Culture
Why Mbappe is wearing a mask at Euro 2024
Follow live coverage of Netherlands vs France, Slovakia vs Ukraine and Poland vs Austria at Euro 2024 today
Kylian Mbappe will wear a mask when he returns to play at Euro 2024.
The France captain, 25, fractured his nose in their first game of the tournament.
He avoided surgery but following medical assessment it has been determined he must wear protective equipment to safely return to the field.
The Real Madrid striker was pictured in a mask with the French national colours of red, white and blue — the tricolore — and the French Football Federation (FFF) logo on it during training on Thursday.
France play Netherlands in the second game of Group D on Friday.
Des idées de masques 🎭😅 ?
— Kylian Mbappé (@KMbappe) June 17, 2024
What happened to Mbappe?
Mbappe fractured his nose in France’s opening game of their tournament, against Austria on Monday.
He sustained the injury in an aerial collision with Austria defender Kevin Danso with blood seen coming from his face and on his playing shirt.
Mbappe received medical treatment before leaving in the closing stages of the game in Dusseldorf, being replaced by Olivier Giroud.
Mbappe’s collision with Danso (Lars Baron/Getty Images)
What are UEFA’s rules on masks?
UEFA has very specific rules on clothing and other equipment worn while playing.
It reads: “Medical equipment (e.g. head protection, face-masks, casts, kneepads or knee braces, elbow pads): Medical equipment worn on the field of play must be a single colour and free of team and manufacturer identification.
“Items worn on legs and arms should be the same colour as the corresponding playing attire item (e.g. elbow pads or tape used on the arm the same colour as shirt sleeves and kneepads the same colour as shorts).”
Any equipment has to be approved by UEFA so it is not possible for Mbappe to take the field wearing a mask that does not adhere to those regulations. The FFF will need to ask UEFA and clear whatever mask he chooses to wear.
GO DEEPER
The night Kylian Mbappe broke his nose at Euro 2024 – ‘Any ideas for masks?’
What mask will Mbappe wear then?
Mbappe has a number of masks prepared, all of a single colour, which will work inside UEFA’s regulations, the FFF has confirmed to The Athletic.
The FFF knew of the guidance that must be followed before getting the masks made. He also has different sizes prepared.
Kylian Mbappe is wearing a red, white and blue mask in #LesBleus training @TheAthleticFC pic.twitter.com/dBsNlBQs5D
— Charlotte Harpur (@charlotteharpur) June 20, 2024
Will Mbappe play against Netherlands?
On Wednesday, Mbappe teased the prospect of him taking part in France’s second game of the group stage with a cryptic message on social message.
“Without risks, there are no victories,” he wrote on Instagram, sparking speculation he would be available.
“Everything’s going in the right direction,” Didier Deschamps then said at his news conference on Thursday.
“After this major shock that he’s had, with the consequences of course. “Yesterday, as you saw, he was able to go out and do a bit of activity. And that’ll be the case tonight too.
“So things are moving in the right direction so that he can be available tomorrow. We’ll make sure he’s available, I repeat.”
UEFA regulations require teams to confirm their teams at least an hour before kick-off of each game.
France face Netherlands at 8pm BST (3pm ET) in Leipzig on Friday.
A win will see them progress to the next phase of the tournament. They then play Poland in their final group game in Dortmund on Tuesday.
GO DEEPER
France’s altered defensive shape worked against Austria – but game state a crucial factor
(Top photo: Franck Fife/AFP via Getty Images)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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