Business
A treasure house of composer Arnold Schoenberg's music destroyed in Palisades fire
On the morning of Jan. 7, Larry Schoenberg was about to prepare the tax filings for Belmont Music Publishers, the august house dedicated to preserving and promoting the works of his late father, Arnold Schoenberg, one of the most influential musicians of the 20th century, when his daughter Camille called and told him to look outside.
“Oh my God,” he said. Thick plumes of smoke were whipping up all around his Pacific Palisades home. Without thinking he jumped into his car, his wife in the other, and they drove to their daughter’s house elsewhere in the Palisades.
The plan was to wait it out. However, before the day was over, Schoenberg’s house was gone. Eventually, the flames reached his daughter’s house, and they fled to Venice to stay with another daughter.
The inferno also blasted to ash Belmont Music Publishers, which was housed in a building behind his home on Bienveneda Avenue. For 60 years, Belmont served as a bridge between Schoenberg — often referred to as the man who invented “modern music” — and performers and scholars, providing access to his music.
The wildfires destroyed Larry Schoenberg’s Pacific Palisades house and Belmont Music Publishers, which stood in a building behind it.
(E. Randol Schoenberg)
While the majority of the composer’s original works remain housed at the Arnold Schönberg Center in Vienna, Belmont’s entire physical inventory, upwards of 100,000 items including manuscripts and original scores, along with correspondence, books, photographs and artworks, had all perished.
For Larry Schoenberg, it wasn’t merely the physical loss, but “a profound cultural blow” — yet another example of how the wildfires have destroyed a trove of L.A.’s cultural heritage.
Schoenberg revolutionized Western compositional techniques and helped shape modern music worldwide, but he also had a profound and still-present influence on the cultural life of Los Angeles.
“The scale of this fire makes it hard to handle how big the losses are,” said Joy H. Calico, chair of the Department of Musicology at UCLA’s Herb Alpert School of Music. “It’s not as if his entire legacy was lost but certainly in terms of the practical reality of performing his music, this is a serious blow.”
***
Schoenberg’s wife, Gertrud, a librettist, and son Larry established Belmont Music Publishers in 1965. Belmont was a play on the family’s surname — “beautiful mountain” — in German.
Following the composer’s death in 1951, numerous people wrote to Gertrud requesting his music. There was so much back-and-forthing with the publisher in Germany that his heirs decided to create Belmont, as Gertrud owned the rights to her husband’s catalog. They initially set up the business in a converted garage behind their Brentwood home, selling and renting curated editions of Schoenberg’s sheet music for performances.
“We’re not very business savvy people,” Larry Schoenberg recalled. “We were spending more than we were collecting.”
They also had to overcome the negative connotation business had in their home. “We grew up where business was kind of a dirty word,” he said. His father used the derisive German term “der Gauner,” which means crook or swindler.
But Belmont, which later moved to the building behind Larry Schoenberg’s Pacific Palisades house, became a business successful in preserving Schoenberg’s legacy, making his works accessible to the world.
Last September marked the 150th anniversary of Schoenberg’s birth. A flurry of performances took place in Europe and the United States, including by the San Francisco Symphony and the Los Angeles Philharmonic. Many of these performances got their scores from Belmont.
A copy of one of Arnold Schoenberg’s musical scores published by Belmont, still in his grandson E. Randol Schoenberg’s possession.
(Stacy Perman / Los Angeles Times)
At 83, Larry Schoenberg, a former math teacher at Palisades High School, has been Belmont’s steadfast guardian.
He maintained a whiteboard with all of the upcoming performances of his father’s music and what needed to be shipped. Everything was well labeled and organized, but nothing was digitized.
“This is just my stupidity,” he said. “Everything was backed up, except it was backed up locally. I had hard drives and thumb drives. I didn’t use the cloud, I was a little bit worried about using the cloud. Well, of course, now I wish I had everything in the cloud. What that means is essentially we have nothing.”
The fire claimed the full range of Schoenberg’s groundbreaking compositions held there, from early Romantic pieces to his revolutionary 12-tone works and transformative masterpieces like “Pierrot Lunaire.” Also lost were performance posters, a bust of Schoenberg and ephemera such as the fanciful playing card sets the composer designed.
Also gone was the irreplaceable library filled with 50 years worth of manuscripts and correspondence from conductors, such as Zubin Mehta and Claudio Abbado, who performed Schoenberg.
“When the conductors return the scores, they put a lot of information in there. That’s really crucial for performances,” said Larry Schoenberg. “And that’s all gone. The correspondence goes back to the ’70s. In fact, every once in a while I look at some of this correspondence.”
Last December, Larry shipped a box of 16 books to his nephew E. Randol Schoenberg. They are all that remains from Belmont’s library.
