Culture
Dusty Baker on the passing of Fernando Valenzuela: ‘He came like an angel to us’
Dusty Baker remembered the games. Not the ones that Fernando Valenzuela would bend to his will like his signature screwball, but the moments in between. The precocious left-hander’s skills went beyond the iconic windup he taught himself on mounds in a small Mexican town named Etchohuaquila. Valenzuela could hit so well that he remained parked on the bench at Dodger Stadium even on nights when he didn’t pitch. He could field his position so well that he’d win a Gold Glove.
But Baker marveled at another athletic feat: Valenzuela knocking a hacky sack into the air, his eyes floating to the sky just as they would when he delivered a pitch.
“That was the first time I had really seen anybody that good at it,” Baker recalled by phone on Tuesday night.
Baker was 31 when Valenzuela, still just 19 years old, made his Dodgers debut in 1980. As a running gag, the pitcher would tap Baker on the shoulder to get him to look the wrong way and then giggle with childlike vigor when it worked.
“Fernando was a kid,” Baker said. “He acted like a kid. He was fun. He acted like a kid everywhere but on the mound.”
Valenzuela died on Tuesday, the Dodgers announced. He was 63 years old. The man who sparked “FernandoMania” in 1981 is gone. By that summer, he’d captivated a city and a market that hasn’t been the same since.
Dusty Baker and Fernando Valenzuela were friends from the start and forged a long-lasting bond. (Jayne Kamin-Oncea / USA Today)
Valenzuela was not the first Mexican superstar and will not be the last, but there will only be one Fernando. It was over one summer, as a 20-year-old, that an entire city got to know the soft-spoken left-hander on a first-name basis that has echoed ever since.
“Everywhere we went — it wasn’t only the Dodgers — where we went, he packed the stadium,” Baker said. “And he packed the stadium, especially with the Latin American people from all over, all over the world. He made everybody, especially Latin Americans, made them proud.”
Valenzuela’s stardom fueled a cultural shift in Los Angeles by reinvigorating a Mexican American community damaged by the franchise’s move to the area and displacement of families at Chavez Ravine to build the now-storied ballpark.
Valenzuela debuted in 1980 to little fanfare, delivering 10 scoreless appearances. His first start of 1981 came on Opening Day, but only after Jerry Reuss injured his calf. Valenzuela had already thrown his bullpen session on the eve of Opening Day when Dodgers manager Tommy Lasorda informed him he would take the baseball.
The left-hander responded by throwing a five-hit shutout in a 2-0 victory over the Houston Astros.
“Fernando — he was The Man as a kid,” Baker said.
“Good thing we won that game,” Valenzuela recalled with a chuckle last year.
He won each of his first eight starts — all complete games.
Valenzuela was estranged from the club into retirement over lingering resentment from the Dodgers’ decision to release him in 1991, just before his $2.55-million contract would have become guaranteed. He returned to the organization as a Spanish-language broadcaster in 2003 and the Dodgers retired his No. 34 in August 2023 (the franchise waived its longstanding policy on not doing so for players not in the Hall of Fame).
But if Valenzuela’s relationship with the Dodgers was complicated, his relationship with the city and its people is not. His jersey remains among the most popular at a ballpark where crowds regularly chanted his name. The pitching mound at Dodger Stadium always felt like the tallest place in the world when the 5-foot-11 left-hander was standing on top.
He was just what Los Angeles, and the Dodgers, needed.
“He came like an angel to us at the time we needed him the most,” Baker said.
Baker was Valenzuela’s teammate from 1980 to 1983 and they developed a bond. He took care of him. Baker took Valenzuela out to dinners, as Felipe Alou and Hank Aaron did for him as a young Atlanta Brave. When Baker returned to Dodger Stadium this August as part of a bobblehead night and spoke with Valenzuela, who by then had shown signs of his illness and lost weight, Baker took time to be with his former teammate.
The left-hander who pitched like a man, Baker said, was always still a boy. He recalled a stretch during Valenzuela’s peak: Andre Dawson had slugged a solo home run off Valenzuela at Dodger Stadium in May 1981, a game-tying shot during a complete game victory as Pedro Guerrero hit a walk-off home run a half-inning later. When Valenzuela faced Dawson’s Montreal Expos that October in a winner-take-all Game 5 in the National League Championship Series, he kept Dawson 0-for-4 and struck him out — all the while outlining the very sequence to Baker that he had thrown Dawson earlier in the season.
“Fernando was smart. I mean, this cat, he was like a man, pitched like a man, but he was a young, young boy,” Baker said.
Valenzuela tossed eight shutouts in 25 starts, winning a no-brainer Rookie of the Year award to serve as a side dish to a Cy Young Award.
The Dodgers, always on the doorstep, would return to the World Series against the New York Yankees in 1981 and win. There hadn’t been a Fall Classic meeting of the two iconic franchises since — until now. Valenzuela passed away just three days before Game 1 begins at Dodger Stadium.
(Top photo from 1985: Rick Stewart / Getty Images)
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
Culture
Summer’s Best Beach Reads
Take me to visit a dysfunctional family with oceanfront real estate
by Meg Mitchell Moore
Moore is a dependable ingredient in any summer reading soufflé. Her airy novels accomplish what they came to do: entertain and transport, without the pyrotechnics of, say, books that eschew quotation marks. In “Down With the Shipmans,” three sisters, laden with baggage, converge on their late mother’s beach cottage, only to learn that their father and his much younger wife are planning to sell the place.
The stakes are high, the drama is juicy and the views are sublime. Moore even provides two beach dogs — Leo (an unruly pit bull mix) and Cinnamon (“golden retriever, red bandanna, long pink tongue”) — to keep things lively. (Comes out June 2)
Culture
Video: The A.I. threat to audiobooks
new video loaded: The A.I. threat to audiobooks
By Alexandra Alter, Léo Hamelin and Laura Salaberry
May 20, 2026
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