Culture
The secret behind Xander Schauffele’s career year? ‘I was actually feeling ready to win’
Steter Tropfen höhlt den Stein. The German proverb, roughly translated into English, means: Steady dripping caves the stone. It appears in other languages and literary forms, but this iteration stuck with Xander Schauffele as a boy.
It’s the one Schauffele’s father, Stefan, reiterated until it seeped into his vocabulary. From the onset of Schauffele’s relationship with golf, motivational allegories and philosophical adages were fed into his psyche. That’s how his father thinks and speaks. It became how the son thinks and speaks, how Schauffele constructed the mind and game that won two major championships in one summer.
Schauffele’s rise was slow and incremental, steadied by the omnipresent hand of his father, who doubled as his swing coach from pre-junior golf to the PGA Tour.
The nature of Schauffele’s climb was exactly what critics pointed to as the potential downfall of his career. If you were taught to lurk, could you win? If you were bred to embrace being an underdog, would it sting always being in the top 10 but never lifting the trophy?
Schauffele didn’t want to say it then, but he’ll admit it now. Those questions reverberated in his mind as the close calls stacked up, as the PGA Tour wins came but he became a supporting actor in the majors: Always on the leaderboard, never on top of it.
Then he did it. Twice. In 2024, Schauffele shut down a festering, years-long narrative: He won the PGA and Open Championships, and suddenly went from being the best-not-to-win one to a player two trophies away from a career grand slam.
It was always in his subconscious, but he had to remember. There was supposed to be a process — a steady drip. The question was whether he would persist, and whether he’d believe.
“Maybe there was more self-belief this year than ever. And maybe it took me time to get to that point,” Schauffele says. “Everyone’s supposed to believe in themselves, everyone’s supposed to imagine themselves winning. I think until you truly do that and it’s actually a genuine thing, you won’t really see it through. You can say those words, but for me, I was actually feeling ready to win.”
This counts as revelatory for Schauffele, an admission of something other than resolute strength for a 31-year-old who walks the course with a confident swagger. Unwavering consistency was always what Schauffele intended to be his ticket to the top, and it showed in the progression of his game. If you judge it by advanced statistics, he was already the most consistent player in golf. But in 2024 he made bogey or worse on only 9.4 percent of his holes — setting a new PGA Tour record, eclipsing Tiger Woods’ all-time 2000 season.
“I grew this year, but for the most part I’ve been sort of preparing myself my entire life for those moments,” Schauffele says.
Stefan could see what was coming before Schauffele. A year ago, celebrating Christmas in San Diego, the father/coach sat down with the son/protege for a one-on-one conversation. End-of-year transitions always feel pivotal to Stefan. Time to take accountability. To craft purpose.
He looked at Schauffele, days before the pair would travel to Hawaii for the 2024 opening tournament, and came forward with a proclamation: “The team is ready for you to win a major.”
Then he stepped away, becoming just dad.
For this next stage of life, Stefan decided to move as far away as possible from his younger son, which is why he finds himself pausing mid-sentence at the sight of a pod of whales breaching in the Pacific Ocean.
Standing on a plot of farmland in Kauai, Hawaii, Stefan is working on building a family compound. The “Ogre,” as he’s known on the PGA Tour, always sporting a fedora, black shades and a linen polo, timed his expedition intentionally.
For a year and a half, Stefan lived in a 20-foot shipping container with no electricity, hot water or bathroom, away from his wife and Xander’s mother, Ping-Yi, for months at a time. He recently moved onto a second piece of property that includes a real house, so she can visit more often, and a warehouse, so tradesmen can come in and out from Hawaii’s mainland to assist the project.
Stefan is preparing the land to grow tuberous roots, like taro, araimo and satoimo. He’ll plant avocado trees for an oil supply. Everything will be ready for the Schauffeles in two to three years, perfect timing for their grandchildren to play with the animals. Yes, there will be livestock — Shetland ponies and miniature highland cows. Xander and his older brother, Nico, aren’t allowed to see it until it’s done.
Stefan Schauffele, left, held dual roles in Xander’s life: Father and coach. That changed in 2024. (Andrew Redington / Getty Images)
There’s a vision. There’s a process. It began with the decision to step away from being Xander’s coach, a departure he wished had happened sooner. He knew the time would come, when he could no longer serve his son’s needs in his expertise. The question of how to make the transition was harder.
Which is why as Xander lifted his first major championship trophy, Stefan was closer to Tokyo than Louisville, Ky., resigned to watch the moment on television from one of Hawaii’s farthest outlying islands.
“I cannot explain to you how close (Xander and I) are,” he says. “It is stupid. I had to literally do what I’m doing right now in order to create separation.”
An accomplished decathlete in his prime, Stefan cultivated his son’s competitive drive the only way he knew. “He basically treated me as a young pro from a really young age,” Xander says.
The father viewed golf as a multidisciplinary game, just like his 10-event sport. Stefan took so much pride in his will to win, he used unusual tactics in an effort to bring it out of his son — ones he knew shouldn’t be implemented in most parent-child relationships.
