Culture
Book Review: ‘See Friendship,’ by Jeremy Gordon
SEE FRIENDSHIP, by Jeremy Gordon
In the decade since the hit show “Serial” turned the name “Adnan” into a dinner-party mononym, a new protagonist archetype has emerged: the podcaster. Often these narrators play amateur detectives pursuing true-crime cases involving violence against young women (“I Have Some Questions for You,” by Rebecca Makkai, and “Sadie,” by Courtney Summers). Other times, the narrator’s pulled into manosphere buffoonery (“Friend of the Pod,” by Sam Lipsyte). Now we have Jeremy Gordon’s debut novel, “See Friendship,” whose reluctant podcaster is adrift and full of anxiety.
The novel is at heart a millennial’s take on grief-inflected nostalgia. It follows Jacob Goldberg, a 31-year-old Jewish-Chinese journalist working at a “moderately respected” culture website. He’s spent a decade churning out essays on exhibitions at the Whitney and pop icons’ surprise albums. For his next venture for the publication, Jacob pitches a podcast series about a close high school friend, Seth, who died unexpectedly the year after Jacob graduated.
Seth was the Jay Gatsby to Jacob’s Nick Carraway. “There wasn’t a single person at our high school he didn’t get along with, and he could expand this invitational aura to include anyone,” Jacob recalls. Seth was also Black-Brazilian and gay; he and Jacob bonded as two biracial students at the predominantly white Gale Sayers Prep, just outside Chicago (one of the most segregated cities in the United States).
As much as Jacob loved Seth, the podcast is not a passion project. Jacob sees job security in pivoting to the ad-friendly audio format, and though he knows that one dead friend is a tough anchor to sustain an entire series, he figures he can pad out the episodes with 9/11, the George W. Bush administration and other aughts-era signifiers. Despite his boss’s ambivalent response, Jacob proceeds apace, collecting the details he thinks he’ll need to produce a show.
We might pause here. Reading about someone else’s podcast research is on par with a friend sharing last night’s dream: If we’re not in it, don’t bother. But “See Friendship” holds our interest by sending Jacob on a spree of interviews with his former classmates, in Chicago and Los Angeles, that revises his memories of his late friend’s final months. He documents romantic fumblings, overambitious theater productions and a skirmish at Seth’s funeral. He also hooks us with a plot twist: It turns out Seth didn’t die from a vague stomach condition, as Jacob believed, but from a heroin overdose. And a much-despised local musician named Lee Finch is somehow responsible. Jacob decides confronting Lee will provide a satisfying climax for the podcast and long-awaited closure for himself.
It would all make for a tidy story (for both podcast and novel), but Gordon — who is an editor at The Atlantic, with bylines at Pitchfork, GQ and The New York Times Magazine — rejects tidiness. Jacob isn’t a terribly good journalist. He misses obvious clues and ignores the smoking gun of a related school scandal. The novel opens with Jacob’s job anxieties, but even those fade into the background. And while another novelist might stress Jacob’s Jewish-Chinese identity, Gordon only lightly touches it.
His real interest is the millennial in crisis — cue the Strokes’ “Is This It” — and the ways Jacob glances backward. If every generation thinks it invented sex, Gordon’s insight is that, thanks to technology, every generation does reinvent nostalgia. That’s hinted at with the book’s title: “See Friendship” is also the name of the Facebook tool for isolating the digital exchanges between oneself and a friend. It’s a fitting metaphor. Facebook’s feature delivers a seemingly complete record, but like all portraits, it’s still partial. Jacob looks, he learns, but something will always elude him.
As the novel progresses, the true source of Jacob’s renewed obsession with Seth comes to light. Jacob has recently suffered a mental breakdown. He’s now floating along, unmoored. Seth is part of a larger siren’s call toward the past — Jacob hopes that by dwelling in memory, he might find a way out of his present.
The self-sabotaging fixation on nostalgia reminded me of “High Fidelity,” Nick Hornby’s Gen X cri de coeur. Hornby’s narrator, Rob, looked to the past for evidence; Gordon’s proffers revisions and palimpsests. “In searching for the answer, all I’d found were the limitations of my ability to understand,” Jacob says.
It isn’t a spoiler to reveal that the novel resists traditional resolution. The podcast’s success is ultimately a secondary concern; Jacob never “rediscovers” Seth in the way he initially set out to; and “See Friendship” rejects catharsis in favor of the diffuse grays of extended mourning. Jacob, per Dickinson, will “go on aching still/Through Centuries of Nerve.”
The final chapter decenters Jacob in order to unfold outward — wonderfully so, like its own small metaphor of the internet. Gordon’s smart novel on the warping effects of nostalgia and technology asks us to follow some Forsterian advice from a century ago: Only connect.
SEE FRIENDSHIP | By Jeremy Gordon | Harper Perennial | 280 pp. | Paperback, $17.99
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
Culture
Summer’s Best Beach Reads
Take me to visit a dysfunctional family with oceanfront real estate
by Meg Mitchell Moore
Moore is a dependable ingredient in any summer reading soufflé. Her airy novels accomplish what they came to do: entertain and transport, without the pyrotechnics of, say, books that eschew quotation marks. In “Down With the Shipmans,” three sisters, laden with baggage, converge on their late mother’s beach cottage, only to learn that their father and his much younger wife are planning to sell the place.
The stakes are high, the drama is juicy and the views are sublime. Moore even provides two beach dogs — Leo (an unruly pit bull mix) and Cinnamon (“golden retriever, red bandanna, long pink tongue”) — to keep things lively. (Comes out June 2)
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