Connect with us

Culture

Ten Hag’s ‘two trophies’ line is true – but it’s not the only measure of progress

Published

on

Ten Hag’s ‘two trophies’ line is true – but it’s not the only measure of progress

It was about as close as an FA Cup-winning manager has come to a mic drop.

In a room of journalists who had spent the previous few days reporting on his bosses’ plan to replace him, a bruised, embattled but belligerent Erik ten Hag defended his record as manager of Manchester United.

“Two trophies in two years is not bad,” he said. “Three finals in two years is not bad. If they don’t want me, then I go somewhere else to win trophies because that is what I do.”

It was a good line, worth repeating, which he did. After Ten Hag’s contract was extended and his future settled, he sat down with MUTV in July and reiterated his “two trophies” point.

Then he said it again a few days later in Trondheim after United’s first pre-season friendly, adding: “Apart from (Manchester) City, that’s more than any other club in English football.”

Advertisement

He repeated it again after the friendly against Rangers in Edinburgh.

Then again on the tour of the United States.

That was just pre-season. Since the start of the campaign proper, Ten Hag has referenced his two domestic cup wins in six exchanges with journalists during pre- and post-match press conferences, to say nothing of interviews with broadcasters.

The latest instance, after Sunday’s 3-0 defeat to Liverpool, came amid a tense exchange with one journalist who Ten Hag invited to name the “mistakes” his team were accused of making. After the journalist rattled off a long list of repeated errors, Ten Hag retreated to his old faithful.

“I have a different vision. I think we won, after City, the most trophies in English football,” he said. “I am sorry for you.”

Advertisement

He’s right, of course. It is as true now as it was at Wembley. But three games into a new season, an argument with which he neatly skewered his critics in May is fast becoming a crutch to fall back on.

On Friday, having just repeated his favourite point, Ten Hag added: “There’s only one thing in football and that’s at the end of the season if you win prizes, trophies, or not.” But as others have noted, that view is in stark contrast to that of his predecessor Ole Gunnar Solskjaer.

“Any cup competition can give you a trophy but sometimes it’s more of an ego thing from other managers and clubs to finally win something,” Solskjaer said in March 2021.

“It’s not like a trophy will say, ‘We’re back’. It’s the gradual progression of being in and around the top of the league and the consistency and the odd trophies. Sometimes a cup competition can hide the fact you’re still struggling a little bit.”

Advertisement

Solskjaer’s words are those of a manager who had the opposite problem to Ten Hag. Under the Norwegian, United’s league finishes steadily improved — from sixth to third to second — but the trophy cabinet was bare.

Solskjaer was defending his record by claiming that the league is a true barometer of progress, just as Ten Hag is defending his record by pointing to silverware. As to which view is correct, opinions will vary.


Ten Hag with his other trophy, the Carabao Cup (Julian Finney/Getty Images)

As critical as it was for Solskjaer’s United to qualify for the Champions League on the final weekend of the 2019-20 campaign, do you remember who they beat that day? Do you remember the score? Maybe you do, but that 2-0 win behind closed doors at Leicester City is hardly a result that will echo through the ages.

Similarly, memories are not made by being runners-up in the league. Solskjaer’s side finished 12 points adrift of champions Manchester City the year they finished second, in 2021, having not topped the table from late January.

The only trophy United came close to winning that year was the Europa League. Speaking before the final in Gdansk, Solskjaer maintained that silverware sometimes “hides other facts”. But after United lost to Villarreal in a penalty shootout, he admitted he could not consider the season a success having failed to deliver silverware.

Advertisement

Ask some who have known the inner workings of Old Trafford over the years and they would say you cannot survive as United manager without winning trophies. Solskjaer’s spell in charge is arguably evidence of that, while Ten Hag’s proves the inverse: deliver a trophy plus the greatest day of United’s post-Sir Alex Ferguson era and you can survive anything, even the worst-ever Premier League finish.

go-deeper

There was also the 4-3 quarter-final win over Liverpool, of course — one of Old Trafford’s best games and atmospheres this century. Add the Carabao Cup victory on top, and the past two years have given supporters indelible memories, highs to balance out the lows.

But Solskjaer’s view is much closer to how performance is coldly assessed at the elite level in modern football. A league campaign over 38 games home and away is undeniably a truer gauge of a side’s quality, as well as typically the gateway to lucrative Champions League qualification, which affects budgets in a way the FA Cup cannot.

go-deeper

United may be the second-most successful side in English football over the past two years, as Ten Hag points out, but nobody would sincerely argue that they have been the second-best team.

Nor would anybody suggest United are closer to challenging City for major honours than Arsenal, despite Mikel Arteta only adding a Community Shield to his honours list since Ten Hag’s appointment.

That is the reality. In a quieter moment, outside the adversarial nature and pitched battles of a press conference, even Ten Hag would agree that trophies are not enough. You need both pots and points.

Advertisement

United’s decade-plus of underachievement will only have ended when the club are regularly competing for Premier League titles and reaching the latter stages of the Champions League again.

There were mitigating factors last season — injuries, off-field turmoil, takeover uncertainty, the absence of an established left-back — but United were below standard in the competitions that matter most.

That, despite domestic cup success, is why their manager is under pressure to prove progress has and can still be made, and why he will only be able to point to his two trophies for so long. When not staring down a room of journalists and television cameras, even Ten Hag would accept that.

go-deeper

GO DEEPER

Analysing Ashworth and Berrada’s Man Utd transfer briefing – ‘Erik has our full backing’

(Top photo: Erik ten Hag with the FA Cup; by Alex Pantling via Getty Images )

Advertisement

Culture

Video: The A.I. threat to audiobooks

Published

on

Video: The A.I. threat to audiobooks

new video loaded: The A.I. threat to audiobooks

Artificial intelligence has made pirated audiobooks faster to make and harder to detect. Our reporter Alexandra Alter tells us about the latest threat to the publishing industry.

By Alexandra Alter, Léo Hamelin and Laura Salaberry

May 20, 2026

Continue Reading

Culture

Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

Published

on

Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.

The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.

With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.

“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”

Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.

Advertisement

In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.

Your work has been categorized as Black romance, but how do you see yourself as a writer?

I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.

What intrigued you about the period of history you capture in the Hollywood Renaissance series?

I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.

Advertisement

What about that period feels resonant now?

The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.

How does this moment in your career feel?

I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.

Why would it all go away?

Advertisement

Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.

When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.

Why are you so firmly committed to defending the “happy ending” in romance novels?

It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.

I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.

Advertisement

You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?

First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.

How does this apply to being a very visible Black author in romance?

I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.

How do you define success for yourself at this point?

Advertisement

I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.

Continue Reading

Culture

How Many of These Books and Their Screen Versions Do You Know?

Published

on

How Many of These Books and Their Screen Versions Do You Know?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.

Continue Reading
Advertisement

Trending