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‘Sherlock’ Creator Steven Moffat and Producer Sue Vertue on New Show ‘Number 10’: A ‘Workplace Comedy Drama in the Most Ridiculous Workplace’
‘Sherlock‘ producer Sue Vertue and co-creator Steven Moffat talked at Series Mania about their new political show “Number 10,” written by Moffat for Channel 4/ITVS.
“[It’s about] British government, we don’t know which party is in power. You have no idea. But, as I discovered in my research, it really makes no difference,” says Moffat.
“It’s not a satire. Whatever the disastrous outcome, for most part, these people are trying to get a good outcome. It’s funny and quite serious at times. I did an awful lot of research, which was usual for me, and got so many great stories about what goes on in this house. Yeah, I know they are politicians, but every proper sensible country governs from mighty buildings and castles. We got a wee street!”
“If you want to look at British self-image and what we are like as a nation, go to Downing Street. This little street. That’s us. That’s how we are. Inside, the toilets don’t often work, the lift breaks down, and in the room where they held the most important meetings, there is a sword – if everyone moves it, they’ve broken a terrible law. You will find out why if you watch the show.”
The politics has very little to do with the show, he states. Even though it was filmed on the actual Downing Street.
“As one character says, quoting a real-life Prime Minister: ‘Most of this job is trying to choose between two unacceptable outcomes.’ That’s pure drama. That’s glorious. ‘Which one of these should I chose?’ ‘It’s up to you, Prime Minister.’ ‘But they are both terrible? ‘Yes, Prime Minister.’ ‘I will be blamed for it, won’t I?’ ‘You will, Prime Minister.’ ‘Is more data coming in? Can we wait for it?’ ‘Yes, Prime Minister. No, Prime Minister.’”
“Think of it as a workplace comedy drama – in the most ridiculous workplace. The one where if you have an accidental hookup at a Christmas party, it’s going on the front page. If you have a serious hangover, you can start a war. It’s a place of high drama, sometimes high principle, but staffed by just people,” he notes.
“A lot of the stories are true. I’ve disguised the names to protect the guilty, but tons of it actually happens. It’s not about politics, because while making this show, any notion of having a political orientation went out of the window. I learnt too much. You are in a state of continuous crisis. What a perfect place to put a bunch of interesting characters in for a comedy drama.”
Vertue adds: “We are so proud of this show. We finished filming on Friday. It’s beautiful.”
A longtime couple in work and in life also talked about their partnership that spawned “Dracula” or “Sherlock” during the masterclass.
They spotted Cumberbatch in “Atonement,” where “he played a really creepy character. But he looked and sounded the part,” says Moffat.
“He had his demeanor. The BBC said: ‘He’s brilliant, just one thing: You did promise us a sexy Sherlock Holmes and he’s not, is he?’
Before Martin Freeman was cast, Matt Smith – Eleventh Doctor in “Doctor Who” – was one of the first people to audition for the role.
“Martin was a bit grumpy and we didn’t think he wanted the part. Then his agent called me: ‘No, he did, but he just had his wallet stolen’,” recalled Vertue, with Moffat adding: “They are both brilliant but I don’t know if they are ever more brilliant than when they are together.”
When they first met, Vertue was a “bigger name,” says Moffat.
“I don’t know, I guess making things like ‘Mr. Bean’ makes you famous. When we met, she was way out of my league. People ask: ‘Is it a problem, working with your wife?’ Well, raising children together is hard, too. If working together is ‘hard,’ what the hell are you doing getting married?!”
He adds: “Also, we are saving production money – we only need one hotel room.”
How did they fall in love?
“In a bar,” deadpans Vertue.
Or, rather, at the Edinburg TV festival.
“You know when you know immediately when it’s right? We did. I promised another producer not to work with him for a year, kept my promise and then I nabbed him,” she says.
They also worked together on “Coupling,” which was close to their own story, they admit.
“Whatever you write, even nonsense like ‘Doctor Who’ and ‘Sherlock,’ you write what’s in front of you. I went from being a single man to being a married man. I lived in a different place; I was ‘a couple’. The rules had to be rewritten: ‘Stop flirting with women’ – that was one,” says Moffat.
“How autobiographical [was it]? Not very. Every journalist would ask: ‘Are any characters based on you and Sue?’ ‘Yes, those with our names. You are never gonna crack Watergate, are you?’ But yes, there’s some truth in it.”
“[After we met] we said: ‘Shall we be exclusive?’ I said: ‘I just have to go and dump someone.’ Sue was dumping people for about a month, and it was so easy for her! Once someone called, she picked up and said: ‘Oh hi! Sorry, I met someone. Bye’.”
