Washington
Indie Films Opening July 3: ‘Young Washington’ Marches Into Theaters
July 4 weekend is a quiet one for new indie releases, leaving the field to Angel Studios’ PG-13 wide release Young Washington on 2,700 screens.
From Angel and Wonder Project, the film, timed to the 250th anniversary of the founding of the U.S., stars British actor William Franklyn-Miller as the young man who would go on to become the nation’s first president.
Directed by Jon Erwin (I Can Only Imagine, Jesus Revolution), with Mary-Louise Parker as George’s mother, Ben Kingsley as Virginia Gov. Robert Dinwiddie, and Kelsey Grammer as wealthy nobleman Lord Fairfax. See Deadline review.
Synopsis: “Before he was the Father of a Nation, he was a soldier fighting to survive. A single misstep thrusts young George Washington into the center of a global conflict, testing his honor, loyalty, and courage. As alliances crumble and the frontier erupts into war, he must confront not only his enemies but the man he’s becoming.”
The action is set in the 1750s with Washington as a young man eager to fight, initially as a British officer in a period of complex loyalties. He enlists at 23 and leads a disastrous campaign against the French in Ohio but fights brilliantly and his career takes off.
Elsewhere this frame, Music Box Films is out with a 4K restoration of Ross McElwee’s Sherman’s March July 3-9 at Film Forum. It will lead into Venice award-winning Remake, McElwee’s new documentary, which premieres at the NYC art house July 10.
Sherman’s March, which won the Grand Jury prize at the 1986 Sundance Film Festival, was ranked as one of the highest-grossing documentary films of all time until the mid-1990s. In it, McElwee sets out to make a movie about Union Gen. William Tecumseh Sherman’s March to the Sea towards the end of the American Civil War, but keeps getting sidetracked by his own love life. He’ll appear in-person for post-screening Q&As on July 8-9.
Kino Lorber opens Sasha Waters’ Mary Oliver: Saved By the Beauty of the World, on the Pulitzer Prize-winning poet, at the IFC Center in New York today, expanding to select theaters nationwide in the coming weeks. The documentary includes new recitations of her work by fans as varied as Stephen Colbert, Lucy Dacus, Steve Buscemi and Oprah Winfrey and Helena Bonham Carter alongside stories from longtime friends like John Waters.
World premiered in March at the True/False festival in Columbia, MO, screened at DOC NYC Spring Selects, the Martha’s Vineyard Film Festival and the Miami Film Festival. Waters gained access to Oliver’s personal archives to make the film.
Citizen Kane is also back via Fathom Entertainment at about 900 theaters on July 5 and July 8. It’s for the 85th anniversary of the 1941 classic directed by and starring Orson Welles as publishing tycoon Charles Foster Kane. The rerelease includes exclusive insight from Leonard Maltin.
Washington
Buying Here: Mount Washington condo offers front-seat view of fireworks for $499,000
Washington
Review: Our critic cannot tell a lie: ‘Young Washington’ is the dullest of history lessons
It’s the 250th birthday of the United States of America and how better to celebrate than with a big-screen hagiography of America’s first president, George Washington? “Young Washington” arrives in theaters just in time for the Fourth of July with a chiseled, hot young actor in the lead role and the sheen of a prestige HBO drama, though the result isn’t really big-screen spectacle or appointment television. It feels more like something to be watched on the AV rig in a middle school social studies class. At least there won’t be a quiz at the end.
But there could be, because the plot of “Young Washington” plays out with all the thrill of a textbook chapter. It takes place mostly around 1753-55, at the advent of the French and Indian War. We open in medias res when the 23-year-old Col. Washington (William Franklyn-Miller) lurches from a dysentery-riddled nap directly into battle in the Pennsylvania woods, his battalion on the back foot, surrounded by gore and gunpowder. Another officer describes how dire the situation is while George ponders saving his men and asks, “What could be worth the risk?” Washington steels his gaze and we cut to black. You can almost hear the eagles scream, guitars riff and engines rev.
“Young Washington” is produced and distributed by Angel Studios, the faith-based movie studio that churns out films based on true stories that either feature freak accidents, strange illnesses or, more recently, unique stories from the past in which faith in God is a factor. Apparently, our nation’s founding also falls under this umbrella.
The film is directed by Jon Erwin, one of the in-house Angel Studios mainstays, who also helmed “Jesus Revolution,” “I Still Believe” and “I Can Only Imagine.” Erwin gives the whole project a kind of gritty, visceral approach — very “Game of Thrones” in red coats. It’s violent, muddy, the contrast is high and too many drone shots soar over the forest treetops.