Reflecting on all that was lost, he said, “The memories are still there. I didn’t lose those yet.”
Larry Schoenberg sent his nephew a set of 16 books from Belmont in December. Now they are all that remains from its library.
(Stacy Perman / Los Angeles Times)
***
Arnold Schoenberg was already a towering intellectual and cultural figure when he landed in Los Angeles in 1934.
Born in Vienna in 1874, the composer also was a writer, teacher, inventor and painter.
Uncompromising and innovative, he devised the 12-tone method, a musical structure that broke with the traditional rules of tonality and composition. Although it prompted (and still does) enormous debate, it was also considered by many the future of music. The Nazis, however, labeled his music “degenerate.”
Arnold Schoenberg designed a set of whimsical playing cards.
(Stacy Perman / Los Angeles Times)
In 1933, after receiving a telegram from his brother-in-law, the violinist Rudolf Kolisch, saying “a change of air is recommended,” the composer, then 60, and his family fled Berlin on the midnight train to Paris, leaving everything behind, according to his grandson E. Randol Schoenberg, known as Randy.
Schoenberg spent a brief time in Boston and New York, before fleeing the harsh East Coast winters for Los Angeles. “It is Switzerland, the Riviera, the Vienna Woods, the desert, Salzkammergut, Spain, Italy — everything in one place. And along with that scarcely a day, apparently even in winter, without sun,” he wrote Anton Webern, the Austrian composer and conductor.
His arrival was part of the exodus of German-speaking Jews who emigrated from Nazi-occupied Europe that helped usher in a golden age of classical music in Los Angeles, with many writing film scores.
Arnold Schoenberg’s Brentwood house was a hub for European exiles in Los Angeles.
(Belmont Music Publishers)
In 1936 Schoenberg bought a Spanish Colonial in Brentwood, and the house became a center of cultural life for European exiles, entertaining the likes of Thomas Mann and Franz Werfel and his wife, Alma Mahler-Werfel.
There, Schoenberg befriended Hollywood luminaries. Shirley Temple was a neighbor, and Harpo Marx was a friend, as was George Gershwin, who was also his tennis partner. According to Randy, his grandfather was playing a match with Gershwin when his wife gave birth to Randy’s father, Ronald, in 1937.
Schoenberg, who taught at UCLA, had a reputation as a gifted teacher whose tutelage held cachet. When the German conductor Otto Klemperer came to the city to perform at the Los Angeles Philharmonic, he studied with Schoenberg.
With finances tight, he took on private students, a great deal of them composers who had come to California to work for the movie studios. “They wanted to learn what sort of tricks and techniques, you know, how do I make my music sound like this?” Randy said. “They would come for a couple lessons and then put it on their resume, ‘studies with Arnold Schoenberg,’ and never come back.
“He got wise to this and decided to charge a lot for the initial lessons. And if the person turned into a real student, he would reduce the rates.”
The Los Angeles Philharmonic performs Arnold Schoenberg’s gargantuan “Gurrelieder” at Walt Disney Concert Hall on Dec. 13.
(Carlin Stiehl / For The Times)
Several of Schoenberg’s “real” students, such as John Cage, Alfred Newman and David Raksin, became hugely successful, and their relationships helped to perpetuate the composer’s lasting influence in Hollywood and beyond.
Posthumously, Schoenberg’s impact is undeniable.
Film composers have long used his pioneering 12-tone technique to produce dissonance and unpredictable melodies, such as Jerry Goldsmith, in his benchmark score in the 1968 film “Planet of the Apes.”
While Schoenberg’s music continues to be played all over the world, his notes are all over Los Angeles.
The music building and main concert venue at UCLA are named after Schoenberg. In May the opera “Schoenberg in Hollywood” will be performed at UCLA. It presents three imagined vignettes from the composer’s life.
His heirs who have diligently tended his legacy have also been important civic and cultural figures in the life of this city. In addition to his son Larry, Ronald is a retired judge. He lives with his wife, Barbara, the daughter of the composer Eric Zeisl, in Schoenberg’s original Brentwood home. Their son Randy, a lawyer, won a significant case before the Supreme Court in 2004, leading to the government of Austria returning five Gustav Klimt paintings stolen by the Nazis to the family of Maria Altman.
The Schoenberg family, four members of which have lost homes in the fires, say they hope to create digitized scores from the manuscripts kept in Vienna as well to recreate other documents and correspondence that exists in the hands of others around the world. Larry Schoenberg said they’ve received a wellspring of support and encouragement from all over the world.
“It’s astounding to think about how that legacy was moved out of central Europe because of the peril there — only to find it facing a different crisis here,” Calico said.