According to Moffat, “if it’s boring, stick some jokes in it.”
“Real life is funny – drama is a lie. If you are saying goodbye to the love of your life, you can’t wait for her to leave because you have to pee. These Sherlock stories? If you read the original, it’s funny. Holmes is a funny guy, making impossible deductions and Watson still managing to be astonished by it. It’s glorious stuff. [‘Sherlock’ episode] ‘A Scandal in Belgravia’ is one of my favorite things and it’s non-stop gags. You can’t be too funny, too sexy or too pretty. Always go for funny.”
He adds: “Humor is truth on speed, that’s what it is. It’s insight with velocity. We had a tradition: When Sue reads a script, I move very far from her in case I want to ask: ‘Why haven’t you laughed yet?’ People must laugh when they read the script. You must laugh before you write a line. I used to say about comedy writing: Stare at the window until you make yourself laugh, and when you do, write it down.”
Vertue says: “He does all the voices and all the parts, and he’s laughing while walking down the street. Our son would say to his friends when they were coming over: ‘Don’t worry about my dad. He’s not mad, he’s just writing’.”
World
AI helped a musician with Parkinson’s finish his new album when he could no longer play guitar
LONDON (AP) — Samuel Smith spent years writing songs with a guitar in his hands.
Now, the London-based singer-songwriter is using artificial intelligence tools to help him continue making Americana music after Parkinson’s disease largely took away his ability to play guitar.
Smith, who was diagnosed with the progressive neurological disorder in 2020, recently released his second album, “The Art of Letting Go.” For one of the eight tracks, an instrumental piece titled “Horizon,” he relied on platforms that use AI to generate music to create demo arrangements that would convey his vision to the musicians who recorded the song.
The demos he created by humming rough melodies into his phone and uploading the recordings into song generators like Suno and Udio weren’t for mixing into the final studio version of “Horizon,” Smith stressed. But tremors, stiffness and fatigue, which are common symptoms of Parkinson’s, caused his guitar skills to deteriorate during the more than a year he worked on the album, he said.
“So then I’m faced with a question,” Smith, 49, said. “‘Don’t play, don’t be creative, or find a way out, find a route.’ And for me, this was the route.”
Generative AI has divided the music industry, whose artists and record labels have complained of their copyrighted work being used to train the models behind AI-powered music tools. Sony Music Entertainment, Universal Music Group and Warner Records sued Suno and Udio in June 2024, although Universal later reached a settlement and partnership deal with Udio and Warner did the same with Suno.
Less discussed is what those platforms can do when employed by a serious musician like Smith, whose disease affects the tools central to his songwriting and identity as a guitarist: his hands. He released his debut album, “In the Springtime,” in 2023, saying he wanted to give his two sons a way to remember when he could perform and record music himself.
“I’d always written, I’d also played, I always sung,” he said. “And immediately it became clear to me that I was in trouble, that my music was going to be seriously compromised.”
From prompts to convincing demos
AI music generators use systems trained on large datasets of recorded music and audio. The platforms analyze patterns in melody, harmony, and rhythm before generating new audio based on prompts or uploaded recordings. Users don’t need musical talent to end up with a serviceable song, or even a popular one.
Smith said producing convincing demos from the synthetic tracks the apps generated often required “50, 100, 150 attempts” and extensive editing “to get something that sounds close to my music.” After humming a song into his phone and uploading the recording, he gives prompts describing instrumentation, mood and style. .
“AI is not replacing anything for me,” he said. “It’s unlocking, it’s enabling. It’s allowing me to keep writing. I upload my lyrics; AI doesn’t create my lyrics. I upload my music; AI does not create my music.”
He added: “It then brings it to life in a way that I can play to session players and say, ‘Here, that’s what I’m thinking, that is what I’m hearing.’”
A bittersweet guitar duet
The album was produced by Grammy-winning pianist and producer Matt Rollings, who assembled a group of established roots and bluegrass musicians for the project. They included dobro player and 16-time Grammy winner Jerry Douglas, Grammy-winning banjo player Alison Brown, fiddler Stuart Duncan, guitarist Bryan Sutton, bassist Viktor Krauss and singers Jonatha Brooke and Glen Phillips.
For Smith, the experience of singing in a Nashville studio alongside musicians he had admired for decades was “an extraordinary moment.”
Grammy-nominated guitarist Julian Lage, known for his jazz and acoustic recordings with Blue Note Records, performed on the album’s title track and on “Horizon.” The latter recording became a bittersweet high point in Smith’s career; despite the progression of his disease, he managed to play a guitar duet with his friend.