Though it opens with a bang, this 1755 battle framing device gives way to the George origin story, starting with his father’s death 12 years earlier, when the 11-year-old George is bereft that he’ll have to sacrifice his education in order to become a tenant farmer and provide for his family including his mother, Mary (Mary-Louise Parker, doing a bizarre accent).
His older half-brother Lawrence (John Foss) takes him under his wing and teaches him, and the young George grows into a smart, bright, ambitious young man, whose dreams of becoming a British officer are dashed because he doesn’t have formal education, a fortuitous marriage or his own land. But he’s bootstrapped himself into intelligence and with savvy networking and know-how, he becomes indispensable to the British, volunteering as a major to survey land and negotiate treaties with the Native tribes and French army. It’s all a bunch of politicking and petty disputes until it escalates into all-out war thanks to an ill-advised ambush.
Sir Ben Kingsley, Kelsey Grammar (who starred in “Jesus Revolution”) and Andy Serkis play the British officers who begrudgingly, at times, believe in George and his capabilities, though a lot of the film is about a young man getting rebuffed by snobbish British officers.
He’s the kind of character who always makes the noble choice, does and says what’s right, and sees everyone as equals (including enslaved African men and Native American allies). He inspires his brother and others that the world can change and takes inspiration from his mother, who encourages him to continue his path and do it as God’s servant.
Unfortunately, this doesn’t make for a character that’s in any way complex or interesting at all. Franklyn-Miller is certainly pretty, serving as a fine face for this story, but the screenplay (by Erwin, Diederik Hoogstraten and Tom Provost) flattens his character into a basic cookie-cutter hero. Audiences, including the middle school social studies students, deserve better and more nuanced stories about this country and the values it was built upon.
“Young Washington” is propaganda in the form of a history lesson wrapped in a summer blockbuster. If only it were even slightly entertaining — maybe they’ll tackle that in the inevitable sequel.
‘Young Washington’
Rated: PG-13, for sequences of strong war violence and some bloody images
Running time: 2 hours, 5 minutes
Playing: Opens Friday, July 3 in wide release
Washington
Kalispel students experience international conference at WSU
Mathematicians and statisticians from around the world descended onto Pullman to attend the regional conference of the International Biometric Society (IBS) in early June. Joining leading experts in data science and biometrics were several special guests: high school students from the Kalispel Tribe in northwestern Washington.
The eleven students from Cusick are participants in a collaborative tutoring program between the WSU Department of Mathematics and Statistics and the Camas Learning Center (CLC), an in-school and after-school program managed by the Kalispel Tribe. They were invited to the IBS conference by Regents Professor Jan Dasgupta, department chairperson and the current president of the IBS western North American region. Dasgupta saw an opportunity to share the Pullman academic experience with both leading researchers and the students tutored by her undergraduate students.
“The IBS conference includes an Access and Opportunity workshop focused on engaging local students, and we wanted them to experience WSU and see the possibilities that exist in STEM education and careers,” Dasgupta said.
Undergraduate students from the WSU “Future Teachers of Math” club typically tutor the high schoolers via one-on-one Zoom consultations, supported by CLC staff. The tutoring program has evolved since 2023, but the focus has always remained on student math preparation, for those learning and those teaching the subject. The partnership creates stronger pathways to both higher education and STEM opportunities for students in rural and tribal communities across Washington.
Integrating high school students into the IBS conference proceedings is not a new concept. In 2024, the annual conference’s Access and Opportunity Workshop invited community college students from the Denver area to network with attendees and participate in a data skills seminar. The next year, the workshop invited students from around Whistler, B.C. to the conference proceedings. This year, it was time for the students from Cusick.
Eleven students and four chaperones made the trip from Pend Oreille County to Pullman, where they stayed in Stimson Hall as an on-campus dormitory experience. While the students’ conference activities included hands-on experiences with biostatistics, data science, and biometry analysis, they were also treated to a campus facilities tour. Physics professor Guy Worthy provided a tour of the WSU Planetarium, and Squeak Meisel from the Department of Art led students on a tour of the art facilities and the Jordan Schnitzer Museum of Art at WSU. Other tour locations included the Veterinary Teaching Hospital and the University Recreation Center for some earned relaxation time in the pool.
Cross-discipline researchers also sat down for a panel discussion with the students, discussing their education, career, and life experiences. The speakers included Denise Dillard, director of the Institute for Research and Education to Advance Community Health (IREACH); Mikaela Nishida, PhD scholar in statistics from University of California, Irvine; and Courtney Meehan, Dean of the WSU College of Arts and Sciences.
“One of the most important things we can do as a university is help students see new possibilities for themselves,” said Dean Meehan. “Hosting international conferences like this on our campus creates powerful opportunities for students to interact with researchers and explore potential career paths firsthand. These connections can have a lasting impact long after they leave Pullman.”
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