
The court indicated that it would act quickly on the government’s emergency application, ordering the challengers to respond by Friday.
The filing was the administration’s second emergency application this week objecting to a lower-court ruling against it, and the fifth since President Trump took office.
The Education Department last month sent grant recipients boilerplate form letters ending the funding, saying the recipients were engaged in activities “that violate either the letter or purpose of federal civil rights law; that conflict with the department’s policy of prioritizing merit, fairness and excellence in education; that are not free from fraud, abuse or duplication; or that otherwise fail to serve the best interests of the United States.”
Judge Myong J. Joun of the Federal District Court in Massachusetts temporarily ordered the grants to remain available while he considered a suit brought by California and seven other states challenging the terminations.
On Friday, the U.S. Court of Appeals for the First Circuit, in Boston, rejected a request from the Trump administration to pause Judge Joun’s order, saying the government’s arguments were based on “speculation and hyperbole.”
In temporarily blocking the cancellation of the grants, Judge Joun said he sought to maintain the status quo. He wrote that if he failed to do so, “dozens of programs upon which public schools, public universities, students, teachers and faculty rely will be gutted.” On the other hand, he reasoned, if he did pause the Trump administration action, the groups would merely continue to receive funds that had been appropriated by Congress.
In the administration’s emergency application in the Supreme Court, Sarah M. Harris, the acting solicitor general, said Judge Joun’s order was one of many lower-court rulings thwarting government initiatives.
“The aim is clear: to stop the executive branch in its tracks and prevent the administration from changing direction on hundreds of billions of dollars of government largesse that the executive branch considers contrary to the United States’ interests and fiscal health,” she wrote.
She added, “Only this court can right the ship — and the time to do so is now.”
The case followed the Trump administration’s termination of more than $600 million in grants for teacher training in February, as part of its crackdown on efforts related to diversity and equity. The Education Department claimed the funding was being used “to train teachers and education agencies on divisive ideologies” like social justice activism and antiracism.
It came amid broader upheaval in the department that reached a climax this month, when Mr. Trump instructed the education secretary, Linda McMahon, to begin shutting down the agency altogether, though it cannot be closed without the approval of Congress.
The raft of cuts to training grants had decimated two of the department’s largest professional development programs, known as the Supporting Effective Educator Development program and the Teacher Quality Partnership Program.
The initiatives offered competitive grants that helped place teachers in underserved schools — like low-income or rural regions — and addressed teacher shortages. Among their goals was to develop a diverse educational work force.
In New York, for example, officials said that public university systems had been granted more than $16 million to support students in graduating from teaching programs — who would then help to fill spots in tough-to-staff areas like math and special education.
The lawsuit filed this month challenging the cuts came from a coalition of eight attorneys general, including those for New York and Massachusetts. It argued that the cuts would destabilize both urban and rural school districts, forcing them to hire “long-term substitutes, teachers with emergency credentials and unlicensed teachers on waivers.”
“This will harm the quality of instruction and can lead to increased numbers of students falling short of national standards,” the attorneys general wrote.
If the cuts were allowed to continue, the group contended, public school students and their teachers-in-training would suffer “immediate and irreparable harm.”
Education
Opinion | 13 George Washington Interpreters on Embodying an Icon
In our national memory, George Washington is a mythic figure, cast in metal, carved in stone. His leadership, first as general, then as president, is so intertwined with the roots of this country that it is sometimes hard to separate the man from the idea of America. How does one imagine the living presence of such an icon, much less embody him?
There is a small fraternity of men bold enough to try. At historical parks and commemorations from Virginia to Seattle, these interpreters (their preferred term) transform themselves into Washington. Each has his own approach, but what all their representations seek to capture is a legacy that has endured from his time to ours. If America, at least in part, is an idea, then our national project becomes, like theirs, an act of interpretation, an imperfect attempt to translate some idealized vision into the messy reality of our own time.
— Ezekiel Kweku
“By some strange quirk
of genetics, I have
Washington’s exact
dimensions. Where my
sleeves fall on my wrist,
the size of my chest, the
size of my thighs, where
the breeches fall to my
knees, are all identical.”
