“Portraits 2019 – 2026” by Tyler Matthew Oyer at Night Gallery

Experience Tyler Matthew Oyer’s photographic exhibition, “Portraits 2019-2026.” This immersive show moves through seven years of portraits through Oyer’s lens, capturing subjects’ raw individuality. Showcasing “the panoramic and the intimate,” the photographs line the entirety of the gallery in identical scales and frames, emphasizing that every face carries equal presence and beauty. The exhibition coincides with Oyer’s fifth portrait book release, which features selections from his extensive archive. Open July 18 through Aug. 15. 2050 Imperial St., Los Angeles. nightgallery.com

Paloma Wool opening

Paloma Wool’s first permanent store in L.A. houses footwear, bags, a fresh new menswear line and exclusive specialty projects. This new space contrasts a bright, vivid backdrop with dark furnishings, alluding to the brand’s edgy, crisp designs. Open now. 8410 Melrose Ave., Los Angeles. palomawool.com

Noah Los Angeles opening

Founders Brendon Babenzien and Estelle Bailey-Babenzien bring the East Coast to L.A. this summer with the opening of Noah’s first West Coast location. Blending classic menswear with skate and surf culture, the space also features an in-store skate bowl, reflecting the brand’s roots while tapping into Los Angeles’ laid-back vibe. Open now. 911 N. Orange Drive, Los Angeles. noahny.com

H. Lorenzo opening

H. Lorenzo’s new flagship store reflects the brand’s commitment to highlight both established and emerging designers from around the world. It also showcases rare collectible furniture, including pieces by woodworker George Nakashima. By day, the space takes on an ever-evolving approach to display; by night it transforms into a hub for cultural programming and community gatherings. Open now. 8801 Beverly Blvd. West Hollywood. hlorenzo.com

Bang & Olufsen opening

Bang & Olufsen’s new flagship is using music to connect people from all over the world, reimagining the classic retail experience into an immersive sound house perfect for showcasing Los Angeles’ vibrant and diverse entertainment culture. Customers can experience the brand’s latest technology in a setting inspired by Nordic design and Southern California living. Open now. 370 N. Robertson Blvd., West Hollywood. bang-olufsen.com

Maison Louis Marie opening

Upgrade your scent game this summer with a visit to Maison Louis Marie’s new flagship store in Silver Lake. Designed in collaboration with Via Clover, the fragrance house has curated a light, modern space, blending French and Californian aesthetics where customers browse everything from Fleur de la Passion hair and body mist to No. 10 Aboukir candles at their own pace. Open now. 3920 Sunset Blvd., Los Angeles. maisonlouismarie.com

Molteni&C L.A. flagship redesign and new collection

Italian craftsmanship and contemporary living come together in Molteni&C’s newly redesigned Beverly Hills flagship. After exploring thoughtfully curated living spaces featuring coffee tables designed by Vincent Van Duysen, be sure to check out the brands’ latest Outdoor Collection, ideal for the heat of L.A.’s long summers. Open now. 147 N Robertson Blvd., West Hollywood. molteni&c.com

Zegna’s new fragrance line

Zegna’s new fragrance line, Memorie, is shaped by place, ritual and intention. Inspired by the Alps of northern Italy, each of the six scents captures a moment, place or object from founder Ermenegildo Zegna’s life, preserving memory through fragrance. Available now. zegna.com

“Animals” by Alex Gardner at Perrotin

“Catapult,” 2025. Acrylic on canvas. Unframed: 48 1/16 x 96 1/16 inches. Framed: 51 7/8 x 99 3/4 x 5 inches.

(Don Lewis/Alex Gardner; Perrotin)

Join Long Beach artist Alex Gardner for the final days of his first solo exhibition in a decade as he reimagines the meaning of fatherhood at Perrotin. Through a series of acrylic paintings, Gardner explores intimate connections between parents and children, partners and siblings, inviting viewers to identify themselves within his signature faceless figures. Open through July 11. 5036 W. Pico Blvd., Los Angeles. perrotin.com

Lost luggage? Tarmac delays? Rental-car blues? No whining about measly travel headaches with the mother of all bad-trip sagas looming on the big screen.

“The Odyssey,” Christopher Nolan’s epic take on the Trojan War’s fallout, debuts July 17. Spoiler alert, if you somehow avoided Homer in community college: Nobody, save biblical Job, has had more misery hurled at them.

Outflanked by cruel and fickle gods at every turn, legendary Greek hero Odysseus outsmarted a one-eyed giant, suffered through the bewitching Sirens’ song and braved the Underworld’s dead denizens. He battled oversize cannibals, outmaneuvered a witch and lost scores of men at every turn. Then made it back to Ithaca after 10 years only to find his home overrun by suitors wooing his wife.

It’s a tale packed with bad decisions, failure, heartbreak and death. Perfect story fodder, given how much we love bad-trip stories. We consume lists of the worst airports and wonder at accounts of illness-plagued cruises. We scroll through videos starring unruly passengers or mangled bags, and read about the last resting place for lost luggage.