“I had to find ways for Xander to openly oppose me and fight with me, not physically, but oppose me strongly. I worked hard on that, sometimes with unfair methods: I would cheat in ping pong until he got so upset that he started standing up to me at a pretty young age,” Stefan says.
A bond of mutual respect led to persistence becoming part of Xander’s nature. That was the precursor to the father and son’s on-course relationship and to Xander’s trek to the top.
As a boy, Stefan asked his son if he wanted to be like Fred Couples or Tiger Woods. Play the game by feel or study its intricacies? Xander chose the latter. He wanted to know everything about the mechanics of his swing. Stefan would explain the concepts to him, but he had to prove the basis of his knowledge with evidence. Xander acted with the kind of stubbornness that Stefan felt was necessary. In turn, Xander listened to his father’s philosophies about demeanor and body language. It all connected back to a central principle.
If you are playing alone — Stefan would ask his son — on a golf course in the middle of a forest, and you miss a three-foot putt, are you going to throw a tantrum? “The answer is no. When you do it on TV, it’s all fake. It’s all an act. We cut out all of the acting and the fakeness,” Schauffele said.
“Golf is a long career,” he continued. “You can almost guarantee that anybody that is pretentious will eventually suffer some kind of defeat by his own ego.”
Xander Schauffele’s PGA Championship win made even the stoic Schauffele smile. (Ross Kinnaird / Getty Images)
The same themes were hammered into Xander’s mind through college golf, the Web.com Tour and the PGA Tour.
At the qualifier for the 2017 U.S. Open, a PGA Tour rookie Schauffele was paired with Steve Stricker, the latter vying for a spot in the national championship in his home state, Wisconsin’s Erin Hills. He watched as the 50-year-old put together a string of birdies in the latter half of the 36-hole day, turning a slow start into a highlight reel. It was the perfect microcosm of the old German proverb. Stefan’s lurk-in-the-shadows strategy had come to life. Schauffele was just finally seeing it for himself.
Schauffele qualified for that U.S. Open too, resulting in a tie for fifth place in his first major start. Three weeks later, he won his first PGA Tour event.
“Stricker didn’t panic when things weren’t going his way. He stayed the course, and all of sudden rattled off eight or nine birdies and he was leading the tournament. Where did that come from? For me, my career doesn’t feel too dissimilar from that sort of mentality,” Schauffele says.
Schauffele was never “the guy.” He’s one of 16 players to win The Open and another major in one year, and he still isn’t. When his peers were asked to name the PGA Tour Player of the Year, 91 percent said Scottie Scheffler.
A phenomenal year by anyone’s standards has somehow still left him steeped in a shadow, cast by the potentially generational talent, Scheffler.
But Schauffele’s game wasn’t designed for him to be “the guy.” Persistence means evolution. And evolution isn’t always flashy.

When Schauffele seemed to be stuck as the player always hanging around the top five on a leaderboard, he could have stopped there. Instead, he continued to push, as he has always been taught to do.
Sometimes that push — the art of never being satisfied — requires tough decisions. At the end of 2023, the Schauffeles hired Chris Como, a leading professional golf instructor, to the inner circle that from the outside looked like it could never be cracked. A personal trainer, David Sundberg, and a physiotherapist, Marnus Marais, came on board too. Stefan backed away. He retreated, literally, into the jungle.
In 2024, Schauffele’s new team and improved process helped him gain 10 yards off the tee, meaning shorter iron shots, more birdies, and in turn, the big wins. But really, Schauffele could keep things rolling until that epiphany. That’s what got him there.
“When you’re so close, it’s such a finite thing. You’re trying to improve by a quarter of a shot in a certain part of your game,” Schauffele says. “It doesn’t seem like much on paper, but it could do the world of difference over the course of a year.”
Schauffele’s missing self-belief was found in his process.
“I think mentally, dealing with everything that led up to this year — failing and failing and having everyone say you’re potentially one of the best to have never won a major, at least in this modern era, all those things finally were just kind of put to rest,” Schauffele says.
Now he’s entering new territory. The Schauffeles evaluate progress with a year-over-year eye. Since first emerging on tour in 2017, Schauffele has rarely regressed in the official world golf rankings. He’s essentially maintained or improved his position, steadily. But now he’s No. 2.
Heading into The Sentry, the opening event of the 2025 PGA Tour season at Kapalua, Hawaii, this week as the second-best player in the world, Schauffele has an opportunity. Eighty-four weeks into a world No. 1 streak that has put Scheffler on a seemingly unreachable peak, he is out with an injured hand. Stefan will be lingering close to his son in Hawaii, taking a break from his Kauai camp to temporarily fill in as Schauffele’s manager. But as intended, the relationship is different. Schauffele is playing the best golf of his life. He’s in control.
“It’s crazy. I’m super fired up to go practice. I’m super fired up to go see my trainer. I’m super fired up to get to Hawaii,” Schauffele says. “I think it’s my eighth or ninth year on tour. And I’m still feeling that way.”
If there was ever a time to carry on, it’s now. Schauffele is ready for it. He is ready to keep caving the stone.
(Illustration: Dan Goldfarb / The Athletic; Photos: Ben Jared / PGA Tour, Tom Shaw / R&A via Getty Images)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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