Culture
South Carolina and Iowa prove if 'given an opportunity, women’s sports just thrives'
CLEVELAND — Everyone wanted to talk about the game, which was expected after the South Carolina women’s basketball team held off Iowa for an 87-75 victory and second national championship in three years. But Dawn Staley also wanted to talk about the other game. Actually, that’s not strong enough. She was going to discuss it.
Basketball has played such an important role in her life that she protects it as fiercely as a mother would a newborn. Her love for it is matched only by her respect for it. So even as questioners asked about the Gamecocks becoming just the 10th team in NCAA Division I history to finish a season undefeated, going 38-0, Staley purposely turned the spotlight back to the person who was central in helping to make this a transformative season and inflection point in the game’s evolution.
“I don’t want to not utilize this opportunity to thank Caitlin (Clark) for what she’s done for women’s basketball,” she said of the Iowa guard whose transcendent play helped drive record viewership numbers. “Her shoulders were heavy and getting a lot of eyeballs on our game. And sometimes as a young person, it can be a bit much. But I thought she handled it with class. I hope that every step of the ladder of success that she goes, she’s able to elevate whatever room she’s in.”
Minutes earlier, Staley had elevated herself to the upper rungs of a ladder in Rocket Mortgage FieldHouse. She snipped the final polyester strands from the net and placed it around her neck. Then she turned each way and waved to fans.
As I later listened to her describe her feelings, Maya Angelou’s words came to mind: “I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.”
That summarizes the 2023-24 women’s basketball season for me. Years from now, I will likely forget Clark’s career points total, how many games South Carolina won, why Kim Mulkey always seemed so angry, and which players were involved in the moving screen at the end of the UConn-Iowa national semifinal. But I will never forget the sense of satisfaction derived from seeing the sport come of age.
Dynasty?
🏆 @GamecockWBB pic.twitter.com/ij7ovmsJ1b
— The Athletic (@TheAthletic) April 7, 2024
For decades, broadcast partners and the public marginalized women’s basketball, ostensibly relegating it to the kids’ table. The calls for respect were heard but ignored. But this season was different. The women no longer asked for respect; they demanded it with the record-breaking viewership that stemmed from the genius of Clark, the high-level play of South Carolina, Iowa, UConn, LSU and others, and the storylines and grudge matches that set social media ablaze.
How far has the game come? When the Final Four was held in Tacoma, Wash., in 1988 and ’89, the local newspaper didn’t send any of its top sportswriters to cover the event. It sent a lowly community news reporter who had never staffed a major sporting event. I know because that person was me.
I was stunned there wasn’t more interest after experiencing the intensity of Tennessee coach Pat Summitt’s piercing blue eyes, the playmaking of Long Beach State guard Penny Toler, the generalship of Stanford guard Jennifer Azzi, the consistency of Tennessee forward Bridgette Gordon, and the promise of Louisiana Tech center Venus Lacy. But traction is hard to come by when broadcast rights are sold to a cable outlet that views you as an afterthought.
ESPN should be ashamed for that. The fact is, it’s not deserving of what it now has — one of the hottest products in sports. The women’s game this year attracted more viewers than the NBA Finals, World Series, college football playoffs — you name it. And while there might be a drop-off with Clark leaving for the WNBA, the chances of a significant decline seem remote at best.
The reason is the abundance of elite teams and playmaking young stars, including USC freshman JuJu Watkins, who ranked second in the country in scoring; Notre Dame freshman Hannah Hildago, who was must-see TV; and South Carolina freshmen MiLaysia Fulwiley and Tessa Johnson, who just played prominent roles in winning the Gamecocks their third national championship in franchise history. And then there is senior guard Paige Bueckers, who led Connecticut to the Final Four and should be in the running for national Player of the Year next season.
“I just want our game to grow. I don’t care if it’s us. I don’t care if it’s Caitlin. I don’t care if it’s JuJu or Hannah,” Staley said. “I just want our games to grow, no matter who it is. Because there’s a lot of people that are out there growing our game, a lot of programs out there growing our game. We need to continue to uplift them as well, as we take our game to the next level.”
GO DEEPER
Dawn Staley created South Carolina’s perfect championship season out of last year’s loss
There will be plenty of time to discuss the passing of the baton, so to speak. But Sunday was about recognizing those who, if not created this moment, unquestionably built on the momentum created in recent seasons. And Clark was at the front of the line.
Before disappearing from the dais for the final time as a college player, she reflected on the things she will remember and appreciate most — her teammates, her coaches, and her support inside and outside the program. And she will also take great pride and satisfaction that she played a part in making the women’s game top of mind.
“When I think about women’s basketball going forward, obviously it’s just going to continue to grow, whether it’s at the WNBA level, whether it’s at the college level,” Clark said. “Everybody sees it. Everybody knows. Everybody sees the viewership numbers. When you’re given an opportunity, women’s sports just kind of thrives. I think that’s been the coolest thing for me on this journey. We started our season playing in front of 55,000 people in Kinnick Stadium, and now we’re ending it playing in (front of) probably 15 million people or more on TV. It just continues to get better and better. That’s never going to stop.”
(Photo of Dawn Staley: Gregory Shamus / Getty Images)
Culture
Do You Recognize These Lines From Popular Science Fiction?
Welcome to Literary Quotable Quotes, a quiz that tests your recognition of classic lines. This week’s installment highlights observations from future or alternate worlds depicted in popular science fiction. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’re intrigued and inspired to read more.
Culture
Test Your Memory of These Books That Changed the World
Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge tests your memory of books that made huge impacts on society after they were published — some of them even spurring changes to American laws. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do further reading.
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
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