John Koopman, 67, often performs
while riding his horse, Bear. He
has portrayed Washington for 20 years.
James Fryer, 70, wears a replica of a general’s uniform that Washington designed himself. He recently completed training to portray Washington for the nonprofit Historic Philadelphia.
“Some people portray George as a marble statue. I don’t do a marble George. I am interested in talking to everyone, even those who yell at me because George was a slave owner. I want to respect them, try to educate them, or maybe even inspire them.”
Vern Frykholm, 77, was moved to bring his interpretation of Washington to Washington State, where he lives, after seeing a 2011 performance in Pennsylvania.
Dean Malissa, 73, signs his personal
correspondence, including emails,
as Washington did: “Your Most Humble
and Obedient Servant.” He became
the Official George Washington
at Mount Vernon in 2004, and held
that role for nearly 20 years.
“I describe him sometimes as just a dude. I look at him and think, I could see myself in the same world, making similar bad decisions or similar good decisions.”
Daniel Cross, 39, portrayed a young Washington at Virginia’s Colonial Williamsburg until last year. He now works with organizations around the country.
Curt Radabaugh, 62, has 13,000 history books in his personal library, including several hundred about Washington. He is a veteran of the U.S. Marines and a retired police officer.
“He’s a mentor, a father
figure, and not only in the
sense that he’s a patriarch
of the country. Because
I grew up without a
father, he kind of became
my surrogate father.”
Brian Hilton, 58, says he researches
Washington’s era every morning before
his children get up and at night after
they go to bed. He is a high school history
teacher near Richmond, Va.
Daniel Shippey, 57, partners on interpretations with his wife, Kelly, who portrays Martha Washington. Kelly researched 18th-century hair techniques to create her husband’s costume hairstyle. They live in Virginia.
“You’re playing the myth of George Washington as well as the historical figure. I make his voice a little firmer and deeper than it probably was in real life. I play him a little funnier than he probably was. In reality, if you came to see him, he probably wouldn’t talk to you as much as I do.”
Doug Thomas, 53, is Washington’s second cousin nine times removed.
John Godzieba, 67, has reenacted
the crossing of the Delaware as
Washington every Christmas for the
past 16 years at Pennsylvania’s
Washington Crossing Historic Park.
“In many ways I don’t look like him. My eye color is wrong. My nose is wrong. My hair color is wrong. I wouldn’t have cast myself in this role.”
Ron Carnegie, 64, has portrayed Washington at Colonial Williamsburg for 20 years.
Ryan Williams, 37, is a veteran who specializes in playing a young Washington during the French and Indian War. He lives in Virginia.
“Some people portray
Washington almost
like a superhero.
I like to bring out that
he has faults. He’s a
person like you or me.”
Michael Grillo, 64, is a historical
tailor who hand-sews his own clothes
for reenactments. He also makes
period props, including two American
battle flags and pewter mugs
engraved with Washington’s crest.
Martin Schoeller is a photographer and director known for his close-up portraits of everyone from world leaders and celebrities to female bodybuilders. For this project, he used a large format camera to photograph 13 historical interpreters of George Washington — many of whom arrived in full uniform — over three days in Virginia and New York City.
Additional reporting by Tenzin D. Tsagong. Interviews have been edited and condensed for length and clarity. Top quotes from Brian Hilton, Daniel Shippey and Daniel Cross.
Produced by Sara Barrett, Danny DeBelius and Sam Whitney. Additional production by Olivia James.
Education
This Little Robot Cleans Windows
One task the robots can take from us? Cleaning. Especially hard-to-access windows. So when writers Caroline Mullen and Evan Dent found this little guy — whose government name is “EcoVacs Winbot Mini” — they were intrigued. Could he clean the uncleanable? Caroline and Evan put their robot friend to the test at both the Wirecutter office and a high-rise apartment. Is a robo-window cleaner more effective than scrubbing yourself?
Education
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new video loaded: School Year Cut Short and Aid Delivery Slowed Amid Fuel Crisis in Cuba
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