Culture
Barcelona’s 125th anniversary: When their star striker was kidnapped for 23 days
Friday, November 29, 2024, marks the 125-year anniversary of the formation of FC Barcelona.
To mark the occasion, The Athletic is running a series of pieces, celebrating the people and the moments who have helped make the club what it is today.
We have told you about the story of Joan Gamper, the man who founded the club, and run through some of the most significant numbers in Barca’s history. Now, we look at the scarcely believable story of when their star striker, Quini, was kidnapped in 1981…
“Quini’s wife called me at four o’clock in the morning. She told me he hadn’t come home that night and that she hadn’t heard anything from him.”
Former Barcelona president Joan Gaspart is talking to The Athletic about one of the most unusual incidents in the club’s history.
It was Sunday, March 1, 1981, and Gaspart was vice-president. Barca had beaten Hercules 6-0 at the Camp Nou and La Liga’s top scorer Quini had provided two goals. Barca looked on course for the Spanish title — something that had not happened since 1973-74, in Johan Cruyff’s playing days and when Quini was scoring goals for Sporting Gijon instead.
There was a sense of euphoria in the city and among the players, who decided to go for dinner at a restaurant near the ground.
It was the restaurant Can Fuste, a 15-minute walk from Camp Nou. Everyone was waiting for the then 31-year-old star striker Quini, full name Enrique Castro Gonzalez — but he never arrived.
“There were seven or eight of us,” Carles Rexach — one of the players in the squad tells The Athletic. “(Barca centre-back and Quini’s close friend Jose Ramon) Alexanko met us and said he didn’t know where he was or where he had gone.”
Quini was one of Spanish football’s most famous players in the 1980s (FC Barcelona)
The last anyone had heard from Quini was a TV interview in which he spoke about their upcoming game against Atletico Madrid. Atletico were in first place, two points ahead of Barca and the game was crucial.
Mari Nieves, Quini’s wife, had flown back from Gijon that afternoon with her two children, as she did on many weekends. After the match, her husband stopped by the house to pick up his things before getting in his Ford Granada to head to Barcelona airport to pick her up.
“His wife (when he did not appear at the airport) had called several hospitals, police stations or any place where they might know something,” Gaspart says. “He didn’t show up. Nobody knew anything. We went to his house at five or six o’clock in the morning thinking, ‘Where could he be?’”
Gaspart, then-Barca president Josep Lluis Nunez and Alexanko spent the night at Nieves’ house and immediately called the police.
The next day, the report of Quini’s disappearance became official. The three men stayed with Nieves until she received a call that began to give her answers.
The case caused a stir across the country. It was reported in all the major media outlets and rumours began to spread about whether the Basque separatist group ETA had been involved after terrorising Spain with a number of attacks.
Nieves received the first of 21 calls from her husband’s kidnappers. It was not ETA but three people with no criminal record and no jobs who had tried to solve their financial problems by kidnapping one of the country’s biggest football stars and demanding a large ransom.
“The news spread like wildfire all over Barcelona,” Josep Maria Minguella, a former agent and a figure who has been closely linked to the club over the years, tells The Athletic.
“There was a lot of consternation. With ETA active, there were a lot of kidnappings at the time, but it had never happened to a player. It was reminiscent of what had happened to (Real Madrid legend Alfredo) Di Stefano a few years earlier (when he was kidnapped by Venezuelan guerrillas in 1963).”
As Rexach puts it 43 years later, “At first we thought it was a joke because it was unimaginable.”
On his way home from the airport, Quini had stopped to fill up his car when the three men suddenly assaulted him and forced him into the vehicle at gunpoint. They later abandoned the car and put Quini in a hood and wooden crate in a van and drove to Zaragoza, around a four-hour drive to the west of Barcelona.
There they transferred him to a hideout, where he spent 23 days locked up.
Quini had been top scorer five times in La Liga and had scored 73 goals across four seasons with Barcelona.
“He was one of the best players in Spain and was constantly in the media spotlight,” Rexach says. “They knew kidnapping him was going to have a big impact.”
“He was such a charismatic man and he was good to people,” Juan Carlos Perez Rojo, a player who was in the ‘B’ team but trained with Barca’s senior side, tells The Athletic. “They knew everyone was going to step up and give him the money he needed.” Rojo and Quini became friends some time after the kidnapping and he is into his 46th year at Barca, where he works as a scout.
“As a person he was very simple, a good person, kind,” says Minguella, who helped sign Quini from Sporting Gijon. “He didn’t deserve all the things that happened to him and his family. It’s one of those moments when you realise that life can be unfair.”
Quini with Nieves on the day of his release (Xavier Bonilla/NurPhoto via Getty Images)
It later emerged the kidnappers’ main target had been the then-Barcelona coach Helenio Herrera. When they found out he had a cold, they changed their plans as they feared he might die during the kidnapping.
In the days that followed, the police worked in secrecy.
“There was a lot of upheaval,” says Minguella. “The police controlled the situation and didn’t want too many people to intervene.”
“The police didn’t want people to get in the way, even if they wanted to help,” adds Rexach. “So they just let Alexanko be the one to help.”
Barcelona asked La Liga to postpone the match against Atletico that weekend. The Spanish top flight denied that request, Barca played and lost 1-0 at the Vicente Calderon, Atletico’s former home. The German midfielder Bernd Schuster, who threatened not to play, blamed Nunez and Herrera for the match going ahead.