Hollywood has created a whole franchise around road trips gone wrong. Think of “The Hangover” or “Sideways” or “Little Miss Sunshine.” Screenwriter-director John Hughes perfected the big-screen comedic treatment of travel gone south with classics such as “Home Alone,” “National Lampoon’s Vacation” and “Planes, Trains and Automobiles.”

Let’s not even talk about the “three-hour tour” that left Gilligan and friends stranded on a deserted island for 98 episodes, or how Jack Dawson’s voyage ended aboard 1997’s “Titanic.”

A significant body of evidence even indicates that travel makes us sick. Trip-related problems are so common, in fact, that consumer advocate Christopher Elliott has stitched an entire career out of resolving them — from timeshare scams to horrible airline customer service and beyond.

Still, we keep buying tickets and packing our bags to sail into the great unknown, across Homer’s wine-dark sea. Why? Elliott attributes it to what he terms “traveler’s amnesia.”

“It amazes me that travelers are not up in arms about the way they get treated,” he said. “They take a trip, have a terrible experience, and forget about everything that went wrong and only remember what went right.”

He suggests that avoiding a bad trip starts with choosing companies noted for strong customer service. He cited some name-brand examples: Marriott for hotels, Alaska Airlines, and Enterprise Rent-A-Car. He avoids cruises as much as possible.

Which is funny, because when I think about cruising, I don’t revisit the miserable 36 hours that norovirus confined us in our cabin. I instead recall coasting past a flotilla of icebergs in Alaska’s Glacier Bay.

When I think about Mexico, I don’t wallow in memories involving Montezuma and his gastrointestinal revenge. But I do cherish thoughts of snorkeling with playful sea lion pups.

And when I consider airports, I blot the memory of the woman next to me at Gate 66 who insists on blaring a video call at maximum volume. Instead, wielding my noise-canceling earbuds, Odysseus-like, I plan to smother this screeching sound to preserve my sanity. But before I can insert them, a voice speaks to me.

To all of us, to be technically correct, since it emanates from the speakers of Los Angeles International Airport’s Terminal 6.

“It’s time to play TSA’s favorite game!” says the voice, mimicking a game-show host’s hustle. “You lost it, we found it!”

The speaker explained that someone had left a laptop computer at a checkpoint. The two were reunited moments later, which set my feet in motion, wondering whose voice it was. There at the checkpoint I met Carl Revis, a TSA supervisory officer with a penchant for comedy.

“You don’t have to be a jerk to get things done,” he told me. “I think reaching people through comedy is a lot easier than screaming and yelling at them.”

Taken together, my trip recollections probably qualify me as living proof of Elliott’s traveler’s amnesia theory. The final diagnosis should be clear soon. I’m retiring from full-time work this year, and people inevitably ask what’s next.

It’s not completely clear, I tell them. But I’ll definitely have more time to travel. Maybe sail across the Aegean … what could go wrong?

A new film version of Azar Nafisi’s critically-praised, worldwide bestselling memoir, Reading Lolita in Tehran, is now in theatres.

The film shows a group of women meeting clandestinely in Nafisi’s home in the mid-1990s, to read forbidden books. They read classics of the West, like Madame Bovary, The Great Gatsby, Pride and Prejudice, and Lolita.

Education had become dangerous and even deadly during the Islamic Revolution, and reading forbidden books was Nafisi’s way to fight back.

The film, directed by Eran Riklis, begins with Nafisi as a university professor and ends with her exiled from her homeland. Nafisi told Scott Simon about the experience of seeing herself and her story depicted on the big screen, “I feel towards it the way I feel towards my children.”

The film is directed by Eran Riklis and won the the Audience Award and a special jury prize at the 2024 Rome Film Festival.

It stars Iranian actors Goldshifteh Farahani, Zar Amir Ebrahimi, and Mina Kavani. Like the author, some of the actors are exiled from Iran.

Actor Golshifteh Farahani stars as Azar Nafisi in Eran Riklis’ Reading Lolita in Tehran.

Greenwich Entertainment

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Greenwich Entertainment

“These girls were very different, one from the other,” Nafisi said of the students who studied with her in Tehran. Remembering them now, and seeing them depicted on the screen, Nafisi saw anew the power of great literature.

“Outside the classroom, they probably wouldn’t talk to one another. But in that class, they learned to communicate and to connect,” she said.

Through the stories in the books, Nafisi said each woman could find more and become more herself. “It reached a sort of magic,” she said.

The magic was brutally broken by a government that was desperate to quiet the voices of dissenters. Nafisi’s homeland changed quickly into a place she barely recognized

“This wasn’t my land,” she told Simon. “This was a country ruled by a regime that stoned people to death.”

When the religious hardliners in the government banned women from appearing in public without a headscarf, the film shows Nafisi, played by Goldshifteh Farahani, agonizing in front of a mirror with a black headscarf.