“I hadn’t been able to play for months, but I kept telling myself that if I wrote something to take to the studio, perhaps the clouds would part for a few minutes,” Smith said. “That’s what happened. I had a window of about 10 minutes in the studio when my arm freed up. … So in the end, I was able to capture the last breath of my guitar playing.”
New possibilities and perils
Experts said AI-assisted music tools could benefit other people with disabilities or illnesses.
Ruaidhri Mannion, a composer, music producer and sonic artist who teaches at Brunel University of London, said technology like affordable digital recording software “effectively democratized the making of music” in recent decades. By helping songwriters and musicians communicate ideas and collaborate more easily, AI tools that generate polished-sounding material from voice or text prompts could work in the same way, he said.
“If these tools are able to enable people to be able to participate with other creative groups and encourage more people to feel confident to be able to reach out to an ensemble or an orchestra or something, then I think that is all for the better,” Mannion said.
But an overreliance on technology could intefere with the trial and error, frustration and synergy that are necessary parts of a musician’s artistic development, Mannion said.
“What makes a lot of music-making meaningful is the collaborative element,” he said. “There’s a lot of experimentation and development and failure that’s part of musical discovery.”
Udio and Suno have denied copyright infringement allegations and said they wanted to work with the music industry, not in opposition to it. Some musicians are unconvinced. A group of recording artists and activists, including singer-songwriter Tift Merritt, David Lowery of the bands Cracker and Camper Van Beethoven, and ECR Music Group President Blake Morgan, published an open letter in February under the heading “So no to Suno.”
“Many in our community are embracing responsible AI as a tool for creation, and as a means for fans to explore and interact with our artistry. That’s wonderful,” the letter read. “But it’s not the same as creating an environment where AI-generated works sourced from our music are mass distributed to dilute our royalties or, worse yet, reward those actively seeking to commit fraud. Artists need to know the difference.”
‘Show us what you can do’
Smith said he thinks his experience demonstrated how AI could benefit society and expand creative access, if it’s developed responsibly.
“My message would be that if these companies want to show they’ve got a place, a role in society, then step up,” Smith said. “Engage with health professionals, engage with music therapists, engage with society and show us what you can do.”
On May 21, Smith collaborated with the Berklee Music and Health Institute for an event in New York that brought together music industry leaders, researchers and clinicians to examine how music can support people living with neurological conditions. Smith discussed his experience living with Parkinson’s and sang again alongside musicians who played on “The Art of Letting Go.”
Creating music is crucial to the legacy Smith hopes to leave for his children, ages 4 and 17.
“My 4-year-old is probably never going to remember me playing, and it’s heartbreaking,” he said. “But I’ve been able to pull this into something and refuse to be defined by this disease.”
World
Christian farming communities under siege as US report names Fulani militants Nigeria’s deadliest threat
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JOHANNESBURG — An estimated 30,000 mostly Muslim Fulani militants are operating in Nigeria, causing “worsening insecurity and religious freedom violations,” according to an influential new report.
The report, by the U.S. Commission on International Religious Freedom (USCIRF), states “violence by Fulani militants caused the highest number of deaths among all religious communities in Nigeria over the last year, as compared to attacks by organized insurgent groups and criminal gangs.”
The Fulanis, so-called herders of livestock, have, according to the USCIRF report, “targeted Christian (farming) communities in the Middle Belt and, increasingly, the South, burning homes and churches as well as kidnapping, raping, and murdering.”
CHRISTIANS TARGETED IN SYSTEMATIC KIDNAPPING CAMPAIGN IN NIGERIA BY JIHADI HERDSMEN, EXPERTS SAY
Funerals were held for about 27 Christians reportedly killed by Islamist Fulani tribesmen in Bindi village, Plateau State, Nigeria, on July 28, 2025. (Christian Solidarity International)
But a former counterterrorism expert at the State Department told Fox News Digital that the kind of strikes the U.S., working with Nigerian government forces, have recently carried out in Nigeria’s North against Islamist terrorist organizations such as Boko Haram and Islamic State, wouldn’t work against the Fulanis in the predominantly Christian central areas of the country.
Sterling Tilley, former acting director within the Bureau of Counterterrorism, who has worked in Nigeria for the State Department, said that the U.S. “militarily dealing with the farmer-herder conflict is not advisable because it is likely to bring more instability in the country.” Tilley, now director of the Thomas R. Pickering Graduate Foreign Affairs Fellowship at Howard University, added, “There are some steps that can be taken to quell the violence, but there must be Nigerian political will to do so.”
