Business
OpenAI forms safety and security committee as concerns mount about AI
ChatGPT creator OpenAI on Tuesday said it formed a safety and security committee to evaluate the company’s processes and safeguards as concerns mount over the use of rapidly developing artificial intelligence technology.
The committee is expected to take 90 days to finish its evaluation. After that, it will present the company’s full board with recommendations on critical safety and security decisions for OpenAI projects and operations, the firm said in a blog post.
The announcement comes after two high-level leaders, co-founder Ilya Sutskever and fellow executive Jan Leike, resigned from the company. Their departures raised concerns about the company’s priorities, because both had been focused on the importance of ensuring a safe future for humanity amid the rise of AI.
Sutskever and Leike led OpenAI’s so-called superalignment team, which was meant to create systems to curb the tech’s longterm risks. The group was tasked with “scientific and technical breakthroughs to steer and control AI systems much smarter than us.” Upon his departure, Leike said OpenAI’s “safety culture and processes have taken a backseat to shiny products.”
OpenAI’s new safety and security committee is led by board chair Bret Taylor, directors Adam D’Angelo and Nicole Seligman and Chief Executive Sam Altman. Multiple OpenAI technical and policy leaders are on the committee as well. OpenAI said that it will “retain and consult with other safety, security and technical experts to support this work.”
The committee’s formation arrives as the company begins work on training what it calls its “next frontier model” for artificial intelligence.
“While we are proud to build and release models that are industry-leading on both capabilities and safety, we welcome a robust debate at this important moment,” OpenAI said in its blog post.
Controversies about use of AI have dogged the San Francisco-based company, including in the entertainment business, which is worried about the technology’s implications for intellectual property and the potential displacement of jobs.
Actor Scarlett Johansson criticized the company last week over its handling of a ChatGPT voice feature that she and others said sounded eerily like her. Johansson, who voiced an AI program in the Oscar-winning Spike Jonze movie “Her,” said she was approached by Altman with a request to provide her voice, but she declined, only to later hear what sounded like her voice in an OpenAI demo.
OpenAI said that the voice featured in the demo was not Johansson’s, but another actor’s. After Johansson raised the alarm, OpenAI put a pause on its voice option, “Sky,” one of many human voices available on the app. An OpenAI spokesperson said the formation of the safety committee was not related to the issues involving Johansson.
OpenAI is best known for ChatGPT and Sora, a text to video tool that has major potential ramifications for filmmakers and studios.
OpenAI and other tech companies have been holding discussions with Hollywood, as the entertainment industry grapples with the long-term effects of AI on employment and creativity.
Some film and TV directors have said AI allows them to think more boldly, testing ideas without having the constraints of limited visual effects and travel budgets. Others worry that increased efficiency through AI tools could whittle away jobs in areas like makeup, production and animation.
As it faced safety questions, OpenAI’s business, which is backed by Microsoft, also must deal with competition from other companies that are building their own artificial intelligence tools and funding.
San Francisco-based Anthropic has received billions of dollars from Amazon and Google. On Sunday, xAI, which is led by Elon Musk, announced it closed on a $6-billion funding round that goes toward research and development, building its infrastructure and bringing its first products to market.
Business
Waymo under scrutiny after hitting child near Santa Monica elementary school
A Waymo self-driving taxi recently struck a child near a Santa Monica elementary school during drop-off hours, triggering an investigation into the incident by the National Highway Traffic Safety Administration.
The child sustained minor injuries, Waymo said. After being struck, the child stood up and walked to the sidewalk, where witnesses called 911.
Santa Monica Police said officers responded to the Jan. 23 incident near 24th and Pearl streets, close to Grant Elementary School. After being evaluated by responders from the fire department, the child was released.
The investigation said the child was running across the street toward the school when they were hit. Waymo said the child appeared from behind a large SUV.
“The event occurred when the pedestrian suddenly entered the roadway from behind a tall SUV, moving directly into our vehicle’s path,” Waymo said in a statement. “The Waymo Driver braked hard, reducing speed from approximately 17 mph to under 6 mph before contact was made.”
There were other children, a crossing guard and several double-parked vehicles in the vicinity when the accident occurred, according to NHTSA.
Waymo reported the incident to the NHTSA Office of Defects Investigation and said it would fully cooperate. The Waymo involved was operating on the company’s fifth-generation automated driving system without a safety driver.
The company said the incident demonstrated the safety benefits of Waymo.
“Our peer-reviewed model shows that a fully attentive human driver in this same situation would have made contact with the pedestrian at approximately 14 mph,” the statement said. “This significant reduction in impact speed and severity is a demonstration of the material safety benefit of the Waymo Driver.”
A spokesperson for the city of Santa Monica referred questions to police.