“There were people who didn’t want to play until they found him and there was a bit of a struggle because the coach thought we had to play even if he wasn’t there,” says Rexach. “It was complicated.”
Barca played two more games with Quini still missing, losing 2-1 to Salamanca and drawing 0-0 with Real Zaragoza. They would finish four points behind champions Real Sociedad in fifth place.
“That year we didn’t win La Liga because we spent those three weeks just thinking about Quini,” Rexach says.
Meanwhile, the police continued to do their job. As calls from the kidnappers were made from phone boxes, they asked Telefonica, Spain’s leading telecoms company which owned them, to cooperate.
“The kidnappers went completely unnoticed,” Juan Martinez Ruiz, one of the 20 officers in charge of the case, later told Spanish magazine Libero. “That was the main reason it took so long to locate them. They had never broken a dish, they had no previous convictions, they were not related to criminals… They were absolutely normal.”
The police issued a statement appealing for the public to help and had to deal with an avalanche of false leads. Telefonica had trouble identifying the origin of the calls.
In one of their calls, the kidnappers told Nieves they were nervous because of how much Quini ate, given they no longer had enough money to buy sandwiches. They were demanding 100 million pesetas for his ransom (worth around €600,000 today), a figure that had risen from the original 70 million pesetas.
In one of the attempts to pay the kidnappers, the police asked Alexanko to go to La Jonquera, a Catalan town close to the French border, with a briefcase full of banknotes. The kidnappers asked him to cross the border, but the police refused because the French authorities would have arrested him on the spot.
On March 20, the three men asked the money to be paid into a Credit Suisse bank account.
“Barca were looking for solutions because the kidnappers were very absent-minded,” Minguella says. “Those who kidnapped him did not have very clear ideas about what ransom they wanted to ask for and were changing their strategy.
“Nunez’s secretary called me to find out if I had any way of getting money in Switzerland, where the kidnappers asked for the money to be deposited. I was doing business in Luxembourg and Switzerland and I had money there. I said yes and agreed to help with the payment.”
The bank account was in the name of one of the kidnappers, Victor Miguel Diaz Esteban. The Swiss police worked closely with their Spanish counterparts to track him down. Diaz Esteban went to Switzerland to withdraw one million pesetas in U.S. dollars on March 24; within 18 hours, the police had arrested him after finding the hotel where he was staying and following his steps when he left for the airport to catch a plane to Paris. He was interrogated and confessed to holding Quini in a basement in Zaragoza.
In less than a day, the police released him and arrested a second kidnapper.
Quini later told friends this was when he was most afraid because he heard a lot of noise and thought the kidnappers would kill him. But on the night of March 25, radios across Spain announced he had been freed.
When he arrived in Barcelona, a huge crowd was waiting for him at the police station — Quini had to go out to greet them.
The striker prepares to give a press conference after his release (FC Barcelona)
“When he came out he was in a very bad state, you could see it,” Rexach says. “All I know is that I gave him a hug. He was hidden in a place with no light for 23 days. It’s something you wouldn’t wish on your worst enemy.”
“He wanted to play and get back to normal as soon as possible,” Rojo says. “They gave him psychological support, I heard about it from team-mates some time later.”
Quini returned for the last four games of the La Liga season, playing again barely a week after his release, and was received with full honours at every ground he played at. He played 90 minutes in each of his first three league games after his return — scoring twice in a 5-2 win against Almeria — and still finished as La Liga’s top scorer with 20 goals. He also scored in both legs of the Copa del Rey semi-final and twice in the final against his boyhood side Sporting Gijon in the final as Barca lifted Spain’s national cup.
“On every pitch, when they said Quini’s name, there was five minutes of applause,” Rojo says. “He had a spectacular reception.”
The three kidnappers were sentenced to 10 years in prison and given a five million peseta fine.
“They were simple people, without great possibilities,” Quini told a press conference after his release. “They fed me with sandwiches because they couldn’t afford any more.”
“There were team-mates who made jokes after that,” Rojo says. “Sometimes, when we were in hotels after dinner when you go to the room, there were team-mates who would go into his wardrobe to scare him when he arrived.”
Quini spent three more seasons at Barcelona, finishing with 73 goals in 141 appearances for the Catalans. He then returned to Sporting Gijon in 1984, where he spent the last three years of his playing career. He worked as a coach, team delegate and director of institutional relations for them.
The kidnapping had a very real impact on Quini, who died of a heart attack aged 68 in 2018. He was given an emotional tribute by the Camp Nou, with a huge tifo unfurled that read ‘Quini, sempre recordat’ — Quini, always remembered.
The Camp Nou tribute to Quini after his death (Xavier Bonilla/NurPhoto via Getty Images)
“This affected him a lot throughout his life,” Rexach says. “He spent many days locked underground in a very small cell. He didn’t want to talk about it because every time he did, he relived the trauma.
“He did tell me that when he was fed by the kidnappers he sometimes kept (the food) to himself. He thought that if they hunted them down and killed them, it would be impossible for anyone to find him there and he would starve to death.
“He had those 23 days in his head until the day he died. People think he forgot it quickly, but he didn’t. When someone would ask him a question (about it), you’d see him change the subject very quickly.
“It’s the most unbelievable thing that has happened to Barca in its history.”
(Top photos: Getty Images; design: Eamonn Dalton)
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
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