Young people protest against the killings following a deadly attack by Fulani militants on Christian-majority villages in Benue state, that left 218 people dead and 6,000 displaced. The protest took place in Benue state in June 2025. (Open Doors UK)
This week, Secretary of War Pete Hegseth commented on the recent strikes ordered by President Donald Trump on Nigeria, saying, “Maybe a year ago, [the president] heard the call of Nigerian Christians who were being targeted and killed by ISIS. And he said, ‘Pete, I want the War Department to focus on ensuring that we do everything we can to protect those Christians.’”
NIGERIA NAMED EPICENTER OF GLOBAL KILLINGS OF CHRISTIANS OVER FAITH IN 2025, REPORT SAYS
Christians make up approximately 48% of Nigeria’s population. Fulani militants, the USCIRF report stated, “have often carried out operations during Christian holidays such as Christmas or Easter to further maximize the psychological impact, terrifying those communities from gathering to celebrate or worship. During attacks, assailants sometimes utter slogans with religious connotations, such as “Allahu Akbar“ (Arabic for “God is great”).
But, according to the report, Muslims are being attacked too. “Fulani assailants have not spared Muslims, raiding herders’ cattle and violently attacking non-Fulani Muslim communities,” the report added.
Coffins arrive at Ibrahim Babanginda Square in Makurdi, Benue State, on Jan. 11, 2018, during a funeral service for victims of clashes between Fulani herdsmen and natives of Guma and Logo districts. (Pius Utomi Ekpei/AFP)
“Violence at the hands of militants from the Fulani tribe far outnumbers violence from all other militant groups such as Boko Haram or ISWAP (Islamic State West African Province),” Henrietta Blyth, CEO of Open Doors UK & Ireland, an organization that highlights the persecution of Christians, told Fox News Digital.
While her organization was not part of the report, she said, “My heart has been broken as I have heard stories from women and men who have seen their beloved family members butchered in front of them or carried off into a life of slavery.”
AFRICAN UNION CHIEF DENIES GENOCIDE CLAIMS AGAINST CHRISTIANS AS CRUZ WARNS NIGERIAN OFFICIALS
Fulani Muslim men pray in Masallacin Shehu Mosque, Sokoto, Sokoto State, Nigeria, on April 24, 2019. (Luis Tato/AFP via Getty Images)
Blyth added: “The situation is complicated, and as the report concludes, it is too simplistic to say all perpetrators are religiously motivated. What is undisputable is that Christians are highly vulnerable and often the victims, paying the price in blood. They desperately need protection and, for hundreds of thousands driven from their homes, the chance to heal and rebuild their lives.”
The USCIRF report also stated, “Criticism of responses to Fulani militant violence from federal and state authorities has often described their responses as unsatisfactory at best and complicit at worst.”
Tilley told Fox News Digital that elections are to be held in Nigeria next year, and “the Fulani do have considerable political influence as a voting bloc. Thus, the Nigerian government seems reluctant to take actions necessary to quell the violence for fear that they could lose their base of support in the North and Middle Belt.”
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Fox News Digital reached out to the Nigerian government for comment but did not receive a response by publication time.
World
Zelenskyy warns Russia may be preparing ‘massive’ new attack
Published on
Ukrainian President Volodymyr Zelenskyy has warned that Russia may be preparing to launch a “massive” new attack against Ukraine.
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“We have intel indicating that Russia is preparing a new massive attack,” Zelenskyy said in a post on social media late on Friday, while also advising people to listen out for air raid alerts and keep safe.
“The air force and protectors of our skies will be working around the clock, as always,” he added.
It comes after Russia deployed its nuclear-capable Oreshnik missile in a massive wave of strikes on the Kyiv region last weekend. Ukraine said the attack included 90 missiles and 600 drones.
The use of the Oreshnik, an intermediate-range ballistic missile that Russia first used in a strike on Dnipro in 2024, drew strong criticism from leaders across Europe.
On Friday, Zelenskyy also reiterated his call for more Patriot missile systems from the US. The Patriot is an air and missile defense system used to intercept ballistic missiles, cruise missiles, drones, and aircraft.
Zelenskyy told reporters in Sweden on Thursday that he was being “very persistent” in his pursuit of new missiles for the system. He reportedly wrote to US President Donald Trump earlier this week asking for more ammunition.
“For us — for a nation fighting for its survival — there is hardly anything more painful to see than Patriot batteries with no missiles loaded,” he said in his letter to Trump.
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