Business
Donald E. Newhouse, newspaper publisher and heir to media empire, dies at 96
NEW YORK — Donald E. Newhouse, president of one of the largest family-controlled publishing companies in the nation and a former board chairman of the Associated Press, died Tuesday. He was 96 and died at his home in New Jersey, his family said.
During his career, Newhouse served as president of the Star-Ledger in Newark, N.J., and head of Advance Publications’ newspaper group, which he navigated into the internet age.
“You reveled in his company. He filled you with energy and humor when you felt doubtful and weak,” said Anna Wintour, the global editorial director of Vogue and Conde Nast’s chief content officer.
“He was scrupulous about not interfering in editorial business, but if you turned to him for counsel, he invariably offered judicious advice,” she said in an obituary released Tuesday night by the Newhouse family.
Newhouse, who lived in New York, spent nearly 50 years overseeing the 35 newspapers of Advance Publications, the media business started by his late father, Samuel Irving Newhouse Sr., in 1922. His older brother, S.I. Newhouse Jr., was chairman of the company and oversaw Conde Nast magazines. He died in 2017.
Louis D. Boccardi, retired president and chief executive of the AP, said Newhouse was an extraordinary chairman for the cooperative.
“His voice was never the loudest in the room, but it was often the wisest,” Boccardi said. Newhouse was instinctively private, but behind that, Boccardi said, was a generous man, at home anywhere and curious about everything.
“He could come across as self-effacing and deferential, but in Don’s skilled hands those were qualities that made him an enormously strong and effective leader,” Boccardi said. “You don’t often see the adjective ‘warm’ attached to a titan of industry, but it applied to him.”
A man who didn’t chase the spotlight
Newhouse, born in 1929, was known for staying out of the public eye. A reporter once asked him to list the biggest chances he took in his career. The answer: “Inviting your questions.”
The usually reserved Newhouse did step into the spotlight when he took on the role of chairman of the Newspaper Assn. of America from 1993 to 1994 and then chairman of the AP board of directors from 1997 to 2002. He had served on the AP board for nine years before becoming its chairman.
“He was a smart and shrewd businessman but as thoughtful and kind a man as you’ll find. Being in his presence was always a joy,” said Doug Clifton, editor of one of Newhouse’s papers, the Plain Dealer in Cleveland, from 1999 to 2007.
Newhouse attended Syracuse University but never graduated, heading into the family’s newspaper business instead. He would regularly visit his newspapers but left the ultimate authority of running them to his publishers.
“Each of our newspapers operates independently, with publishers who are strong, who set policy for their individual organizations and who have the authority and responsibility of carrying out the policies they set,” he said in 1993 when taking over as chairman of the newspaper association.
Newhouse was known for spending money to make sure that papers got the best stories. Jim Willse, editor of the Star-Ledger in Newark, N.J., from 1995 until 2010, said he would give “us all the resources we needed to make the Ledger really special.” Willse said Newhouse loved newspapers and newspaper people.
“He especially enjoyed it when we’d have a story about some politician caught with his hand in the cookie jar, or a spicy feature about stuffed shirts behaving badly,” Willse said.
Newhouse’s philosophy of spending money to produce quality coverage and a hands-off approach toward his editors led to many successes, including multiple Pulitzers.
Many of those newspapers were able to thrive and remain profitable because they dominated their market, but Newhouse said he was very much aware of what he called the “dramatically changing media landscape” and how people get their news.
“The 15th-century revolution was epitomized by the printing of the Gutenberg Bible; ours by Ted Turner’s cable news network and by web-based news sites — news in real time from anywhere to everywhere,” he said in 2004 at the rededication of a communications school named after his father at Syracuse University.
Three years later, he told one of his papers, the Post-Standard of Syracuse, N.Y., that newspapers can survive “by producing content that is relevant, interesting, accurate and entertaining for newspapers and the internet.”
He steered through financial struggles
Yet the papers did ultimately struggle financially.
Advance was known in the industry for a pledge that employees who weren’t in a union would have jobs regardless of economic downturns or technological advances. In 2009, the company announced that the pledge would be withdrawn.
The company also moved away from daily publishing of several papers. In 2012, it announced that the Post-Standard; the Times-Picayune in New Orleans; the Patriot-News in Harrisburg, Penn.; and the Birmingham News, the Press-Register of Mobile and the Huntsville Times, all in Alabama, would cease daily publication and would only offer print editions on Wednesdays, Fridays and Sundays. Those changes were accompanied by hundreds of layoffs.
“His conservative approach left both the papers and its employees somewhat unprepared for the realities of the internet,” said Thomas Maier, who wrote a 1994 biography of the family.
Newhouse’s eldest son, Steven, spearheaded the company’s growth on the internet and on mobile devices. Steven Newhouse is currently co-president of Advance Publications.