Santa Monica sued Waymo in December after it ordered the company to cease overnight operations of two charging stations for the autonomous vehicles. Waymo in turn sued the city, alleging that city officials were aware the charging facilities would be operating 24 hours a day and maintain a commercial electric vehicle fleet.
The Alphabet-owned company also came under fire late last year for running over and killing KitKat, a beloved neighborhood cat in San Francisco. Weeks later another Waymo hit an unleashed dog in the city.
Video evidence shows that KitKat lingered under the vehicle for several seconds before it pulled away, crushing him. A woman was crouched beside the car, trying to lure KitKat to safety. A human driver easily would have noticed something wasn’t right, critics said.
Waymo has been the subject of several NHTSA investigations and recalls, including a recall of more than 1,200 vehicles last year because of a software defect that led to a series of minor crashes.
Waymo launched its services in Los Angeles in 2024 and covers more than 120 square miles of the county, not including Los Angeles International Airport. The company got its start as the Google Self-Driving Car Project, which began in 2009 and put its first autonomous car on the road in 2015. The project rebranded as Waymo in 2016 under Google’s parent company and launched its driverless ride-hailing service known as Waymo One in 2020.
Business
L.A. parent of Johnny Rockets, Fatburger and Round Table files for bankruptcy
The parent company of Johnny Rockets, Fatburger and Round Table Pizza filed for Chapter 11 bankruptcy protection.
Beverly Hills-based Fat Brands Inc. said in a statement that it filed for bankruptcy on Monday to restructure the debt it accumulated while expanding its company portfolio, citing “difficult and largely unforeseen” market conditions.
The company’s portfolio includes several brands with roots in the Southland. It owns retro diner chain Johnny Rockets, founded in 1986 on Los Angeles’ Melrose Avenue; shopping mall staple Hot Dog on a Stick, founded in 1964 in Santa Monica; and hamburger chain Fatburger, founded in 1947 in Los Angeles’ Exposition Park neighborhood.
Fat Brands also has investments in two brands that got their start in the Bay Area: pizza chain Round Table Pizza, founded in 1959 in Menlo Park, and fast-casual chain Yalla Mediterranean, founded in 2014 in Pleasant Hill.
The company has accumulated more than $1 billion in debt, according to its Securities and Exchange Commission filing. The company filed for bankruptcy protection in the U.S. Bankruptcy Court for the Southern District of Texas.
“Our dynamic portfolio of brands has demonstrated tremendous resilience in a challenging restaurant operating environment over the last few years,” Fat Brands Chief Executive Andy Wiederhorn said in a statement.
Chapter 11 protection will give the company an opportunity to “strengthen our capital structure to support our concepts,” he said.
Fat Brands has a portfolio of 18 restaurant concepts with more than 2,200 locations worldwide, according to the company’s November SEC filing. More than 90% of its locations are franchised.
Its shares have fallen more than 85% over the last three months. It received a delisting notice from Nasdaq market earlier this month.
Company spokesperson Erin Mandzik said in an email that the company’s restaurants are expected to remain operating as usual throughout the reorganization process.
The Times reported in 2022 that Wiederhorn, Fat Brands’ founder, was investigated for alleged tax fraud. Charges were dismissed in July, but a federal judge ordered the U.S. Department of Justice to explain its decision, as reported by the Los Angeles Business Journal.
Business
A24 acquires Olivia Wilde’s ‘The Invite’ in a major deal out of Sundance
After a competitive bidding process, indie studio A24 has acquired the U.S. rights to Olivia Wilde’s comedy “The Invite” in a major deal out of the Sundance Film Festival.
The film, which stars Wilde, Seth Rogen, Penélope Cruz and Edward Norton, was purchased for around $10 million, according to a person familiar with the deal who requested anonymity due to the sensitive matter. One factor for Wilde was a preference for a traditional theatrical release.
“The Invite” focuses on a dinner party among neighbors and was billed as a must-see after it premiered over the weekend at Sundance. So far, the film has notched a 91% rating on aggregator Rotten Tomatoes.
The market at Sundance has traditionally been viewed as a bellwether for the indie film business. In the last few years, deals have been slower to emerge from the festival, particularly as streamers stopped offering massive sums for films to stock their platforms and as studios cut back on spending.
The deal for “The Invite” is one of a handful that have already been announced. On Tuesday, Neon said it acquired the worldwide rights to horror film “Leviticus,” which premiered at Sundance. Neon also bought the worldwide rights over the weekend for another horror flick, “4 X 4: The Event” from filmmaker Alex Ullom. That deal was the first to be made in Park City, though the film was not shown at Sundance and will begin production later this year. The value for both of Neon’s deals was not disclosed.
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