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As NFL finger gun celebrations increase, so do the penalties and fines

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As NFL finger gun celebrations increase, so do the penalties and fines

By now, you’ve seen it. A player makes a big catch or run for a first down or a touchdown. He jumps up, extends an arm, sticks out his index finger and raises his thumb to create an imaginary gun. Generally, the “shots” are fired downfield in the direction of no one in particular. But the flags still have followed for the unsportsmanlike conduct, which is a 15-yard penalty.

The NFL is sending the message that it is done with finger guns following eight penalties and fines on players for such celebrations in the first four weeks of the season. Two more players were flagged for finger gun motions, which the NFL considers a violent gesture, on Sunday. Week 5 fines will be announced Saturday afternoon.

Atlanta Falcons wide receiver Drake London drew a flag and a fine in Week 2 for the gesture. In Week 3, New York Giants wide receiver Malik Nabers drew penalties twice for violent gestures. A pair of $14,069 fines followed. Five players — Dallas Cowboys receiver CeeDee Lamb, New Orleans Saints defensive backs Marshon Lattimore and Alontae Taylor, New York Jets wideout Allen Lazard and Washington Commanders running back Jeremy McNichols — in Week 4 were punished for the celebration.

The players were fined an average of $12,697.50 for those eight infractions. Cincinnati Bengals wideout Andrei Iosivas also was flagged and fined for unsportsmanlike conduct in Week 2, when he pantomimed shooting a bow and arrow following a touchdown against the Kansas City Chiefs, but he appealed the $5,305 fine and won.

Indianapolis Colts receiver Josh Downs earned a penalty for pointing downfield in Week 5, as did Giants wide receiver Darius Slayton. Yet Lamb and Kansas City Chiefs quarterback Patrick Mahomes and wide receiver JuJu Smith-Schuster were not penalized for celebrating first-down plays with similar gestures in last week’s games, though that does not preclude eventual fines.

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Slayton noted the officiating discrepancy on X.

The NFL’s rules on unsportsmanlike conduct are as follows:

There shall be no unsportsmanlike conduct. This applies to any act which is contrary to the generally understood principles of sportsmanship. Such acts specifically include, among others: (a) Throwing a punch, or a forearm, or kicking at an opponent, even though no contact is made. (b) Using abusive, threatening, or insulting language or gestures to opponents, teammates, officials, or representatives of the League. (c) Using baiting or taunting acts or words that may engender ill will between teams. (d) Any violent gesture, or an act that is sexually suggestive or offensive.

London said he regretted his celebration, which mimed shooting a machine gun in the air. Three days prior, the Falcons had hosted the football team from Georgia’s Apalachee High School, where two students and two teachers were killed in a shooting on Sept. 4.

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It may feel like a sudden crackdown, but NFL and team officials as well as players in NFLPA leadership roles say the league’s distaste for such acts is nothing new. The NFL has a long-running rule that discourages players from making any kind of violent gestures on the field. In addition to finger guns, this includes throat slashing and gang signs. In 2022, the league fined 13 Pittsburgh Steelers players $4,715 to $13,261 for a choreographed machine-gun-like interception celebration. In 2023, Browns quarterback Deshaun Watson and tight end David Njoku were both fined $13,569 for a gun-themed celebration. Those are just two examples from prior seasons.

The NFL and the NFL Players Association collectively bargain an on-field code of conduct for all players. Fines, per the NFL rulebook, “are donated to the Professional Athletes Foundation to support Legends in need and the NFL Foundation to further support the health, safety and wellness of athletes across all levels, including youth football and the communities that support the game.”

Two NFL directors of player development said the penalties and fines weren’t a new initiative or point of emphasis by the league, which has cracked down on taunting in recent seasons. Instead, they said, players have just begun using the finger guns celebration with greater frequency.

One high-ranking league employee, who spoke on condition of anonymity because he didn’t want to comment on any specific incident, said players are warned every year that such gestures will result in penalties and fines. The league shows a video to players each year instructing them on acceptable and unacceptable forms of celebration. The NFL rulebook, which is given every year to each player, also prohibits any gun-related salutes.

One league official said as such celebrations became popular in high school and college games, the NFL observed a trickle-up effect into its own games.

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Among the violent gestures flagged in college football this season: Last week, South Carolina defensive end Dylan Stewart mimicked shooting a machine gun into Ole Miss’ Jaxson Dart while the quarterback was still on the ground recovering from Stewart’s sack. In Week 1, on LSU’s first touchdown of the season, wide receiver Kyren Lacy pretended to shoot a gun at USC’s defense.

“We’re starting to see, I hate to say it, but more and more of it,” Steve Shaw, the NCAA’s national coordinator of officials, told The Associated Press earlier this week. “We’re just trying to say that’s not acceptable. Gun violence is not acceptable in our game.”

Multiple NFL staff members keep a pulse on all aspects of the youth game, and the league remains conscientious about its messaging to a younger audience. Because of its players’ celebrity statuses, the NFL is mindful about curbing in-game violent gestures, and hopes the recent penalties and fines quickly force players to make a change.

As a second high-ranking NFL employee said when asked about the matter: “Non-negotiable. Find a different expression to celebrate.”

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(Top illustration: Dan Goldfarb / The Athletic; photos: Getty Images, Michael Owens / Associated Press, Leslie Plaza Johnson / Icon Sportswire)

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Video: The A.I. threat to audiobooks

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Video: The A.I. threat to audiobooks

new video loaded: The A.I. threat to audiobooks

Artificial intelligence has made pirated audiobooks faster to make and harder to detect. Our reporter Alexandra Alter tells us about the latest threat to the publishing industry.

By Alexandra Alter, Léo Hamelin and Laura Salaberry

May 20, 2026

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.

The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.

With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.

“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”

Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.

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In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.

Your work has been categorized as Black romance, but how do you see yourself as a writer?

I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.

What intrigued you about the period of history you capture in the Hollywood Renaissance series?

I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.

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What about that period feels resonant now?

The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.

How does this moment in your career feel?

I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.

Why would it all go away?

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Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.

When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.

Why are you so firmly committed to defending the “happy ending” in romance novels?

It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.

I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.

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You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?

First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.

How does this apply to being a very visible Black author in romance?

I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.

How do you define success for yourself at this point?

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I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.

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How Many of These Books and Their Screen Versions Do You Know?

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How Many of These Books and Their Screen Versions Do You Know?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.

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