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With the WNBA Draft nearing, what's next for Caitlin Clark?

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With the WNBA Draft nearing, what's next for Caitlin Clark?

Caitlin Clark’s college career ended Sunday with a loss to South Carolina in the national championship. But the Iowa star’s popularity won’t be going away.

“I know what’s next is soon,” she said.

Eight days, to be exact.

That’s when Clark will be in New York for the WNBA Draft, where she’s expected to be the No. 1 pick by the Indiana Fever. After rising to national prominence during her collegiate career, there are already signs that she will make an impact in the professional league.

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What to know about the WNBA Draft

The draft will take place at the Brooklyn Academy of Music in New York at 7:30 p.m. (ET) on April 15. ESPN will air the draft and it will also stream on Fubo.
Here’s the first-round order of the draft:

1. Indiana Fever
2. Los Angeles Sparks
3. Chicago Sky (via Phoenix)
4. Los Angeles Sparks (via Seattle)
5. Dallas Wings (via Chicago)
6. Washington Mystics
7. Minnesota Lynx
8. Chicago Sky (via Atlanta)
9. Dallas Wings
10. Connecticut Sun
11. New York Liberty
12. Atlanta Dream (via Las Vegas)

What kind of impact will Clark make in the WNBA?

Let’s start on the court. Clark will have to work harder for her shot, of course. (Don’t think these veterans aren’t licking their chops to shut her down.) But her seemingly limitless range and astounding accuracy will still make her tough to guard. Where she can make an immediate impact is her passing.

She’s already one of the best all-time passers in college, finishing her career with a Division I record of 1,144 assists. Clark’s Iowa teammates weren’t always adept down low at converting her passes. Now imagine what Aliyah Boston, the 2023 Rookie of the Year, will do with incoming keen passes from Clark.

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In terms of marketing and star power, the WNBA better be prepared. The Fever are seeing spikes in ticket sales, and the Las Vegas Aces already announced moving to a bigger arena to accommodate more fans when she comes to town. Last season, the Fever had the second lowest attendance in the league, ahead of only Atlanta, which plays in a much larger arena and averaged 85 percent capacity. The Fever likely will be one of the most popular fan destinations.

Similar to her experience at Iowa, Fever road games should see record numbers, too. The Hawkeyes sold out all but two of their games this season — home, road or postseason. Her fans aren’t going anywhere.

Will she lose money by going to the WNBA?

This narrative has been shot down several times over, but it still persists by some who don’t factor in her endorsement power. Clark has the most high-profile endorsement deals of any college basketball player. (You’ve seen the State Farm ads, right?) Those aren’t going away, and expect a lucrative sneaker deal to be coming her way.

go-deeper

GO DEEPER

The Caitlin Clark business is booming. Here’s how her WNBA sponsorships are lining up

As the presumptive No. 1 selection, she would be guaranteed $76,535 in her first season. (She didn’t make a salary at Iowa.) She can also make up to $250,000 in a league marketing deal and up to $100,000 in a team marketing contract if she opts not to play abroad next WNBA offseason. If she does go abroad, she can expect a lucrative contract from a team in Europe or China.

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But with her marketing power, she’s likely to be signed to even more endorsement deals.

Did Clark have to go pro?

No. Like other seniors, Clark was granted an extra season of eligibility by the NCAA because of the pandemic disruption. She announced on Feb. 29 that she would not be returning to Iowa City, raising the stakes to go out with a bang in the tournament.

Who else will be in the draft?

Look for The Athletic’s post-tournament mock draft coming in a few days. But other potential stars are expected to hear their names called.

South Carolina’s Kamilla Cardoso, Stanford’s Cameron Brink and Tennessee’s Rickea Jackson are expected to be early selections. LSU’s Angel Reese is expected to be picked around No. 8.

go-deeper

GO DEEPER

WNBA Mock Draft: Where will Angel Reese land? Who will be picked after Caitlin Clark?

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(Photo: Steph Chambers / Getty Images)

Culture

Finding Wisdom in a Poem by Wendy Cope

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Finding Wisdom in a Poem by Wendy Cope

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Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?

How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.

Good poets know the rules and when to break them, which is something they can teach the rest of us.

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To wit:

Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?

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I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.

Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.

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Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.

This isn’t the kind of poetry you would describe as “confessional.” And yet …

Want to learn this poem by heart? We’ll help.

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Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.

Question 1/7

Let’s start with the first stanza.

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Stop, if the car is going clunk 

Or if the sun has made you blind. 

Dont answer emails when youre drunk. 

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Tap a word above to fill in the highlighted blank.

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Can You Match the Places These Authors Lived With Settings in Their Books?

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Can You Match the Places These Authors Lived With Settings in Their Books?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.


For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.

In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.

If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”

Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”

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It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.

Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.

The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”

By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.

A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”

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Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.

Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.


AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31

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