Culture
Dusty Baker on the passing of Fernando Valenzuela: ‘He came like an angel to us’
Dusty Baker remembered the games. Not the ones that Fernando Valenzuela would bend to his will like his signature screwball, but the moments in between. The precocious left-hander’s skills went beyond the iconic windup he taught himself on mounds in a small Mexican town named Etchohuaquila. Valenzuela could hit so well that he remained parked on the bench at Dodger Stadium even on nights when he didn’t pitch. He could field his position so well that he’d win a Gold Glove.
But Baker marveled at another athletic feat: Valenzuela knocking a hacky sack into the air, his eyes floating to the sky just as they would when he delivered a pitch.
“That was the first time I had really seen anybody that good at it,” Baker recalled by phone on Tuesday night.
Baker was 31 when Valenzuela, still just 19 years old, made his Dodgers debut in 1980. As a running gag, the pitcher would tap Baker on the shoulder to get him to look the wrong way and then giggle with childlike vigor when it worked.
“Fernando was a kid,” Baker said. “He acted like a kid. He was fun. He acted like a kid everywhere but on the mound.”
Valenzuela died on Tuesday, the Dodgers announced. He was 63 years old. The man who sparked “FernandoMania” in 1981 is gone. By that summer, he’d captivated a city and a market that hasn’t been the same since.
Dusty Baker and Fernando Valenzuela were friends from the start and forged a long-lasting bond. (Jayne Kamin-Oncea / USA Today)
Valenzuela was not the first Mexican superstar and will not be the last, but there will only be one Fernando. It was over one summer, as a 20-year-old, that an entire city got to know the soft-spoken left-hander on a first-name basis that has echoed ever since.
“Everywhere we went — it wasn’t only the Dodgers — where we went, he packed the stadium,” Baker said. “And he packed the stadium, especially with the Latin American people from all over, all over the world. He made everybody, especially Latin Americans, made them proud.”
Valenzuela’s stardom fueled a cultural shift in Los Angeles by reinvigorating a Mexican American community damaged by the franchise’s move to the area and displacement of families at Chavez Ravine to build the now-storied ballpark.
Valenzuela debuted in 1980 to little fanfare, delivering 10 scoreless appearances. His first start of 1981 came on Opening Day, but only after Jerry Reuss injured his calf. Valenzuela had already thrown his bullpen session on the eve of Opening Day when Dodgers manager Tommy Lasorda informed him he would take the baseball.
The left-hander responded by throwing a five-hit shutout in a 2-0 victory over the Houston Astros.
“Fernando — he was The Man as a kid,” Baker said.
“Good thing we won that game,” Valenzuela recalled with a chuckle last year.
He won each of his first eight starts — all complete games.
Valenzuela was estranged from the club into retirement over lingering resentment from the Dodgers’ decision to release him in 1991, just before his $2.55-million contract would have become guaranteed. He returned to the organization as a Spanish-language broadcaster in 2003 and the Dodgers retired his No. 34 in August 2023 (the franchise waived its longstanding policy on not doing so for players not in the Hall of Fame).
But if Valenzuela’s relationship with the Dodgers was complicated, his relationship with the city and its people is not. His jersey remains among the most popular at a ballpark where crowds regularly chanted his name. The pitching mound at Dodger Stadium always felt like the tallest place in the world when the 5-foot-11 left-hander was standing on top.
He was just what Los Angeles, and the Dodgers, needed.
“He came like an angel to us at the time we needed him the most,” Baker said.
Baker was Valenzuela’s teammate from 1980 to 1983 and they developed a bond. He took care of him. Baker took Valenzuela out to dinners, as Felipe Alou and Hank Aaron did for him as a young Atlanta Brave. When Baker returned to Dodger Stadium this August as part of a bobblehead night and spoke with Valenzuela, who by then had shown signs of his illness and lost weight, Baker took time to be with his former teammate.
The left-hander who pitched like a man, Baker said, was always still a boy. He recalled a stretch during Valenzuela’s peak: Andre Dawson had slugged a solo home run off Valenzuela at Dodger Stadium in May 1981, a game-tying shot during a complete game victory as Pedro Guerrero hit a walk-off home run a half-inning later. When Valenzuela faced Dawson’s Montreal Expos that October in a winner-take-all Game 5 in the National League Championship Series, he kept Dawson 0-for-4 and struck him out — all the while outlining the very sequence to Baker that he had thrown Dawson earlier in the season.
“Fernando was smart. I mean, this cat, he was like a man, pitched like a man, but he was a young, young boy,” Baker said.
Valenzuela tossed eight shutouts in 25 starts, winning a no-brainer Rookie of the Year award to serve as a side dish to a Cy Young Award.
The Dodgers, always on the doorstep, would return to the World Series against the New York Yankees in 1981 and win. There hadn’t been a Fall Classic meeting of the two iconic franchises since — until now. Valenzuela passed away just three days before Game 1 begins at Dodger Stadium.
(Top photo from 1985: Rick Stewart / Getty Images)
Culture
Do You Recognize These Lines From Popular Science Fiction?
Welcome to Literary Quotable Quotes, a quiz that tests your recognition of classic lines. This week’s installment highlights observations from future or alternate worlds depicted in popular science fiction. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’re intrigued and inspired to read more.
Culture
Test Your Memory of These Books That Changed the World
Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge tests your memory of books that made huge impacts on society after they were published — some of them even spurring changes to American laws. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do further reading.
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
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