“My dad spent his life in the newspaper business and was devoted to it, built it up and enjoyed many good years. When it became more challenging, he was first in line to work through, finding solutions to keep the local journalism franchise going,” he said.
Newhouse is also survived by another son, Michael, daughter Katherine Mele and grandchildren. His wife, Susan, died in 2015.
Mayerowitz writes for the Associated Press.
Business
Child safety groups want FTC to investigate Roblox
Child safety advocates say the massively popular gaming platform Roblox could be bad for kids.
Fairplay and the National Center on Sexual Exploitation have requested the Federal Trade Commission to investigate if the games on Roblox are designed to make kids spend an unhealthy amount of time and money on their screens.
Roblox’s core users are young kids.
In a letter submitted to the FTC, the groups argue that Roblox’s engagement-maximizing design features, virtual currency system, and voice and text chat communication features are inappropriate for the platform’s user base and pose a substantial risk of harm.
“Alone and in combination, these three components capitalize on young users’ developmental vulnerabilities, exploit their desire for authentic self-expression, monetize their lack of impulse control, and turn in-game purchasing power into a form of social status,” the groups noted in the letter submitted Thursday to the FTC.
Roblox allows the purchase of virtual assets — clothing and dance moves, for example — which can only be purchased with the platform’s in-game currency, Robux. The platform obscures the exchange rate between dollars and the in-game currency, leaving young players to navigate a complex system of fluctuating conversion rates that increases the amount of real-world money players spend, according to the letter.
For instance, players can receive more Robux per dollar by purchasing larger bundles of currency or buying a “Roblox Premium” subscription, making it harder for children to perform financial calculations on how much they are spending on the platform.
The letter pointed to instances of unexpected Roblox charges, as one parent discovered that his daughter spent more than $5,000 on Roblox without understanding that she was spending real money.
The letter also outlined examples of “scarcity marketing” techniques that increase demand through limited-quantity assets and time-based reward to drive sales of virtual items, driving a false sense of urgency. Some see it as a strong-arm sales technique that should not be used on children:
“Items only available for a limited time encourage both rapid purchases and returning to the platform frequently — sometimes multiple times per day — to avoid missing out on items,” the letter said.
A Roblox spokesperson said that the company “strongly disputes these claims. Our platform is designed to provide a positive, healthy and enjoyable experience — we build for fun and connection, not short-term engagement. While no system can be perfect, we have a set of safeguards designed to support a safe and civil environment, and clear policies for game creators that require fair treatment of players.”
The groups pointed out that third-party games developed on Roblox are designed to profit from in-game purchases, and have “gambling-like” engagement mechanisms such as lootboxes, in which players cannot see what’s inside until after they have purchased it — and the items vary in value.
“We have clear policies prohibiting both actual and simulated gambling, and a set of rules governing how game creators can use gameplay mechanics like paid random items,” the Roblox spokesperson said. “Most games on Roblox are free to play and no one is required to purchase Robux. In the first quarter of 2026, only 1.4% of our 132 million daily active users were payers on the platform.”
The letter also alleged that the voice and text chat features on the platform expose children to sexual content, and argue that recent changes to age checks have not eliminated opportunities for adult-minor contact.
Business
The Homesteading Mother of 6 Taking On Big Tech
Everyone will know more, he told me, when Quantica signs a contract with a tech company to use the facility. That announcement could come by the end of the year.
Besides, Mr. Peterson said, much of the apprehension over the data center comes from people who are afraid of A.I. more broadly, as if “Big Brother is going to take over,” he said.
Those people, he added, “have no role in this conversation.”
What Mr. Peterson could tell me now, he said, was that the project would have minimal impact on the land and the people who live nearby. And residents wouldn’t have to pay a thing for it. He offered no guarantees, but said the project would bring its own power — at least some of it from solar and natural gas.
Despite what opponents have been saying, and despite the information gleaned from data centers around the world, Mr. Peterson said the Broadview site would need “not that terribly much” water.
It will bring jobs, he said. Thousands of temporary workers could descend on Broadview for the construction. The number of permanent jobs would be 30, 40, 100 — he doesn’t know for sure. But he described them as good-paying jobs that would not require specialized training or a college education. Jobs like janitors, maintenance workers or security guards.
He likened it to “being a miner, but not having to grab a drill.” Generations of families could stay in Broadview because people would not have to move to make a living, as many are doing now. They could say, “Oh my gosh, I could push a broom and come home to my home in Lavina that I love — and my kids can do that?”
For anyone who doesn’t like the idea of living next to a data center, he added, “there’s probably a county up the road that doesn’t have one.”
He said the eventual deal would include a “community benefits package,” which could help Broadview pay for things like its problematic wastewater lagoon. The Montana Department of Environmental Quality issued the town a violation in March for longstanding issues at the site, demanding compliance. Remediation could cost millions.
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